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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDCD9CE it is the complementary color #542326CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDCD9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDCD9CE shade: #B0DCD4CE, #C1EEE7CE, #D2FFFACE, #E3FFFFCE and #F4FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDCD9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDCD9CE shade: #ABDCD9CE, #9ACAC6CE, #89B8B3CE, #78A6A0CE and #67948DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDCD9CE shade: #ACDCD9, #ACDCCC, #ACDCC0, #ACDCB3 and #B3DCAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDCD9CE shade: #ACDCD9, #ACD2DC, #ACC5DC, #ACB8DC and #ACACDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDCD9CE shade matches the following richer shades: #ACDCD9, #A3E6E2, #99EFEA and #90F9F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDCD9CE shade: #ACDCD9, #B6D3D1, #BFC9C9, #C9C0C0 and #D2B6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDCD9CE shade: #ACDCC0, #ACDCCC, #ACDCD9, #ACD3DC and #ACC6DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDCD9CE shade: #72C4BF, #8FD0CC, #ACDCD9, #C9E9E7 and #E6F5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDCD9CE shade: #ABDCD9, #B3ACDC and #DCC6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDCD9CE shade: #ABDCD9, #D9ACDC and #DCD9AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDCD9CE shade: #ABDCD9, #B3ACDC, #DCACB0 and #D6DCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDCD9CE shade: #ABDCD9, #C1ACDC, #DCACB0 and #C8DCAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 1 / 11

HEX #ABDCD9CE

RGBA 171 220 217 0.81

HSLA 176.33, 0.41%, 0.77%, 0.81

LABA 84.41, -16.36, -3.72, 0.81

 

Complementary color

CMYK 0 / 47 / 44 / 54

HEX #542326CE

RGBA 84 35 38 0.81

HSLA 356.33, 0.41%, 0.23%, 0.81

LABA 20.93, 23.12, 9.09, 0.81

 

CMYK 16 / 0 / 3 / 11

HEX #B0DCD4CE

RGBA 176 220 212 0.81

HSLA 169.09, 0.39%, 0.78%, 0.81

LABA 84.57, -15.88, -0.8, 0.81

 

CMYK 15 / 0 / 2 / 5

HEX #C1EEE7CE

RGBA 193 238 231 0.81

HSLA 170.67, 0.57%, 0.85%, 0.81

LABA 90.9, -15.79, -1.41, 0.81

 

CMYK 14 / 0 / 2 / 0

HEX #D2FFFACE

RGBA 210 255 250 0.81

HSLA 173.33, 1%, 0.91%, 0.81

LABA 96.87, -15.23, -2.38, 0.81

 

CMYK 9 / 0 / 0 / 0

HEX #E3FFFFCE

RGBA 227 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.06, -9, -3.08, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F4FFFFCE

RGBA 244 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.21, -3.59, -1.26, 0.81

 

CMYK 18 / 0 / 1 / 11

HEX #ABDCD9CE

RGBA 171 220 217 0.81

HSLA 176.33, 0.41%, 0.77%, 0.81

LABA 84.41, -16.36, -3.72, 0.81

 

CMYK 19 / 0 / 2 / 17

HEX #9ACAC6CE

RGBA 154 202 198 0.81

HSLA 175, 0.31%, 0.7%, 0.81

LABA 77.99, -16.46, -3.13, 0.81

 

CMYK 21 / 0 / 2 / 23

HEX #89B8B3CE

RGBA 137 184 179 0.81

HSLA 173.62, 0.25%, 0.63%, 0.81

LABA 71.46, -16.57, -2.52, 0.81

 

CMYK 22 / 0 / 3 / 28

HEX #78A6A0CE

RGBA 120 166 160 0.81

HSLA 172.17, 0.21%, 0.56%, 0.81

LABA 64.81, -16.69, -1.89, 0.81

 

CMYK 25 / 0 / 4 / 34

HEX #67948DCE

RGBA 103 148 141 0.81

HSLA 170.67, 0.18%, 0.49%, 0.81

LABA 58.02, -16.84, -1.21, 0.81

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 22 / 0 / 7 / 14

HEX #ACDCCC

RGB 172 220 204

HSL 160, 0.41%, 0.77%

LAB 84.13, -18.75, 2.76

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCC0

RGB 172 220 192

HSL 145, 0.41%, 0.77%

LAB 83.84, -21.1, 8.69

 

CMYK 22 / 0 / 19 / 14

HEX #ACDCB3

RGB 172 220 179

HSL 128.75, 0.41%, 0.77%

LAB 83.55, -23.49, 15.14

 

CMYK 19 / 0 / 22 / 14

HEX #B3DCAC

RGB 179 220 172

HSL 111.25, 0.41%, 0.77%

LAB 83.83, -22.36, 19.27

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 22 / 5 / 0 / 14

HEX #ACD2DC

RGB 172 210 220

HSL 192.5, 0.41%, 0.77%

LAB 81.86, -10.3, -9.09

 

CMYK 22 / 10 / 0 / 14

HEX #ACC5DC

RGB 172 197 220

HSL 208.75, 0.41%, 0.77%

LAB 78.39, -3.48, -14.27

 

CMYK 22 / 16 / 0 / 14

HEX #ACB8DC

RGB 172 184 220

HSL 225, 0.41%, 0.77%

LAB 74.96, 3.51, -19.43

 

CMYK 22 / 22 / 0 / 14

HEX #ACACDC

RGB 172 172 220

HSL 240, 0.41%, 0.77%

LAB 71.85, 10.1, -24.16

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 29 / 0 / 2 / 10

HEX #A3E6E2

RGB 163 230 226

HSL 176.42, 0.57%, 0.77%

LAB 86.93, -21.72, -4.81

 

CMYK 36 / 0 / 2 / 6

HEX #99EFEA

RGB 153 239 234

HSL 176.51, 0.73%, 0.77%

LAB 89.13, -26.99, -5.81

 

CMYK 42 / 0 / 3 / 2

HEX #90F9F2

RGB 144 249 242

HSL 176, 0.9%, 0.77%

LAB 91.73, -32.1, -6.2

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 14 / 0 / 1 / 17

HEX #B6D3D1

RGB 182 211 209

HSL 175.86, 0.25%, 0.77%

LAB 82.45, -10.01, -2.27

 

CMYK 5 / 0 / 0 / 21

HEX #BFC9C9

RGB 191 201 201

HSL 180, 0.08%, 0.77%

LAB 80.22, -3.41, -1.19

 

CMYK 0 / 4 / 4 / 21

HEX #C9C0C0

RGB 201 192 192

HSL 0, 0.08%, 0.77%

LAB 78.42, 3.15, 1.12

 

CMYK 0 / 13 / 12 / 18

HEX #D2B6B8

RGB 210 182 184

HSL 355.71, 0.24%, 0.77%

LAB 76.45, 10.35, 2.68

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCC0

RGB 172 220 192

HSL 145, 0.41%, 0.77%

LAB 83.84, -21.1, 8.69

 

CMYK 22 / 0 / 7 / 14

HEX #ACDCCC

RGB 172 220 204

HSL 160, 0.41%, 0.77%

LAB 84.13, -18.75, 2.76

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 22 / 4 / 0 / 14

HEX #ACD3DC

RGB 172 211 220

HSL 191.25, 0.41%, 0.77%

LAB 82.12, -10.82, -8.69

 

CMYK 22 / 10 / 0 / 14

HEX #ACC6DC

RGB 172 198 220

HSL 207.5, 0.41%, 0.77%

LAB 78.65, -4.02, -13.87

 

CMYK 42 / 0 / 3 / 23

HEX #72C4BF

RGB 114 196 191

HSL 176.34, 0.41%, 0.61%

LAB 74.07, -26.21, -5.35

 

CMYK 31 / 0 / 2 / 18

HEX #8FD0CC

RGB 143 208 204

HSL 176.31, 0.41%, 0.69%

LAB 79.22, -21.36, -4.61

 

CMYK 22 / 0 / 1 / 14

HEX #ACDCD9

RGB 172 220 217

HSL 176.25, 0.41%, 0.77%

LAB 84.47, -16.06, -3.63

 

CMYK 14 / 0 / 1 / 9

HEX #C9E9E7

RGB 201 233 231

HSL 176.25, 0.42%, 0.85%

LAB 90.07, -10.8, -2.55

 

CMYK 6 / 0 / 0 / 4

HEX #E6F5F4

RGB 230 245 244

HSL 176, 0.43%, 0.93%

LAB 95.44, -5.1, -1.23

 

CMYK 22 / 0 / 1 / 14

HEX #ABDCD9

RGB 171 220 217

HSL 176.33, 0.41%, 0.77%

LAB 84.41, -16.36, -3.72

 

CMYK 19 / 22 / 0 / 14

HEX #B3ACDC

RGB 179 172 220

HSL 248.75, 0.41%, 0.77%

LAB 72.4, 12.27, -23.28

 

CMYK 0 / 10 / 22 / 14

HEX #DCC6AC

RGB 220 198 172

HSL 32.5, 0.41%, 0.77%

LAB 81.06, 3.66, 15.85

 

CMYK 22 / 0 / 1 / 14

HEX #ABDCD9

RGB 171 220 217

HSL 176.33, 0.41%, 0.77%

LAB 84.41, -16.36, -3.72

 

CMYK 1 / 22 / 0 / 14

HEX #D9ACDC

RGB 217 172 220

HSL 296.25, 0.41%, 0.77%

LAB 75.71, 24.56, -17.94

 

CMYK 0 / 1 / 22 / 14

HEX #DCD9AC

RGB 220 217 172

HSL 56.25, 0.41%, 0.77%

LAB 85.92, -6.19, 22.59

 

CMYK 22 / 0 / 1 / 14

HEX #ABDCD9

RGB 171 220 217

HSL 176.33, 0.41%, 0.77%

LAB 84.41, -16.36, -3.72

 

CMYK 19 / 22 / 0 / 14

HEX #B3ACDC

RGB 179 172 220

HSL 248.75, 0.41%, 0.77%

LAB 72.4, 12.27, -23.28

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB0

RGB 220 172 176

HSL 355, 0.41%, 0.77%

LAB 74.73, 18.12, 4.68

 

CMYK 3 / 0 / 22 / 14

HEX #D6DCAC

RGB 214 220 172

HSL 67.5, 0.41%, 0.77%

LAB 86.24, -9.93, 22.96

 

CMYK 22 / 0 / 1 / 14

HEX #ABDCD9

RGB 171 220 217

HSL 176.33, 0.41%, 0.77%

LAB 84.41, -16.36, -3.72

 

CMYK 12 / 22 / 0 / 14

HEX #C1ACDC

RGB 193 172 220

HSL 266.25, 0.41%, 0.77%

LAB 73.55, 16.72, -21.42

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB0

RGB 220 172 176

HSL 355, 0.41%, 0.77%

LAB 74.73, 18.12, 4.68

 

CMYK 9 / 0 / 22 / 14

HEX #C8DCAC

RGB 200 220 172

HSL 85, 0.41%, 0.77%

LAB 85.22, -15.01, 21.41

 

Description

Color code: HEX #ABDCD9CE | qconv.com Color code: HEX #ABDCD9CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 220 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 220 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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