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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDCD0CE it is the complementary color #54232FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDCD0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDCD0CE shade: #B0DCCBCE, #C1EEDECE, #D2FFF1CE, #E3FFFFCE and #F4FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDCD0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDCD0CE shade: #ABDCD0CE, #9ACABDCE, #89B8AACE, #78A697CE and #679484CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDCD0CE shade: #ACDCD1, #ACDCC4, #ACDCB7, #AFDCAC and #BCDCAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDCD0CE shade: #ACDCD1, #ACDBDC, #ACCEDC, #ACC1DC and #ACB4DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDCD0CE shade matches the following richer shades: #ACDCD1, #A3E6D5, #99EFDA and #90F9DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDCD0CE shade: #ACDCD1, #B6D3CC, #BFC9C7, #C9C0C2 and #D2B6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDCD0CE shade: #ACDCB7, #ACDCC4, #ACDCD0, #ACDCDC and #ACCFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDCD0CE shade: #72C4B0, #8FD0C0, #ACDCD1, #C9E9E1 and #E6F5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDCD0CE shade: #ABDCD0, #ACAFDC and #DCBDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDCD0CE shade: #ABDCD0, #D0ACDC and #DCD0AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDCD0CE shade: #ABDCD0, #ACAFDC, #DCACB8 and #DCDAAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDCD0CE shade: #ABDCD0, #B8ACDC, #DCACB8 and #D0DCAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 4 / 11

HEX #ABDCD0CE

RGBA 171 220 208 0.81

HSLA 165.31, 0.41%, 0.77%, 0.81

LABA 84.17, -18.24, 0.7, 0.81

 

Complementary color

CMYK 0 / 47 / 36 / 54

HEX #54232FCE

RGBA 84 35 47 0.81

HSLA 345.31, 0.41%, 0.23%, 0.81

LABA 21.18, 24.18, 3.2, 0.81

 

CMYK 16 / 0 / 6 / 11

HEX #B0DCCBCE

RGBA 176 220 203 0.81

HSLA 156.82, 0.39%, 0.78%, 0.81

LABA 84.34, -17.69, 3.63, 0.81

 

CMYK 15 / 0 / 5 / 5

HEX #C1EEDECE

RGBA 193 238 222 0.81

HSLA 158.67, 0.57%, 0.85%, 0.81

LABA 90.67, -17.58, 2.96, 0.81

 

CMYK 14 / 0 / 4 / 0

HEX #D2FFF1CE

RGBA 210 255 241 0.81

HSLA 161.33, 1%, 0.91%, 0.81

LABA 96.65, -16.99, 1.92, 0.81

 

CMYK 9 / 0 / 0 / 0

HEX #E3FFFFCE

RGBA 227 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.06, -9, -3.08, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F4FFFFCE

RGBA 244 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.21, -3.59, -1.26, 0.81

 

CMYK 18 / 0 / 4 / 11

HEX #ABDCD0CE

RGBA 171 220 208 0.81

HSLA 165.31, 0.41%, 0.77%, 0.81

LABA 84.17, -18.24, 0.7, 0.81

 

CMYK 19 / 0 / 5 / 17

HEX #9ACABDCE

RGBA 154 202 189 0.81

HSLA 163.75, 0.31%, 0.7%, 0.81

LABA 77.75, -18.38, 1.36, 0.81

 

CMYK 21 / 0 / 6 / 23

HEX #89B8AACE

RGBA 137 184 170 0.81

HSLA 162.13, 0.25%, 0.63%, 0.81

LABA 71.22, -18.53, 2.06, 0.81

 

CMYK 22 / 0 / 7 / 28

HEX #78A697CE

RGBA 120 166 151 0.81

HSLA 160.43, 0.21%, 0.56%, 0.81

LABA 64.56, -18.7, 2.79, 0.81

 

CMYK 25 / 0 / 9 / 34

HEX #679484CE

RGBA 103 148 132 0.81

HSLA 158.67, 0.18%, 0.49%, 0.81

LABA 57.78, -18.9, 3.57, 0.81

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 22 / 0 / 11 / 14

HEX #ACDCC4

RGB 172 220 196

HSL 150, 0.41%, 0.77%

LAB 83.94, -20.33, 6.71

 

CMYK 22 / 0 / 17 / 14

HEX #ACDCB7

RGB 172 220 183

HSL 133.75, 0.41%, 0.77%

LAB 83.64, -22.77, 13.15

 

CMYK 20 / 0 / 22 / 14

HEX #AFDCAC

RGB 175 220 172

HSL 116.25, 0.41%, 0.77%

LAB 83.59, -23.71, 18.89

 

CMYK 15 / 0 / 22 / 14

HEX #BCDCAC

RGB 188 220 172

HSL 100, 0.41%, 0.77%

LAB 84.41, -19.25, 20.15

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 22 / 0 / 0 / 14

HEX #ACDBDC

RGB 172 219 220

HSL 181.25, 0.41%, 0.77%

LAB 84.28, -14.91, -5.5

 

CMYK 22 / 6 / 0 / 14

HEX #ACCEDC

RGB 172 206 220

HSL 197.5, 0.41%, 0.77%

LAB 80.78, -8.22, -10.68

 

CMYK 22 / 12 / 0 / 14

HEX #ACC1DC

RGB 172 193 220

HSL 213.75, 0.41%, 0.77%

LAB 77.33, -1.35, -15.86

 

CMYK 22 / 18 / 0 / 14

HEX #ACB4DC

RGB 172 180 220

HSL 230, 0.41%, 0.77%

LAB 73.92, 5.69, -21.01

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 29 / 0 / 7 / 10

HEX #A3E6D5

RGB 163 230 213

HSL 164.78, 0.57%, 0.77%

LAB 86.6, -24.53, 1.54

 

CMYK 36 / 0 / 9 / 6

HEX #99EFDA

RGB 153 239 218

HSL 165.35, 0.73%, 0.77%

LAB 88.72, -30.57, 1.94

 

CMYK 42 / 0 / 10 / 2

HEX #90F9DF

RGB 144 249 223

HSL 165.14, 0.9%, 0.77%

LAB 91.24, -36.44, 2.95

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 14 / 0 / 3 / 17

HEX #B6D3CC

RGB 182 211 204

HSL 165.52, 0.25%, 0.77%

LAB 82.32, -11, 0.21

 

CMYK 5 / 0 / 1 / 21

HEX #BFC9C7

RGB 191 201 199

HSL 168, 0.08%, 0.77%

LAB 80.16, -3.79, -0.19

 

CMYK 0 / 4 / 3 / 21

HEX #C9C0C2

RGB 201 192 194

HSL 346.67, 0.08%, 0.77%

LAB 78.47, 3.51, 0.11

 

CMYK 0 / 13 / 10 / 18

HEX #D2B6BD

RGB 210 182 189

HSL 345, 0.24%, 0.77%

LAB 76.58, 11.18, 0.15

 

CMYK 22 / 0 / 17 / 14

HEX #ACDCB7

RGB 172 220 183

HSL 133.75, 0.41%, 0.77%

LAB 83.64, -22.77, 13.15

 

CMYK 22 / 0 / 11 / 14

HEX #ACDCC4

RGB 172 220 196

HSL 150, 0.41%, 0.77%

LAB 83.94, -20.33, 6.71

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD0

RGB 172 220 208

HSL 165, 0.41%, 0.77%

LAB 84.23, -17.94, 0.79

 

CMYK 22 / 0 / 0 / 14

HEX #ACDCDC

RGB 172 220 220

HSL 180, 0.41%, 0.77%

LAB 84.55, -15.42, -5.1

 

CMYK 22 / 6 / 0 / 14

HEX #ACCFDC

RGB 172 207 220

HSL 196.25, 0.41%, 0.77%

LAB 81.05, -8.75, -10.28

 

CMYK 42 / 0 / 10 / 23

HEX #72C4B0

RGB 114 196 176

HSL 165.37, 0.41%, 0.61%

LAB 73.67, -29.79, 2.21

 

CMYK 31 / 0 / 8 / 18

HEX #8FD0C0

RGB 143 208 192

HSL 165.23, 0.41%, 0.69%

LAB 78.9, -24.04, 1.36

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 14 / 0 / 3 / 9

HEX #C9E9E1

RGB 201 233 225

HSL 165, 0.42%, 0.85%

LAB 89.92, -11.97, 0.36

 

CMYK 6 / 0 / 2 / 4

HEX #E6F5F1

RGB 230 245 241

HSL 164, 0.43%, 0.93%

LAB 95.36, -5.65, 0.21

 

CMYK 22 / 0 / 5 / 14

HEX #ABDCD0

RGB 171 220 208

HSL 165.31, 0.41%, 0.77%

LAB 84.17, -18.24, 0.7

 

CMYK 22 / 20 / 0 / 14

HEX #ACAFDC

RGB 172 175 220

HSL 236.25, 0.41%, 0.77%

LAB 72.63, 8.44, -22.98

 

CMYK 0 / 14 / 22 / 14

HEX #DCBDAC

RGB 220 189 172

HSL 21.25, 0.41%, 0.77%

LAB 78.8, 8.42, 12.67

 

CMYK 22 / 0 / 5 / 14

HEX #ABDCD0

RGB 171 220 208

HSL 165.31, 0.41%, 0.77%

LAB 84.17, -18.24, 0.7

 

CMYK 5 / 22 / 0 / 14

HEX #D0ACDC

RGB 208 172 220

HSL 285, 0.41%, 0.77%

LAB 74.88, 21.59, -19.28

 

CMYK 0 / 5 / 22 / 14

HEX #DCD0AC

RGB 220 208 172

HSL 45, 0.41%, 0.77%

LAB 83.6, -1.56, 19.4

 

CMYK 22 / 0 / 5 / 14

HEX #ABDCD0

RGB 171 220 208

HSL 165.31, 0.41%, 0.77%

LAB 84.17, -18.24, 0.7

 

CMYK 22 / 20 / 0 / 14

HEX #ACAFDC

RGB 172 175 220

HSL 236.25, 0.41%, 0.77%

LAB 72.63, 8.44, -22.98

 

CMYK 0 / 22 / 16 / 14

HEX #DCACB8

RGB 220 172 184

HSL 345, 0.41%, 0.77%

LAB 74.94, 19.36, 0.6

 

CMYK 0 / 1 / 22 / 14

HEX #DCDAAC

RGB 220 218 172

HSL 57.5, 0.41%, 0.77%

LAB 86.17, -6.7, 22.95

 

CMYK 22 / 0 / 5 / 14

HEX #ABDCD0

RGB 171 220 208

HSL 165.31, 0.41%, 0.77%

LAB 84.17, -18.24, 0.7

 

CMYK 16 / 22 / 0 / 14

HEX #B8ACDC

RGB 184 172 220

HSL 255, 0.41%, 0.77%

LAB 72.8, 13.85, -22.63

 

CMYK 0 / 22 / 16 / 14

HEX #DCACB8

RGB 220 172 184

HSL 345, 0.41%, 0.77%

LAB 74.94, 19.36, 0.6

 

CMYK 5 / 0 / 22 / 14

HEX #D0DCAC

RGB 208 220 172

HSL 75, 0.41%, 0.77%

LAB 85.79, -12.12, 22.28

 

Description

Color code: HEX #ABDCD0CE | qconv.com Color code: HEX #ABDCD0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 220 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 220 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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