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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDBA100 it is the complementary color #54245E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDBA100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDBA100 shade: #B0DB9C00, #C1EDAF00, #D2FFC200, #E3FFD500 and #F4FFE800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDBA100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDBA100 shade: #ABDBA100, #9AC98E00, #89B77B00, #78A56800 and #67935500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDBA100 shade: #ACDCA3, #BCDCA3, #CBDCA3, #DBDCA3 and #DCCEA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDBA100 shade: #ACDCA3, #A3DCA8, #A3DCB8, #A3DCC7 and #A3DCD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDBA100 shade matches the following richer shades: #ACDCA3, #A6E698, #9FF18E and #98FB84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDBA100 shade: #ACDCA3, #B3D2AD, #BAC7B7, #C1BDC2 and #C7B3CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDBA100 shade: #CCDCA3, #BCDCA3, #ADDCA3, #A3DCA7 and #A3DCB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDBA100 shade: #77C567, #92D185, #ACDCA3, #C7E7C0 and #E2F3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDBA100 shade: #ABDBA1, #A3DBDC and #DCA3C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDBA100 shade: #ABDBA1, #A3ADDC and #DCA3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDBA100 shade: #ABDBA1, #A3DBDC, #D1A3DC and #DCA4A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDBA100 shade: #ABDBA1, #A3CADC, #D1A3DC and #DCB5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #ABDBA100

RGBA 171 219 161 0

HSLA 109.66, 0.45%, 0.75%, 0

LABA 82.86, -26.4, 23.59, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #54245E00

RGBA 84 36 94 0

HSLA 289.66, 0.45%, 0.25%, 0

LABA 23.52, 32.08, -25.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B0DB9C00

RGBA 176 219 156 0

HSLA 100.95, 0.47%, 0.74%, 0

LABA 83.07, -25.46, 26.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C1EDAF00

RGBA 193 237 175 0

HSLA 102.58, 0.63%, 0.81%, 0

LABA 89.39, -25.33, 25.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2FFC200

RGBA 210 255 194 0

HSLA 104.26, 1%, 0.88%, 0

LABA 95.63, -25.21, 24.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3FFD500

RGBA 227 255 213 0

HSLA 100, 1%, 0.92%, 0

LABA 97.09, -16.45, 17.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4FFE800

RGBA 244 255 232 0

HSLA 88.7, 1%, 0.95%, 0

LABA 98.66, -7.59, 9.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ABDBA100

RGBA 171 219 161 0

HSLA 109.66, 0.45%, 0.75%, 0

LABA 82.86, -26.4, 23.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9AC98E00

RGBA 154 201 142 0

HSLA 107.8, 0.35%, 0.67%, 0

LABA 76.43, -26.57, 24.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89B77B00

RGBA 137 183 123 0

HSLA 106, 0.29%, 0.6%, 0

LABA 69.91, -26.76, 25.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78A56800

RGBA 120 165 104 0

HSLA 104.26, 0.25%, 0.53%, 0

LABA 63.26, -26.94, 26.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67935500

RGBA 103 147 85 0

HSLA 102.58, 0.27%, 0.45%, 0

LABA 56.49, -27.12, 28.11, 0

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA3

RGB 172 220 163

HSL 110.53, 0.45%, 0.75%

LAB 83.23, -26.21, 23.07

 

CMYK 15 / 0 / 26 / 14

HEX #BCDCA3

RGB 188 220 163

HSL 93.68, 0.45%, 0.75%

LAB 84.24, -20.66, 24.61

 

CMYK 8 / 0 / 26 / 14

HEX #CBDCA3

RGB 203 220 163

HSL 77.89, 0.45%, 0.75%

LAB 85.26, -15.25, 26.18

 

CMYK 0 / 0 / 26 / 14

HEX #DBDCA3

RGB 219 220 163

HSL 61.05, 0.45%, 0.75%

LAB 86.45, -9.33, 27.98

 

CMYK 0 / 6 / 26 / 14

HEX #DCCEA3

RGB 220 206 163

HSL 45.26, 0.45%, 0.75%

LAB 82.91, -1.78, 23.18

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA3

RGB 172 220 163

HSL 110.53, 0.45%, 0.75%

LAB 83.23, -26.21, 23.07

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA8

RGB 163 220 168

HSL 125.26, 0.45%, 0.75%

LAB 82.81, -28.37, 19.79

 

CMYK 26 / 0 / 16 / 14

HEX #A3DCB8

RGB 163 220 184

HSL 142.11, 0.45%, 0.75%

LAB 83.14, -25.47, 11.85

 

CMYK 26 / 0 / 10 / 14

HEX #A3DCC7

RGB 163 220 199

HSL 157.89, 0.45%, 0.75%

LAB 83.49, -22.53, 4.42

 

CMYK 26 / 0 / 2 / 14

HEX #A3DCD7

RGB 163 220 215

HSL 174.74, 0.45%, 0.75%

LAB 83.9, -19.17, -3.46

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA3

RGB 172 220 163

HSL 110.53, 0.45%, 0.75%

LAB 83.23, -26.21, 23.07

 

CMYK 28 / 0 / 34 / 10

HEX #A6E698

RGB 166 230 152

HSL 109.23, 0.61%, 0.75%

LAB 85.49, -34.65, 31.72

 

CMYK 34 / 0 / 41 / 5

HEX #9FF18E

RGB 159 241 142

HSL 109.7, 0.78%, 0.75%

LAB 88.08, -43.3, 40.06

 

CMYK 39 / 0 / 47 / 2

HEX #98FB84

RGB 152 251 132

HSL 109.92, 0.94%, 0.75%

LAB 90.48, -51.03, 47.84

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA3

RGB 172 220 163

HSL 110.53, 0.45%, 0.75%

LAB 83.23, -26.21, 23.07

 

CMYK 15 / 0 / 18 / 18

HEX #B3D2AD

RGB 179 210 173

HSL 110.27, 0.29%, 0.75%

LAB 81.12, -17.23, 14.95

 

CMYK 7 / 0 / 8 / 22

HEX #BAC7B7

RGB 186 199 183

HSL 108.75, 0.13%, 0.75%

LAB 78.87, -7.41, 6.48

 

CMYK 1 / 3 / 0 / 24

HEX #C1BDC2

RGB 193 189 194

HSL 288, 0.04%, 0.75%

LAB 77.06, 2.32, -2.03

 

CMYK 2 / 12 / 0 / 20

HEX #C7B3CC

RGB 199 179 204

HSL 288, 0.2%, 0.75%

LAB 75.29, 11.67, -10.02

 

CMYK 7 / 0 / 26 / 14

HEX #CCDCA3

RGB 204 220 163

HSL 76.84, 0.45%, 0.75%

LAB 85.34, -14.89, 26.29

 

CMYK 15 / 0 / 26 / 14

HEX #BCDCA3

RGB 188 220 163

HSL 93.68, 0.45%, 0.75%

LAB 84.24, -20.66, 24.61

 

CMYK 21 / 0 / 26 / 14

HEX #ADDCA3

RGB 173 220 163

HSL 109.47, 0.45%, 0.75%

LAB 83.29, -25.88, 23.16

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 26 / 0 / 17 / 14

HEX #A3DCB7

RGB 163 220 183

HSL 141.05, 0.45%, 0.75%

LAB 83.12, -25.66, 12.35

 

CMYK 40 / 0 / 48 / 23

HEX #77C567

RGB 119 197 103

HSL 109.79, 0.45%, 0.59%

LAB 72.78, -42.17, 39.57

 

CMYK 30 / 0 / 36 / 18

HEX #92D185

RGB 146 209 133

HSL 109.74, 0.45%, 0.67%

LAB 78.11, -34.47, 31.48

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA3

RGB 172 220 163

HSL 110.53, 0.45%, 0.75%

LAB 83.23, -26.21, 23.07

 

CMYK 14 / 0 / 17 / 9

HEX #C7E7C0

RGB 199 231 192

HSL 109.23, 0.45%, 0.83%

LAB 88.5, -17.61, 15.53

 

CMYK 7 / 0 / 9 / 5

HEX #E2F3DE

RGB 226 243 222

HSL 108.57, 0.47%, 0.91%

LAB 94.12, -9.34, 8.2

 

CMYK 22 / 0 / 26 / 14

HEX #ABDBA1

RGB 171 219 161

HSL 109.66, 0.45%, 0.75%

LAB 82.86, -26.4, 23.59

 

CMYK 26 / 0 / 0 / 14

HEX #A3DBDC

RGB 163 219 220

HSL 181.05, 0.45%, 0.75%

LAB 83.77, -17.57, -6.31

 

CMYK 0 / 26 / 11 / 14

HEX #DCA3C4

RGB 220 163 196

HSL 325.26, 0.45%, 0.75%

LAB 73.15, 26.17, -8.62

 

CMYK 22 / 0 / 26 / 14

HEX #ABDBA1

RGB 171 219 161

HSL 109.66, 0.45%, 0.75%

LAB 82.86, -26.4, 23.59

 

CMYK 26 / 21 / 0 / 14

HEX #A3ADDC

RGB 163 173 220

HSL 229.47, 0.45%, 0.75%

LAB 71.45, 6.81, -24.84

 

CMYK 0 / 26 / 21 / 14

HEX #DCA3AD

RGB 220 163 173

HSL 349.47, 0.45%, 0.75%

LAB 72.51, 22.52, 3.12

 

CMYK 22 / 0 / 26 / 14

HEX #ABDBA1

RGB 171 219 161

HSL 109.66, 0.45%, 0.75%

LAB 82.86, -26.4, 23.59

 

CMYK 26 / 0 / 0 / 14

HEX #A3DBDC

RGB 163 219 220

HSL 181.05, 0.45%, 0.75%

LAB 83.77, -17.57, -6.31

 

CMYK 5 / 26 / 0 / 14

HEX #D1A3DC

RGB 209 163 220

HSL 288.42, 0.45%, 0.75%

LAB 72.84, 26.83, -22.37

 

CMYK 0 / 25 / 26 / 14

HEX #DCA4A3

RGB 220 164 163

HSL 1.05, 0.45%, 0.75%

LAB 72.5, 20.53, 8.62

 

CMYK 22 / 0 / 26 / 14

HEX #ABDBA1

RGB 171 219 161

HSL 109.66, 0.45%, 0.75%

LAB 82.86, -26.4, 23.59

 

CMYK 26 / 8 / 0 / 14

HEX #A3CADC

RGB 163 202 220

HSL 198.95, 0.45%, 0.75%

LAB 79.15, -8.84, -13.18

 

CMYK 5 / 26 / 0 / 14

HEX #D1A3DC

RGB 209 163 220

HSL 288.42, 0.45%, 0.75%

LAB 72.84, 26.83, -22.37

 

CMYK 0 / 18 / 26 / 14

HEX #DCB5A3

RGB 220 181 163

HSL 18.95, 0.45%, 0.75%

LAB 76.62, 11.4, 14.45

 

Description

Color code: HEX #ABDBA100 | qconv.com Color code: HEX #ABDBA100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 219 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 219 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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