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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD2F63F it is the complementary color #542D093F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD2F63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD2F63F shade: #B0D2F13F, #C1E4FF3F, #D2F6FF3F, #E3FFFF3F and #F4FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD2F63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD2F63F shade: #ABD2F63F, #9AC0E33F, #89AED03F, #789CBD3F and #678AAA3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD2F63F shade: #ACD3F6, #ACBFF6, #ADACF6, #C1ACF6 and #D5ACF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD2F63F shade: #ACD3F6, #ACBFF6 and #ACACF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD2F63F shade matches the following richer shades: #ACD3F6 and #A4D3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD2F63F shade: #ACD3F6, #B3D2EF, #BBD2E7, #C2D2E0 and #CAD1D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD2F63F shade: #ACF6F1, #ACE7F6, #ACD4F6, #ACC0F6 and #ACACF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD2F63F shade: #61ABEE, #87BFF2, #ACD3F6, #D1E7FA and #F7FBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD2F63F shade: #ABD2F6, #DDACF6 and #F1F6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD2F63F shade: #ABD2F6, #F6ACD4 and #D4F6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD2F63F shade: #ABD2F6, #DDACF6, #F6CFAC and #C5F6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD2F63F shade: #ABD2F6, #F4ACF6, #F6CFAC and #AEF6AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 4 / 0 / 1

HEX #ABD2F63F

RGBA 171 210 246 0.25

HSLA 208.8, 0.81%, 0.82%, 0.25

LABA 82.6, -4.63, -21.83, 0.25

 

Complementary color

CMYK 0 / 12 / 22 / 17

HEX #542D093F

RGBA 84 45 9 0.25

HSLA 28.8, 0.81%, 0.18%, 0.25

LABA 22.93, 14.97, 28.91, 0.25

 

CMYK 7 / 3 / 0 / 1

HEX #B0D2F13F

RGBA 176 210 241 0.25

HSLA 208.62, 0.7%, 0.82%, 0.25

LABA 82.74, -4.38, -18.92, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #C1E4FF3F

RGBA 193 228 255 0.25

HSLA 206.13, 1%, 0.88%, 0.25

LABA 88.94, -5.62, -16.86, 0.25

 

CMYK 4 / 1 / 0 / 0

HEX #D2F6FF3F

RGBA 210 246 255 0.25

HSLA 192, 1%, 0.91%, 0.25

LABA 94.67, -9.73, -8.21, 0.25

 

CMYK 3 / 0 / 0 / 0

HEX #E3FFFF3F

RGBA 227 255 255 0.25

HSLA 180, 1%, 0.95%, 0.25

LABA 98.06, -9, -3.08, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F4FFFF3F

RGBA 244 255 255 0.25

HSLA 180, 1%, 0.98%, 0.25

LABA 99.21, -3.59, -1.26, 0.25

 

CMYK 8 / 4 / 0 / 1

HEX #ABD2F63F

RGBA 171 210 246 0.25

HSLA 208.8, 0.81%, 0.82%, 0.25

LABA 82.6, -4.63, -21.83, 0.25

 

CMYK 8 / 4 / 0 / 3

HEX #9AC0E33F

RGBA 154 192 227 0.25

HSLA 208.77, 0.57%, 0.75%, 0.25

LABA 76.14, -4.47, -21.55, 0.25

 

CMYK 9 / 4 / 0 / 5

HEX #89AED03F

RGBA 137 174 208 0.25

HSLA 208.73, 0.43%, 0.68%, 0.25

LABA 69.57, -4.3, -21.28, 0.25

 

CMYK 9 / 4 / 0 / 6

HEX #789CBD3F

RGBA 120 156 189 0.25

HSLA 208.7, 0.34%, 0.61%, 0.25

LABA 62.88, -4.1, -21.02, 0.25

 

CMYK 10 / 5 / 0 / 8

HEX #678AAA3F

RGBA 103 138 170 0.25

HSLA 208.66, 0.28%, 0.54%, 0.25

LABA 56.05, -3.86, -20.78, 0.25

 

CMYK 30 / 14 / 0 / 4

HEX #ACD3F6

RGB 172 211 246

HSL 208.38, 0.8%, 0.82%

LAB 82.92, -4.88, -21.33

 

CMYK 30 / 22 / 0 / 4

HEX #ACBFF6

RGB 172 191 246

HSL 224.59, 0.8%, 0.82%

LAB 77.69, 5.83, -29.31

 

CMYK 30 / 30 / 0 / 4

HEX #ADACF6

RGB 173 172 246

HSL 240.81, 0.8%, 0.82%

LAB 72.92, 16.6, -36.67

 

CMYK 22 / 30 / 0 / 4

HEX #C1ACF6

RGB 193 172 246

HSL 257.03, 0.8%, 0.82%

LAB 74.51, 22.41, -34.08

 

CMYK 13 / 30 / 0 / 4

HEX #D5ACF6

RGB 213 172 246

HSL 273.24, 0.8%, 0.82%

LAB 76.26, 28.45, -31.24

 

CMYK 30 / 14 / 0 / 4

HEX #ACD3F6

RGB 172 211 246

HSL 208.38, 0.8%, 0.82%

LAB 82.92, -4.88, -21.33

 

CMYK 30 / 22 / 0 / 4

HEX #ACBFF6

RGB 172 191 246

HSL 224.59, 0.8%, 0.82%

LAB 77.69, 5.83, -29.31

 

CMYK 30 / 30 / 0 / 4

HEX #ACACF6

RGB 172 172 246

HSL 240, 0.8%, 0.82%

LAB 72.85, 16.32, -36.79

 

CMYK 30 / 14 / 0 / 4

HEX #ACD3F6

RGB 172 211 246

HSL 208.38, 0.8%, 0.82%

LAB 82.92, -4.88, -21.33

 

CMYK 35 / 17 / 0 / 0

HEX #A4D3FE

RGB 164 211 254

HSL 208.67, 0.98%, 0.82%

LAB 82.72, -5.12, -25.92

 

CMYK 30 / 14 / 0 / 4

HEX #ACD3F6

RGB 172 211 246

HSL 208.38, 0.8%, 0.82%

LAB 82.92, -4.88, -21.33

 

CMYK 25 / 12 / 0 / 6

HEX #B3D2EF

RGB 179 210 239

HSL 209, 0.65%, 0.82%

LAB 82.86, -3.96, -17.65

 

CMYK 19 / 9 / 0 / 9

HEX #BBD2E7

RGB 187 210 231

HSL 208.64, 0.48%, 0.82%

LAB 83.14, -3.32, -12.93

 

CMYK 13 / 6 / 0 / 12

HEX #C2D2E0

RGB 194 210 224

HSL 208, 0.33%, 0.82%

LAB 83.41, -2.59, -8.75

 

CMYK 7 / 4 / 0 / 15

HEX #CAD1D9

RGB 202 209 217

HSL 212, 0.16%, 0.82%

LAB 83.53, -0.85, -4.78

 

CMYK 30 / 0 / 2 / 4

HEX #ACF6F1

RGB 172 246 241

HSL 175.95, 0.8%, 0.82%

LAB 92.15, -23.73, -4.91

 

CMYK 30 / 6 / 0 / 4

HEX #ACE7F6

RGB 172 231 246

HSL 192.16, 0.8%, 0.82%

LAB 88.25, -15.18, -13.31

 

CMYK 30 / 14 / 0 / 4

HEX #ACD4F6

RGB 172 212 246

HSL 207.57, 0.8%, 0.82%

LAB 83.18, -5.4, -20.93

 

CMYK 30 / 22 / 0 / 4

HEX #ACC0F6

RGB 172 192 246

HSL 223.78, 0.8%, 0.82%

LAB 77.95, 5.29, -28.91

 

CMYK 30 / 30 / 0 / 4

HEX #ACACF6

RGB 172 172 246

HSL 240, 0.8%, 0.82%

LAB 72.85, 16.32, -36.79

 

CMYK 59 / 28 / 0 / 7

HEX #61ABEE

RGB 97 171 238

HSL 208.51, 0.81%, 0.66%

LAB 67.9, -3.52, -40.47

 

CMYK 44 / 21 / 0 / 5

HEX #87BFF2

RGB 135 191 242

HSL 208.6, 0.8%, 0.74%

LAB 75.34, -5.03, -30.96

 

CMYK 30 / 14 / 0 / 4

HEX #ACD3F6

RGB 172 211 246

HSL 208.38, 0.8%, 0.82%

LAB 82.92, -4.88, -21.33

 

CMYK 16 / 8 / 0 / 2

HEX #D1E7FA

RGB 209 231 250

HSL 207.8, 0.8%, 0.9%

LAB 90.6, -3.43, -11.66

 

CMYK 3 / 1 / 0 / 0

HEX #F7FBFE

RGB 247 251 254

HSL 205.71, 0.78%, 0.98%

LAB 98.4, -0.77, -1.9

 

CMYK 30 / 15 / 0 / 4

HEX #ABD2F6

RGB 171 210 246

HSL 208.8, 0.81%, 0.82%

LAB 82.6, -4.63, -21.83

 

CMYK 10 / 30 / 0 / 4

HEX #DDACF6

RGB 221 172 246

HSL 279.73, 0.8%, 0.82%

LAB 77, 30.91, -30.03

 

CMYK 2 / 0 / 30 / 4

HEX #F1F6AC

RGB 241 246 172

HSL 64.05, 0.8%, 0.82%

LAB 94.99, -12.94, 35.13

 

CMYK 30 / 15 / 0 / 4

HEX #ABD2F6

RGB 171 210 246

HSL 208.8, 0.81%, 0.82%

LAB 82.6, -4.63, -21.83

 

CMYK 0 / 30 / 14 / 4

HEX #F6ACD4

RGB 246 172 212

HSL 327.57, 0.8%, 0.82%

LAB 78.37, 32.92, -9.3

 

CMYK 14 / 0 / 30 / 4

HEX #D4F6AC

RGB 212 246 172

HSL 87.57, 0.8%, 0.82%

LAB 92.97, -23.47, 32.07

 

CMYK 30 / 15 / 0 / 4

HEX #ABD2F6

RGB 171 210 246

HSL 208.8, 0.81%, 0.82%

LAB 82.6, -4.63, -21.83

 

CMYK 10 / 30 / 0 / 4

HEX #DDACF6

RGB 221 172 246

HSL 279.73, 0.8%, 0.82%

LAB 77, 30.91, -30.03

 

CMYK 0 / 16 / 30 / 4

HEX #F6CFAC

RGB 246 207 172

HSL 28.38, 0.8%, 0.82%

LAB 85.6, 8.73, 22.51

 

CMYK 20 / 0 / 30 / 4

HEX #C5F6AC

RGB 197 246 172

HSL 99.73, 0.8%, 0.82%

LAB 92.02, -28.69, 30.65

 

CMYK 30 / 15 / 0 / 4

HEX #ABD2F6

RGB 171 210 246

HSL 208.8, 0.81%, 0.82%

LAB 82.6, -4.63, -21.83

 

CMYK 1 / 30 / 0 / 4

HEX #F4ACF6

RGB 244 172 246

HSL 298.38, 0.8%, 0.82%

LAB 79.27, 38.08, -26.36

 

CMYK 0 / 16 / 30 / 4

HEX #F6CFAC

RGB 246 207 172

HSL 28.38, 0.8%, 0.82%

LAB 85.6, 8.73, 22.51

 

CMYK 29 / 0 / 30 / 4

HEX #AEF6AC

RGB 174 246 172

HSL 118.38, 0.8%, 0.82%

LAB 90.73, -36.29, 28.68

 

Description

Color code: HEX #ABD2F63F | qconv.com Color code: HEX #ABD2F63F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 210 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 210 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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