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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD2AD3F it is the complementary color #542D523F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD2AD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD2AD3F shade: #B0D2A83F, #C1E4BB3F, #D2F6CE3F, #E3FFE13F and #F4FFF43F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD2AD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD2AD3F shade: #ABD2AD3F, #9AC09A3F, #89AE873F, #789C743F and #678A613F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD2AD3F shade: #ACD2AE, #B4D2AC, #BFD2AC, #C9D2AC and #D2D1AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD2AD3F shade: #ACD2AE, #ACD2B8, #ACD2C3, #ACD2CD and #ACCDD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD2AD3F shade matches the following richer shades: #ACD2AE, #A2DDA5, #97E79C, #8DF192 and #83FC89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD2AD3F shade: #ACD2AE, #B6C8B7, #C1BEC1, #CBB3CA and #D5A9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD2AD3F shade: #BFD2AC, #B4D2AC, #ACD2AE, #ACD2B8 and #ACD2C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD2AD3F shade: #76B57A, #91C494, #ACD2AE, #C7E1C8 and #E2EFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD2AD3F shade: #ABD2AD, #ACC9D2 and #D2ACBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD2AD3F shade: #ABD2AD, #AEACD2 and #D2AEAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD2AD3F shade: #ABD2AD, #ACC9D2, #D2ACD0 and #D2B6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD2AD3F shade: #ABD2AD, #ACBDD2, #D2ACD0 and #D2C1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 4 / 4

HEX #ABD2AD3F

RGBA 171 210 173 0.25

HSLA 123.08, 0.3%, 0.75%, 0.25

LABA 80.61, -19.96, 14.16, 0.25

 

Complementary color

CMYK 0 / 12 / 1 / 17

HEX #542D523F

RGBA 84 45 82 0.25

HSLA 303.08, 0.3%, 0.25%, 0.25

LABA 24.86, 24.25, -15.04, 0.25

 

CMYK 4 / 0 / 5 / 4

HEX #B0D2A83F

RGBA 176 210 168 0.25

HSLA 108.57, 0.32%, 0.74%, 0.25

LABA 80.82, -19.11, 17.15, 0.25

 

CMYK 4 / 0 / 4 / 3

HEX #C1E4BB3F

RGBA 193 228 187 0.25

HSLA 111.22, 0.43%, 0.81%, 0.25

LABA 87.2, -19.01, 16.26, 0.25

 

CMYK 4 / 0 / 4 / 1

HEX #D2F6CE3F

RGBA 210 246 206 0.25

HSLA 114, 0.69%, 0.89%, 0.25

LABA 93.48, -18.92, 15.41, 0.25

 

CMYK 3 / 0 / 3 / 0

HEX #E3FFE13F

RGBA 227 255 225 0.25

HSLA 116, 1%, 0.94%, 0.25

LABA 97.34, -14.45, 11.29, 0.25

 

CMYK 1 / 0 / 1 / 0

HEX #F4FFF43F

RGBA 244 255 244 0.25

HSLA 120, 1%, 0.98%, 0.25

LABA 98.94, -5.54, 3.99, 0.25

 

CMYK 5 / 0 / 4 / 4

HEX #ABD2AD3F

RGBA 171 210 173 0.25

HSLA 123.08, 0.3%, 0.75%, 0.25

LABA 80.61, -19.96, 14.16, 0.25

 

CMYK 5 / 0 / 5 / 6

HEX #9AC09A3F

RGBA 154 192 154 0.25

HSLA 120, 0.23%, 0.68%, 0.25

LABA 74.13, -20.11, 15.05, 0.25

 

CMYK 5 / 0 / 6 / 8

HEX #89AE873F

RGBA 137 174 135 0.25

HSLA 116.92, 0.19%, 0.61%, 0.25

LABA 67.53, -20.28, 16, 0.25

 

CMYK 6 / 0 / 6 / 10

HEX #789C743F

RGBA 120 156 116 0.25

HSLA 114, 0.17%, 0.53%, 0.25

LABA 60.81, -20.46, 17.01, 0.25

 

CMYK 6 / 0 / 7 / 11

HEX #678A613F

RGBA 103 138 97 0.25

HSLA 111.22, 0.17%, 0.46%, 0.25

LABA 53.95, -20.67, 18.1, 0.25

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 14 / 0 / 18 / 18

HEX #B4D2AC

RGB 180 210 172

HSL 107.37, 0.3%, 0.75%

LAB 81.17, -17.05, 15.55

 

CMYK 9 / 0 / 18 / 18

HEX #BFD2AC

RGB 191 210 172

HSL 90, 0.3%, 0.75%

LAB 81.92, -13.18, 16.72

 

CMYK 4 / 0 / 18 / 18

HEX #C9D2AC

RGB 201 210 172

HSL 74.21, 0.3%, 0.75%

LAB 82.64, -9.58, 17.83

 

CMYK 0 / 0 / 18 / 18

HEX #D2D1AC

RGB 210 209 172

HSL 58.42, 0.3%, 0.75%

LAB 83.06, -5.78, 18.52

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 18 / 0 / 12 / 18

HEX #ACD2B8

RGB 172 210 184

HSL 138.95, 0.3%, 0.75%

LAB 80.92, -17.62, 8.75

 

CMYK 18 / 0 / 7 / 18

HEX #ACD2C3

RGB 172 210 195

HSL 156.32, 0.3%, 0.75%

LAB 81.18, -15.51, 3.27

 

CMYK 18 / 0 / 2 / 18

HEX #ACD2CD

RGB 172 210 205

HSL 172.11, 0.3%, 0.75%

LAB 81.44, -13.49, -1.69

 

CMYK 18 / 2 / 0 / 18

HEX #ACCDD2

RGB 172 205 210

HSL 187.89, 0.3%, 0.75%

LAB 80.23, -9.87, -6.15

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 27 / 0 / 25 / 13

HEX #A2DDA5

RGB 162 221 165

HSL 123.05, 0.46%, 0.75%

LAB 82.97, -29.69, 21.58

 

CMYK 35 / 0 / 32 / 9

HEX #97E79C

RGB 151 231 156

HSL 123.75, 0.63%, 0.75%

LAB 85.06, -39.28, 28.98

 

CMYK 41 / 0 / 39 / 5

HEX #8DF192

RGB 141 241 146

HSL 123, 0.78%, 0.75%

LAB 87.31, -48.18, 36.92

 

CMYK 48 / 0 / 46 / 1

HEX #83FC89

RGB 131 252 137

HSL 122.98, 0.95%, 0.75%

LAB 89.98, -56.73, 44.65

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 0 / 2 / 0 / 24

HEX #C1BEC1

RGB 193 190 193

HSL 300, 0.02%, 0.75%

LAB 77.29, 1.6, -1.15

 

CMYK 0 / 12 / 0 / 20

HEX #CBB3CA

RGB 203 179 202

HSL 302.5, 0.19%, 0.75%

LAB 75.58, 12.66, -8.47

 

CMYK 0 / 21 / 1 / 16

HEX #D5A9D3

RGB 213 169 211

HSL 302.73, 0.34%, 0.75%

LAB 74.33, 23.17, -15.15

 

CMYK 9 / 0 / 18 / 18

HEX #BFD2AC

RGB 191 210 172

HSL 90, 0.3%, 0.75%

LAB 81.92, -13.18, 16.72

 

CMYK 14 / 0 / 18 / 18

HEX #B4D2AC

RGB 180 210 172

HSL 107.37, 0.3%, 0.75%

LAB 81.17, -17.05, 15.55

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 18 / 0 / 12 / 18

HEX #ACD2B8

RGB 172 210 184

HSL 138.95, 0.3%, 0.75%

LAB 80.92, -17.62, 8.75

 

CMYK 18 / 0 / 8 / 18

HEX #ACD2C2

RGB 172 210 194

HSL 154.74, 0.3%, 0.75%

LAB 81.16, -15.71, 3.77

 

CMYK 35 / 0 / 33 / 29

HEX #76B57A

RGB 118 181 122

HSL 123.81, 0.3%, 0.59%

LAB 68.24, -32.39, 23.84

 

CMYK 26 / 0 / 24 / 23

HEX #91C494

RGB 145 196 148

HSL 123.53, 0.3%, 0.67%

LAB 74.6, -26.2, 18.84

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 12 / 0 / 11 / 12

HEX #C7E1C8

RGB 199 225 200

HSL 122.31, 0.3%, 0.83%

LAB 87.08, -13.23, 9.34

 

CMYK 5 / 0 / 5 / 6

HEX #E2EFE2

RGB 226 239 226

HSL 120, 0.29%, 0.91%

LAB 93.19, -6.63, 4.79

 

CMYK 19 / 0 / 18 / 18

HEX #ABD2AD

RGB 171 210 173

HSL 123.08, 0.3%, 0.75%

LAB 80.61, -19.96, 14.16

 

CMYK 18 / 4 / 0 / 18

HEX #ACC9D2

RGB 172 201 210

HSL 194.21, 0.3%, 0.75%

LAB 79.15, -7.78, -7.74

 

CMYK 0 / 18 / 11 / 18

HEX #D2ACBA

RGB 210 172 186

HSL 337.89, 0.3%, 0.75%

LAB 74.03, 16.08, -1.94

 

CMYK 19 / 0 / 18 / 18

HEX #ABD2AD

RGB 171 210 173

HSL 123.08, 0.3%, 0.75%

LAB 80.61, -19.96, 14.16

 

CMYK 17 / 18 / 0 / 18

HEX #AEACD2

RGB 174 172 210

HSL 243.16, 0.3%, 0.75%

LAB 71.66, 8.47, -18.97

 

CMYK 0 / 17 / 18 / 18

HEX #D2AEAC

RGB 210 174 172

HSL 3.16, 0.3%, 0.75%

LAB 74.16, 12.74, 5.92

 

CMYK 19 / 0 / 18 / 18

HEX #ABD2AD

RGB 171 210 173

HSL 123.08, 0.3%, 0.75%

LAB 80.61, -19.96, 14.16

 

CMYK 18 / 4 / 0 / 18

HEX #ACC9D2

RGB 172 201 210

HSL 194.21, 0.3%, 0.75%

LAB 79.15, -7.78, -7.74

 

CMYK 0 / 18 / 1 / 18

HEX #D2ACD0

RGB 210 172 208

HSL 303.16, 0.3%, 0.75%

LAB 74.67, 19.97, -13.03

 

CMYK 0 / 13 / 18 / 18

HEX #D2B6AC

RGB 210 182 172

HSL 15.79, 0.3%, 0.75%

LAB 76.15, 8.43, 8.78

 

CMYK 19 / 0 / 18 / 18

HEX #ABD2AD

RGB 171 210 173

HSL 123.08, 0.3%, 0.75%

LAB 80.61, -19.96, 14.16

 

CMYK 18 / 10 / 0 / 18

HEX #ACBDD2

RGB 172 189 210

HSL 213.16, 0.3%, 0.75%

LAB 75.96, -1.42, -12.51

 

CMYK 0 / 18 / 1 / 18

HEX #D2ACD0

RGB 210 172 208

HSL 303.16, 0.3%, 0.75%

LAB 74.67, 19.97, -13.03

 

CMYK 0 / 8 / 18 / 18

HEX #D2C1AC

RGB 210 193 172

HSL 33.16, 0.3%, 0.75%

LAB 78.94, 2.57, 12.74

 

Description

Color code: HEX #ABD2AD3F | qconv.com Color code: HEX #ABD2AD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 210 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 210 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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