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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABCFF63F it is the complementary color #5430093F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABCFF63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABCFF63F shade: #B0CFF13F, #C1E1FF3F, #D2F3FF3F, #E3FFFF3F and #F4FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABCFF63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABCFF63F shade: #ABCFF63F, #9ABDE33F, #89ABD03F, #7899BD3F and #6787AA3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABCFF63F shade: #ACD0F6, #ACBCF6, #B0ACF6, #C4ACF6 and #D8ACF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABCFF63F shade: #ACD0F6, #ACBCF6 and #ACACF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABCFF63F shade matches the following richer shades: #ACD0F6 and #A4CFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABCFF63F shade: #ACD0F6, #B3D0EF, #BBD0E7, #C2D1E0 and #CAD1D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABCFF63F shade: #ACF6F5, #ACE4F6, #ACD0F6, #ACBCF6 and #B0ACF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABCFF63F shade: #61A5EE, #87BAF2, #ACD0F6, #D1E5FA and #F7FAFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABCFF63F shade: #ABCFF6, #E1ACF6 and #EEF6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABCFF63F shade: #ABCFF6, #F6ACD0 and #D0F6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABCFF63F shade: #ABCFF6, #E1ACF6, #F6D2AC and #C1F6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABCFF63F shade: #ABCFF6, #F6ACF5, #F6D2AC and #ACF6AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 4 / 0 / 1

HEX #ABCFF63F

RGBA 171 207 246 0.25

HSLA 211.2, 0.81%, 0.82%, 0.25

LABA 81.8, -3.05, -23.03, 0.25

 

Complementary color

CMYK 0 / 11 / 22 / 17

HEX #5430093F

RGBA 84 48 9 0.25

HSLA 31.2, 0.81%, 0.18%, 0.25

LABA 23.73, 13.07, 29.72, 0.25

 

CMYK 7 / 4 / 0 / 1

HEX #B0CFF13F

RGBA 176 207 241 0.25

HSLA 211.38, 0.7%, 0.82%, 0.25

LABA 81.95, -2.8, -20.12, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #C1E1FF3F

RGBA 193 225 255 0.25

HSLA 209.03, 1%, 0.88%, 0.25

LABA 88.16, -4.07, -18.03, 0.25

 

CMYK 4 / 1 / 0 / 0

HEX #D2F3FF3F

RGBA 210 243 255 0.25

HSLA 196, 1%, 0.91%, 0.25

LABA 93.89, -8.22, -9.36, 0.25

 

CMYK 3 / 0 / 0 / 0

HEX #E3FFFF3F

RGBA 227 255 255 0.25

HSLA 180, 1%, 0.95%, 0.25

LABA 98.06, -9, -3.08, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F4FFFF3F

RGBA 244 255 255 0.25

HSLA 180, 1%, 0.98%, 0.25

LABA 99.21, -3.59, -1.26, 0.25

 

CMYK 8 / 4 / 0 / 1

HEX #ABCFF63F

RGBA 171 207 246 0.25

HSLA 211.2, 0.81%, 0.82%, 0.25

LABA 81.8, -3.05, -23.03, 0.25

 

CMYK 8 / 4 / 0 / 3

HEX #9ABDE33F

RGBA 154 189 227 0.25

HSLA 211.23, 0.57%, 0.75%, 0.25

LABA 75.33, -2.86, -22.77, 0.25

 

CMYK 9 / 4 / 0 / 5

HEX #89ABD03F

RGBA 137 171 208 0.25

HSLA 211.27, 0.43%, 0.68%, 0.25

LABA 68.75, -2.65, -22.53, 0.25

 

CMYK 9 / 5 / 0 / 6

HEX #7899BD3F

RGBA 120 153 189 0.25

HSLA 211.3, 0.34%, 0.61%, 0.25

LABA 62.04, -2.42, -22.31, 0.25

 

CMYK 10 / 5 / 0 / 8

HEX #6787AA3F

RGBA 103 135 170 0.25

HSLA 211.34, 0.28%, 0.54%, 0.25

LABA 55.19, -2.14, -22.1, 0.25

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 28 / 30 / 0 / 4

HEX #B0ACF6

RGB 176 172 246

HSL 243.24, 0.8%, 0.82%

LAB 73.15, 17.46, -36.3

 

CMYK 20 / 30 / 0 / 4

HEX #C4ACF6

RGB 196 172 246

HSL 259.46, 0.8%, 0.82%

LAB 74.76, 23.3, -33.67

 

CMYK 12 / 30 / 0 / 4

HEX #D8ACF6

RGB 216 172 246

HSL 275.68, 0.8%, 0.82%

LAB 76.53, 29.37, -30.79

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 30 / 30 / 0 / 4

HEX #ACACF6

RGB 172 172 246

HSL 240, 0.8%, 0.82%

LAB 72.85, 16.32, -36.79

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 35 / 19 / 0 / 0

HEX #A4CFFE

RGB 164 207 254

HSL 211.33, 0.98%, 0.82%

LAB 81.66, -3.01, -27.54

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 25 / 13 / 0 / 6

HEX #B3D0EF

RGB 179 208 239

HSL 211, 0.65%, 0.82%

LAB 82.34, -2.91, -18.45

 

CMYK 19 / 10 / 0 / 9

HEX #BBD0E7

RGB 187 208 231

HSL 211.36, 0.48%, 0.82%

LAB 82.62, -2.27, -13.71

 

CMYK 13 / 7 / 0 / 12

HEX #C2D1E0

RGB 194 209 224

HSL 210, 0.33%, 0.82%

LAB 83.15, -2.06, -9.13

 

CMYK 7 / 4 / 0 / 15

HEX #CAD1D9

RGB 202 209 217

HSL 212, 0.16%, 0.82%

LAB 83.53, -0.85, -4.78

 

CMYK 30 / 0 / 0 / 4

HEX #ACF6F5

RGB 172 246 245

HSL 179.19, 0.8%, 0.82%

LAB 92.25, -22.84, -6.83

 

CMYK 30 / 7 / 0 / 4

HEX #ACE4F6

RGB 172 228 246

HSL 194.59, 0.8%, 0.82%

LAB 87.44, -13.66, -14.52

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 30 / 24 / 0 / 4

HEX #ACBCF6

RGB 172 188 246

HSL 227.03, 0.8%, 0.82%

LAB 76.92, 7.47, -30.5

 

CMYK 28 / 30 / 0 / 4

HEX #B0ACF6

RGB 176 172 246

HSL 243.24, 0.8%, 0.82%

LAB 73.15, 17.46, -36.3

 

CMYK 59 / 31 / 0 / 7

HEX #61A5EE

RGB 97 165 238

HSL 211.06, 0.81%, 0.66%

LAB 66.23, -0.15, -43.08

 

CMYK 44 / 23 / 0 / 5

HEX #87BAF2

RGB 135 186 242

HSL 211.4, 0.8%, 0.74%

LAB 73.98, -2.32, -33.05

 

CMYK 30 / 15 / 0 / 4

HEX #ACD0F6

RGB 172 208 246

HSL 210.81, 0.8%, 0.82%

LAB 82.13, -3.29, -22.53

 

CMYK 16 / 8 / 0 / 2

HEX #D1E5FA

RGB 209 229 250

HSL 210.73, 0.8%, 0.9%

LAB 90.09, -2.4, -12.42

 

CMYK 3 / 2 / 0 / 0

HEX #F7FAFE

RGB 247 250 254

HSL 214.29, 0.78%, 0.98%

LAB 98.15, -0.27, -2.27

 

CMYK 30 / 16 / 0 / 4

HEX #ABCFF6

RGB 171 207 246

HSL 211.2, 0.81%, 0.82%

LAB 81.8, -3.05, -23.03

 

CMYK 9 / 30 / 0 / 4

HEX #E1ACF6

RGB 225 172 246

HSL 282.97, 0.8%, 0.82%

LAB 77.38, 32.15, -29.41

 

CMYK 3 / 0 / 30 / 4

HEX #EEF6AC

RGB 238 246 172

HSL 66.49, 0.8%, 0.82%

LAB 94.77, -14.05, 34.8

 

CMYK 30 / 16 / 0 / 4

HEX #ABCFF6

RGB 171 207 246

HSL 211.2, 0.81%, 0.82%

LAB 81.8, -3.05, -23.03

 

CMYK 0 / 30 / 15 / 4

HEX #F6ACD0

RGB 246 172 208

HSL 330.81, 0.8%, 0.82%

LAB 78.26, 32.29, -7.3

 

CMYK 15 / 0 / 30 / 4

HEX #D0F6AC

RGB 208 246 172

HSL 90.81, 0.8%, 0.82%

LAB 92.71, -24.88, 31.68

 

CMYK 30 / 16 / 0 / 4

HEX #ABCFF6

RGB 171 207 246

HSL 211.2, 0.81%, 0.82%

LAB 81.8, -3.05, -23.03

 

CMYK 9 / 30 / 0 / 4

HEX #E1ACF6

RGB 225 172 246

HSL 282.97, 0.8%, 0.82%

LAB 77.38, 32.15, -29.41

 

CMYK 0 / 15 / 30 / 4

HEX #F6D2AC

RGB 246 210 172

HSL 30.81, 0.8%, 0.82%

LAB 86.34, 7.17, 23.52

 

CMYK 22 / 0 / 30 / 4

HEX #C1F6AC

RGB 193 246 172

HSL 102.97, 0.8%, 0.82%

LAB 91.79, -30.05, 30.29

 

CMYK 30 / 16 / 0 / 4

HEX #ABCFF6

RGB 171 207 246

HSL 211.2, 0.81%, 0.82%

LAB 81.8, -3.05, -23.03

 

CMYK 0 / 30 / 0 / 4

HEX #F6ACF5

RGB 246 172 245

HSL 300.81, 0.8%, 0.82%

LAB 79.44, 38.53, -25.54

 

CMYK 0 / 15 / 30 / 4

HEX #F6D2AC

RGB 246 210 172

HSL 30.81, 0.8%, 0.82%

LAB 86.34, 7.17, 23.52

 

CMYK 30 / 0 / 30 / 4

HEX #ACF6AD

RGB 172 246 173

HSL 120.81, 0.8%, 0.82%

LAB 90.64, -36.76, 28.04

 

Description

Color code: HEX #ABCFF63F | qconv.com Color code: HEX #ABCFF63F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 207 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 207 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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