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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABCFA53F it is the complementary color #54305A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABCFA53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABCFA53F shade: #B0CFA03F, #C1E1B33F, #D2F3C63F, #E3FFD93F and #F4FFEC3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABCFA53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABCFA53F shade: #ABCFA53F, #9ABD923F, #89AB7F3F, #78996C3F and #6787593F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABCFA53F shade: #ABCFA5, #B7CFA5, #C2CFA5, #CDCFA5 and #CFC6A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABCFA53F shade: #ABCFA5, #A5CFAB, #A5CFB6, #A5CFC1 and #A5CFCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABCFA53F shade matches the following richer shades: #ABCFA5, #A3DA9A, #9BE58F, #94F084 and #8CFB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABCFA53F shade: #ABCFA5, #B3C4B1, #BBB9BC, #C3ADC7 and #CBA2D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABCFA53F shade: #C2CFA5, #B7CFA5, #ACCFA5, #A5CFAA and #A5CFB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABCFA53F shade: #79B270, #92C08B, #ABCFA5, #C4DDC0 and #DDECDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABCFA53F shade: #ABCFA5, #A5CDCF and #CFA5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABCFA53F shade: #ABCFA5, #A5ACCF and #CFA5AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABCFA53F shade: #ABCFA5, #A5CDCF, #C9A5CF and #CFA8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABCFA53F shade: #ABCFA5, #A5C0CF, #C9A5CF and #CFB4A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 5 / 5

HEX #ABCFA53F

RGBA 171 207 165 0.25

HSLA 111.43, 0.3%, 0.73%, 0.25

LABA 79.61, -19.85, 17, 0.25

 

Complementary color

CMYK 2 / 12 / 0 / 16

HEX #54305A3F

RGBA 84 48 90 0.25

HSLA 291.43, 0.3%, 0.27%, 0.25

LABA 25.97, 24.17, -18.59, 0.25

 

CMYK 4 / 0 / 6 / 5

HEX #B0CFA03F

RGBA 176 207 160 0.25

HSLA 99.57, 0.33%, 0.72%, 0.25

LABA 79.84, -18.94, 20.01, 0.25

 

CMYK 4 / 0 / 5 / 3

HEX #C1E1B33F

RGBA 193 225 179 0.25

HSLA 101.74, 0.43%, 0.79%, 0.25

LABA 86.23, -18.85, 19.07, 0.25

 

CMYK 3 / 0 / 5 / 1

HEX #D2F3C63F

RGBA 210 243 198 0.25

HSLA 104, 0.65%, 0.86%, 0.25

LABA 92.52, -18.78, 18.19, 0.25

 

CMYK 3 / 0 / 4 / 0

HEX #E3FFD93F

RGBA 227 255 217 0.25

HSLA 104.21, 1%, 0.93%, 0.25

LABA 97.17, -15.79, 15.14, 0.25

 

CMYK 1 / 0 / 2 / 0

HEX #F4FFEC3F

RGBA 244 255 236 0.25

HSLA 94.74, 1%, 0.96%, 0.25

LABA 98.75, -6.92, 7.82, 0.25

 

CMYK 4 / 0 / 5 / 5

HEX #ABCFA53F

RGBA 171 207 165 0.25

HSLA 111.43, 0.3%, 0.73%, 0.25

LABA 79.61, -19.85, 17, 0.25

 

CMYK 5 / 0 / 6 / 6

HEX #9ABD923F

RGBA 154 189 146 0.25

HSLA 108.84, 0.25%, 0.66%, 0.25

LABA 73.12, -19.98, 17.95, 0.25

 

CMYK 5 / 0 / 6 / 8

HEX #89AB7F3F

RGBA 137 171 127 0.25

HSLA 106.36, 0.21%, 0.58%, 0.25

LABA 66.5, -20.13, 18.95, 0.25

 

CMYK 5 / 0 / 7 / 10

HEX #78996C3F

RGBA 120 153 108 0.25

HSLA 104, 0.18%, 0.51%, 0.25

LABA 59.76, -20.29, 20.02, 0.25

 

CMYK 6 / 0 / 9 / 12

HEX #6787593F

RGBA 103 135 89 0.25

HSLA 101.74, 0.21%, 0.44%, 0.25

LABA 52.88, -20.45, 21.17, 0.25

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 12 / 0 / 20 / 19

HEX #B7CFA5

RGB 183 207 165

HSL 94.29, 0.3%, 0.73%

LAB 80.41, -15.64, 18.23

 

CMYK 6 / 0 / 20 / 19

HEX #C2CFA5

RGB 194 207 165

HSL 78.57, 0.3%, 0.73%

LAB 81.19, -11.68, 19.43

 

CMYK 1 / 0 / 20 / 19

HEX #CDCFA5

RGB 205 207 165

HSL 62.86, 0.3%, 0.73%

LAB 82.01, -7.63, 20.7

 

CMYK 0 / 4 / 20 / 19

HEX #CFC6A5

RGB 207 198 165

HSL 47.14, 0.3%, 0.73%

LAB 79.82, -2.22, 17.69

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 20 / 0 / 17 / 19

HEX #A5CFAB

RGB 165 207 171

HSL 128.57, 0.3%, 0.73%

LAB 79.37, -20.84, 13.41

 

CMYK 20 / 0 / 12 / 19

HEX #A5CFB6

RGB 165 207 182

HSL 144.29, 0.3%, 0.73%

LAB 79.62, -18.79, 7.9

 

CMYK 20 / 0 / 7 / 19

HEX #A5CFC1

RGB 165 207 193

HSL 160, 0.3%, 0.73%

LAB 79.88, -16.63, 2.4

 

CMYK 20 / 0 / 1 / 19

HEX #A5CFCC

RGB 165 207 204

HSL 175.71, 0.3%, 0.73%

LAB 80.17, -14.35, -3.07

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 25 / 0 / 29 / 15

HEX #A3DA9A

RGB 163 218 154

HSL 111.56, 0.46%, 0.73%

LAB 81.98, -29.74, 25.96

 

CMYK 32 / 0 / 38 / 10

HEX #9BE58F

RGB 155 229 143

HSL 111.63, 0.62%, 0.73%

LAB 84.48, -39.13, 34.84

 

CMYK 38 / 0 / 45 / 6

HEX #94F084

RGB 148 240 132

HSL 111.11, 0.78%, 0.73%

LAB 87.13, -47.66, 43.63

 

CMYK 44 / 0 / 52 / 2

HEX #8CFB79

RGB 140 251 121

HSL 111.23, 0.94%, 0.73%

LAB 89.84, -55.92, 52.08

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 9 / 0 / 10 / 23

HEX #B3C4B1

RGB 179 196 177

HSL 113.68, 0.14%, 0.73%

LAB 77.42, -9.37, 7.56

 

CMYK 1 / 2 / 0 / 26

HEX #BBB9BC

RGB 187 185 188

HSL 280, 0.02%, 0.73%

LAB 75.39, 1.26, -1.28

 

CMYK 2 / 13 / 0 / 22

HEX #C3ADC7

RGB 195 173 199

HSL 290.77, 0.19%, 0.73%

LAB 73.29, 12.62, -10.3

 

CMYK 3 / 23 / 0 / 18

HEX #CBA2D2

RGB 203 162 210

HSL 291.25, 0.35%, 0.73%

LAB 71.68, 23.47, -18.69

 

CMYK 6 / 0 / 20 / 19

HEX #C2CFA5

RGB 194 207 165

HSL 78.57, 0.3%, 0.73%

LAB 81.19, -11.68, 19.43

 

CMYK 12 / 0 / 20 / 19

HEX #B7CFA5

RGB 183 207 165

HSL 94.29, 0.3%, 0.73%

LAB 80.41, -15.64, 18.23

 

CMYK 17 / 0 / 20 / 19

HEX #ACCFA5

RGB 172 207 165

HSL 110, 0.3%, 0.73%

LAB 79.68, -19.51, 17.1

 

CMYK 20 / 0 / 18 / 19

HEX #A5CFAA

RGB 165 207 170

HSL 127.14, 0.3%, 0.73%

LAB 79.34, -21.02, 13.91

 

CMYK 20 / 0 / 13 / 19

HEX #A5CFB5

RGB 165 207 181

HSL 142.86, 0.3%, 0.73%

LAB 79.59, -18.99, 8.4

 

CMYK 32 / 0 / 37 / 30

HEX #79B270

RGB 121 178 112

HSL 111.82, 0.3%, 0.57%

LAB 67.33, -31.61, 27.98

 

CMYK 24 / 0 / 28 / 25

HEX #92C08B

RGB 146 192 139

HSL 112.08, 0.3%, 0.65%

LAB 73.33, -25.44, 21.92

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 11 / 0 / 13 / 13

HEX #C4DDC0

RGB 196 221 192

HSL 111.72, 0.3%, 0.81%

LAB 85.63, -13.64, 11.45

 

CMYK 6 / 0 / 7 / 7

HEX #DDECDB

RGB 221 236 219

HSL 112.94, 0.31%, 0.89%

LAB 91.9, -8.02, 6.53

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 20 / 1 / 0 / 19

HEX #A5CDCF

RGB 165 205 207

HSL 182.86, 0.3%, 0.73%

LAB 79.71, -12.68, -5.36

 

CMYK 0 / 20 / 9 / 19

HEX #CFA5BC

RGB 207 165 188

HSL 327.14, 0.3%, 0.73%

LAB 72.1, 19.16, -5.91

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 20 / 17 / 0 / 19

HEX #A5ACCF

RGB 165 172 207

HSL 230, 0.3%, 0.73%

LAB 70.88, 4.95, -18.57

 

CMYK 0 / 20 / 17 / 19

HEX #CFA5AC

RGB 207 165 172

HSL 350, 0.3%, 0.73%

LAB 71.66, 16.51, 2.27

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 20 / 1 / 0 / 19

HEX #A5CDCF

RGB 165 205 207

HSL 182.86, 0.3%, 0.73%

LAB 79.71, -12.68, -5.36

 

CMYK 3 / 20 / 0 / 19

HEX #C9A5CF

RGB 201 165 207

HSL 291.43, 0.3%, 0.73%

LAB 72.12, 20.57, -16.41

 

CMYK 0 / 19 / 20 / 19

HEX #CFA8A5

RGB 207 168 165

HSL 4.29, 0.3%, 0.73%

LAB 72.22, 13.8, 6.94

 

CMYK 17 / 0 / 20 / 19

HEX #ABCFA5

RGB 171 207 165

HSL 111.43, 0.3%, 0.73%

LAB 79.61, -19.85, 17

 

CMYK 20 / 7 / 0 / 19

HEX #A5C0CF

RGB 165 192 207

HSL 201.43, 0.3%, 0.73%

LAB 76.19, -5.88, -10.58

 

CMYK 3 / 20 / 0 / 19

HEX #C9A5CF

RGB 201 165 207

HSL 291.43, 0.3%, 0.73%

LAB 72.12, 20.57, -16.41

 

CMYK 0 / 13 / 20 / 19

HEX #CFB4A5

RGB 207 180 165

HSL 21.43, 0.3%, 0.73%

LAB 75.22, 7.32, 11.21

 

Description

Color code: HEX #ABCFA53F | qconv.com Color code: HEX #ABCFA53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 207 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 207 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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