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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC91F it is the complementary color #5436E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC91F shade: #B0C91A, #C1DB2D, #D2ED40, #E3FF53 and #F4FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC91F shade: #ABC91F, #9AB70C, #89A500, #789300 and #678100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC91F shade: #A9C71F, #C7B71F, #C78A1F, #C75D1F and #C72F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC91F shade: #A9C71F, #7CC71F, #4FC71F, #21C71F and #1FC74A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC91F shade matches the following richer shades: #A9C71F and #B5D90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC91F shade: #A9C71F, #9DB432, #91A144, #858F57 and #797C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC91F shade: #C7891F, #C7B61F, #ABC71F, #7EC71F and #51C71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC91F shade: #6C7F14, #8BA319, #A9C71F, #C0DF30 and #CBE454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC91F shade: #ABC91F, #1FC75C and #9F1FC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC91F shade: #ABC91F, #1FABC7 and #C71FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC91F shade: #ABC91F, #1FC75C, #3B1FC7 and #C71F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC91F shade: #ABC91F, #1FC78F, #3B1FC7 and #C71F57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

Complementary color

CMYK 63 / 76 / 0 / 12

HEX #5436E0

RGB 84 54 224

HSL 250.59, 0.73%, 0.55%

LAB 37.67, 58.06, -81.27

 

CMYK 12 / 0 / 87 / 21

HEX #B0C91A

RGB 176 201 26

HSL 68.57, 0.77%, 0.45%

LAB 76.73, -28.21, 73.46

 

CMYK 12 / 0 / 79 / 14

HEX #C1DB2D

RGB 193 219 45

HSL 68.97, 0.71%, 0.52%

LAB 83.01, -29.17, 74.91

 

CMYK 11 / 0 / 73 / 7

HEX #D2ED40

RGB 210 237 64

HSL 69.36, 0.83%, 0.59%

LAB 89.22, -29.97, 75.42

 

CMYK 11 / 0 / 67 / 0

HEX #E3FF53

RGB 227 255 83

HSL 69.77, 1%, 0.66%

LAB 95.36, -30.63, 75.31

 

CMYK 4 / 0 / 60 / 0

HEX #F4FF66

RGB 244 255 102

HSL 64.31, 1%, 0.7%

LAB 96.7, -22.79, 69.77

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 16 / 0 / 93 / 28

HEX #9AB70C

RGB 154 183 12

HSL 70.18, 0.88%, 0.38%

LAB 70.01, -29.07, 69.66

 

CMYK 17 / 0 / 100 / 35

HEX #89A500

RGB 137 165 0

HSL 70.18, 1%, 0.32%

LAB 63.53, -27.78, 65.66

 

CMYK 18 / 0 / 100 / 42

HEX #789300

RGB 120 147 0

HSL 71.02, 1%, 0.29%

LAB 56.94, -26.31, 60.17

 

CMYK 20 / 0 / 100 / 49

HEX #678100

RGB 103 129 0

HSL 72.09, 1%, 0.25%

LAB 50.2, -24.82, 54.55

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 0 / 8 / 84 / 22

HEX #C7B71F

RGB 199 183 31

HSL 54.29, 0.73%, 0.45%

LAB 73.62, -9.3, 70.57

 

CMYK 0 / 31 / 84 / 22

HEX #C78A1F

RGB 199 138 31

HSL 38.21, 0.73%, 0.45%

LAB 62.01, 14.76, 60.87

 

CMYK 0 / 53 / 84 / 22

HEX #C75D1F

RGB 199 93 31

HSL 22.14, 0.73%, 0.45%

LAB 51.92, 38.82, 52.26

 

CMYK 0 / 76 / 84 / 22

HEX #C72F1F

RGB 199 47 31

HSL 5.71, 0.73%, 0.45%

LAB 44.62, 58.27, 45.89

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 38 / 0 / 84 / 22

HEX #7CC71F

RGB 124 199 31

HSL 86.79, 0.73%, 0.45%

LAB 73.04, -47.27, 68.05

 

CMYK 60 / 0 / 84 / 22

HEX #4FC71F

RGB 79 199 31

HSL 102.86, 0.73%, 0.45%

LAB 71.29, -60.67, 65.83

 

CMYK 83 / 0 / 84 / 22

HEX #21C71F

RGB 33 199 31

HSL 119.29, 0.73%, 0.45%

LAB 70.36, -68.56, 64.65

 

CMYK 84 / 0 / 63 / 22

HEX #1FC74A

RGB 31 199 74

HSL 135.36, 0.73%, 0.45%

LAB 70.62, -65.31, 50

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 17 / 0 / 94 / 15

HEX #B5D90C

RGB 181 217 12

HSL 70.54, 0.9%, 0.45%

LAB 81.55, -33.89, 79.45

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 13 / 0 / 72 / 29

HEX #9DB432

RGB 157 180 50

HSL 70.62, 0.57%, 0.45%

LAB 69.5, -25.09, 59.9

 

CMYK 10 / 0 / 58 / 37

HEX #91A144

RGB 145 161 68

HSL 70.32, 0.41%, 0.45%

LAB 63.28, -19.4, 45.6

 

CMYK 7 / 0 / 39 / 44

HEX #858F57

RGB 133 143 87

HSL 70.71, 0.24%, 0.45%

LAB 57.39, -13.01, 28.59

 

CMYK 2 / 0 / 15 / 51

HEX #797C69

RGB 121 124 105

HSL 69.47, 0.08%, 0.45%

LAB 51.27, -4.73, 10

 

CMYK 0 / 31 / 84 / 22

HEX #C7891F

RGB 199 137 31

HSL 37.86, 0.73%, 0.45%

LAB 61.77, 15.31, 60.66

 

CMYK 0 / 9 / 84 / 22

HEX #C7B61F

RGB 199 182 31

HSL 53.93, 0.73%, 0.45%

LAB 73.35, -8.79, 70.35

 

CMYK 14 / 0 / 84 / 22

HEX #ABC71F

RGB 171 199 31

HSL 70, 0.73%, 0.45%

LAB 75.83, -29.19, 71.53

 

CMYK 37 / 0 / 84 / 22

HEX #7EC71F

RGB 126 199 31

HSL 86.07, 0.73%, 0.45%

LAB 73.14, -46.57, 68.17

 

CMYK 59 / 0 / 84 / 22

HEX #51C71F

RGB 81 199 31

HSL 102.14, 0.73%, 0.45%

LAB 71.35, -60.19, 65.9

 

CMYK 15 / 0 / 84 / 50

HEX #6C7F14

RGB 108 127 20

HSL 70.65, 0.73%, 0.29%

LAB 50, -21.05, 50.3

 

CMYK 15 / 0 / 85 / 36

HEX #8BA319

RGB 139 163 25

HSL 70.43, 0.73%, 0.37%

LAB 63.14, -25.44, 61.25

 

CMYK 15 / 0 / 84 / 22

HEX #A9C71F

RGB 169 199 31

HSL 70.71, 0.73%, 0.45%

LAB 75.69, -30.01, 71.36

 

CMYK 14 / 0 / 78 / 13

HEX #C0DF30

RGB 192 223 48

HSL 70.63, 0.73%, 0.53%

LAB 84.07, -31.34, 75.01

 

CMYK 11 / 0 / 63 / 11

HEX #CBE454

RGB 203 228 84

HSL 70.42, 0.73%, 0.61%

LAB 86.42, -27.41, 65.16

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 84 / 0 / 54 / 22

HEX #1FC75C

RGB 31 199 92

HSL 141.79, 0.73%, 0.45%

LAB 70.81, -62.96, 41.96

 

CMYK 20 / 84 / 0 / 22

HEX #9F1FC7

RGB 159 31 199

HSL 285.71, 0.73%, 0.45%

LAB 41.96, 70.94, -59.46

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 84 / 14 / 0 / 22

HEX #1FABC7

RGB 31 171 199

HSL 190, 0.73%, 0.45%

LAB 64.6, -25.18, -24.25

 

CMYK 0 / 84 / 14 / 22

HEX #C71FAB

RGB 199 31 171

HSL 310, 0.73%, 0.45%

LAB 47.06, 73.83, -34.49

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 84 / 0 / 54 / 22

HEX #1FC75C

RGB 31 199 92

HSL 141.79, 0.73%, 0.45%

LAB 70.81, -62.96, 41.96

 

CMYK 70 / 84 / 0 / 22

HEX #3B1FC7

RGB 59 31 199

HSL 250, 0.73%, 0.45%

LAB 29.5, 58.86, -80.39

 

CMYK 0 / 84 / 31 / 22

HEX #C71F89

RGB 199 31 137

HSL 322.14, 0.73%, 0.45%

LAB 45.54, 69.65, -16.44

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 84 / 0 / 28 / 22

HEX #1FC78F

RGB 31 199 143

HSL 160, 0.73%, 0.45%

LAB 71.64, -53.39, 16.83

 

CMYK 70 / 84 / 0 / 22

HEX #3B1FC7

RGB 59 31 199

HSL 250, 0.73%, 0.45%

LAB 29.5, 58.86, -80.39

 

CMYK 0 / 84 / 56 / 22

HEX #C71F57

RGB 199 31 87

HSL 340, 0.73%, 0.45%

LAB 43.96, 65.14, 12.18

 

Description

Color code: HEX #ABC91F | qconv.com Color code: HEX #ABC91F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 201 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 201 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 85 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 85% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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