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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC740 it is the complementary color #5438BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC740 shade: #B0C73B, #C1D94E, #D2EB61, #E3FD74 and #F4FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC740 shade: #ABC740, #9AB52D, #89A31A, #789107 and #677F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC740 shade: #ACC841, #C8C041, #C89B41, #C87741 and #C85341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC740 shade: #ACC841, #88C841, #63C841, #41C843 and #41C868

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC740 shade matches the following richer shades: #ACC841, #B8DC2D and #C3F01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC740 shade: #ACC841, #A0B455, #95A069, #898D7D and #7E7990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC740 shade: #C89B41, #C8BF41, #ADC841, #89C841 and #65C841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC740 shade: #798E29, #94AE32, #ACC841, #BAD161 and #C8DA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC740 shade: #ABC740, #41C877 and #AD41C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC740 shade: #ABC740, #41ADC8 and #C841AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC740 shade: #ABC740, #41C877, #5C41C8 and #C84192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC740 shade: #ABC740, #41C8A0, #5C41C8 and #C8416A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

Complementary color

CMYK 56 / 71 / 0 / 25

HEX #5438BF

RGB 84 56 191

HSL 252.44, 0.55%, 0.48%

LAB 34.95, 47.38, -66.62

 

CMYK 12 / 0 / 70 / 22

HEX #B0C73B

RGB 176 199 59

HSL 69.86, 0.56%, 0.51%

LAB 76.31, -25.97, 63.79

 

CMYK 11 / 0 / 64 / 15

HEX #C1D94E

RGB 193 217 78

HSL 70.36, 0.65%, 0.58%

LAB 82.65, -26.56, 63.38

 

CMYK 11 / 0 / 59 / 8

HEX #D2EB61

RGB 210 235 97

HSL 70.87, 0.78%, 0.65%

LAB 88.91, -27.04, 62.63

 

CMYK 10 / 0 / 54 / 1

HEX #E3FD74

RGB 227 253 116

HSL 71.39, 0.97%, 0.72%

LAB 95.09, -27.42, 61.7

 

CMYK 4 / 0 / 47 / 0

HEX #F4FF87

RGB 244 255 135

HSL 65.5, 1%, 0.76%

LAB 97.03, -20.18, 55.69

 

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

CMYK 15 / 0 / 75 / 29

HEX #9AB52D

RGB 154 181 45

HSL 71.91, 0.6%, 0.44%

LAB 69.55, -27.08, 61.6

 

CMYK 16 / 0 / 84 / 36

HEX #89A31A

RGB 137 163 26

HSL 71.39, 0.72%, 0.37%

LAB 63, -26.25, 60.82

 

CMYK 17 / 0 / 95 / 43

HEX #789107

RGB 120 145 7

HSL 70.87, 0.91%, 0.3%

LAB 56.35, -25.19, 58.59

 

CMYK 19 / 0 / 100 / 50

HEX #677F00

RGB 103 127 0

HSL 71.34, 1%, 0.25%

LAB 49.57, -23.82, 54.08

 

CMYK 14 / 0 / 68 / 22

HEX #ACC841

RGB 172 200 65

HSL 72.44, 0.55%, 0.52%

LAB 76.35, -27.73, 61.49

 

CMYK 0 / 4 / 68 / 22

HEX #C8C041

RGB 200 192 65

HSL 56.44, 0.55%, 0.52%

LAB 76.29, -12.12, 62.12

 

CMYK 0 / 23 / 68 / 22

HEX #C89B41

RGB 200 155 65

HSL 40, 0.55%, 0.52%

LAB 66.6, 7.38, 52.04

 

CMYK 0 / 41 / 68 / 22

HEX #C87741

RGB 200 119 65

HSL 24, 0.55%, 0.52%

LAB 57.9, 27.01, 42.48

 

CMYK 0 / 59 / 68 / 22

HEX #C85341

RGB 200 83 65

HSL 8, 0.55%, 0.52%

LAB 50.51, 45.49, 33.9

 

CMYK 14 / 0 / 68 / 22

HEX #ACC841

RGB 172 200 65

HSL 72.44, 0.55%, 0.52%

LAB 76.35, -27.73, 61.49

 

CMYK 32 / 0 / 68 / 22

HEX #88C841

RGB 136 200 65

HSL 88.44, 0.55%, 0.52%

LAB 74.14, -41.57, 58.51

 

CMYK 51 / 0 / 68 / 22

HEX #63C841

RGB 99 200 65

HSL 104.89, 0.55%, 0.52%

LAB 72.46, -53.6, 56.23

 

CMYK 68 / 0 / 67 / 22

HEX #41C843

RGB 65 200 67

HSL 120.89, 0.55%, 0.52%

LAB 71.44, -61.56, 54.03

 

CMYK 68 / 0 / 48 / 22

HEX #41C868

RGB 65 200 104

HSL 137.33, 0.55%, 0.52%

LAB 71.85, -56.88, 37.5

 

CMYK 14 / 0 / 68 / 22

HEX #ACC841

RGB 172 200 65

HSL 72.44, 0.55%, 0.52%

LAB 76.35, -27.73, 61.49

 

CMYK 16 / 0 / 80 / 14

HEX #B8DC2D

RGB 184 220 45

HSL 72.34, 0.71%, 0.52%

LAB 82.68, -33.26, 74.38

 

CMYK 19 / 0 / 89 / 6

HEX #C3F01A

RGB 195 240 26

HSL 72.62, 0.88%, 0.52%

LAB 88.92, -38.51, 83.9

 

CMYK 14 / 0 / 68 / 22

HEX #ACC841

RGB 172 200 65

HSL 72.44, 0.55%, 0.52%

LAB 76.35, -27.73, 61.49

 

CMYK 11 / 0 / 53 / 29

HEX #A0B455

RGB 160 180 85

HSL 72.63, 0.39%, 0.52%

LAB 70.02, -21.27, 45.58

 

CMYK 7 / 0 / 34 / 37

HEX #95A069

RGB 149 160 105

HSL 72, 0.22%, 0.52%

LAB 63.8, -13.19, 27.41

 

CMYK 3 / 0 / 11 / 45

HEX #898D7D

RGB 137 141 125

HSL 75, 0.07%, 0.52%

LAB 57.89, -4.49, 8.03

 

CMYK 13 / 16 / 0 / 44

HEX #7E7990

RGB 126 121 144

HSL 253.04, 0.09%, 0.52%

LAB 51.98, 6.73, -11.76

 

CMYK 0 / 23 / 68 / 22

HEX #C89B41

RGB 200 155 65

HSL 40, 0.55%, 0.52%

LAB 66.6, 7.38, 52.04

 

CMYK 0 / 5 / 68 / 22

HEX #C8BF41

RGB 200 191 65

HSL 56, 0.55%, 0.52%

LAB 76.02, -11.61, 61.85

 

CMYK 14 / 0 / 68 / 22

HEX #ADC841

RGB 173 200 65

HSL 72, 0.55%, 0.52%

LAB 76.42, -27.32, 61.59

 

CMYK 32 / 0 / 68 / 22

HEX #89C841

RGB 137 200 65

HSL 88, 0.55%, 0.52%

LAB 74.2, -41.21, 58.59

 

CMYK 50 / 0 / 68 / 22

HEX #65C841

RGB 101 200 65

HSL 104, 0.55%, 0.52%

LAB 72.53, -53.02, 56.33

 

CMYK 15 / 0 / 71 / 44

HEX #798E29

RGB 121 142 41

HSL 72.48, 0.55%, 0.36%

LAB 55.66, -21.95, 48.72

 

CMYK 15 / 0 / 71 / 32

HEX #94AE32

RGB 148 174 50

HSL 72.58, 0.55%, 0.44%

LAB 67.13, -25.91, 57.35

 

CMYK 14 / 0 / 68 / 22

HEX #ACC841

RGB 172 200 65

HSL 72.44, 0.55%, 0.52%

LAB 76.35, -27.73, 61.49

 

CMYK 11 / 0 / 54 / 18

HEX #BAD161

RGB 186 209 97

HSL 72.32, 0.55%, 0.6%

LAB 80.13, -24.04, 52.21

 

CMYK 8 / 0 / 41 / 15

HEX #C8DA81

RGB 200 218 129

HSL 72.13, 0.55%, 0.68%

LAB 83.97, -19.74, 41.73

 

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

CMYK 68 / 0 / 41 / 22

HEX #41C877

RGB 65 200 119

HSL 144, 0.55%, 0.52%

LAB 72.07, -54.36, 30.16

 

CMYK 14 / 68 / 0 / 22

HEX #AD41C8

RGB 173 65 200

HSL 288, 0.55%, 0.52%

LAB 48.05, 62.64, -50.13

 

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

CMYK 68 / 14 / 0 / 22

HEX #41ADC8

RGB 65 173 200

HSL 192, 0.55%, 0.52%

LAB 65.89, -22.08, -22.76

 

CMYK 0 / 68 / 14 / 22

HEX #C841AD

RGB 200 65 173

HSL 312, 0.55%, 0.52%

LAB 50.78, 64.48, -29.83

 

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

CMYK 68 / 0 / 41 / 22

HEX #41C877

RGB 65 200 119

HSL 144, 0.55%, 0.52%

LAB 72.07, -54.36, 30.16

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 0 / 68 / 27 / 22

HEX #C84192

RGB 200 65 146

HSL 324, 0.55%, 0.52%

LAB 49.66, 60.78, -15.57

 

CMYK 14 / 0 / 68 / 22

HEX #ABC740

RGB 171 199 64

HSL 72.44, 0.55%, 0.52%

LAB 75.99, -27.71, 61.49

 

CMYK 68 / 0 / 20 / 22

HEX #41C8A0

RGB 65 200 160

HSL 162.22, 0.55%, 0.52%

LAB 72.87, -45.77, 9.51

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 0 / 68 / 47 / 22

HEX #C8416A

RGB 200 65 106

HSL 341.78, 0.55%, 0.52%

LAB 48.39, 56.39, 6.71

 

Description

Color code: HEX #ABC740 | qconv.com Color code: HEX #ABC740 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 199 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 199 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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