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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC6DD it is the complementary color #543922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC6DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC6DD shade: #B0C6D8, #C1D8EB, #D2EAFE, #E3FCFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC6DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC6DD shade: #ABC6DD, #9AB4CA, #89A2B7, #7890A4 and #677E91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC6DD shade: #ACC6DD, #ACB9DD, #ACACDD, #B9ACDD and #C6ACDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC6DD shade: #ACC6DD, #ACB9DD and #ACACDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC6DD shade matches the following richer shades: #ACC6DD, #A2C7E6, #99C8F0 and #8FC9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC6DD shade: #ACC6DD, #B5C6D3, #BFC5CA, #C8C4C1 and #D2C3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC6DD shade: #ACDDD9, #ACD4DD, #ACC7DD, #ACBADD and #ACADDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC6DD shade: #719EC5, #8EB2D1, #ACC6DD, #C9DAE9 and #E6EEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC6DD shade: #ABC6DD, #CCACDD and #DBDDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC6DD shade: #ABC6DD, #DDACC7 and #C7DDAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC6DD shade: #ABC6DD, #CCACDD, #DDC2AC and #BDDDAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC6DD shade: #ABC6DD, #DBACDD, #DDC2AC and #AEDDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

Complementary color

CMYK 0 / 32 / 60 / 67

HEX #543922

RGB 84 57 34

HSL 27.6, 0.42%, 0.23%

LAB 26.52, 9.02, 19.02

 

CMYK 19 / 8 / 0 / 15

HEX #B0C6D8

RGB 176 198 216

HSL 207, 0.34%, 0.77%

LAB 78.8, -3.66, -11.47

 

CMYK 18 / 8 / 0 / 8

HEX #C1D8EB

RGB 193 216 235

HSL 207.14, 0.51%, 0.84%

LAB 85.22, -3.75, -11.9

 

CMYK 17 / 8 / 0 / 0

HEX #D2EAFE

RGB 210 234 254

HSL 207.27, 0.96%, 0.91%

LAB 91.55, -3.84, -12.32

 

CMYK 11 / 1 / 0 / 0

HEX #E3FCFF

RGB 227 252 255

HSL 186.43, 1%, 0.95%

LAB 97.3, -7.5, -4.2

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

CMYK 24 / 11 / 0 / 21

HEX #9AB4CA

RGB 154 180 202

HSL 207.5, 0.31%, 0.7%

LAB 72.08, -4, -14.09

 

CMYK 25 / 11 / 0 / 28

HEX #89A2B7

RGB 137 162 183

HSL 207.39, 0.24%, 0.63%

LAB 65.42, -3.89, -13.72

 

CMYK 27 / 12 / 0 / 36

HEX #7890A4

RGB 120 144 164

HSL 207.27, 0.19%, 0.56%

LAB 58.62, -3.78, -13.35

 

CMYK 29 / 13 / 0 / 43

HEX #677E91

RGB 103 126 145

HSL 207.14, 0.17%, 0.49%

LAB 51.67, -3.66, -12.98

 

CMYK 22 / 10 / 0 / 13

HEX #ACC6DD

RGB 172 198 221

HSL 208.16, 0.42%, 0.77%

LAB 78.68, -3.79, -14.36

 

CMYK 22 / 16 / 0 / 13

HEX #ACB9DD

RGB 172 185 221

HSL 224.08, 0.42%, 0.77%

LAB 75.26, 3.19, -19.53

 

CMYK 22 / 22 / 0 / 13

HEX #ACACDD

RGB 172 172 221

HSL 240, 0.42%, 0.77%

LAB 71.89, 10.33, -24.65

 

CMYK 16 / 22 / 0 / 13

HEX #B9ACDD

RGB 185 172 221

HSL 255.92, 0.42%, 0.77%

LAB 72.92, 14.38, -22.99

 

CMYK 10 / 22 / 0 / 13

HEX #C6ACDD

RGB 198 172 221

HSL 271.84, 0.42%, 0.77%

LAB 74.02, 18.54, -21.22

 

CMYK 22 / 10 / 0 / 13

HEX #ACC6DD

RGB 172 198 221

HSL 208.16, 0.42%, 0.77%

LAB 78.68, -3.79, -14.36

 

CMYK 22 / 16 / 0 / 13

HEX #ACB9DD

RGB 172 185 221

HSL 224.08, 0.42%, 0.77%

LAB 75.26, 3.19, -19.53

 

CMYK 22 / 22 / 0 / 13

HEX #ACACDD

RGB 172 172 221

HSL 240, 0.42%, 0.77%

LAB 71.89, 10.33, -24.65

 

CMYK 22 / 10 / 0 / 13

HEX #ACC6DD

RGB 172 198 221

HSL 208.16, 0.42%, 0.77%

LAB 78.68, -3.79, -14.36

 

CMYK 30 / 13 / 0 / 10

HEX #A2C7E6

RGB 162 199 230

HSL 207.35, 0.58%, 0.77%

LAB 78.6, -5.2, -19.38

 

CMYK 36 / 17 / 0 / 6

HEX #99C8F0

RGB 153 200 240

HSL 207.59, 0.74%, 0.77%

LAB 78.68, -5.77, -24.68

 

CMYK 43 / 19 / 0 / 2

HEX #8FC9F9

RGB 143 201 249

HSL 207.17, 0.9%, 0.77%

LAB 78.72, -6.53, -29.48

 

CMYK 22 / 10 / 0 / 13

HEX #ACC6DD

RGB 172 198 221

HSL 208.16, 0.42%, 0.77%

LAB 78.68, -3.79, -14.36

 

CMYK 14 / 6 / 0 / 17

HEX #B5C6D3

RGB 181 198 211

HSL 206, 0.25%, 0.77%

LAB 78.99, -3.13, -8.45

 

CMYK 5 / 2 / 0 / 21

HEX #BFC5CA

RGB 191 197 202

HSL 207.27, 0.09%, 0.77%

LAB 79.2, -1.1, -3.22

 

CMYK 0 / 2 / 4 / 22

HEX #C8C4C1

RGB 200 196 193

HSL 25.71, 0.06%, 0.77%

LAB 79.39, 0.85, 1.99

 

CMYK 0 / 7 / 13 / 18

HEX #D2C3B7

RGB 210 195 183

HSL 26.67, 0.23%, 0.77%

LAB 79.7, 3.25, 7.91

 

CMYK 22 / 0 / 2 / 13

HEX #ACDDD9

RGB 172 221 217

HSL 175.1, 0.42%, 0.77%

LAB 84.74, -16.56, -3.23

 

CMYK 22 / 4 / 0 / 13

HEX #ACD4DD

RGB 172 212 221

HSL 191.02, 0.42%, 0.77%

LAB 82.42, -11.12, -8.78

 

CMYK 22 / 10 / 0 / 13

HEX #ACC7DD

RGB 172 199 221

HSL 206.94, 0.42%, 0.77%

LAB 78.95, -4.32, -13.96

 

CMYK 22 / 16 / 0 / 13

HEX #ACBADD

RGB 172 186 221

HSL 222.86, 0.42%, 0.77%

LAB 75.52, 2.65, -19.13

 

CMYK 22 / 22 / 0 / 13

HEX #ACADDD

RGB 172 173 221

HSL 238.78, 0.42%, 0.77%

LAB 72.15, 9.78, -24.26

 

CMYK 43 / 20 / 0 / 23

HEX #719EC5

RGB 113 158 197

HSL 207.86, 0.42%, 0.61%

LAB 63.34, -4.93, -24.83

 

CMYK 32 / 15 / 0 / 18

HEX #8EB2D1

RGB 142 178 209

HSL 207.76, 0.42%, 0.69%

LAB 71.01, -4.8, -19.62

 

CMYK 22 / 10 / 0 / 13

HEX #ACC6DD

RGB 172 198 221

HSL 208.16, 0.42%, 0.77%

LAB 78.68, -3.79, -14.36

 

CMYK 14 / 6 / 0 / 9

HEX #C9DAE9

RGB 201 218 233

HSL 208.13, 0.42%, 0.85%

LAB 86.23, -2.7, -9.29

 

CMYK 6 / 3 / 0 / 4

HEX #E6EEF5

RGB 230 238 245

HSL 208, 0.43%, 0.93%

LAB 93.7, -1.35, -4.31

 

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

CMYK 8 / 22 / 0 / 13

HEX #CCACDD

RGB 204 172 221

HSL 279.18, 0.42%, 0.77%

LAB 74.55, 20.49, -20.36

 

CMYK 1 / 0 / 22 / 13

HEX #DBDDAC

RGB 219 221 172

HSL 62.45, 0.42%, 0.77%

LAB 86.87, -8.59, 23.9

 

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

CMYK 0 / 22 / 10 / 13

HEX #DDACC7

RGB 221 172 199

HSL 326.94, 0.42%, 0.77%

LAB 75.45, 22.16, -6.84

 

CMYK 10 / 0 / 22 / 13

HEX #C7DDAC

RGB 199 221 172

HSL 86.94, 0.42%, 0.77%

LAB 85.42, -15.86, 21.67

 

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

CMYK 8 / 22 / 0 / 13

HEX #CCACDD

RGB 204 172 221

HSL 279.18, 0.42%, 0.77%

LAB 74.55, 20.49, -20.36

 

CMYK 0 / 12 / 22 / 13

HEX #DDC2AC

RGB 221 194 172

HSL 26.94, 0.42%, 0.77%

LAB 80.14, 6.14, 14.57

 

CMYK 14 / 0 / 22 / 13

HEX #BDDDAC

RGB 189 221 172

HSL 99.18, 0.42%, 0.77%

LAB 84.75, -19.4, 20.63

 

CMYK 23 / 10 / 0 / 13

HEX #ABC6DD

RGB 171 198 221

HSL 207.6, 0.42%, 0.77%

LAB 78.62, -4.1, -14.47

 

CMYK 1 / 22 / 0 / 13

HEX #DBACDD

RGB 219 172 221

HSL 297.55, 0.42%, 0.77%

LAB 75.94, 25.41, -18.13

 

CMYK 0 / 12 / 22 / 13

HEX #DDC2AC

RGB 221 194 172

HSL 26.94, 0.42%, 0.77%

LAB 80.14, 6.14, 14.57

 

CMYK 21 / 0 / 22 / 13

HEX #AEDDAC

RGB 174 221 172

HSL 117.55, 0.42%, 0.77%

LAB 83.8, -24.53, 19.18

 

Description

Color code: HEX #ABC6DD | qconv.com Color code: HEX #ABC6DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 198 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 198 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 10 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 10% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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