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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC5DA it is the complementary color #543A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC5DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC5DA shade: #B0C5D5, #C1D7E8, #D2E9FB, #E3FBFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC5DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC5DA shade: #ABC5DA, #9AB3C7, #89A1B4, #788FA1 and #677D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC5DA shade: #AAC4DA, #AAB7DA, #AAABDA, #B6AADA and #C3AADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC5DA shade: #AAC4DA, #AAB7DA, #AAABDA and #AAAADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC5DA shade matches the following richer shades: #AAC4DA, #A0C5E4, #96C6ED and #8CC7F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC5DA shade: #AAC4DA, #B4C3D0, #BEC2C6, #C8C1BC and #D2C0B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC5DA shade: #AADAD5, #AAD2DA, #AAC5DA, #AAB8DA and #AAACDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC5DA shade: #719DC1, #8DB1CD, #AAC4DA, #C7D8E6 and #E3ECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC5DA shade: #ABC5DA, #C8AADA and #D8DAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC5DA shade: #ABC5DA, #DAAAC5 and #C5DAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC5DA shade: #ABC5DA, #C8AADA, #DABFAA and #BBDAAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC5DA shade: #ABC5DA, #D6AADA, #DABFAA and #ADDAAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

Complementary color

CMYK 0 / 31 / 56 / 67

HEX #543A25

RGB 84 58 37

HSL 26.81, 0.39%, 0.24%

LAB 26.86, 8.69, 17.56

 

CMYK 17 / 8 / 0 / 16

HEX #B0C5D5

RGB 176 197 213

HSL 205.95, 0.31%, 0.76%

LAB 78.44, -3.77, -10.39

 

CMYK 17 / 7 / 0 / 9

HEX #C1D7E8

RGB 193 215 232

HSL 206.15, 0.46%, 0.83%

LAB 84.88, -3.86, -10.83

 

CMYK 16 / 7 / 0 / 2

HEX #D2E9FB

RGB 210 233 251

HSL 206.34, 0.84%, 0.9%

LAB 91.21, -3.94, -11.27

 

CMYK 11 / 2 / 0 / 0

HEX #E3FBFF

RGB 227 251 255

HSL 188.57, 1%, 0.95%

LAB 97.04, -7, -4.58

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

CMYK 23 / 10 / 0 / 22

HEX #9AB3C7

RGB 154 179 199

HSL 206.67, 0.29%, 0.69%

LAB 71.71, -4.15, -13

 

CMYK 24 / 11 / 0 / 29

HEX #89A1B4

RGB 137 161 180

HSL 206.51, 0.22%, 0.62%

LAB 65.04, -4.05, -12.6

 

CMYK 25 / 11 / 0 / 37

HEX #788FA1

RGB 120 143 161

HSL 206.34, 0.18%, 0.55%

LAB 58.24, -3.95, -12.21

 

CMYK 27 / 12 / 0 / 44

HEX #677D8E

RGB 103 125 142

HSL 206.15, 0.16%, 0.48%

LAB 51.27, -3.85, -11.83

 

CMYK 22 / 10 / 0 / 15

HEX #AAC4DA

RGB 170 196 218

HSL 207.5, 0.39%, 0.76%

LAB 77.93, -4.01, -13.89

 

CMYK 22 / 16 / 0 / 15

HEX #AAB7DA

RGB 170 183 218

HSL 223.75, 0.39%, 0.76%

LAB 74.49, 2.98, -19.07

 

CMYK 22 / 22 / 0 / 15

HEX #AAABDA

RGB 170 171 218

HSL 238.75, 0.39%, 0.76%

LAB 71.37, 9.58, -23.82

 

CMYK 17 / 22 / 0 / 15

HEX #B6AADA

RGB 182 170 218

HSL 255, 0.39%, 0.76%

LAB 72.07, 13.88, -22.67

 

CMYK 11 / 22 / 0 / 15

HEX #C3AADA

RGB 195 170 218

HSL 271.25, 0.39%, 0.76%

LAB 73.16, 18.05, -20.9

 

CMYK 22 / 10 / 0 / 15

HEX #AAC4DA

RGB 170 196 218

HSL 207.5, 0.39%, 0.76%

LAB 77.93, -4.01, -13.89

 

CMYK 22 / 16 / 0 / 15

HEX #AAB7DA

RGB 170 183 218

HSL 223.75, 0.39%, 0.76%

LAB 74.49, 2.98, -19.07

 

CMYK 22 / 22 / 0 / 15

HEX #AAABDA

RGB 170 171 218

HSL 238.75, 0.39%, 0.76%

LAB 71.37, 9.58, -23.82

 

CMYK 22 / 22 / 0 / 15

HEX #AAAADA

RGB 170 170 218

HSL 240, 0.39%, 0.76%

LAB 71.12, 10.13, -24.21

 

CMYK 22 / 10 / 0 / 15

HEX #AAC4DA

RGB 170 196 218

HSL 207.5, 0.39%, 0.76%

LAB 77.93, -4.01, -13.89

 

CMYK 30 / 14 / 0 / 11

HEX #A0C5E4

RGB 160 197 228

HSL 207.35, 0.56%, 0.76%

LAB 77.88, -5.19, -19.41

 

CMYK 37 / 16 / 0 / 7

HEX #96C6ED

RGB 150 198 237

HSL 206.9, 0.71%, 0.76%

LAB 77.87, -6.27, -24.33

 

CMYK 43 / 19 / 0 / 3

HEX #8CC7F7

RGB 140 199 247

HSL 206.92, 0.87%, 0.76%

LAB 77.96, -6.74, -29.6

 

CMYK 22 / 10 / 0 / 15

HEX #AAC4DA

RGB 170 196 218

HSL 207.5, 0.39%, 0.76%

LAB 77.93, -4.01, -13.89

 

CMYK 13 / 6 / 0 / 18

HEX #B4C3D0

RGB 180 195 208

HSL 207.86, 0.23%, 0.76%

LAB 78.04, -2.48, -8.25

 

CMYK 4 / 2 / 0 / 22

HEX #BEC2C6

RGB 190 194 198

HSL 210, 0.07%, 0.76%

LAB 78.23, -0.62, -2.49

 

CMYK 0 / 4 / 6 / 22

HEX #C8C1BC

RGB 200 193 188

HSL 25, 0.1%, 0.76%

LAB 78.49, 1.56, 3.37

 

CMYK 0 / 9 / 15 / 18

HEX #D2C0B2

RGB 210 192 178

HSL 26.25, 0.26%, 0.76%

LAB 78.82, 4.04, 9.34

 

CMYK 22 / 0 / 2 / 15

HEX #AADAD5

RGB 170 218 213

HSL 173.75, 0.39%, 0.76%

LAB 83.7, -16.5, -2.65

 

CMYK 22 / 4 / 0 / 15

HEX #AAD2DA

RGB 170 210 218

HSL 190, 0.39%, 0.76%

LAB 81.68, -11.35, -8.3

 

CMYK 22 / 10 / 0 / 15

HEX #AAC5DA

RGB 170 197 218

HSL 206.25, 0.39%, 0.76%

LAB 78.19, -4.54, -13.5

 

CMYK 22 / 16 / 0 / 15

HEX #AAB8DA

RGB 170 184 218

HSL 222.5, 0.39%, 0.76%

LAB 74.75, 2.44, -18.67

 

CMYK 22 / 21 / 0 / 15

HEX #AAACDA

RGB 170 172 218

HSL 237.5, 0.39%, 0.76%

LAB 71.63, 9.02, -23.42

 

CMYK 41 / 19 / 0 / 24

HEX #719DC1

RGB 113 157 193

HSL 207, 0.39%, 0.6%

LAB 62.91, -5.48, -23.26

 

CMYK 31 / 14 / 0 / 20

HEX #8DB1CD

RGB 141 177 205

HSL 206.25, 0.39%, 0.68%

LAB 70.54, -5.54, -18.15

 

CMYK 22 / 10 / 0 / 15

HEX #AAC4DA

RGB 170 196 218

HSL 207.5, 0.39%, 0.76%

LAB 77.93, -4.01, -13.89

 

CMYK 13 / 6 / 0 / 10

HEX #C7D8E6

RGB 199 216 230

HSL 207.1, 0.38%, 0.84%

LAB 85.49, -2.9, -8.82

 

CMYK 7 / 3 / 0 / 5

HEX #E3ECF3

RGB 227 236 243

HSL 206.25, 0.4%, 0.92%

LAB 92.92, -1.68, -4.43

 

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

CMYK 8 / 22 / 0 / 15

HEX #C8AADA

RGB 200 170 218

HSL 277.5, 0.39%, 0.76%

LAB 73.6, 19.67, -20.19

 

CMYK 1 / 0 / 22 / 15

HEX #D8DAAA

RGB 216 218 170

HSL 62.5, 0.39%, 0.76%

LAB 85.83, -8.46, 23.47

 

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

CMYK 0 / 22 / 10 / 15

HEX #DAAAC5

RGB 218 170 197

HSL 326.25, 0.39%, 0.76%

LAB 74.63, 21.86, -7

 

CMYK 10 / 0 / 22 / 15

HEX #C5DAAA

RGB 197 218 170

HSL 86.25, 0.39%, 0.76%

LAB 84.44, -15.39, 21.34

 

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

CMYK 8 / 22 / 0 / 15

HEX #C8AADA

RGB 200 170 218

HSL 277.5, 0.39%, 0.76%

LAB 73.6, 19.67, -20.19

 

CMYK 0 / 12 / 22 / 15

HEX #DABFAA

RGB 218 191 170

HSL 26.25, 0.39%, 0.76%

LAB 79.08, 6.32, 14.11

 

CMYK 14 / 0 / 22 / 15

HEX #BBDAAA

RGB 187 218 170

HSL 98.75, 0.39%, 0.76%

LAB 83.76, -18.93, 20.29

 

CMYK 22 / 10 / 0 / 15

HEX #ABC5DA

RGB 171 197 218

HSL 206.81, 0.39%, 0.76%

LAB 78.26, -4.24, -13.39

 

CMYK 2 / 22 / 0 / 15

HEX #D6AADA

RGB 214 170 218

HSL 295, 0.39%, 0.76%

LAB 74.89, 24.27, -18.12

 

CMYK 0 / 12 / 22 / 15

HEX #DABFAA

RGB 218 191 170

HSL 26.25, 0.39%, 0.76%

LAB 79.08, 6.32, 14.11

 

CMYK 21 / 0 / 22 / 15

HEX #ADDAAA

RGB 173 218 170

HSL 116.25, 0.39%, 0.76%

LAB 82.88, -23.75, 18.93

 

Description

Color code: HEX #ABC5DA | qconv.com Color code: HEX #ABC5DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 197 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 197 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 10 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 10% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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