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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC3D1 it is the complementary color #543C2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC3D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC3D1 shade: #B0C3CC, #C1D5DF, #D2E7F2, #E3F9FF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC3D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC3D1 shade: #ABC3D1, #9AB1BE, #899FAB, #788D98 and #677B85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC3D1 shade: #ADC4D2, #ADBAD2, #ADB0D2, #B3ADD2 and #BDADD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC3D1 shade: #ADC4D2, #ADBAD2, #ADB0D2 and #ADADD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC3D1 shade matches the following richer shades: #ADC4D2, #A2C7DC, #98CAE6, #8ECCF1 and #84CFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC3D1 shade: #ADC4D2, #B7C1C7, #C1BFBD, #CCBCB3 and #D6B9A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC3D1 shade: #ADD2CC, #ADCED2, #ADC4D2, #ADBAD2 and #ADB0D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC3D1 shade: #789EB4, #92B1C3, #ADC4D2, #C7D7E0 and #E2EAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC3D1 shade: #ABC3D1, #C2ADD2 and #D2D1AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC3D1 shade: #ABC3D1, #D2ADC4 and #C4D2AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC3D1 shade: #ABC3D1, #C2ADD2, #D2BAAD and #BDD2AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC3D1 shade: #ABC3D1, #CDADD2, #D2BAAD and #B2D2AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

Complementary color

CMYK 0 / 29 / 45 / 67

HEX #543C2E

RGB 84 60 46

HSL 22.11, 0.29%, 0.25%

LAB 27.61, 8.48, 12.79

 

CMYK 14 / 4 / 0 / 20

HEX #B0C3CC

RGB 176 195 204

HSL 199.29, 0.22%, 0.75%

LAB 77.65, -4.61, -6.71

 

CMYK 13 / 4 / 0 / 13

HEX #C1D5DF

RGB 193 213 223

HSL 200, 0.32%, 0.82%

LAB 84.1, -4.68, -7.21

 

CMYK 13 / 5 / 0 / 5

HEX #D2E7F2

RGB 210 231 242

HSL 200.63, 0.55%, 0.89%

LAB 90.44, -4.75, -7.7

 

CMYK 11 / 2 / 0 / 0

HEX #E3F9FF

RGB 227 249 255

HSL 192.86, 1%, 0.95%

LAB 96.53, -5.99, -5.32

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

CMYK 19 / 7 / 0 / 25

HEX #9AB1BE

RGB 154 177 190

HSL 201.67, 0.22%, 0.67%

LAB 70.89, -5.09, -9.28

 

CMYK 20 / 7 / 0 / 33

HEX #899FAB

RGB 137 159 171

HSL 201.18, 0.17%, 0.6%

LAB 64.21, -5.03, -8.82

 

CMYK 21 / 7 / 0 / 40

HEX #788D98

RGB 120 141 152

HSL 200.63, 0.13%, 0.53%

LAB 57.38, -4.98, -8.35

 

CMYK 23 / 8 / 0 / 48

HEX #677B85

RGB 103 123 133

HSL 200, 0.13%, 0.46%

LAB 50.39, -4.93, -7.88

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 18 / 11 / 0 / 18

HEX #ADBAD2

RGB 173 186 210

HSL 218.92, 0.29%, 0.75%

LAB 75.24, 0.51, -13.58

 

CMYK 18 / 16 / 0 / 18

HEX #ADB0D2

RGB 173 176 210

HSL 235.14, 0.29%, 0.75%

LAB 72.62, 5.95, -17.52

 

CMYK 15 / 18 / 0 / 18

HEX #B3ADD2

RGB 179 173 210

HSL 249.73, 0.29%, 0.75%

LAB 72.31, 9.53, -17.94

 

CMYK 10 / 18 / 0 / 18

HEX #BDADD2

RGB 189 173 210

HSL 265.95, 0.29%, 0.75%

LAB 73.13, 12.79, -16.63

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 18 / 11 / 0 / 18

HEX #ADBAD2

RGB 173 186 210

HSL 218.92, 0.29%, 0.75%

LAB 75.24, 0.51, -13.58

 

CMYK 18 / 16 / 0 / 18

HEX #ADB0D2

RGB 173 176 210

HSL 235.14, 0.29%, 0.75%

LAB 72.62, 5.95, -17.52

 

CMYK 18 / 18 / 0 / 18

HEX #ADADD2

RGB 173 173 210

HSL 240, 0.29%, 0.75%

LAB 71.84, 7.6, -18.7

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 26 / 10 / 0 / 14

HEX #A2C7DC

RGB 162 199 220

HSL 201.72, 0.45%, 0.75%

LAB 78.28, -7.56, -14.49

 

CMYK 34 / 12 / 0 / 10

HEX #98CAE6

RGB 152 202 230

HSL 201.54, 0.61%, 0.75%

LAB 78.83, -9.59, -19.1

 

CMYK 41 / 15 / 0 / 5

HEX #8ECCF1

RGB 142 204 241

HSL 202.42, 0.78%, 0.75%

LAB 79.21, -10.48, -24.47

 

CMYK 47 / 18 / 0 / 2

HEX #84CFFB

RGB 132 207 251

HSL 202.18, 0.94%, 0.75%

LAB 79.9, -11.77, -28.79

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 8 / 3 / 0 / 22

HEX #B7C1C7

RGB 183 193 199

HSL 202.5, 0.13%, 0.75%

LAB 77.48, -2.26, -4.2

 

CMYK 0 / 1 / 2 / 24

HEX #C1BFBD

RGB 193 191 189

HSL 30, 0.03%, 0.75%

LAB 77.44, 0.34, 1.24

 

CMYK 0 / 8 / 12 / 20

HEX #CCBCB3

RGB 204 188 179

HSL 21.6, 0.2%, 0.75%

LAB 77.32, 4.13, 6.58

 

CMYK 0 / 14 / 21 / 16

HEX #D6B9A8

RGB 214 185 168

HSL 22.17, 0.36%, 0.75%

LAB 77.17, 7.72, 12.45

 

CMYK 18 / 0 / 3 / 18

HEX #ADD2CC

RGB 173 210 204

HSL 170.27, 0.29%, 0.75%

LAB 81.48, -13.38, -1.1

 

CMYK 18 / 2 / 0 / 18

HEX #ADCED2

RGB 173 206 210

HSL 186.49, 0.29%, 0.75%

LAB 80.56, -10.07, -5.65

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 18 / 11 / 0 / 18

HEX #ADBAD2

RGB 173 186 210

HSL 218.92, 0.29%, 0.75%

LAB 75.24, 0.51, -13.58

 

CMYK 18 / 16 / 0 / 18

HEX #ADB0D2

RGB 173 176 210

HSL 235.14, 0.29%, 0.75%

LAB 72.62, 5.95, -17.52

 

CMYK 33 / 12 / 0 / 29

HEX #789EB4

RGB 120 158 180

HSL 202, 0.29%, 0.59%

LAB 63.13, -7.55, -15.59

 

CMYK 25 / 9 / 0 / 24

HEX #92B1C3

RGB 146 177 195

HSL 202.04, 0.29%, 0.67%

LAB 70.52, -6.46, -12.64

 

CMYK 18 / 7 / 0 / 18

HEX #ADC4D2

RGB 173 196 210

HSL 202.7, 0.29%, 0.75%

LAB 77.89, -4.84, -9.62

 

CMYK 11 / 4 / 0 / 12

HEX #C7D7E0

RGB 199 215 224

HSL 201.6, 0.29%, 0.83%

LAB 85.06, -3.59, -6.27

 

CMYK 5 / 2 / 0 / 6

HEX #E2EAEF

RGB 226 234 239

HSL 203.08, 0.29%, 0.91%

LAB 92.24, -1.73, -3.35

 

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

CMYK 8 / 18 / 0 / 18

HEX #C2ADD2

RGB 194 173 210

HSL 274.05, 0.29%, 0.75%

LAB 73.55, 14.44, -15.95

 

CMYK 0 / 0 / 18 / 18

HEX #D2D1AD

RGB 210 209 173

HSL 58.38, 0.29%, 0.75%

LAB 83.08, -5.63, 18.02

 

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

CMYK 0 / 18 / 7 / 18

HEX #D2ADC4

RGB 210 173 196

HSL 322.7, 0.29%, 0.75%

LAB 74.56, 17.26, -6.64

 

CMYK 7 / 0 / 18 / 18

HEX #C4D2AD

RGB 196 210 173

HSL 82.7, 0.29%, 0.75%

LAB 82.3, -11.23, 16.77

 

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

CMYK 8 / 18 / 0 / 18

HEX #C2ADD2

RGB 194 173 210

HSL 274.05, 0.29%, 0.75%

LAB 73.55, 14.44, -15.95

 

CMYK 0 / 11 / 18 / 18

HEX #D2BAAD

RGB 210 186 173

HSL 21.08, 0.29%, 0.75%

LAB 77.18, 6.45, 9.71

 

CMYK 10 / 0 / 18 / 18

HEX #BDD2AD

RGB 189 210 173

HSL 94.05, 0.29%, 0.75%

LAB 81.8, -13.73, 16

 

CMYK 18 / 7 / 0 / 18

HEX #ABC3D1

RGB 171 195 209

HSL 202.11, 0.29%, 0.75%

LAB 77.45, -5.15, -9.74

 

CMYK 2 / 18 / 0 / 18

HEX #CDADD2

RGB 205 173 210

HSL 291.89, 0.29%, 0.75%

LAB 74.52, 18.12, -14.39

 

CMYK 0 / 11 / 18 / 18

HEX #D2BAAD

RGB 210 186 173

HSL 21.08, 0.29%, 0.75%

LAB 77.18, 6.45, 9.71

 

CMYK 15 / 0 / 18 / 18

HEX #B2D2AD

RGB 178 210 173

HSL 111.89, 0.29%, 0.75%

LAB 81.06, -17.57, 14.85

 

Description

Color code: HEX #ABC3D1 | qconv.com Color code: HEX #ABC3D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 195 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 195 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 7% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

68% - Physiotherapie Saute...
Link: http://www.physio-sauter.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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