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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC263 it is the complementary color #543D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC263 shade: #B0C25E, #C1D471, #D2E684, #E3F897 and #F4FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC263 shade: #ABC263, #9AB050, #899E3D, #788C2A and #677A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC263 shade: #AAC261, #C2BF61, #C2A561, #C28B61 and #C27161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC263 shade: #AAC261, #90C261, #76C261, #61C266 and #61C280

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC263 shade matches the following richer shades: #AAC261, #B3D34F, #BDE53E and #C6F72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC263 shade: #AAC261, #A1B073, #989E85, #8F8C96 and #867BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC263 shade: #C2A561, #C2BE61, #ABC261, #91C261 and #78C261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC263 shade: #80963A, #99B446, #AAC261, #BACD7F and #CAD99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC263 shade: #ABC263, #61C28B and #B261C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC263 shade: #ABC263, #61ABC2 and #C261AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC263 shade: #ABC263, #61C28B, #7861C2 and #C26198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC263 shade: #ABC263, #61C2A8, #7861C2 and #C2617B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

Complementary color

CMYK 46 / 61 / 0 / 39

HEX #543D9C

RGB 84 61 156

HSL 254.53, 0.44%, 0.43%

LAB 33.18, 34.04, -48.62

 

CMYK 9 / 0 / 52 / 24

HEX #B0C25E

RGB 176 194 94

HSL 70.8, 0.45%, 0.56%

LAB 75.22, -20.94, 47.69

 

CMYK 9 / 0 / 47 / 17

HEX #C1D471

RGB 193 212 113

HSL 71.52, 0.54%, 0.64%

LAB 81.63, -21.22, 46.56

 

CMYK 9 / 0 / 43 / 10

HEX #D2E684

RGB 210 230 132

HSL 72.24, 0.66%, 0.71%

LAB 87.95, -21.44, 45.42

 

CMYK 8 / 0 / 39 / 3

HEX #E3F897

RGB 227 248 151

HSL 72.99, 0.87%, 0.78%

LAB 94.18, -21.62, 44.28

 

CMYK 4 / 0 / 33 / 0

HEX #F4FFAA

RGB 244 255 170

HSL 67.76, 1%, 0.83%

LAB 97.49, -16.47, 39.47

 

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

CMYK 13 / 0 / 55 / 31

HEX #9AB050

RGB 154 176 80

HSL 73.75, 0.38%, 0.5%

LAB 68.39, -22.18, 45.95

 

CMYK 13 / 0 / 61 / 38

HEX #899E3D

RGB 137 158 61

HSL 72.99, 0.44%, 0.43%

LAB 61.75, -21.81, 46.95

 

CMYK 14 / 0 / 70 / 45

HEX #788C2A

RGB 120 140 42

HSL 72.24, 0.54%, 0.36%

LAB 54.99, -21.3, 47.62

 

CMYK 16 / 0 / 81 / 52

HEX #677A17

RGB 103 122 23

HSL 71.52, 0.68%, 0.28%

LAB 48.09, -20.58, 47.54

 

CMYK 12 / 0 / 50 / 24

HEX #AAC261

RGB 170 194 97

HSL 74.85, 0.44%, 0.57%

LAB 74.82, -23.04, 45.68

 

CMYK 0 / 2 / 50 / 24

HEX #C2BF61

RGB 194 191 97

HSL 58.14, 0.44%, 0.57%

LAB 75.82, -11.83, 47.31

 

CMYK 0 / 15 / 50 / 24

HEX #C2A561

RGB 194 165 97

HSL 42.06, 0.44%, 0.57%

LAB 68.93, 1.83, 38.97

 

CMYK 0 / 28 / 50 / 24

HEX #C28B61

RGB 194 139 97

HSL 25.98, 0.44%, 0.57%

LAB 62.34, 16.02, 30.68

 

CMYK 0 / 42 / 50 / 24

HEX #C27161

RGB 194 113 97

HSL 9.9, 0.44%, 0.57%

LAB 56.23, 30.27, 22.7

 

CMYK 12 / 0 / 50 / 24

HEX #AAC261

RGB 170 194 97

HSL 74.85, 0.44%, 0.57%

LAB 74.82, -23.04, 45.68

 

CMYK 26 / 0 / 50 / 24

HEX #90C261

RGB 144 194 97

HSL 90.93, 0.44%, 0.57%

LAB 73.14, -32.97, 43.25

 

CMYK 39 / 0 / 50 / 24

HEX #76C261

RGB 118 194 97

HSL 107.01, 0.44%, 0.57%

LAB 71.76, -41.96, 41.25

 

CMYK 50 / 0 / 47 / 24

HEX #61C266

RGB 97 194 102

HSL 123.09, 0.44%, 0.57%

LAB 70.93, -47.56, 37.55

 

CMYK 50 / 0 / 34 / 24

HEX #61C280

RGB 97 194 128

HSL 139.18, 0.44%, 0.57%

LAB 71.34, -43.31, 24.66

 

CMYK 12 / 0 / 50 / 24

HEX #AAC261

RGB 170 194 97

HSL 74.85, 0.44%, 0.57%

LAB 74.82, -23.04, 45.68

 

CMYK 15 / 0 / 63 / 17

HEX #B3D34F

RGB 179 211 79

HSL 74.55, 0.6%, 0.57%

LAB 80.03, -29.21, 59.89

 

CMYK 17 / 0 / 73 / 10

HEX #BDE53E

RGB 189 229 62

HSL 74.37, 0.76%, 0.57%

LAB 85.61, -34.67, 72.12

 

CMYK 20 / 0 / 82 / 3

HEX #C6F72C

RGB 198 247 44

HSL 74.48, 0.93%, 0.57%

LAB 91.1, -39.99, 82.36

 

CMYK 12 / 0 / 50 / 24

HEX #AAC261

RGB 170 194 97

HSL 74.85, 0.44%, 0.57%

LAB 74.82, -23.04, 45.68

 

CMYK 9 / 0 / 35 / 31

HEX #A1B073

RGB 161 176 115

HSL 74.75, 0.28%, 0.57%

LAB 69.37, -15.44, 29.56

 

CMYK 4 / 0 / 16 / 38

HEX #989E85

RGB 152 158 133

HSL 74.4, 0.11%, 0.57%

LAB 64.02, -6.72, 12.35

 

CMYK 5 / 7 / 0 / 41

HEX #8F8C96

RGB 143 140 150

HSL 258, 0.05%, 0.57%

LAB 58.79, 3.09, -4.92

 

CMYK 20 / 27 / 0 / 34

HEX #867BA8

RGB 134 123 168

HSL 254.67, 0.21%, 0.57%

LAB 54.09, 13.83, -22.44

 

CMYK 0 / 15 / 50 / 24

HEX #C2A561

RGB 194 165 97

HSL 42.06, 0.44%, 0.57%

LAB 68.93, 1.83, 38.97

 

CMYK 0 / 2 / 50 / 24

HEX #C2BE61

RGB 194 190 97

HSL 57.53, 0.44%, 0.57%

LAB 75.55, -11.32, 46.99

 

CMYK 12 / 0 / 50 / 24

HEX #ABC261

RGB 171 194 97

HSL 74.23, 0.44%, 0.57%

LAB 74.89, -22.64, 45.78

 

CMYK 25 / 0 / 50 / 24

HEX #91C261

RGB 145 194 97

HSL 90.31, 0.44%, 0.57%

LAB 73.2, -32.6, 43.34

 

CMYK 38 / 0 / 50 / 24

HEX #78C261

RGB 120 194 97

HSL 105.77, 0.44%, 0.57%

LAB 71.85, -41.31, 41.39

 

CMYK 15 / 0 / 61 / 41

HEX #80963A

RGB 128 150 58

HSL 74.35, 0.44%, 0.41%

LAB 58.7, -21.79, 44.77

 

CMYK 15 / 0 / 61 / 29

HEX #99B446

RGB 153 180 70

HSL 74.73, 0.44%, 0.49%

LAB 69.37, -25.41, 51.63

 

CMYK 12 / 0 / 50 / 24

HEX #AAC261

RGB 170 194 97

HSL 74.85, 0.44%, 0.57%

LAB 74.82, -23.04, 45.68

 

CMYK 9 / 0 / 38 / 20

HEX #BACD7F

RGB 186 205 127

HSL 74.62, 0.44%, 0.65%

LAB 79.41, -18.92, 36.71

 

CMYK 7 / 0 / 28 / 15

HEX #CAD99D

RGB 202 217 157

HSL 75, 0.44%, 0.73%

LAB 84.29, -14.96, 27.95

 

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

CMYK 50 / 0 / 28 / 24

HEX #61C28B

RGB 97 194 139

HSL 145.98, 0.44%, 0.57%

LAB 71.55, -41.21, 19.09

 

CMYK 8 / 50 / 0 / 24

HEX #B261C2

RGB 178 97 194

HSL 290.1, 0.44%, 0.57%

LAB 53.93, 47.75, -37.31

 

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

CMYK 50 / 12 / 0 / 24

HEX #61ABC2

RGB 97 171 194

HSL 194.23, 0.44%, 0.57%

LAB 66.18, -16.75, -18.89

 

CMYK 0 / 50 / 12 / 24

HEX #C261AB

RGB 194 97 171

HSL 314.23, 0.44%, 0.57%

LAB 55.03, 48.33, -22.16

 

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

CMYK 50 / 0 / 28 / 24

HEX #61C28B

RGB 97 194 139

HSL 145.98, 0.44%, 0.57%

LAB 71.55, -41.21, 19.09

 

CMYK 38 / 50 / 0 / 24

HEX #7861C2

RGB 120 97 194

HSL 254.23, 0.44%, 0.57%

LAB 47.54, 31.97, -47.83

 

CMYK 0 / 50 / 22 / 24

HEX #C26198

RGB 194 97 152

HSL 325.98, 0.44%, 0.57%

LAB 54.33, 45.38, -12.14

 

CMYK 12 / 0 / 49 / 24

HEX #ABC263

RGB 171 194 99

HSL 74.53, 0.44%, 0.57%

LAB 74.91, -22.44, 44.84

 

CMYK 50 / 0 / 13 / 24

HEX #61C2A8

RGB 97 194 168

HSL 163.92, 0.44%, 0.57%

LAB 72.2, -34.92, 4.33

 

CMYK 38 / 50 / 0 / 24

HEX #7861C2

RGB 120 97 194

HSL 254.23, 0.44%, 0.57%

LAB 47.54, 31.97, -47.83

 

CMYK 0 / 50 / 37 / 24

HEX #C2617B

RGB 194 97 123

HSL 343.92, 0.44%, 0.57%

LAB 53.44, 41.5, 3.63

 

Description

Color code: HEX #ABC263 | qconv.com Color code: HEX #ABC263 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 194 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 194 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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