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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC20C it is the complementary color #543DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC20C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC20C shade: #B0C207, #C1D41A, #D2E62D, #E3F840 and #F4FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC20C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC20C shade: #ABC20C, #9AB000, #899E00, #788C00 and #677A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC20C shade: #A9C00C, #C0A60C, #C0760C, #C0450C and #C0150C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC20C shade: #A9C00C, #79C00C, #48C00C, #18C00C and #0CC031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC20C shade matches the following richer shades: #A9C00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC20C shade: #A9C00C, #9DAF1D, #909F2D, #848E3E and #787E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC20C shade: #C0750C, #C0A50C, #ABC00C, #7BC00C and #4BC00C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC20C shade: #657207, #87990A, #A9C00C, #CBE70F and #D9F22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC20C shade: #ABC20C, #0CC045 and #8D0CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC20C shade: #ABC20C, #0CABC0 and #C00CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC20C shade: #ABC20C, #0CC045, #210CC0 and #C00C87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC20C shade: #ABC20C, #0CC07B, #210CC0 and #C00C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

Complementary color

CMYK 65 / 75 / 0 / 5

HEX #543DF3

RGB 84 61 243

HSL 247.58, 0.88%, 0.6%

LAB 40.72, 60.16, -87.01

 

CMYK 9 / 0 / 96 / 24

HEX #B0C207

RGB 176 194 7

HSL 65.78, 0.93%, 0.39%

LAB 74.72, -25.17, 74.53

 

CMYK 9 / 0 / 88 / 17

HEX #C1D41A

RGB 193 212 26

HSL 66.13, 0.78%, 0.47%

LAB 81.02, -26.4, 77.46

 

CMYK 9 / 0 / 80 / 10

HEX #D2E62D

RGB 210 230 45

HSL 66.49, 0.79%, 0.54%

LAB 87.23, -27.44, 79.08

 

CMYK 8 / 0 / 74 / 3

HEX #E3F840

RGB 227 248 64

HSL 66.85, 0.93%, 0.61%

LAB 93.38, -28.32, 79.75

 

CMYK 4 / 0 / 67 / 0

HEX #F4FF53

RGB 244 255 83

HSL 63.84, 1%, 0.66%

LAB 96.57, -23.92, 76.92

 

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

CMYK 13 / 0 / 100 / 31

HEX #9AB000

RGB 154 176 0

HSL 67.5, 1%, 0.35%

LAB 67.96, -25.87, 69.52

 

CMYK 13 / 0 / 100 / 38

HEX #899E00

RGB 137 158 0

HSL 67.97, 1%, 0.31%

LAB 61.46, -24.36, 64.1

 

CMYK 14 / 0 / 100 / 45

HEX #788C00

RGB 120 140 0

HSL 68.57, 1%, 0.27%

LAB 54.81, -22.83, 58.57

 

CMYK 16 / 0 / 100 / 52

HEX #677A00

RGB 103 122 0

HSL 69.34, 1%, 0.24%

LAB 48.01, -21.28, 52.91

 

CMYK 12 / 0 / 94 / 25

HEX #A9C00C

RGB 169 192 12

HSL 67.67, 0.88%, 0.4%

LAB 73.65, -27.09, 72.96

 

CMYK 0 / 14 / 94 / 25

HEX #C0A60C

RGB 192 166 12

HSL 51.33, 0.88%, 0.4%

LAB 68.39, -3.88, 69.77

 

CMYK 0 / 39 / 94 / 25

HEX #C0760C

RGB 192 118 12

HSL 35.33, 0.88%, 0.4%

LAB 56.28, 22.27, 60.87

 

CMYK 0 / 64 / 94 / 25

HEX #C0450C

RGB 192 69 12

HSL 19, 0.88%, 0.4%

LAB 46.3, 47.21, 53.98

 

CMYK 0 / 89 / 94 / 25

HEX #C0150C

RGB 192 21 12

HSL 3, 0.88%, 0.4%

LAB 40.85, 62.3, 50.54

 

CMYK 12 / 0 / 94 / 25

HEX #A9C00C

RGB 169 192 12

HSL 67.67, 0.88%, 0.4%

LAB 73.65, -27.09, 72.96

 

CMYK 37 / 0 / 94 / 25

HEX #79C00C

RGB 121 192 12

HSL 83.67, 0.88%, 0.4%

LAB 70.73, -45.95, 69.4

 

CMYK 63 / 0 / 94 / 25

HEX #48C00C

RGB 72 192 12

HSL 100, 0.88%, 0.4%

LAB 68.83, -60.56, 67.07

 

CMYK 88 / 0 / 94 / 25

HEX #18C00C

RGB 24 192 12

HSL 116, 0.88%, 0.4%

LAB 67.96, -68.06, 66

 

CMYK 94 / 0 / 74 / 25

HEX #0CC031

RGB 12 192 49

HSL 132.33, 0.88%, 0.4%

LAB 68.02, -66.98, 57.07

 

CMYK 12 / 0 / 94 / 25

HEX #A9C00C

RGB 169 192 12

HSL 67.67, 0.88%, 0.4%

LAB 73.65, -27.09, 72.96

 

CMYK 12 / 0 / 94 / 25

HEX #A9C00C

RGB 169 192 12

HSL 67.67, 0.88%, 0.4%

LAB 73.65, -27.09, 72.96

 

CMYK 10 / 0 / 83 / 31

HEX #9DAF1D

RGB 157 175 29

HSL 67.4, 0.72%, 0.4%

LAB 67.96, -23.53, 64.91

 

CMYK 9 / 0 / 72 / 38

HEX #909F2D

RGB 144 159 45

HSL 67.89, 0.56%, 0.4%

LAB 62.44, -20.43, 54.49

 

CMYK 7 / 0 / 56 / 44

HEX #848E3E

RGB 132 142 62

HSL 67.5, 0.39%, 0.4%

LAB 56.68, -15.61, 40.69

 

CMYK 5 / 0 / 38 / 51

HEX #787E4E

RGB 120 126 78

HSL 67.5, 0.24%, 0.4%

LAB 51.23, -10.39, 25.4

 

CMYK 0 / 39 / 94 / 25

HEX #C0750C

RGB 192 117 12

HSL 35, 0.88%, 0.4%

LAB 56.04, 22.82, 60.7

 

CMYK 0 / 14 / 94 / 25

HEX #C0A50C

RGB 192 165 12

HSL 51, 0.88%, 0.4%

LAB 68.13, -3.35, 69.57

 

CMYK 11 / 0 / 94 / 25

HEX #ABC00C

RGB 171 192 12

HSL 67, 0.88%, 0.4%

LAB 73.79, -26.25, 73.13

 

CMYK 36 / 0 / 94 / 25

HEX #7BC00C

RGB 123 192 12

HSL 83, 0.88%, 0.4%

LAB 70.83, -45.23, 69.52

 

CMYK 61 / 0 / 94 / 25

HEX #4BC00C

RGB 75 192 12

HSL 99, 0.88%, 0.4%

LAB 68.91, -59.85, 67.17

 

CMYK 11 / 0 / 94 / 55

HEX #657207

RGB 101 114 7

HSL 67.29, 0.88%, 0.24%

LAB 45.38, -17.84, 49.3

 

CMYK 12 / 0 / 93 / 40

HEX #87990A

RGB 135 153 10

HSL 67.55, 0.88%, 0.32%

LAB 59.85, -22.58, 61.35

 

CMYK 12 / 0 / 94 / 25

HEX #A9C00C

RGB 169 192 12

HSL 67.67, 0.88%, 0.4%

LAB 73.65, -27.09, 72.96

 

CMYK 12 / 0 / 94 / 9

HEX #CBE70F

RGB 203 231 15

HSL 67.78, 0.88%, 0.48%

LAB 86.94, -31.41, 83.96

 

CMYK 10 / 0 / 81 / 5

HEX #D9F22D

RGB 217 242 45

HSL 67.61, 0.88%, 0.56%

LAB 90.98, -30.22, 82.51

 

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

CMYK 94 / 0 / 64 / 25

HEX #0CC045

RGB 12 192 69

HSL 139, 0.88%, 0.4%

LAB 68.17, -65.05, 49.38

 

CMYK 27 / 94 / 0 / 25

HEX #8D0CC0

RGB 141 12 192

HSL 283, 0.88%, 0.4%

LAB 37.36, 70.5, -62.98

 

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

CMYK 94 / 11 / 0 / 25

HEX #0CABC0

RGB 12 171 192

HSL 187, 0.88%, 0.4%

LAB 64.17, -28.52, -21.02

 

CMYK 0 / 94 / 11 / 25

HEX #C00CAB

RGB 192 12 171

HSL 307, 0.88%, 0.4%

LAB 44.81, 75.32, -38.11

 

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

CMYK 94 / 0 / 64 / 25

HEX #0CC045

RGB 12 192 69

HSL 139, 0.88%, 0.4%

LAB 68.17, -65.05, 49.38

 

CMYK 83 / 94 / 0 / 25

HEX #210CC0

RGB 33 12 192

HSL 247, 0.88%, 0.4%

LAB 24.93, 61.76, -83.92

 

CMYK 0 / 94 / 30 / 25

HEX #C00C87

RGB 192 12 135

HSL 319, 0.88%, 0.4%

LAB 43.09, 70.88, -19.08

 

CMYK 12 / 0 / 94 / 24

HEX #ABC20C

RGB 171 194 12

HSL 67.58, 0.88%, 0.4%

LAB 74.36, -27.21, 73.57

 

CMYK 94 / 0 / 36 / 25

HEX #0CC07B

RGB 12 192 123

HSL 157, 0.88%, 0.4%

LAB 68.9, -56.3, 23.72

 

CMYK 83 / 94 / 0 / 25

HEX #210CC0

RGB 33 12 192

HSL 247, 0.88%, 0.4%

LAB 24.93, 61.76, -83.92

 

CMYK 0 / 94 / 58 / 25

HEX #C00C51

RGB 192 12 81

HSL 337, 0.88%, 0.4%

LAB 41.32, 66.12, 12.08

 

Description

Color code: HEX #ABC20C | qconv.com Color code: HEX #ABC20C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 194 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 194 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 94 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 94% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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