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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC121 it is the complementary color #543EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC121 shade: #B0C11C, #C1D32F, #D2E542, #E3F755 and #F4FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC121 shade: #ABC121, #9AAF0E, #899D00, #788B00 and #677900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC121 shade: #AAC021, #C0AB21, #C08021, #C05521 and #C02A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC121 shade: #AAC021, #7FC021, #54C021, #29C021 and #21C043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC121 shade matches the following richer shades: #AAC021 and #B7D20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC121 shade: #AAC021, #9DAE33, #909C45, #828957 and #757769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC121 shade: #C08021, #C0AB21, #ABC021, #80C021 and #56C021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC121 shade: #6B7915, #8B9D1B, #AAC021, #C4DC2E and #CEE251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC121 shade: #ABC121, #21C056 and #9521C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC121 shade: #ABC121, #21ABC0 and #C021AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC121 shade: #ABC121, #21C056, #3621C0 and #C0218B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC121 shade: #ABC121, #21C085, #3621C0 and #C0215B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

Complementary color

CMYK 62 / 72 / 0 / 13

HEX #543EDE

RGB 84 62 222

HSL 248.25, 0.71%, 0.56%

LAB 38.91, 53.44, -78.09

 

CMYK 9 / 0 / 85 / 24

HEX #B0C11C

RGB 176 193 28

HSL 66.18, 0.75%, 0.43%

LAB 74.48, -24.31, 71.2

 

CMYK 9 / 0 / 78 / 17

HEX #C1D32F

RGB 193 211 47

HSL 66.59, 0.65%, 0.51%

LAB 80.81, -25.3, 72.39

 

CMYK 8 / 0 / 71 / 10

HEX #D2E542

RGB 210 229 66

HSL 66.99, 0.76%, 0.58%

LAB 87.06, -26.12, 72.68

 

CMYK 8 / 0 / 66 / 3

HEX #E3F755

RGB 227 247 85

HSL 67.41, 0.91%, 0.65%

LAB 93.24, -26.79, 72.41

 

CMYK 4 / 0 / 59 / 0

HEX #F4FF68

RGB 244 255 104

HSL 64.37, 1%, 0.7%

LAB 96.72, -22.66, 68.97

 

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

CMYK 12 / 0 / 92 / 31

HEX #9AAF0E

RGB 154 175 14

HSL 67.83, 0.85%, 0.37%

LAB 67.7, -25.18, 67.56

 

CMYK 13 / 0 / 100 / 38

HEX #899D00

RGB 137 157 0

HSL 67.64, 1%, 0.31%

LAB 61.16, -23.87, 63.88

 

CMYK 14 / 0 / 100 / 45

HEX #788B00

RGB 120 139 0

HSL 68.2, 1%, 0.27%

LAB 54.51, -22.33, 58.34

 

CMYK 15 / 0 / 100 / 53

HEX #677900

RGB 103 121 0

HSL 68.93, 1%, 0.24%

LAB 47.7, -20.76, 52.67

 

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 0 / 11 / 83 / 25

HEX #C0AB21

RGB 192 171 33

HSL 52.08, 0.71%, 0.44%

LAB 69.78, -6.07, 66.59

 

CMYK 0 / 33 / 83 / 25

HEX #C08021

RGB 192 128 33

HSL 35.85, 0.71%, 0.44%

LAB 58.75, 17.23, 57.08

 

CMYK 0 / 56 / 83 / 25

HEX #C05521

RGB 192 85 33

HSL 19.62, 0.71%, 0.44%

LAB 49.27, 40.14, 48.67

 

CMYK 0 / 78 / 83 / 25

HEX #C02A21

RGB 192 42 33

HSL 3.4, 0.71%, 0.44%

LAB 42.72, 57.75, 42.64

 

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 34 / 0 / 83 / 25

HEX #7FC021

RGB 127 192 33

HSL 84.53, 0.71%, 0.44%

LAB 71.09, -43.19, 65.91

 

CMYK 56 / 0 / 83 / 25

HEX #54C021

RGB 84 192 33

HSL 100.75, 0.71%, 0.44%

LAB 69.25, -56.88, 63.57

 

CMYK 79 / 0 / 83 / 25

HEX #29C021

RGB 41 192 33

HSL 116.98, 0.71%, 0.44%

LAB 68.23, -65.46, 62.26

 

CMYK 83 / 0 / 65 / 25

HEX #21C043

RGB 33 192 67

HSL 132.83, 0.71%, 0.44%

LAB 68.33, -63.71, 50.46

 

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 13 / 0 / 93 / 18

HEX #B7D20E

RGB 183 210 14

HSL 68.27, 0.88%, 0.44%

LAB 79.72, -29.79, 77.87

 

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 10 / 0 / 71 / 32

HEX #9DAE33

RGB 157 174 51

HSL 68.29, 0.55%, 0.44%

LAB 67.78, -22.08, 57.84

 

CMYK 8 / 0 / 56 / 39

HEX #909C45

RGB 144 156 69

HSL 68.28, 0.39%, 0.44%

LAB 61.77, -17.17, 43.38

 

CMYK 5 / 0 / 36 / 46

HEX #828957

RGB 130 137 87

HSL 68.4, 0.22%, 0.44%

LAB 55.41, -11.02, 25.98

 

CMYK 2 / 0 / 12 / 53

HEX #757769

RGB 117 119 105

HSL 68.57, 0.06%, 0.44%

LAB 49.49, -3.46, 7.44

 

CMYK 0 / 33 / 83 / 25

HEX #C08021

RGB 192 128 33

HSL 35.85, 0.71%, 0.44%

LAB 58.75, 17.23, 57.08

 

CMYK 0 / 11 / 83 / 25

HEX #C0AB21

RGB 192 171 33

HSL 52.08, 0.71%, 0.44%

LAB 69.78, -6.07, 66.59

 

CMYK 11 / 0 / 83 / 25

HEX #ABC021

RGB 171 192 33

HSL 67.92, 0.71%, 0.44%

LAB 73.85, -25.78, 69.38

 

CMYK 33 / 0 / 83 / 25

HEX #80C021

RGB 128 192 33

HSL 84.15, 0.71%, 0.44%

LAB 71.14, -42.83, 65.98

 

CMYK 55 / 0 / 83 / 25

HEX #56C021

RGB 86 192 33

HSL 100, 0.71%, 0.44%

LAB 69.32, -56.34, 63.65

 

CMYK 12 / 0 / 83 / 53

HEX #6B7915

RGB 107 121 21

HSL 68.4, 0.7%, 0.28%

LAB 48.08, -18.34, 48.27

 

CMYK 11 / 0 / 83 / 38

HEX #8B9D1B

RGB 139 157 27

HSL 68.31, 0.71%, 0.36%

LAB 61.38, -22.39, 59.22

 

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 11 / 0 / 79 / 14

HEX #C4DC2E

RGB 196 220 46

HSL 68.28, 0.71%, 0.52%

LAB 83.51, -28.39, 75.16

 

CMYK 9 / 0 / 64 / 11

HEX #CEE251

RGB 206 226 81

HSL 68.28, 0.71%, 0.6%

LAB 86.06, -25.46, 66.04

 

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

CMYK 83 / 0 / 55 / 25

HEX #21C056

RGB 33 192 86

HSL 140, 0.71%, 0.44%

LAB 68.53, -61.33, 42.09

 

CMYK 22 / 83 / 0 / 25

HEX #9521C0

RGB 149 33 192

HSL 283.77, 0.71%, 0.44%

LAB 40.05, 67.48, -58.54

 

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

CMYK 83 / 11 / 0 / 25

HEX #21ABC0

RGB 33 171 192

HSL 187.92, 0.71%, 0.44%

LAB 64.37, -27.32, -20.7

 

CMYK 0 / 83 / 11 / 25

HEX #C021AB

RGB 192 33 171

HSL 307.92, 0.71%, 0.44%

LAB 45.95, 72, -36.31

 

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

CMYK 83 / 0 / 55 / 25

HEX #21C056

RGB 33 192 86

HSL 140, 0.71%, 0.44%

LAB 68.53, -61.33, 42.09

 

CMYK 72 / 83 / 0 / 25

HEX #3621C0

RGB 54 33 192

HSL 247.92, 0.71%, 0.44%

LAB 28.58, 55.69, -77.79

 

CMYK 0 / 83 / 28 / 25

HEX #C0218B

RGB 192 33 139

HSL 320, 0.71%, 0.44%

LAB 44.46, 67.85, -19.42

 

CMYK 11 / 0 / 83 / 24

HEX #ABC121

RGB 171 193 33

HSL 68.25, 0.71%, 0.44%

LAB 74.13, -26.27, 69.63

 

CMYK 83 / 0 / 31 / 25

HEX #21C085

RGB 33 192 133

HSL 157.74, 0.71%, 0.44%

LAB 69.27, -52.78, 18.92

 

CMYK 72 / 83 / 0 / 25

HEX #3621C0

RGB 54 33 192

HSL 247.92, 0.71%, 0.44%

LAB 28.58, 55.69, -77.79

 

CMYK 0 / 83 / 53 / 25

HEX #C0215B

RGB 192 33 91

HSL 338.11, 0.71%, 0.44%

LAB 42.84, 63.16, 7.9

 

Description

Color code: HEX #ABC121 | qconv.com Color code: HEX #ABC121 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 193 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 193 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 83 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 83% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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