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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC023 it is the complementary color #543FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC023 shade: #B0C01E, #C1D231, #D2E444, #E3F657 and #F4FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC023 shade: #ABC023, #9AAE10, #899C00, #788A00 and #677800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC023 shade: #ADC224, #C2AC24, #C28224, #C25724 and #C22C24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC023 shade: #ADC224, #82C224, #57C224, #2DC224 and #24C245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC023 shade matches the following richer shades: #ADC224 and #BAD411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC023 shade: #ADC224, #9FAF36, #929D49, #848A5B and #76786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC023 shade: #C28324, #C2AD24, #ADC224, #83C224 and #58C224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC023 shade: #6F7C17, #8E9F1D, #ADC224, #C4DA35 and #CEE058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC023 shade: #ABC023, #24C258 and #9824C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC023 shade: #ABC023, #24ADC2 and #C224AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC023 shade: #ABC023, #24C258, #3924C2 and #C2248D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC023 shade: #ABC023, #24C288, #3924C2 and #C2245E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

Complementary color

CMYK 62 / 71 / 0 / 14

HEX #543FDC

RGB 84 63 220

HSL 248.03, 0.69%, 0.55%

LAB 38.91, 52.31, -76.94

 

CMYK 8 / 0 / 84 / 25

HEX #B0C01E

RGB 176 192 30

HSL 65.93, 0.73%, 0.44%

LAB 74.2, -23.77, 70.54

 

CMYK 8 / 0 / 77 / 18

HEX #C1D231

RGB 193 210 49

HSL 66.34, 0.64%, 0.51%

LAB 80.55, -24.74, 71.56

 

CMYK 8 / 0 / 70 / 11

HEX #D2E444

RGB 210 228 68

HSL 66.75, 0.75%, 0.58%

LAB 86.8, -25.54, 71.74

 

CMYK 8 / 0 / 65 / 4

HEX #E3F657

RGB 227 246 87

HSL 67.17, 0.9%, 0.65%

LAB 92.98, -26.2, 71.39

 

CMYK 4 / 0 / 58 / 0

HEX #F4FF6A

RGB 244 255 106

HSL 64.43, 1%, 0.71%

LAB 96.74, -22.52, 68.16

 

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

CMYK 11 / 0 / 91 / 32

HEX #9AAE10

RGB 154 174 16

HSL 67.59, 0.83%, 0.37%

LAB 67.41, -24.65, 67.03

 

CMYK 12 / 0 / 100 / 39

HEX #899C00

RGB 137 156 0

HSL 67.31, 1%, 0.31%

LAB 60.87, -23.37, 63.66

 

CMYK 13 / 0 / 100 / 46

HEX #788A00

RGB 120 138 0

HSL 67.83, 1%, 0.27%

LAB 54.21, -21.82, 58.12

 

CMYK 14 / 0 / 100 / 53

HEX #677800

RGB 103 120 0

HSL 68.5, 1%, 0.24%

LAB 47.39, -20.25, 52.44

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 0 / 11 / 81 / 24

HEX #C2AC24

RGB 194 172 36

HSL 51.65, 0.69%, 0.45%

LAB 70.25, -5.63, 66.23

 

CMYK 0 / 33 / 81 / 24

HEX #C28224

RGB 194 130 36

HSL 35.7, 0.69%, 0.45%

LAB 59.49, 17.11, 56.77

 

CMYK 0 / 55 / 81 / 24

HEX #C25724

RGB 194 87 36

HSL 19.37, 0.69%, 0.45%

LAB 49.99, 40.02, 48.11

 

CMYK 0 / 77 / 81 / 24

HEX #C22C24

RGB 194 44 36

HSL 3.04, 0.69%, 0.45%

LAB 43.36, 57.82, 41.81

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 33 / 0 / 81 / 24

HEX #82C224

RGB 130 194 36

HSL 84.3, 0.69%, 0.45%

LAB 71.86, -42.83, 65.88

 

CMYK 55 / 0 / 81 / 24

HEX #57C224

RGB 87 194 36

HSL 100.63, 0.69%, 0.45%

LAB 69.99, -56.65, 63.49

 

CMYK 77 / 0 / 81 / 24

HEX #2DC224

RGB 45 194 36

HSL 116.58, 0.69%, 0.45%

LAB 68.95, -65.36, 62.14

 

CMYK 81 / 0 / 64 / 24

HEX #24C245

RGB 36 194 69

HSL 132.53, 0.69%, 0.45%

LAB 69.03, -63.8, 50.4

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 12 / 0 / 92 / 17

HEX #BAD411

RGB 186 212 17

HSL 68, 0.85%, 0.45%

LAB 80.5, -29.46, 78.21

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 9 / 0 / 69 / 31

HEX #9FAF36

RGB 159 175 54

HSL 67.93, 0.53%, 0.45%

LAB 68.24, -21.56, 57.21

 

CMYK 7 / 0 / 54 / 38

HEX #929D49

RGB 146 157 73

HSL 67.86, 0.37%, 0.45%

LAB 62.26, -16.48, 42.05

 

CMYK 4 / 0 / 34 / 46

HEX #848A5B

RGB 132 138 91

HSL 67.66, 0.21%, 0.45%

LAB 55.93, -10.21, 24.48

 

CMYK 2 / 0 / 8 / 53

HEX #76786E

RGB 118 120 110

HSL 72, 0.04%, 0.45%

LAB 49.99, -2.71, 5.22

 

CMYK 0 / 32 / 81 / 24

HEX #C28324

RGB 194 131 36

HSL 36.08, 0.69%, 0.45%

LAB 59.73, 16.56, 56.99

 

CMYK 0 / 11 / 81 / 24

HEX #C2AD24

RGB 194 173 36

HSL 52.03, 0.69%, 0.45%

LAB 70.51, -6.15, 66.46

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 32 / 0 / 81 / 24

HEX #83C224

RGB 131 194 36

HSL 83.92, 0.69%, 0.45%

LAB 71.92, -42.46, 65.95

 

CMYK 55 / 0 / 81 / 24

HEX #58C224

RGB 88 194 36

HSL 100.25, 0.69%, 0.45%

LAB 70.03, -56.38, 63.53

 

CMYK 10 / 0 / 81 / 51

HEX #6F7C17

RGB 111 124 23

HSL 67.72, 0.69%, 0.29%

LAB 49.32, -18.02, 48.89

 

CMYK 11 / 0 / 82 / 38

HEX #8E9F1D

RGB 142 159 29

HSL 67.85, 0.69%, 0.37%

LAB 62.2, -22.02, 59.48

 

CMYK 11 / 0 / 81 / 24

HEX #ADC224

RGB 173 194 36

HSL 67.97, 0.69%, 0.45%

LAB 74.57, -25.81, 69.31

 

CMYK 10 / 0 / 76 / 15

HEX #C4DA35

RGB 196 218 53

HSL 68, 0.69%, 0.53%

LAB 82.99, -27.17, 72.67

 

CMYK 8 / 0 / 61 / 12

HEX #CEE058

RGB 206 224 88

HSL 67.94, 0.69%, 0.61%

LAB 85.57, -24.03, 62.68

 

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

CMYK 81 / 0 / 55 / 24

HEX #24C258

RGB 36 194 88

HSL 139.75, 0.69%, 0.45%

LAB 69.23, -61.39, 41.98

 

CMYK 22 / 81 / 0 / 24

HEX #9824C2

RGB 152 36 194

HSL 284.05, 0.69%, 0.45%

LAB 40.95, 67.54, -58.24

 

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

CMYK 81 / 11 / 0 / 24

HEX #24ADC2

RGB 36 173 194

HSL 187.97, 0.69%, 0.45%

LAB 65.09, -27.42, -20.71

 

CMYK 0 / 81 / 11 / 24

HEX #C224AD

RGB 194 36 173

HSL 307.97, 0.69%, 0.45%

LAB 46.64, 72.01, -36.39

 

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

CMYK 81 / 0 / 55 / 24

HEX #24C258

RGB 36 194 88

HSL 139.75, 0.69%, 0.45%

LAB 69.23, -61.39, 41.98

 

CMYK 71 / 81 / 0 / 24

HEX #3924C2

RGB 57 36 194

HSL 247.97, 0.69%, 0.45%

LAB 29.48, 55.19, -77.48

 

CMYK 0 / 81 / 27 / 24

HEX #C2248D

RGB 194 36 141

HSL 320.13, 0.69%, 0.45%

LAB 45.16, 67.84, -19.53

 

CMYK 11 / 0 / 82 / 25

HEX #ABC023

RGB 171 192 35

HSL 68.03, 0.69%, 0.45%

LAB 73.85, -25.72, 68.89

 

CMYK 81 / 0 / 30 / 24

HEX #24C288

RGB 36 194 136

HSL 157.97, 0.69%, 0.45%

LAB 69.99, -52.6, 18.31

 

CMYK 71 / 81 / 0 / 24

HEX #3924C2

RGB 57 36 194

HSL 247.97, 0.69%, 0.45%

LAB 29.48, 55.19, -77.48

 

CMYK 0 / 81 / 52 / 24

HEX #C2245E

RGB 194 36 94

HSL 337.97, 0.69%, 0.45%

LAB 43.56, 63.18, 7.1

 

Description

Color code: HEX #ABC023 | qconv.com Color code: HEX #ABC023 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 192 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 192 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 82 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 82% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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