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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABBC03 it is the complementary color #5443FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABBC03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABBC03 shade: #B0BC00, #C1CE11, #D2E024, #E3F237 and #F4FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABBC03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABBC03 shade: #ABBC03, #9AAA00, #899800, #788600 and #677400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABBC03 shade: #A9BA03, #BA9903, #BA6803, #BA3703 and #BA0503

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABBC03 shade: #A9BA03, #78BA03, #46BA03, #15BA03 and #03BA22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABBC03 shade matches the following richer shades: #A9BA03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABBC03 shade: #A9BA03, #9DAB12, #909B21, #848C31 and #777D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABBC03 shade: #BA6803, #BA9803, #ABBA03, #7ABA03 and #49BA03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABBC03 shade: #5F6902, #849102, #A9BA03, #CEE303 and #E6FB14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABBC03 shade: #ABBC03, #03BA37 and #8003BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABBC03 shade: #ABBC03, #03ABBA and #BA03AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABBC03 shade: #ABBC03, #03BA37, #1203BA and #BA0386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABBC03 shade: #ABBC03, #03BA6E, #1203BA and #BA034F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

Complementary color

CMYK 67 / 73 / 0 / 1

HEX #5443FC

RGB 84 67 252

HSL 245.51, 0.97%, 0.63%

LAB 42.65, 59.81, -88.88

 

CMYK 6 / 0 / 100 / 26

HEX #B0BC00

RGB 176 188 0

HSL 63.83, 1%, 0.37%

LAB 73.02, -22.32, 74.01

 

CMYK 6 / 0 / 92 / 19

HEX #C1CE11

RGB 193 206 17

HSL 64.13, 0.85%, 0.44%

LAB 79.34, -23.68, 77.52

 

CMYK 6 / 0 / 84 / 12

HEX #D2E024

RGB 210 224 36

HSL 64.47, 0.75%, 0.51%

LAB 85.57, -24.85, 79.76

 

CMYK 6 / 0 / 77 / 5

HEX #E3F237

RGB 227 242 55

HSL 64.81, 0.88%, 0.58%

LAB 91.73, -25.85, 80.88

 

CMYK 4 / 0 / 71 / 0

HEX #F4FF4A

RGB 244 255 74

HSL 63.65, 1%, 0.65%

LAB 96.51, -24.36, 79.97

 

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

CMYK 9 / 0 / 100 / 33

HEX #9AAA00

RGB 154 170 0

HSL 65.65, 1%, 0.33%

LAB 66.23, -22.93, 68.22

 

CMYK 10 / 0 / 100 / 40

HEX #899800

RGB 137 152 0

HSL 65.92, 1%, 0.3%

LAB 59.68, -21.36, 62.78

 

CMYK 10 / 0 / 100 / 47

HEX #788600

RGB 120 134 0

HSL 66.27, 1%, 0.26%

LAB 53, -19.77, 57.21

 

CMYK 11 / 0 / 100 / 55

HEX #677400

RGB 103 116 0

HSL 66.72, 1%, 0.23%

LAB 46.14, -18.15, 51.51

 

CMYK 9 / 0 / 98 / 27

HEX #A9BA03

RGB 169 186 3

HSL 65.57, 0.97%, 0.37%

LAB 71.93, -24.3, 72.63

 

CMYK 0 / 18 / 98 / 27

HEX #BA9903

RGB 186 153 3

HSL 49.18, 0.97%, 0.37%

LAB 64.35, 0.27, 67.72

 

CMYK 0 / 44 / 98 / 27

HEX #BA6803

RGB 186 104 3

HSL 33.11, 0.97%, 0.37%

LAB 52.23, 27.2, 59.42

 

CMYK 0 / 70 / 98 / 27

HEX #BA3703

RGB 186 55 3

HSL 17.05, 0.97%, 0.37%

LAB 43.03, 50.83, 53.94

 

CMYK 0 / 97 / 98 / 27

HEX #BA0503

RGB 186 5 3

HSL 0.66, 0.97%, 0.37%

LAB 38.82, 62.68, 51.91

 

CMYK 9 / 0 / 98 / 27

HEX #A9BA03

RGB 169 186 3

HSL 65.57, 0.97%, 0.37%

LAB 71.93, -24.3, 72.63

 

CMYK 35 / 0 / 98 / 27

HEX #78BA03

RGB 120 186 3

HSL 81.64, 0.97%, 0.37%

LAB 68.84, -43.95, 68.91

 

CMYK 62 / 0 / 98 / 27

HEX #46BA03

RGB 70 186 3

HSL 98.03, 0.97%, 0.37%

LAB 66.84, -59.19, 66.48

 

CMYK 89 / 0 / 98 / 27

HEX #15BA03

RGB 21 186 3

HSL 114.1, 0.97%, 0.37%

LAB 65.97, -66.8, 65.41

 

CMYK 98 / 0 / 82 / 27

HEX #03BA22

RGB 3 186 34

HSL 130.16, 0.97%, 0.37%

LAB 65.94, -66.69, 59.76

 

CMYK 9 / 0 / 98 / 27

HEX #A9BA03

RGB 169 186 3

HSL 65.57, 0.97%, 0.37%

LAB 71.93, -24.3, 72.63

 

CMYK 9 / 0 / 98 / 27

HEX #A9BA03

RGB 169 186 3

HSL 65.57, 0.97%, 0.37%

LAB 71.93, -24.3, 72.63

 

CMYK 8 / 0 / 89 / 33

HEX #9DAB12

RGB 157 171 18

HSL 65.49, 0.81%, 0.37%

LAB 66.78, -21.84, 66.28

 

CMYK 7 / 0 / 79 / 39

HEX #909B21

RGB 144 155 33

HSL 65.41, 0.65%, 0.37%

LAB 61.2, -18.97, 57.47

 

CMYK 6 / 0 / 65 / 45

HEX #848C31

RGB 132 140 49

HSL 65.27, 0.48%, 0.37%

LAB 55.97, -15.59, 45.96

 

CMYK 5 / 0 / 49 / 51

HEX #777D40

RGB 119 125 64

HSL 65.9, 0.32%, 0.37%

LAB 50.64, -11.93, 32.28

 

CMYK 0 / 44 / 98 / 27

HEX #BA6803

RGB 186 104 3

HSL 33.11, 0.97%, 0.37%

LAB 52.23, 27.2, 59.42

 

CMYK 0 / 18 / 98 / 27

HEX #BA9803

RGB 186 152 3

HSL 48.85, 0.97%, 0.37%

LAB 64.08, 0.81, 67.53

 

CMYK 8 / 0 / 98 / 27

HEX #ABBA03

RGB 171 186 3

HSL 64.92, 0.97%, 0.37%

LAB 72.08, -23.45, 72.81

 

CMYK 34 / 0 / 98 / 27

HEX #7ABA03

RGB 122 186 3

HSL 80.98, 0.97%, 0.37%

LAB 68.94, -43.22, 69.03

 

CMYK 61 / 0 / 98 / 27

HEX #49BA03

RGB 73 186 3

HSL 97.05, 0.97%, 0.37%

LAB 66.93, -58.47, 66.59

 

CMYK 10 / 0 / 98 / 59

HEX #5F6902

RGB 95 105 2

HSL 65.83, 0.96%, 0.21%

LAB 42.06, -15.96, 47.67

 

CMYK 9 / 0 / 99 / 43

HEX #849102

RGB 132 145 2

HSL 65.45, 0.97%, 0.29%

LAB 57.23, -19.99, 60.46

 

CMYK 9 / 0 / 98 / 27

HEX #A9BA03

RGB 169 186 3

HSL 65.57, 0.97%, 0.37%

LAB 71.93, -24.3, 72.63

 

CMYK 9 / 0 / 99 / 11

HEX #CEE303

RGB 206 227 3

HSL 65.63, 0.97%, 0.45%

LAB 86.04, -28.44, 84.41

 

CMYK 8 / 0 / 92 / 2

HEX #E6FB14

RGB 230 251 20

HSL 65.45, 0.97%, 0.53%

LAB 94.26, -29.68, 89.9

 

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

CMYK 98 / 0 / 70 / 27

HEX #03BA37

RGB 3 186 55

HSL 137.05, 0.97%, 0.37%

LAB 66.07, -65.1, 52.84

 

CMYK 31 / 98 / 0 / 27

HEX #8003BA

RGB 128 3 186

HSL 280.98, 0.97%, 0.37%

LAB 34.39, 68.83, -64.37

 

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

CMYK 98 / 8 / 0 / 27

HEX #03ABBA

RGB 3 171 186

HSL 184.92, 0.97%, 0.37%

LAB 63.91, -30.78, -18.08

 

CMYK 0 / 98 / 8 / 27

HEX #BA03AB

RGB 186 3 171

HSL 304.92, 0.97%, 0.37%

LAB 43.43, 75.09, -40.38

 

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

CMYK 98 / 0 / 70 / 27

HEX #03BA37

RGB 3 186 55

HSL 137.05, 0.97%, 0.37%

LAB 66.07, -65.1, 52.84

 

CMYK 90 / 98 / 0 / 27

HEX #1203BA

RGB 18 3 186

HSL 244.92, 0.97%, 0.37%

LAB 22.79, 61.92, -83.94

 

CMYK 0 / 98 / 28 / 27

HEX #BA0386

RGB 186 3 134

HSL 317.05, 0.97%, 0.37%

LAB 41.57, 70.42, -20.91

 

CMYK 9 / 0 / 98 / 26

HEX #ABBC03

RGB 171 188 3

HSL 65.51, 0.97%, 0.37%

LAB 72.65, -24.43, 73.23

 

CMYK 98 / 0 / 41 / 27

HEX #03BA6E

RGB 3 186 110

HSL 155.08, 0.97%, 0.37%

LAB 66.72, -57.14, 27.67

 

CMYK 90 / 98 / 0 / 27

HEX #1203BA

RGB 18 3 186

HSL 244.92, 0.97%, 0.37%

LAB 22.79, 61.92, -83.94

 

CMYK 0 / 98 / 58 / 27

HEX #BA034F

RGB 186 3 79

HSL 335.08, 0.97%, 0.37%

LAB 39.7, 65.49, 10.92

 

Description

Color code: HEX #ABBC03 | qconv.com Color code: HEX #ABBC03 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 188 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 188 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 98 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 98% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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