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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABBAC9 it is the complementary color #544536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABBAC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABBAC9 shade: #B0BAC4, #C1CCD7, #D2DEEA, #E3F0FD and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABBAC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABBAC9 shade: #ABBAC9, #9AA8B6, #8996A3, #788490 and #67727D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABBAC9 shade: #ABBAC9, #ABB2C9, #ACABC9, #B4ABC9 and #BDABC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABBAC9 shade: #ABBAC9, #ABB2C9 and #ABABC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABBAC9 shade matches the following richer shades: #ABBAC9, #A0BAD4, #95BAE0, #8ABAEB and #7EBAF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABBAC9 shade: #ABBAC9, #B6BABE, #C1BAB3, #CCBAA8 and #D8BA9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABBAC9 shade: #ABC9C8, #ABC2C9, #ABBAC9, #ABB2C9 and #ACABC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABBAC9 shade: #7991A9, #92A6B9, #ABBAC9, #C4CFD9 and #DDE3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABBAC9 shade: #ABBAC9, #C0ABC9 and #C6C9AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABBAC9 shade: #ABBAC9, #C9ABBA and #BAC9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABBAC9 shade: #ABBAC9, #C0ABC9, #C9BAAB and #B4C9AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABBAC9 shade: #ABBAC9, #C9ABC9, #C9BAAB and #ABC9AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

Complementary color

CMYK 0 / 18 / 36 / 67

HEX #544536

RGB 84 69 54

HSL 30, 0.22%, 0.27%

LAB 30.42, 3.87, 11.47

 

CMYK 10 / 5 / 0 / 23

HEX #B0BAC4

RGB 176 186 196

HSL 210, 0.14%, 0.73%

LAB 75.03, -1.46, -6.24

 

CMYK 10 / 5 / 0 / 16

HEX #C1CCD7

RGB 193 204 215

HSL 210, 0.22%, 0.8%

LAB 81.53, -1.58, -6.75

 

CMYK 10 / 5 / 0 / 8

HEX #D2DEEA

RGB 210 222 234

HSL 210, 0.36%, 0.87%

LAB 87.91, -1.7, -7.25

 

CMYK 10 / 5 / 0 / 1

HEX #E3F0FD

RGB 227 240 253

HSL 210, 0.87%, 0.94%

LAB 94.2, -1.81, -7.74

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 15 / 8 / 0 / 29

HEX #9AA8B6

RGB 154 168 182

HSL 210, 0.16%, 0.66%

LAB 68.21, -1.96, -8.86

 

CMYK 16 / 8 / 0 / 36

HEX #8996A3

RGB 137 150 163

HSL 210, 0.12%, 0.59%

LAB 61.46, -1.85, -8.4

 

CMYK 17 / 8 / 0 / 44

HEX #788490

RGB 120 132 144

HSL 210, 0.1%, 0.52%

LAB 54.56, -1.73, -7.93

 

CMYK 18 / 9 / 0 / 51

HEX #67727D

RGB 103 114 125

HSL 210, 0.1%, 0.45%

LAB 47.49, -1.61, -7.46

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 15 / 11 / 0 / 21

HEX #ABB2C9

RGB 171 178 201

HSL 226, 0.22%, 0.73%

LAB 72.7, 2.26, -12.48

 

CMYK 14 / 15 / 0 / 21

HEX #ACABC9

RGB 172 171 201

HSL 242, 0.22%, 0.73%

LAB 70.95, 6.42, -15.11

 

CMYK 10 / 15 / 0 / 21

HEX #B4ABC9

RGB 180 171 201

HSL 258, 0.22%, 0.73%

LAB 71.59, 9.05, -14.09

 

CMYK 6 / 15 / 0 / 21

HEX #BDABC9

RGB 189 171 201

HSL 276, 0.22%, 0.73%

LAB 72.34, 12.06, -12.89

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 15 / 11 / 0 / 21

HEX #ABB2C9

RGB 171 178 201

HSL 226, 0.22%, 0.73%

LAB 72.7, 2.26, -12.48

 

CMYK 15 / 15 / 0 / 21

HEX #ABABC9

RGB 171 171 201

HSL 240, 0.22%, 0.73%

LAB 70.87, 6.09, -15.24

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 25 / 12 / 0 / 17

HEX #A0BAD4

RGB 160 186 212

HSL 210, 0.38%, 0.73%

LAB 74.41, -3.08, -16

 

CMYK 33 / 17 / 0 / 12

HEX #95BAE0

RGB 149 186 224

HSL 210.4, 0.55%, 0.73%

LAB 74.12, -3.4, -23.03

 

CMYK 41 / 21 / 0 / 8

HEX #8ABAEB

RGB 138 186 235

HSL 210.31, 0.71%, 0.73%

LAB 73.88, -3.48, -29.41

 

CMYK 49 / 24 / 0 / 4

HEX #7EBAF6

RGB 126 186 246

HSL 210, 0.87%, 0.73%

LAB 73.68, -3.32, -35.72

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 4 / 2 / 0 / 25

HEX #B6BABE

RGB 182 186 190

HSL 210, 0.06%, 0.73%

LAB 75.31, -0.62, -2.51

 

CMYK 0 / 4 / 7 / 24

HEX #C1BAB3

RGB 193 186 179

HSL 30, 0.1%, 0.73%

LAB 75.89, 1.23, 4.41

 

CMYK 0 / 9 / 18 / 20

HEX #CCBAA8

RGB 204 186 168

HSL 30, 0.26%, 0.73%

LAB 76.55, 3.45, 11.43

 

CMYK 0 / 14 / 27 / 15

HEX #D8BA9D

RGB 216 186 157

HSL 29.49, 0.43%, 0.73%

LAB 77.37, 6.38, 18.68

 

CMYK 15 / 0 / 0 / 21

HEX #ABC9C8

RGB 171 201 200

HSL 178, 0.22%, 0.73%

LAB 78.81, -10.2, -2.88

 

CMYK 15 / 3 / 0 / 21

HEX #ABC2C9

RGB 171 194 201

HSL 194, 0.22%, 0.73%

LAB 76.96, -6.33, -6.15

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 15 / 11 / 0 / 21

HEX #ABB2C9

RGB 171 178 201

HSL 226, 0.22%, 0.73%

LAB 72.7, 2.26, -12.48

 

CMYK 14 / 15 / 0 / 21

HEX #ACABC9

RGB 172 171 201

HSL 242, 0.22%, 0.73%

LAB 70.95, 6.42, -15.11

 

CMYK 28 / 14 / 0 / 34

HEX #7991A9

RGB 121 145 169

HSL 210, 0.22%, 0.57%

LAB 59.14, -2.79, -15.4

 

CMYK 21 / 10 / 0 / 27

HEX #92A6B9

RGB 146 166 185

HSL 209.23, 0.22%, 0.65%

LAB 67.19, -2.79, -12.11

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 10 / 5 / 0 / 15

HEX #C4CFD9

RGB 196 207 217

HSL 208.57, 0.22%, 0.81%

LAB 82.58, -1.78, -6.24

 

CMYK 5 / 3 / 0 / 9

HEX #DDE3E9

RGB 221 227 233

HSL 210, 0.21%, 0.89%

LAB 89.95, -0.89, -3.63

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 4 / 15 / 0 / 21

HEX #C0ABC9

RGB 192 171 201

HSL 282, 0.22%, 0.73%

LAB 72.59, 13.08, -12.47

 

CMYK 1 / 0 / 15 / 21

HEX #C6C9AB

RGB 198 201 171

HSL 66, 0.22%, 0.73%

LAB 80.02, -6.19, 14.66

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 0 / 15 / 7 / 21

HEX #C9ABBA

RGB 201 171 186

HSL 330, 0.22%, 0.73%

LAB 72.95, 13.42, -3.62

 

CMYK 7 / 0 / 15 / 21

HEX #BAC9AB

RGB 186 201 171

HSL 90, 0.22%, 0.73%

LAB 79.13, -10.52, 13.28

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 4 / 15 / 0 / 21

HEX #C0ABC9

RGB 192 171 201

HSL 282, 0.22%, 0.73%

LAB 72.59, 13.08, -12.47

 

CMYK 0 / 7 / 15 / 21

HEX #C9BAAB

RGB 201 186 171

HSL 30, 0.22%, 0.73%

LAB 76.36, 2.81, 9.51

 

CMYK 10 / 0 / 15 / 21

HEX #B4C9AB

RGB 180 201 171

HSL 102, 0.22%, 0.73%

LAB 78.7, -12.65, 12.62

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 0 / 15 / 0 / 21

HEX #C9ABC9

RGB 201 171 201

HSL 300, 0.22%, 0.73%

LAB 73.39, 16.14, -11.2

 

CMYK 0 / 7 / 15 / 21

HEX #C9BAAB

RGB 201 186 171

HSL 30, 0.22%, 0.73%

LAB 76.36, 2.81, 9.51

 

CMYK 15 / 0 / 15 / 21

HEX #ABC9AB

RGB 171 201 171

HSL 120, 0.22%, 0.73%

LAB 78.09, -15.79, 11.67

 

Description

Color code: HEX #ABBAC9 | qconv.com Color code: HEX #ABBAC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 186 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 186 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 7 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 7% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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