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Color name
HEX #ABB812

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB812 it is the complementary color #5447ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB812 shade: #B0B80D, #C1CA20, #D2DC33, #E3EE46 and #F4FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB812 shade: #ABB812, #9AA600, #899400, #788200 and #677000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB812 shade: #ADBA12, #BA9A12, #BA6D12, #BA3F12 and #BA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB812 shade: #ADBA12, #7FBA12, #52BA12, #25BA12 and #12BA2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB812 shade matches the following richer shades: #ADBA12 and #BACA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB812 shade: #ADBA12, #9FA923, #919933, #838844 and #757854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB812 shade: #BA6C12, #BA9812, #AEBA12, #82BA12 and #55BA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB812 shade: #676F0B, #8A940F, #ADBA12, #CFDF16 and #DDEB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB812 shade: #ABB812, #12BA3F and #8212BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB812 shade: #ABB812, #12AEBA and #BA12AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB812 shade: #ABB812, #12BA3F, #1E12BA and #BA128D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB812 shade: #ABB812, #12BA71, #1E12BA and #BA125B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

Complementary color

CMYK 65 / 70 / 0 / 7

HEX #5447ED

RGB 84 71 237

HSL 244.7, 0.82%, 0.6%

LAB 42.01, 53.17, -81.52

 

CMYK 4 / 0 / 93 / 28

HEX #B0B80D

RGB 176 184 13

HSL 62.81, 0.87%, 0.39%

LAB 71.92, -20.18, 71.72

 

CMYK 4 / 0 / 84 / 21

HEX #C1CA20

RGB 193 202 32

HSL 63.18, 0.73%, 0.46%

LAB 78.28, -21.42, 74.02

 

CMYK 5 / 0 / 77 / 14

HEX #D2DC33

RGB 210 220 51

HSL 63.55, 0.71%, 0.53%

LAB 84.55, -22.46, 75.08

 

CMYK 5 / 0 / 71 / 7

HEX #E3EE46

RGB 227 238 70

HSL 63.93, 0.83%, 0.6%

LAB 90.74, -23.33, 75.31

 

CMYK 4 / 0 / 65 / 0

HEX #F4FF59

RGB 244 255 89

HSL 63.98, 1%, 0.67%

LAB 96.61, -23.59, 74.76

 

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

CMYK 7 / 0 / 100 / 35

HEX #9AA600

RGB 154 166 0

HSL 64.34, 1%, 0.33%

LAB 65.08, -20.93, 67.37

 

CMYK 7 / 0 / 100 / 42

HEX #899400

RGB 137 148 0

HSL 64.46, 1%, 0.29%

LAB 58.51, -19.33, 61.9

 

CMYK 8 / 0 / 100 / 49

HEX #788200

RGB 120 130 0

HSL 64.62, 1%, 0.25%

LAB 51.79, -17.69, 56.32

 

CMYK 8 / 0 / 100 / 56

HEX #677000

RGB 103 112 0

HSL 64.82, 1%, 0.22%

LAB 44.9, -16.02, 50.59

 

CMYK 7 / 0 / 90 / 27

HEX #ADBA12

RGB 173 186 18

HSL 64.64, 0.82%, 0.4%

LAB 72.26, -22.38, 71.17

 

CMYK 0 / 17 / 90 / 27

HEX #BA9A12

RGB 186 154 18

HSL 48.57, 0.82%, 0.4%

LAB 64.64, -0.06, 65.67

 

CMYK 0 / 41 / 90 / 27

HEX #BA6D12

RGB 186 109 18

HSL 32.5, 0.82%, 0.4%

LAB 53.41, 24.69, 57.02

 

CMYK 0 / 66 / 90 / 27

HEX #BA3F12

RGB 186 63 18

HSL 16.07, 0.82%, 0.4%

LAB 44.29, 47.77, 50.18

 

CMYK 0 / 90 / 90 / 27

HEX #BA1212

RGB 186 18 18

HSL 0, 0.82%, 0.4%

LAB 39.44, 61.26, 46.65

 

CMYK 7 / 0 / 90 / 27

HEX #ADBA12

RGB 173 186 18

HSL 64.64, 0.82%, 0.4%

LAB 72.26, -22.38, 71.17

 

CMYK 32 / 0 / 90 / 27

HEX #7FBA12

RGB 127 186 18

HSL 81.07, 0.82%, 0.4%

LAB 69.24, -41.08, 67.46

 

CMYK 56 / 0 / 90 / 27

HEX #52BA12

RGB 82 186 18

HSL 97.14, 0.82%, 0.4%

LAB 67.24, -55.83, 65

 

CMYK 80 / 0 / 90 / 27

HEX #25BA12

RGB 37 186 18

HSL 113.21, 0.82%, 0.4%

LAB 66.18, -64.81, 63.67

 

CMYK 90 / 0 / 76 / 27

HEX #12BA2D

RGB 18 186 45

HSL 129.64, 0.82%, 0.4%

LAB 66.09, -65.2, 56.53

 

CMYK 7 / 0 / 90 / 27

HEX #ADBA12

RGB 173 186 18

HSL 64.64, 0.82%, 0.4%

LAB 72.26, -22.38, 71.17

 

CMYK 8 / 0 / 99 / 21

HEX #BACA02

RGB 186 202 2

HSL 64.8, 0.98%, 0.4%

LAB 77.69, -24.87, 77.61

 

CMYK 7 / 0 / 90 / 27

HEX #ADBA12

RGB 173 186 18

HSL 64.64, 0.82%, 0.4%

LAB 72.26, -22.38, 71.17

 

CMYK 6 / 0 / 79 / 34

HEX #9FA923

RGB 159 169 35

HSL 64.48, 0.66%, 0.4%

LAB 66.42, -19.46, 62

 

CMYK 5 / 0 / 67 / 40

HEX #919933

RGB 145 153 51

HSL 64.71, 0.5%, 0.4%

LAB 60.82, -16.56, 50.5

 

CMYK 4 / 0 / 50 / 47

HEX #838844

RGB 131 136 68

HSL 64.41, 0.33%, 0.4%

LAB 54.92, -12.27, 35.58

 

CMYK 3 / 0 / 30 / 53

HEX #757854

RGB 117 120 84

HSL 65, 0.18%, 0.4%

LAB 49.32, -7.48, 19.45

 

CMYK 0 / 42 / 90 / 27

HEX #BA6C12

RGB 186 108 18

HSL 32.14, 0.82%, 0.4%

LAB 53.18, 25.24, 56.85

 

CMYK 0 / 18 / 90 / 27

HEX #BA9812

RGB 186 152 18

HSL 47.86, 0.82%, 0.4%

LAB 64.11, 1.02, 65.26

 

CMYK 6 / 0 / 90 / 27

HEX #AEBA12

RGB 174 186 18

HSL 64.29, 0.82%, 0.4%

LAB 72.34, -21.95, 71.26

 

CMYK 30 / 0 / 90 / 27

HEX #82BA12

RGB 130 186 18

HSL 80, 0.82%, 0.4%

LAB 69.4, -39.95, 67.67

 

CMYK 54 / 0 / 90 / 27

HEX #55BA12

RGB 85 186 18

HSL 96.07, 0.82%, 0.4%

LAB 67.35, -55.01, 65.12

 

CMYK 7 / 0 / 90 / 56

HEX #676F0B

RGB 103 111 11

HSL 64.8, 0.82%, 0.24%

LAB 44.63, -15.19, 47.88

 

CMYK 7 / 0 / 90 / 42

HEX #8A940F

RGB 138 148 15

HSL 64.51, 0.82%, 0.32%

LAB 58.62, -18.61, 59.64

 

CMYK 7 / 0 / 90 / 27

HEX #ADBA12

RGB 173 186 18

HSL 64.64, 0.82%, 0.4%

LAB 72.26, -22.38, 71.17

 

CMYK 7 / 0 / 90 / 13

HEX #CFDF16

RGB 207 223 22

HSL 64.78, 0.82%, 0.48%

LAB 85.05, -25.91, 81.74

 

CMYK 6 / 0 / 78 / 8

HEX #DDEB34

RGB 221 235 52

HSL 64.59, 0.82%, 0.56%

LAB 89.41, -25.09, 79.46

 

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

CMYK 90 / 0 / 66 / 27

HEX #12BA3F

RGB 18 186 63

HSL 136.07, 0.82%, 0.4%

LAB 66.22, -63.55, 49.78

 

CMYK 30 / 90 / 0 / 27

HEX #8212BA

RGB 130 18 186

HSL 280, 0.82%, 0.4%

LAB 35.45, 66.89, -62.64

 

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

CMYK 90 / 6 / 0 / 27

HEX #12AEBA

RGB 18 174 186

HSL 184.29, 0.82%, 0.4%

LAB 64.92, -31.68, -16.54

 

CMYK 0 / 90 / 6 / 27

HEX #BA12AE

RGB 186 18 174

HSL 304.29, 0.82%, 0.4%

LAB 44.13, 73.93, -41.05

 

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

CMYK 90 / 0 / 66 / 27

HEX #12BA3F

RGB 18 186 63

HSL 136.07, 0.82%, 0.4%

LAB 66.22, -63.55, 49.78

 

CMYK 84 / 90 / 0 / 27

HEX #1E12BA

RGB 30 18 186

HSL 244.29, 0.82%, 0.4%

LAB 24.49, 58.43, -81.09

 

CMYK 0 / 90 / 24 / 27

HEX #BA128D

RGB 186 18 141

HSL 316.07, 0.82%, 0.4%

LAB 42.45, 69.57, -23.83

 

CMYK 7 / 0 / 90 / 28

HEX #ABB812

RGB 171 184 18

HSL 64.7, 0.82%, 0.4%

LAB 71.54, -22.25, 70.53

 

CMYK 90 / 0 / 39 / 27

HEX #12BA71

RGB 18 186 113

HSL 153.93, 0.82%, 0.4%

LAB 66.85, -55.87, 26.28

 

CMYK 84 / 90 / 0 / 27

HEX #1E12BA

RGB 30 18 186

HSL 244.29, 0.82%, 0.4%

LAB 24.49, 58.43, -81.09

 

CMYK 0 / 90 / 51 / 27

HEX #BA125B

RGB 186 18 91

HSL 333.93, 0.82%, 0.4%

LAB 40.62, 64.6, 4.57

 

Description

Color code: HEX #ABB812 | qconv.com Color code: HEX #ABB812 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 184 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 184 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 90 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 90% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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