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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB7EB4C it is the complementary color #5448144C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB7EB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB7EB4C shade: #B0B7E64C, #C1C9F94C, #D2DBFF4C, #E3EDFF4C and #F4FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB7EB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB7EB4C shade: #ABB7EB4C, #9AA5D84C, #8993C54C, #7881B24C and #676F9F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB7EB4C shade: #ACB8EC, #B2ACEC, #C3ACEC, #D4ACEC and #E5ACEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB7EB4C shade: #ACB8EC and #ACACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB7EB4C shade matches the following richer shades: #ACB8EC, #A4B3F4 and #9CAEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB7EB4C shade: #ACB8EC, #B5BDE3, #BDC3DB, #C5C8D3 and #CDCDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB7EB4C shade: #ACDBEC, #ACCAEC, #ACB9EC, #B1ACEC and #C1ACEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB7EB4C shade: #6A7FDC, #8B9CE4, #ACB8EC, #CED5F3 and #EFF1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB7EB4C shade: #ABB7EB, #ECACEC and #D2ECAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB7EB4C shade: #ABB7EB, #ECACB9 and #B9ECAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB7EB4C shade: #ABB7EB, #ECACEC, #ECDFAC and #ACECAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB7EB4C shade: #ABB7EB, #ECACD9, #ECDFAC and #ACECBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 7 / 0 / 2

HEX #ABB7EB4C

RGBA 171 183 235 0.3

HSLA 228.75, 0.62%, 0.8%, 0.3

LABA 75.15, 7.26, -27.28, 0.3

 

Complementary color

CMYK 0 / 4 / 23 / 20

HEX #5448144C

RGBA 84 72 20 0.3

HSLA 48.75, 0.62%, 0.2%, 0.3

LABA 30.81, -1.57, 31.63, 0.3

 

CMYK 7 / 6 / 0 / 3

HEX #B0B7E64C

RGBA 176 183 230 0.3

HSLA 232.22, 0.52%, 0.8%, 0.3

LABA 75.33, 7.57, -24.27, 0.3

 

CMYK 7 / 6 / 0 / 1

HEX #C1C9F94C

RGBA 193 201 249 0.3

HSLA 231.43, 0.82%, 0.87%, 0.3

LABA 81.81, 7.27, -24.48, 0.3

 

CMYK 5 / 4 / 0 / 0

HEX #D2DBFF4C

RGBA 210 219 255 0.3

HSLA 228, 1%, 0.91%, 0.3

LABA 87.77, 4.17, -18.52, 0.3

 

CMYK 3 / 2 / 0 / 0

HEX #E3EDFF4C

RGBA 227 237 255 0.3

HSLA 218.57, 1%, 0.95%, 0.3

LABA 93.5, 0.12, -9.81, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F4FFFF4C

RGBA 244 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.21, -3.59, -1.26, 0.3

 

CMYK 8 / 7 / 0 / 2

HEX #ABB7EB4C

RGBA 171 183 235 0.3

HSLA 228.75, 0.62%, 0.8%, 0.3

LABA 75.15, 7.26, -27.28, 0.3

 

CMYK 9 / 7 / 0 / 5

HEX #9AA5D84C

RGBA 154 165 216 0.3

HSLA 229.35, 0.44%, 0.73%, 0.3

LABA 68.56, 7.62, -27.13, 0.3

 

CMYK 9 / 8 / 0 / 7

HEX #8993C54C

RGBA 137 147 197 0.3

HSLA 230, 0.34%, 0.65%, 0.3

LABA 61.84, 8.02, -27.01, 0.3

 

CMYK 10 / 8 / 0 / 9

HEX #7881B24C

RGBA 120 129 178 0.3

HSLA 230.69, 0.27%, 0.58%, 0.3

LABA 54.98, 8.47, -26.93, 0.3

 

CMYK 11 / 9 / 0 / 11

HEX #676F9F4C

RGBA 103 111 159 0.3

HSLA 231.43, 0.23%, 0.51%, 0.3

LABA 47.95, 8.99, -26.89, 0.3

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 25 / 27 / 0 / 7

HEX #B2ACEC

RGB 178 172 236

HSL 245.63, 0.63%, 0.8%

LAB 72.91, 15.64, -31.23

 

CMYK 17 / 27 / 0 / 7

HEX #C3ACEC

RGB 195 172 236

HSL 261.56, 0.63%, 0.8%

LAB 74.29, 20.78, -28.98

 

CMYK 10 / 27 / 0 / 7

HEX #D4ACEC

RGB 212 172 236

HSL 277.5, 0.63%, 0.8%

LAB 75.8, 26.08, -26.54

 

CMYK 3 / 27 / 0 / 7

HEX #E5ACEC

RGB 229 172 236

HSL 293.44, 0.63%, 0.8%

LAB 77.41, 31.47, -23.93

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 27 / 27 / 0 / 7

HEX #ACACEC

RGB 172 172 236

HSL 240, 0.63%, 0.8%

LAB 72.45, 13.88, -31.97

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 33 / 27 / 0 / 4

HEX #A4B3F4

RGB 164 179 244

HSL 228.75, 0.78%, 0.8%

LAB 73.97, 9.68, -34

 

CMYK 38 / 31 / 0 / 1

HEX #9CAEFC

RGB 156 174 252

HSL 228.75, 0.94%, 0.8%

LAB 72.47, 12.39, -40.7

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 20 / 17 / 0 / 11

HEX #B5BDE3

RGB 181 189 227

HSL 229.57, 0.45%, 0.8%

LAB 77.14, 5.15, -19.86

 

CMYK 14 / 11 / 0 / 14

HEX #BDC3DB

RGB 189 195 219

HSL 228, 0.29%, 0.8%

LAB 79.02, 2.72, -12.66

 

CMYK 7 / 5 / 0 / 17

HEX #C5C8D3

RGB 197 200 211

HSL 227.14, 0.14%, 0.8%

LAB 80.67, 1.07, -5.84

 

CMYK 0 / 0 / 1 / 20

HEX #CDCDCB

RGB 205 205 203

HSL 60, 0.02%, 0.8%

LAB 82.35, -0.36, 0.98

 

CMYK 27 / 7 / 0 / 7

HEX #ACDBEC

RGB 172 219 236

HSL 195.94, 0.63%, 0.8%

LAB 84.74, -11.37, -13.29

 

CMYK 27 / 14 / 0 / 7

HEX #ACCAEC

RGB 172 202 236

HSL 211.88, 0.63%, 0.8%

LAB 80.22, -2.48, -20.1

 

CMYK 27 / 22 / 0 / 7

HEX #ACB9EC

RGB 172 185 236

HSL 227.81, 0.63%, 0.8%

LAB 75.78, 6.7, -26.86

 

CMYK 25 / 27 / 0 / 7

HEX #B1ACEC

RGB 177 172 236

HSL 244.69, 0.63%, 0.8%

LAB 72.83, 15.35, -31.35

 

CMYK 18 / 27 / 0 / 7

HEX #C1ACEC

RGB 193 172 236

HSL 259.69, 0.63%, 0.8%

LAB 74.12, 20.17, -29.25

 

CMYK 52 / 42 / 0 / 14

HEX #6A7FDC

RGB 106 127 220

HSL 228.95, 0.62%, 0.64%

LAB 55.49, 18.29, -50.03

 

CMYK 39 / 32 / 0 / 11

HEX #8B9CE4

RGB 139 156 228

HSL 228.54, 0.62%, 0.72%

LAB 65.65, 11.64, -38.34

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 15 / 12 / 0 / 5

HEX #CED5F3

RGB 206 213 243

HSL 228.65, 0.61%, 0.88%

LAB 85.6, 3.56, -15.48

 

CMYK 5 / 4 / 0 / 2

HEX #EFF1FB

RGB 239 241 251

HSL 230, 0.6%, 0.96%

LAB 95.26, 1.16, -5.05

 

CMYK 27 / 22 / 0 / 8

HEX #ABB7EB

RGB 171 183 235

HSL 228.75, 0.62%, 0.8%

LAB 75.15, 7.26, -27.28

 

CMYK 0 / 27 / 0 / 7

HEX #ECACEC

RGB 236 172 236

HSL 300, 0.63%, 0.8%

LAB 78.11, 33.72, -22.81

 

CMYK 11 / 0 / 27 / 7

HEX #D2ECAC

RGB 210 236 172

HSL 84.38, 0.63%, 0.8%

LAB 90.17, -19.34, 28.29

 

CMYK 27 / 22 / 0 / 8

HEX #ABB7EB

RGB 171 183 235

HSL 228.75, 0.62%, 0.8%

LAB 75.15, 7.26, -27.28

 

CMYK 0 / 27 / 22 / 7

HEX #ECACB9

RGB 236 172 185

HSL 347.81, 0.63%, 0.8%

LAB 76.58, 25.28, 2.65

 

CMYK 22 / 0 / 27 / 7

HEX #B9ECAC

RGB 185 236 172

HSL 107.81, 0.63%, 0.8%

LAB 88.58, -28.04, 25.86

 

CMYK 27 / 22 / 0 / 8

HEX #ABB7EB

RGB 171 183 235

HSL 228.75, 0.62%, 0.8%

LAB 75.15, 7.26, -27.28

 

CMYK 0 / 27 / 0 / 7

HEX #ECACEC

RGB 236 172 236

HSL 300, 0.63%, 0.8%

LAB 78.11, 33.72, -22.81

 

CMYK 0 / 6 / 27 / 7

HEX #ECDFAC

RGB 236 223 172

HSL 47.81, 0.63%, 0.8%

LAB 88.73, -3.29, 26.65

 

CMYK 27 / 0 / 27 / 7

HEX #ACECAC

RGB 172 236 172

HSL 120, 0.63%, 0.8%

LAB 87.84, -32.32, 24.73

 

CMYK 27 / 22 / 0 / 8

HEX #ABB7EB

RGB 171 183 235

HSL 228.75, 0.62%, 0.8%

LAB 75.15, 7.26, -27.28

 

CMYK 0 / 27 / 8 / 7

HEX #ECACD9

RGB 236 172 217

HSL 317.81, 0.63%, 0.8%

LAB 77.49, 30.36, -13.45

 

CMYK 0 / 6 / 27 / 7

HEX #ECDFAC

RGB 236 223 172

HSL 47.81, 0.63%, 0.8%

LAB 88.73, -3.29, 26.65

 

CMYK 27 / 0 / 19 / 7

HEX #ACECBF

RGB 172 236 191

HSL 137.81, 0.63%, 0.8%

LAB 88.22, -29.03, 15.43

 

Description

Color code: HEX #ABB7EB4C | qconv.com Color code: HEX #ABB7EB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 183 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 183 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 7 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 7% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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