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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB51E it is the complementary color #544AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB51E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB51E shade: #B0B519, #C1C72C, #D2D93F, #E3EB52 and #F4FD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB51E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB51E shade: #ABB51E, #9AA30B, #899100, #787F00 and #676D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB51E shade: #AAB41D, #B4951D, #B46D1D, #B4441D and #B41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB51E shade: #AAB41D, #81B41D, #59B41D, #30B41D and #1DB433

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB51E shade matches the following richer shades: #AAB41D and #B9C50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB51E shade: #AAB41D, #9BA32E, #8D923F, #7E8150 and #6F7061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB51E shade: #B46B1D, #B4931D, #ACB41D, #84B41D and #5CB41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB51E shade: #676D12, #889017, #AAB41D, #CBD723 and #D6E043

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB51E shade: #ABB51E, #1DB443 and #7F1DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB51E shade: #ABB51E, #1DACB4 and #B41DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB51E shade: #ABB51E, #1DB443, #251DB4 and #B41D8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB51E shade: #ABB51E, #1DB470, #251DB4 and #B41D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

Complementary color

CMYK 63 / 67 / 0 / 12

HEX #544AE1

RGB 84 74 225

HSL 243.97, 0.72%, 0.59%

LAB 41.56, 47.77, -75.44

 

CMYK 3 / 0 / 86 / 29

HEX #B0B519

RGB 176 181 25

HSL 61.92, 0.76%, 0.4%

LAB 71.11, -18.45, 69.05

 

CMYK 3 / 0 / 78 / 22

HEX #C1C72C

RGB 193 199 44

HSL 62.32, 0.64%, 0.48%

LAB 77.5, -19.56, 70.28

 

CMYK 3 / 0 / 71 / 15

HEX #D2D93F

RGB 210 217 63

HSL 62.73, 0.67%, 0.55%

LAB 83.8, -20.49, 70.56

 

CMYK 3 / 0 / 65 / 8

HEX #E3EB52

RGB 227 235 82

HSL 63.14, 0.79%, 0.62%

LAB 90.02, -21.26, 70.25

 

CMYK 4 / 0 / 60 / 1

HEX #F4FD65

RGB 244 253 101

HSL 63.55, 0.97%, 0.69%

LAB 96.17, -21.91, 69.6

 

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

CMYK 6 / 0 / 93 / 36

HEX #9AA30B

RGB 154 163 11

HSL 63.55, 0.87%, 0.34%

LAB 64.23, -19.25, 65.27

 

CMYK 6 / 0 / 100 / 43

HEX #899100

RGB 137 145 0

HSL 63.31, 1%, 0.28%

LAB 57.63, -17.78, 61.25

 

CMYK 6 / 0 / 100 / 50

HEX #787F00

RGB 120 127 0

HSL 63.31, 1%, 0.25%

LAB 50.89, -16.11, 55.65

 

CMYK 6 / 0 / 100 / 57

HEX #676D00

RGB 103 109 0

HSL 63.3, 1%, 0.21%

LAB 43.97, -14.39, 49.9

 

CMYK 6 / 0 / 84 / 29

HEX #AAB41D

RGB 170 180 29

HSL 63.97, 0.72%, 0.41%

LAB 70.37, -20.43, 67.35

 

CMYK 0 / 17 / 84 / 29

HEX #B4951D

RGB 180 149 29

HSL 47.68, 0.72%, 0.41%

LAB 62.75, 0.21, 61.26

 

CMYK 0 / 39 / 84 / 29

HEX #B46D1D

RGB 180 109 29

HSL 31.79, 0.72%, 0.41%

LAB 52.65, 22.35, 52.6

 

CMYK 0 / 62 / 84 / 29

HEX #B4441D

RGB 180 68 29

HSL 15.5, 0.72%, 0.41%

LAB 44.13, 43.64, 45.07

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 6 / 0 / 84 / 29

HEX #AAB41D

RGB 170 180 29

HSL 63.97, 0.72%, 0.41%

LAB 70.37, -20.43, 67.35

 

CMYK 28 / 0 / 84 / 29

HEX #81B41D

RGB 129 180 29

HSL 80.26, 0.72%, 0.41%

LAB 67.57, -37.35, 63.85

 

CMYK 51 / 0 / 84 / 29

HEX #59B41D

RGB 89 180 29

HSL 96.16, 0.72%, 0.41%

LAB 65.64, -51.23, 61.4

 

CMYK 73 / 0 / 84 / 29

HEX #30B41D

RGB 48 180 29

HSL 112.45, 0.72%, 0.41%

LAB 64.45, -60.91, 59.89

 

CMYK 84 / 0 / 72 / 29

HEX #1DB433

RGB 29 180 51

HSL 128.74, 0.72%, 0.41%

LAB 64.28, -61.97, 52.56

 

CMYK 6 / 0 / 84 / 29

HEX #AAB41D

RGB 170 180 29

HSL 63.97, 0.72%, 0.41%

LAB 70.37, -20.43, 67.35

 

CMYK 6 / 0 / 94 / 23

HEX #B9C50C

RGB 185 197 12

HSL 63.89, 0.89%, 0.41%

LAB 76.24, -22.75, 75.47

 

CMYK 6 / 0 / 84 / 29

HEX #AAB41D

RGB 170 180 29

HSL 63.97, 0.72%, 0.41%

LAB 70.37, -20.43, 67.35

 

CMYK 5 / 0 / 72 / 36

HEX #9BA32E

RGB 155 163 46

HSL 64.1, 0.56%, 0.41%

LAB 64.45, -17.65, 56.38

 

CMYK 3 / 0 / 57 / 43

HEX #8D923F

RGB 141 146 63

HSL 63.61, 0.4%, 0.41%

LAB 58.58, -13.74, 42.56

 

CMYK 2 / 0 / 38 / 49

HEX #7E8150

RGB 126 129 80

HSL 63.67, 0.23%, 0.41%

LAB 52.64, -9.24, 26.21

 

CMYK 1 / 0 / 13 / 56

HEX #6F7061

RGB 111 112 97

HSL 64, 0.07%, 0.41%

LAB 46.75, -3.27, 8.22

 

CMYK 0 / 41 / 84 / 29

HEX #B46B1D

RGB 180 107 29

HSL 30.99, 0.72%, 0.41%

LAB 52.18, 23.46, 52.19

 

CMYK 0 / 18 / 84 / 29

HEX #B4931D

RGB 180 147 29

HSL 46.89, 0.72%, 0.41%

LAB 62.22, 1.29, 60.81

 

CMYK 4 / 0 / 84 / 29

HEX #ACB41D

RGB 172 180 29

HSL 63.18, 0.72%, 0.41%

LAB 70.53, -19.57, 67.55

 

CMYK 27 / 0 / 84 / 29

HEX #84B41D

RGB 132 180 29

HSL 79.07, 0.72%, 0.41%

LAB 67.75, -36.18, 64.08

 

CMYK 49 / 0 / 84 / 29

HEX #5CB41D

RGB 92 180 29

HSL 94.97, 0.72%, 0.41%

LAB 65.75, -50.32, 61.55

 

CMYK 6 / 0 / 83 / 57

HEX #676D12

RGB 103 109 18

HSL 63.96, 0.72%, 0.25%

LAB 44.04, -13.86, 45.48

 

CMYK 6 / 0 / 84 / 44

HEX #889017

RGB 136 144 23

HSL 63.97, 0.72%, 0.33%

LAB 57.31, -17.21, 56.67

 

CMYK 6 / 0 / 84 / 29

HEX #AAB41D

RGB 170 180 29

HSL 63.97, 0.72%, 0.41%

LAB 70.37, -20.43, 67.35

 

CMYK 6 / 0 / 84 / 16

HEX #CBD723

RGB 203 215 35

HSL 64, 0.72%, 0.49%

LAB 82.6, -23.46, 77.28

 

CMYK 4 / 0 / 70 / 12

HEX #D6E043

RGB 214 224 67

HSL 63.82, 0.72%, 0.57%

LAB 86.01, -22.05, 71.41

 

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

CMYK 84 / 0 / 63 / 29

HEX #1DB443

RGB 29 180 67

HSL 135.1, 0.72%, 0.41%

LAB 64.41, -60.31, 46.06

 

CMYK 29 / 84 / 0 / 29

HEX #7F1DB4

RGB 127 29 180

HSL 278.94, 0.72%, 0.41%

LAB 35.37, 62.63, -59.22

 

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

CMYK 84 / 4 / 0 / 29

HEX #1DACB4

RGB 29 172 180

HSL 183.18, 0.72%, 0.41%

LAB 64.21, -31.93, -14.26

 

CMYK 0 / 84 / 4 / 29

HEX #B41DAC

RGB 180 29 172

HSL 303.18, 0.72%, 0.41%

LAB 43.6, 70.62, -40.77

 

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

CMYK 84 / 0 / 63 / 29

HEX #1DB443

RGB 29 180 67

HSL 135.1, 0.72%, 0.41%

LAB 64.41, -60.31, 46.06

 

CMYK 79 / 84 / 0 / 29

HEX #251DB4

RGB 37 29 180

HSL 243.18, 0.72%, 0.41%

LAB 25.46, 52.83, -75.88

 

CMYK 0 / 84 / 21 / 29

HEX #B41D8E

RGB 180 29 142

HSL 315.1, 0.72%, 0.41%

LAB 42.05, 66.43, -25.15

 

CMYK 6 / 0 / 83 / 29

HEX #ABB51E

RGB 171 181 30

HSL 63.97, 0.72%, 0.41%

LAB 70.73, -20.47, 67.45

 

CMYK 84 / 0 / 38 / 29

HEX #1DB470

RGB 29 180 112

HSL 152.98, 0.72%, 0.41%

LAB 65.02, -53.06, 24.39

 

CMYK 79 / 84 / 0 / 29

HEX #251DB4

RGB 37 29 180

HSL 243.18, 0.72%, 0.41%

LAB 25.46, 52.83, -75.88

 

CMYK 0 / 84 / 46 / 29

HEX #B41D61

RGB 180 29 97

HSL 332.98, 0.72%, 0.41%

LAB 40.32, 61.51, 0.19

 

Description

Color code: HEX #ABB51E | qconv.com Color code: HEX #ABB51E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 181 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 181 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 83 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 83% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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