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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB2EE it is the complementary color #544D11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB2EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB2EE shade: #B0B2E9, #C1C4FC, #D2D6FF, #E3E8FF and #F4FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB2EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB2EE shade: #ABB2EE, #9AA0DB, #898EC8, #787CB5 and #676AA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB2EE shade: #AAB1EE, #B5AAEE, #C8AAEE, #DAAAEE and #ECAAEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB2EE shade: #AAB1EE and #AAAAEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB2EE shade matches the following richer shades: #AAB1EE, #A2ABF6 and #9AA4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB2EE shade: #AAB1EE, #B3B8E5, #BBBEDD, #C3C5D5 and #CBCBCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB2EE shade: #AAD6EE, #AAC4EE, #AAB2EE, #B4AAEE and #C6AAEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB2EE shade: #6673E0, #8892E7, #AAB1EE, #CDD1F5 and #EFF0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB2EE shade: #ABB2EE, #EEAAE8 and #CDEEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB2EE shade: #ABB2EE, #EEAAB2 and #B2EEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB2EE shade: #ABB2EE, #EEAAE8, #EEE6AA and #AAEEB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB2EE shade: #ABB2EE, #EEAAD4, #EEE6AA and #AAEEC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

Complementary color

CMYK 0 / 8 / 80 / 67

HEX #544D11

RGB 84 77 17

HSL 53.73, 0.66%, 0.2%

LAB 32.33, -4.79, 34.46

 

CMYK 24 / 24 / 0 / 9

HEX #B0B2E9

RGB 176 178 233

HSL 237.89, 0.56%, 0.8%

LAB 74.16, 11.02, -27.69

 

CMYK 23 / 22 / 0 / 1

HEX #C1C4FC

RGB 193 196 252

HSL 236.95, 0.91%, 0.87%

LAB 80.65, 10.64, -27.85

 

CMYK 18 / 16 / 0 / 0

HEX #D2D6FF

RGB 210 214 255

HSL 234.67, 1%, 0.91%

LAB 86.51, 6.81, -20.42

 

CMYK 11 / 9 / 0 / 0

HEX #E3E8FF

RGB 227 232 255

HSL 229.29, 1%, 0.95%

LAB 92.25, 2.69, -11.68

 

CMYK 4 / 2 / 0 / 0

HEX #F4FAFF

RGB 244 250 255

HSL 207.27, 1%, 0.98%

LAB 97.96, -1.06, -3.09

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

CMYK 30 / 27 / 0 / 14

HEX #9AA0DB

RGB 154 160 219

HSL 234.46, 0.47%, 0.73%

LAB 67.37, 11.18, -30.62

 

CMYK 32 / 29 / 0 / 22

HEX #898EC8

RGB 137 142 200

HSL 235.24, 0.36%, 0.66%

LAB 60.64, 11.67, -30.56

 

CMYK 34 / 31 / 0 / 29

HEX #787CB5

RGB 120 124 181

HSL 236.07, 0.29%, 0.59%

LAB 53.75, 12.23, -30.55

 

CMYK 36 / 35 / 0 / 36

HEX #676AA2

RGB 103 106 162

HSL 236.95, 0.24%, 0.52%

LAB 46.71, 12.88, -30.58

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 24 / 29 / 0 / 7

HEX #B5AAEE

RGB 181 170 238

HSL 249.71, 0.67%, 0.8%

LAB 72.72, 18.11, -32.58

 

CMYK 16 / 29 / 0 / 7

HEX #C8AAEE

RGB 200 170 238

HSL 266.47, 0.67%, 0.8%

LAB 74.32, 23.85, -29.99

 

CMYK 8 / 29 / 0 / 7

HEX #DAAAEE

RGB 218 170 238

HSL 282.35, 0.67%, 0.8%

LAB 75.96, 29.45, -27.32

 

CMYK 1 / 29 / 0 / 7

HEX #ECAAEE

RGB 236 170 238

HSL 298.24, 0.67%, 0.8%

LAB 77.73, 35.14, -24.46

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 29 / 29 / 0 / 7

HEX #AAAAEE

RGB 170 170 238

HSL 240, 0.67%, 0.8%

LAB 71.87, 14.9, -33.97

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 34 / 30 / 0 / 4

HEX #A2ABF6

RGB 162 171 246

HSL 233.57, 0.82%, 0.8%

LAB 71.87, 14.11, -38.37

 

CMYK 39 / 35 / 0 / 0

HEX #9AA4FE

RGB 154 164 254

HSL 234, 0.98%, 0.8%

LAB 69.88, 18.06, -45.85

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 15 / 14 / 0 / 13

HEX #BBBEDD

RGB 187 190 221

HSL 234.71, 0.33%, 0.8%

LAB 77.65, 5.18, -15.82

 

CMYK 8 / 8 / 0 / 16

HEX #C3C5D5

RGB 195 197 213

HSL 233.33, 0.18%, 0.8%

LAB 79.81, 2.39, -8.21

 

CMYK 1 / 1 / 0 / 20

HEX #CBCBCD

RGB 203 203 205

HSL 240, 0.02%, 0.8%

LAB 81.74, 0.37, -1

 

CMYK 29 / 10 / 0 / 7

HEX #AAD6EE

RGB 170 214 238

HSL 201.18, 0.67%, 0.8%

LAB 83.34, -8.9, -16.46

 

CMYK 29 / 18 / 0 / 7

HEX #AAC4EE

RGB 170 196 238

HSL 217.06, 0.67%, 0.8%

LAB 78.58, 0.62, -23.67

 

CMYK 29 / 25 / 0 / 7

HEX #AAB2EE

RGB 170 178 238

HSL 232.94, 0.67%, 0.8%

LAB 73.91, 10.45, -30.82

 

CMYK 24 / 29 / 0 / 7

HEX #B4AAEE

RGB 180 170 238

HSL 248.82, 0.67%, 0.8%

LAB 72.64, 17.82, -32.71

 

CMYK 17 / 29 / 0 / 7

HEX #C6AAEE

RGB 198 170 238

HSL 264.71, 0.67%, 0.8%

LAB 74.14, 23.24, -30.27

 

CMYK 54 / 49 / 0 / 12

HEX #6673E0

RGB 102 115 224

HSL 233.61, 0.66%, 0.64%

LAB 52.36, 25.97, -57.3

 

CMYK 41 / 37 / 0 / 9

HEX #8892E7

RGB 136 146 231

HSL 233.68, 0.66%, 0.72%

LAB 62.98, 17.46, -44.19

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 16 / 15 / 0 / 4

HEX #CDD1F5

RGB 205 209 245

HSL 234, 0.67%, 0.88%

LAB 84.57, 5.79, -18.09

 

CMYK 5 / 5 / 0 / 1

HEX #EFF0FC

RGB 239 240 252

HSL 235.38, 0.68%, 0.96%

LAB 95.03, 1.85, -5.89

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

CMYK 0 / 29 / 3 / 7

HEX #EEAAE8

RGB 238 170 232

HSL 305.29, 0.67%, 0.8%

LAB 77.73, 34.7, -21.2

 

CMYK 14 / 0 / 29 / 7

HEX #CDEEAA

RGB 205 238 170

HSL 89.12, 0.67%, 0.8%

LAB 90.34, -22.38, 29.47

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

CMYK 0 / 29 / 25 / 7

HEX #EEAAB2

RGB 238 170 178

HSL 352.94, 0.67%, 0.8%

LAB 76.16, 26.07, 5.88

 

CMYK 25 / 0 / 29 / 7

HEX #B2EEAA

RGB 178 238 170

HSL 112.94, 0.67%, 0.8%

LAB 88.69, -31.62, 26.97

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

CMYK 0 / 29 / 3 / 7

HEX #EEAAE8

RGB 238 170 232

HSL 305.29, 0.67%, 0.8%

LAB 77.73, 34.7, -21.2

 

CMYK 0 / 3 / 29 / 7

HEX #EEE6AA

RGB 238 230 170

HSL 52.94, 0.67%, 0.8%

LAB 90.63, -6.34, 30.28

 

CMYK 29 / 0 / 26 / 7

HEX #AAEEB0

RGB 170 238 176

HSL 125.29, 0.67%, 0.8%

LAB 88.37, -33.23, 23.38

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EE

RGB 171 178 238

HSL 233.73, 0.66%, 0.8%

LAB 73.98, 10.74, -30.71

 

CMYK 0 / 29 / 11 / 7

HEX #EEAAD4

RGB 238 170 212

HSL 322.94, 0.67%, 0.8%

LAB 77.09, 31.26, -11.31

 

CMYK 0 / 3 / 29 / 7

HEX #EEE6AA

RGB 238 230 170

HSL 52.94, 0.67%, 0.8%

LAB 90.63, -6.34, 30.28

 

CMYK 29 / 0 / 18 / 7

HEX #AAEEC4

RGB 170 238 196

HSL 142.94, 0.67%, 0.8%

LAB 88.77, -29.67, 13.6

 

Description

Color code: HEX #ABB2EE | qconv.com Color code: HEX #ABB2EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 178 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 178 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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