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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB1AA it is the complementary color #544E55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB1AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB1AA shade: #B0B1A5, #C1C3B8, #D2D5CB, #E3E7DE and #F4F9F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB1AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB1AA shade: #ABB1AA, #9A9F97, #898D84, #787B71 and #67695E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB1AA shade: #ABB1AA, #ADB1AA, #AFB1AA, #B0B1AA and #B1AFAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB1AA shade: #ABB1AA, #AAB1AB, #AAB1AD, #AAB1AE and #AAB1B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB1AA shade matches the following richer shades: #ABB1AA, #A2BE9D, #98CB90, #8FD883 and #85E575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB1AA shade: #ABB1AA, #B4A3B7, #BE96C5, #C789D2 and #D17CDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB1AA shade: #AFB1AA, #ADB1AA, #ABB1AA, #AAB1AB and #AAB1AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB1AA shade: #81897F, #969D95, #ABB1AA, #C0C4C0 and #D6D8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB1AA shade: #ABB1AA, #AAB0B1 and #B1AAAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB1AA shade: #ABB1AA, #AAABB1 and #B1AAAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB1AA shade: #ABB1AA, #AAB0B1, #B0AAB1 and #B1AAAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB1AA shade: #ABB1AA, #AAAEB1, #B0AAB1 and #B1ACAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

Complementary color

CMYK 1 / 8 / 0 / 67

HEX #544E55

RGB 84 78 85

HSL 291.43, 0.04%, 0.32%

LAB 33.96, 3.96, -3.23

 

CMYK 1 / 0 / 7 / 31

HEX #B0B1A5

RGB 176 177 165

HSL 65, 0.07%, 0.67%

LAB 71.82, -2.54, 6.01

 

CMYK 1 / 0 / 6 / 24

HEX #C1C3B8

RGB 193 195 184

HSL 70.91, 0.08%, 0.74%

LAB 78.36, -2.68, 5.27

 

CMYK 1 / 0 / 5 / 16

HEX #D2D5CB

RGB 210 213 203

HSL 78, 0.11%, 0.82%

LAB 84.79, -2.81, 4.57

 

CMYK 2 / 0 / 4 / 9

HEX #E3E7DE

RGB 227 231 222

HSL 86.67, 0.16%, 0.89%

LAB 91.12, -2.93, 3.9

 

CMYK 2 / 0 / 3 / 2

HEX #F4F9F1

RGB 244 249 241

HSL 97.5, 0.4%, 0.96%

LAB 97.36, -3.05, 3.25

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 3 / 0 / 5 / 38

HEX #9A9F97

RGB 154 159 151

HSL 97.5, 0.04%, 0.61%

LAB 64.88, -3.32, 3.54

 

CMYK 3 / 0 / 6 / 45

HEX #898D84

RGB 137 141 132

HSL 86.67, 0.04%, 0.54%

LAB 58.07, -3.21, 4.28

 

CMYK 2 / 0 / 8 / 52

HEX #787B71

RGB 120 123 113

HSL 78, 0.04%, 0.46%

LAB 51.1, -3.09, 5.07

 

CMYK 2 / 0 / 10 / 59

HEX #67695E

RGB 103 105 94

HSL 70.91, 0.06%, 0.39%

LAB 43.94, -2.96, 5.92

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 2 / 0 / 4 / 31

HEX #ADB1AA

RGB 173 177 170

HSL 94.29, 0.04%, 0.68%

LAB 71.71, -2.71, 3.08

 

CMYK 1 / 0 / 4 / 31

HEX #AFB1AA

RGB 175 177 170

HSL 77.14, 0.04%, 0.68%

LAB 71.87, -2, 3.32

 

CMYK 1 / 0 / 4 / 31

HEX #B0B1AA

RGB 176 177 170

HSL 68.57, 0.04%, 0.68%

LAB 71.94, -1.64, 3.44

 

CMYK 0 / 1 / 4 / 31

HEX #B1AFAA

RGB 177 175 170

HSL 42.86, 0.04%, 0.68%

LAB 71.49, -0.21, 2.8

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 0 / 3 / 31

HEX #AAB1AB

RGB 170 177 171

HSL 128.57, 0.04%, 0.68%

LAB 71.51, -3.59, 2.2

 

CMYK 4 / 0 / 2 / 31

HEX #AAB1AD

RGB 170 177 173

HSL 145.71, 0.04%, 0.68%

LAB 71.56, -3.21, 1.18

 

CMYK 4 / 0 / 2 / 31

HEX #AAB1AE

RGB 170 177 174

HSL 154.29, 0.04%, 0.68%

LAB 71.59, -3.02, 0.67

 

CMYK 4 / 0 / 1 / 31

HEX #AAB1B0

RGB 170 177 176

HSL 171.43, 0.04%, 0.68%

LAB 71.64, -2.64, -0.35

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 15 / 0 / 17 / 25

HEX #A2BE9D

RGB 162 190 157

HSL 110.91, 0.2%, 0.68%

LAB 74.15, -15.78, 13.54

 

CMYK 25 / 0 / 29 / 20

HEX #98CB90

RGB 152 203 144

HSL 111.86, 0.36%, 0.68%

LAB 76.92, -27.9, 24.21

 

CMYK 34 / 0 / 39 / 15

HEX #8FD883

RGB 143 216 131

HSL 111.53, 0.52%, 0.68%

LAB 79.95, -38.94, 34.87

 

CMYK 42 / 0 / 49 / 10

HEX #85E575

RGB 133 229 117

HSL 111.43, 0.68%, 0.68%

LAB 83.08, -49.57, 45.64

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 2 / 11 / 0 / 28

HEX #B4A3B7

RGB 180 163 183

HSL 291, 0.12%, 0.68%

LAB 68.98, 9.85, -8.05

 

CMYK 4 / 24 / 0 / 23

HEX #BE96C5

RGB 190 150 197

HSL 291.06, 0.29%, 0.68%

LAB 67.12, 23.22, -18.54

 

CMYK 5 / 35 / 0 / 18

HEX #C789D2

RGB 199 137 210

HSL 290.96, 0.45%, 0.68%

LAB 65.5, 35.87, -28.17

 

CMYK 6 / 44 / 0 / 13

HEX #D17CDF

RGB 209 124 223

HSL 291.52, 0.61%, 0.68%

LAB 64.4, 48.33, -37.04

 

CMYK 1 / 0 / 4 / 31

HEX #AFB1AA

RGB 175 177 170

HSL 77.14, 0.04%, 0.68%

LAB 71.87, -2, 3.32

 

CMYK 2 / 0 / 4 / 31

HEX #ADB1AA

RGB 173 177 170

HSL 94.29, 0.04%, 0.68%

LAB 71.71, -2.71, 3.08

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 0 / 3 / 31

HEX #AAB1AB

RGB 170 177 171

HSL 128.57, 0.04%, 0.68%

LAB 71.51, -3.59, 2.2

 

CMYK 4 / 0 / 2 / 31

HEX #AAB1AD

RGB 170 177 173

HSL 145.71, 0.04%, 0.68%

LAB 71.56, -3.21, 1.18

 

CMYK 6 / 0 / 7 / 46

HEX #81897F

RGB 129 137 127

HSL 108, 0.04%, 0.52%

LAB 56.18, -4.91, 4.34

 

CMYK 4 / 0 / 5 / 38

HEX #969D95

RGB 150 157 149

HSL 112.5, 0.04%, 0.6%

LAB 63.97, -4.05, 3.3

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 2 / 0 / 2 / 23

HEX #C0C4C0

RGB 192 196 192

HSL 120, 0.03%, 0.76%

LAB 78.75, -2.11, 1.51

 

CMYK 1 / 0 / 1 / 15

HEX #D6D8D5

RGB 214 216 213

HSL 100, 0.04%, 0.84%

LAB 86.11, -1.22, 1.23

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 1 / 0 / 31

HEX #AAB0B1

RGB 170 176 177

HSL 188.57, 0.04%, 0.68%

LAB 71.4, -1.91, -1.25

 

CMYK 0 / 4 / 2 / 31

HEX #B1AAAE

RGB 177 170 174

HSL 325.71, 0.04%, 0.68%

LAB 70.28, 3.24, -1.17

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 3 / 0 / 31

HEX #AAABB1

RGB 170 171 177

HSL 231.43, 0.04%, 0.68%

LAB 70.07, 0.8, -3.21

 

CMYK 0 / 4 / 3 / 31

HEX #B1AAAB

RGB 177 170 171

HSL 351.43, 0.04%, 0.68%

LAB 70.2, 2.69, 0.37

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 1 / 0 / 31

HEX #AAB0B1

RGB 170 176 177

HSL 188.57, 0.04%, 0.68%

LAB 71.4, -1.91, -1.25

 

CMYK 1 / 4 / 0 / 31

HEX #B0AAB1

RGB 176 170 177

HSL 291.43, 0.04%, 0.68%

LAB 70.28, 3.45, -2.83

 

CMYK 0 / 4 / 4 / 31

HEX #B1AAAA

RGB 177 170 170

HSL 0, 0.04%, 0.68%

LAB 70.18, 2.5, 0.88

 

CMYK 3 / 0 / 4 / 31

HEX #ABB1AA

RGB 171 177 170

HSL 111.43, 0.04%, 0.68%

LAB 71.56, -3.42, 2.84

 

CMYK 4 / 2 / 0 / 31

HEX #AAAEB1

RGB 170 174 177

HSL 205.71, 0.04%, 0.68%

LAB 70.87, -0.82, -2.03

 

CMYK 1 / 4 / 0 / 31

HEX #B0AAB1

RGB 176 170 177

HSL 291.43, 0.04%, 0.68%

LAB 70.28, 3.45, -2.83

 

CMYK 0 / 3 / 4 / 31

HEX #B1ACAA

RGB 177 172 170

HSL 17.14, 0.04%, 0.68%

LAB 70.7, 1.42, 1.65

 

Description

Color code: HEX #ABB1AA | qconv.com Color code: HEX #ABB1AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 177 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 177 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 4 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 4% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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