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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAE2B it is the complementary color #5451D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAE2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAE2B shade: #B0AE26, #C1C039, #D2D24C, #E3E45F and #F4F672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAE2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAE2B shade: #ABAE2B, #9A9C18, #898A05, #787800 and #676600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAE2B shade: #ACAF2C, #AF8F2C, #AF6B2C, #AF482C and #AF2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAE2B shade: #ACAF2C, #89AF2C, #65AF2C, #42AF2C and #2CAF39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAE2B shade matches the following richer shades: #ACAF2C, #BDC11A and #CED308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAE2B shade: #ACAF2C, #9C9E3E, #8B8C4F, #7A7A61 and #696873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAE2B shade: #AF6B2C, #AF8F2C, #ADAF2C, #8AAF2C and #67AF2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAE2B shade: #6C6D1B, #8C8E24, #ACAF2C, #CACD37 and #D3D558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAE2B shade: #ABAE2B, #2CAF48 and #7D2CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAE2B shade: #ABAE2B, #2CADAF and #AF2CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAE2B shade: #ABAE2B, #2CAF48, #2E2CAF and #AF2C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAE2B shade: #ABAE2B, #2CAF70, #2E2CAF and #AF2C6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

Complementary color

CMYK 60 / 62 / 0 / 17

HEX #5451D4

RGB 84 81 212

HSL 241.37, 0.6%, 0.57%

LAB 42.04, 39.52, -67.24

 

CMYK 0 / 1 / 78 / 31

HEX #B0AE26

RGB 176 174 38

HSL 59.13, 0.64%, 0.42%

LAB 69.21, -14.5, 64.12

HEX #B0AE26

CMYK 0 / 1 / 70 / 24

HEX #C1C039

RGB 193 192 57

HSL 59.56, 0.54%, 0.49%

LAB 75.66, -15.51, 64.32

HEX #C1C039

CMYK 0 / 0 / 64 / 18

HEX #D2D24C

RGB 210 210 76

HSL 60, 0.6%, 0.56%

LAB 82.01, -16.34, 63.89

HEX #D2D24C

CMYK 0 / 0 / 58 / 11

HEX #E3E45F

RGB 227 228 95

HSL 60.45, 0.71%, 0.63%

LAB 88.28, -17.04, 63.13

HEX #E3E45F

CMYK 1 / 0 / 54 / 4

HEX #F4F672

RGB 244 246 114

HSL 60.91, 0.88%, 0.71%

LAB 94.47, -17.62, 62.19

HEX #F4F672

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

CMYK 1 / 0 / 85 / 39

HEX #9A9C18

RGB 154 156 24

HSL 60.91, 0.73%, 0.35%

LAB 62.26, -15.37, 61.21

 

CMYK 1 / 0 / 96 / 46

HEX #898A05

RGB 137 138 5

HSL 60.45, 0.93%, 0.28%

LAB 55.59, -14.02, 58.91

 

CMYK 0 / 0 / 100 / 53

HEX #787800

RGB 120 120 0

HSL 60, 1%, 0.24%

LAB 48.79, -12.34, 54.11

 

CMYK 0 / 1 / 100 / 60

HEX #676600

RGB 103 102 0

HSL 59.42, 1%, 0.2%

LAB 41.82, -10.51, 48.32

 

CMYK 2 / 0 / 75 / 31

HEX #ACAF2C

RGB 172 175 44

HSL 61.37, 0.6%, 0.43%

LAB 69.19, -16.51, 62.08

 

CMYK 0 / 18 / 75 / 31

HEX #AF8F2C

RGB 175 143 44

HSL 45.34, 0.6%, 0.43%

LAB 60.73, 1.79, 54.14

 

CMYK 0 / 39 / 75 / 31

HEX #AF6B2C

RGB 175 107 44

HSL 28.85, 0.6%, 0.43%

LAB 51.62, 21.86, 45.1

 

CMYK 0 / 59 / 75 / 31

HEX #AF482C

RGB 175 72 44

HSL 12.82, 0.6%, 0.43%

LAB 44.13, 40.42, 37.23

 

CMYK 0 / 75 / 75 / 31

HEX #AF2C2C

RGB 175 44 44

HSL 0, 0.6%, 0.43%

LAB 39.74, 52.26, 32.39

 

CMYK 2 / 0 / 75 / 31

HEX #ACAF2C

RGB 172 175 44

HSL 61.37, 0.6%, 0.43%

LAB 69.19, -16.51, 62.08

 

CMYK 22 / 0 / 75 / 31

HEX #89AF2C

RGB 137 175 44

HSL 77.4, 0.6%, 0.43%

LAB 66.64, -31.22, 58.77

 

CMYK 42 / 0 / 75 / 31

HEX #65AF2C

RGB 101 175 44

HSL 93.89, 0.6%, 0.43%

LAB 64.65, -44.64, 56.15

 

CMYK 62 / 0 / 75 / 31

HEX #42AF2C

RGB 66 175 44

HSL 109.92, 0.6%, 0.43%

LAB 63.34, -54.7, 54.42

 

CMYK 75 / 0 / 67 / 31

HEX #2CAF39

RGB 44 175 57

HSL 125.95, 0.6%, 0.43%

LAB 62.92, -57.87, 48.79

 

CMYK 2 / 0 / 75 / 31

HEX #ACAF2C

RGB 172 175 44

HSL 61.37, 0.6%, 0.43%

LAB 69.19, -16.51, 62.08

 

CMYK 2 / 0 / 87 / 24

HEX #BDC11A

RGB 189 193 26

HSL 61.44, 0.76%, 0.43%

LAB 75.47, -18.83, 72.84

 

CMYK 2 / 0 / 96 / 17

HEX #CED308

RGB 206 211 8

HSL 61.48, 0.93%, 0.43%

LAB 81.69, -20.73, 80.71

 

CMYK 2 / 0 / 75 / 31

HEX #ACAF2C

RGB 172 175 44

HSL 61.37, 0.6%, 0.43%

LAB 69.19, -16.51, 62.08

 

CMYK 1 / 0 / 61 / 38

HEX #9C9E3E

RGB 156 158 62

HSL 61.25, 0.44%, 0.43%

LAB 63.23, -13.63, 48.55

 

CMYK 1 / 0 / 44 / 45

HEX #8B8C4F

RGB 139 140 79

HSL 60.98, 0.28%, 0.43%

LAB 56.89, -9.83, 32.37

 

CMYK 0 / 0 / 20 / 52

HEX #7A7A61

RGB 122 122 97

HSL 60, 0.11%, 0.43%

LAB 50.59, -4.54, 13.73

 

CMYK 9 / 10 / 0 / 55

HEX #696873

RGB 105 104 115

HSL 245.45, 0.05%, 0.43%

LAB 44.44, 2.74, -6.01

 

CMYK 0 / 39 / 75 / 31

HEX #AF6B2C

RGB 175 107 44

HSL 28.85, 0.6%, 0.43%

LAB 51.62, 21.86, 45.1

 

CMYK 0 / 18 / 75 / 31

HEX #AF8F2C

RGB 175 143 44

HSL 45.34, 0.6%, 0.43%

LAB 60.73, 1.79, 54.14

 

CMYK 1 / 0 / 75 / 31

HEX #ADAF2C

RGB 173 175 44

HSL 60.92, 0.6%, 0.43%

LAB 69.27, -16.07, 62.19

 

CMYK 21 / 0 / 75 / 31

HEX #8AAF2C

RGB 138 175 44

HSL 76.95, 0.6%, 0.43%

LAB 66.71, -30.82, 58.85

 

CMYK 41 / 0 / 75 / 31

HEX #67AF2C

RGB 103 175 44

HSL 92.98, 0.6%, 0.43%

LAB 64.74, -43.96, 56.27

 

CMYK 1 / 0 / 75 / 57

HEX #6C6D1B

RGB 108 109 27

HSL 60.73, 0.6%, 0.27%

LAB 44.52, -11.09, 42.93

 

CMYK 1 / 0 / 75 / 44

HEX #8C8E24

RGB 140 142 36

HSL 61.13, 0.6%, 0.35%

LAB 57.12, -13.84, 52.56

 

CMYK 2 / 0 / 75 / 31

HEX #ACAF2C

RGB 172 175 44

HSL 61.37, 0.6%, 0.43%

LAB 69.19, -16.51, 62.08

 

CMYK 1 / 0 / 73 / 20

HEX #CACD37

RGB 202 205 55

HSL 61.2, 0.6%, 0.51%

LAB 79.89, -18.29, 69.32

 

CMYK 1 / 0 / 59 / 16

HEX #D3D558

RGB 211 213 88

HSL 60.96, 0.6%, 0.59%

LAB 82.99, -16.64, 59.97

 

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

CMYK 75 / 0 / 59 / 31

HEX #2CAF48

RGB 44 175 72

HSL 132.82, 0.6%, 0.43%

LAB 63.06, -56.14, 42.28

 

CMYK 29 / 75 / 0 / 31

HEX #7D2CAF

RGB 125 44 175

HSL 277.1, 0.6%, 0.43%

LAB 36.47, 56.06, -54.47

 

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

CMYK 75 / 1 / 0 / 31

HEX #2CADAF

RGB 44 173 175

HSL 180.92, 0.6%, 0.43%

LAB 64.58, -32.52, -10.9

 

CMYK 0 / 75 / 1 / 31

HEX #AF2CAD

RGB 175 44 173

HSL 300.92, 0.6%, 0.43%

LAB 44.14, 65.88, -40.56

 

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

CMYK 75 / 0 / 59 / 31

HEX #2CAF48

RGB 44 175 72

HSL 132.82, 0.6%, 0.43%

LAB 63.06, -56.14, 42.28

 

CMYK 74 / 75 / 0 / 31

HEX #2E2CAF

RGB 46 44 175

HSL 240.92, 0.6%, 0.43%

LAB 28.05, 44.29, -68.59

 

CMYK 0 / 75 / 16 / 31

HEX #AF2C93

RGB 175 44 147

HSL 312.82, 0.6%, 0.43%

LAB 42.8, 61.92, -27.1

 

CMYK 2 / 0 / 75 / 32

HEX #ABAE2B

RGB 171 174 43

HSL 61.37, 0.6%, 0.43%

LAB 68.83, -16.47, 62.04

 

CMYK 75 / 0 / 36 / 31

HEX #2CAF70

RGB 44 175 112

HSL 151.15, 0.6%, 0.43%

LAB 63.64, -49.44, 22.58

 

CMYK 74 / 75 / 0 / 31

HEX #2E2CAF

RGB 46 44 175

HSL 240.92, 0.6%, 0.43%

LAB 28.05, 44.29, -68.59

 

CMYK 0 / 75 / 39 / 31

HEX #AF2C6B

RGB 175 44 107

HSL 331.15, 0.6%, 0.43%

LAB 41.18, 56.93, -4.94

 

Description

Color code: HEX #ABAE2B | qconv.com Color code: HEX #ABAE2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 174 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 174 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 75 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 75% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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