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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAC3C it is the complementary color #5453C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAC3C shade: #B0AC37, #C1BE4A, #D2D05D, #E3E270 and #F4F483

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAC3C shade: #ABAC3C, #9A9A29, #898816, #787603 and #676400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAC3C shade: #A9AA3C, #AA8D3C, #AA6F3C, #AA523C and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAC3C shade: #A9AA3C, #8BAA3C, #6DAA3C, #50AA3C and #3CAA45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAC3C shade matches the following richer shades: #A9AA3C, #BBBC29, #CDCF17 and #E0E204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAC3C shade: #A9AA3C, #97974E, #848561, #727273 and #606086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAC3C shade: #AA6F3C, #AA8C3C, #AAAA3C, #8CAA3C and #6FAA3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAC3C shade: #6C6D26, #8A8B31, #A9AA3C, #C0C14E and #CBCC6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAC3C shade: #ABAC3C, #3CAA52 and #7E3CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAC3C shade: #ABAC3C, #3CAAAA and #AA3CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAC3C shade: #ABAC3C, #3CAA52, #3C3CAA and #AA3C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAC3C shade: #ABAC3C, #3CAA73, #3C3CAA and #AA3C73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

Complementary color

CMYK 57 / 57 / 0 / 24

HEX #5453C3

RGB 84 83 195

HSL 240.54, 0.48%, 0.55%

LAB 41.23, 32.78, -58.72

 

CMYK 0 / 2 / 69 / 31

HEX #B0AC37

RGB 176 172 55

HSL 58.02, 0.52%, 0.45%

LAB 68.76, -12.69, 57.78

 

CMYK 0 / 2 / 62 / 24

HEX #C1BE4A

RGB 193 190 74

HSL 58.49, 0.49%, 0.52%

LAB 75.24, -13.52, 57.15

 

CMYK 0 / 1 / 56 / 18

HEX #D2D05D

RGB 210 208 93

HSL 58.97, 0.57%, 0.59%

LAB 81.62, -14.19, 56.23

 

CMYK 0 / 0 / 51 / 11

HEX #E3E270

RGB 227 226 112

HSL 59.48, 0.67%, 0.66%

LAB 87.92, -14.76, 55.17

 

CMYK 0 / 0 / 46 / 4

HEX #F4F483

RGB 244 244 131

HSL 60, 0.84%, 0.74%

LAB 94.13, -15.23, 54.06

 

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

CMYK 0 / 0 / 73 / 40

HEX #9A9A29

RGB 154 154 41

HSL 60, 0.58%, 0.38%

LAB 61.78, -13.68, 55.6

 

CMYK 0 / 1 / 84 / 46

HEX #898816

RGB 137 136 22

HSL 59.48, 0.72%, 0.31%

LAB 55.06, -12.57, 55.04

 

CMYK 0 / 2 / 98 / 53

HEX #787603

RGB 120 118 3

HSL 58.97, 0.95%, 0.24%

LAB 48.21, -11.18, 53.04

 

CMYK 0 / 3 / 100 / 60

HEX #676400

RGB 103 100 0

HSL 58.25, 1%, 0.2%

LAB 41.21, -9.38, 47.88

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 0 / 17 / 65 / 33

HEX #AA8D3C

RGB 170 141 60

HSL 44.18, 0.48%, 0.45%

LAB 59.82, 1.55, 46.11

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 52 / 65 / 33

HEX #AA523C

RGB 170 82 60

HSL 12, 0.48%, 0.45%

LAB 45.51, 34.3, 29.62

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 18 / 0 / 65 / 33

HEX #8BAA3C

RGB 139 170 60

HSL 76.91, 0.48%, 0.45%

LAB 65.41, -27, 51.39

 

CMYK 36 / 0 / 65 / 33

HEX #6DAA3C

RGB 109 170 60

HSL 93.27, 0.48%, 0.45%

LAB 63.61, -38.52, 48.93

 

CMYK 53 / 0 / 65 / 33

HEX #50AA3C

RGB 80 170 60

HSL 109.09, 0.48%, 0.45%

LAB 62.32, -47.84, 47.15

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA45

RGB 60 170 69

HSL 124.91, 0.48%, 0.45%

LAB 61.77, -51.81, 42.28

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 1 / 0 / 78 / 26

HEX #BBBC29

RGB 187 188 41

HSL 60.41, 0.64%, 0.45%

LAB 73.99, -16.74, 67.84

 

CMYK 1 / 0 / 89 / 19

HEX #CDCF17

RGB 205 207 23

HSL 60.65, 0.8%, 0.45%

LAB 80.55, -18.99, 77.98

 

CMYK 1 / 0 / 98 / 11

HEX #E0E204

RGB 224 226 4

HSL 60.54, 0.97%, 0.45%

LAB 87.12, -20.48, 85.73

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 0 / 0 / 48 / 41

HEX #97974E

RGB 151 151 78

HSL 60, 0.32%, 0.45%

LAB 61.01, -10.72, 38.17

 

CMYK 1 / 0 / 27 / 48

HEX #848561

RGB 132 133 97

HSL 61.67, 0.16%, 0.45%

LAB 54.6, -6.61, 19.35

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 28 / 28 / 0 / 47

HEX #606086

RGB 96 96 134

HSL 240, 0.17%, 0.45%

LAB 42.11, 9.15, -21.08

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 18 / 65 / 33

HEX #AA8C3C

RGB 170 140 60

HSL 43.64, 0.48%, 0.45%

LAB 59.55, 2.1, 45.81

 

CMYK 0 / 0 / 65 / 33

HEX #AAAA3C

RGB 170 170 60

HSL 60, 0.48%, 0.45%

LAB 67.74, -13.96, 54.56

 

CMYK 18 / 0 / 65 / 33

HEX #8CAA3C

RGB 140 170 60

HSL 76.36, 0.48%, 0.45%

LAB 65.48, -26.59, 51.48

 

CMYK 35 / 0 / 65 / 33

HEX #6FAA3C

RGB 111 170 60

HSL 92.18, 0.48%, 0.45%

LAB 63.72, -37.8, 49.07

 

CMYK 1 / 0 / 65 / 57

HEX #6C6D26

RGB 108 109 38

HSL 60.85, 0.48%, 0.29%

LAB 44.61, -10.4, 38.27

 

CMYK 1 / 0 / 65 / 45

HEX #8A8B31

RGB 138 139 49

HSL 60.67, 0.48%, 0.37%

LAB 56.18, -12.39, 46.33

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 1 / 0 / 60 / 24

HEX #C0C14E

RGB 192 193 78

HSL 60.52, 0.48%, 0.53%

LAB 76.01, -15.18, 56.23

 

CMYK 0 / 0 / 47 / 20

HEX #CBCC6C

RGB 203 204 108

HSL 60.63, 0.48%, 0.61%

LAB 80.16, -13.76, 47.37

 

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

CMYK 65 / 0 / 52 / 33

HEX #3CAA52

RGB 60 170 82

HSL 132, 0.48%, 0.45%

LAB 61.93, -50.04, 36.13

 

CMYK 26 / 65 / 0 / 33

HEX #7E3CAA

RGB 126 60 170

HSL 276, 0.48%, 0.45%

LAB 38.85, 47.91, -47.65

 

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

CMYK 65 / 0 / 0 / 33

HEX #3CAAAA

RGB 60 170 170

HSL 180, 0.48%, 0.45%

LAB 63.85, -30.37, -9.17

 

CMYK 0 / 65 / 0 / 33

HEX #AA3CAA

RGB 170 60 170

HSL 300, 0.48%, 0.45%

LAB 45.19, 58.5, -37.16

 

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

CMYK 65 / 0 / 52 / 33

HEX #3CAA52

RGB 60 170 82

HSL 132, 0.48%, 0.45%

LAB 61.93, -50.04, 36.13

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 0 / 65 / 13 / 33

HEX #AA3C94

RGB 170 60 148

HSL 312, 0.48%, 0.45%

LAB 44.11, 54.89, -25.72

 

CMYK 1 / 0 / 65 / 33

HEX #ABAC3C

RGB 171 172 60

HSL 60.54, 0.48%, 0.45%

LAB 68.38, -14.56, 55.25

 

CMYK 65 / 0 / 32 / 33

HEX #3CAA73

RGB 60 170 115

HSL 150, 0.48%, 0.45%

LAB 62.46, -44.16, 19.41

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 0 / 65 / 32 / 33

HEX #AA3C73

RGB 170 60 115

HSL 330, 0.48%, 0.45%

LAB 42.79, 50.26, -7.61

 

Description

Color code: HEX #ABAC3C | qconv.com Color code: HEX #ABAC3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 172 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 172 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 65 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 65% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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