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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAA52 it is the complementary color #5455AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAA52 shade: #B0AA4D, #C1BC60, #D2CE73, #E3E086 and #F4F299

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAA52 shade: #ABAA52, #9A983F, #89862C, #787419 and #676206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAA52 shade: #ACAB53, #AC9353, #AC7B53, #AC6353 and #AC5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAA52 shade: #ACAB53, #95AC53, #7DAC53, #65AC53 and #53AC59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAA52 shade matches the following richer shades: #ACAB53, #C1BF3E, #D5D32A, #EAE815 and #FFFC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAA52 shade: #ACAB53, #979768, #83837C, #6E6F91 and #5A5AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAA52 shade: #AC7B53, #AC9353, #ACAB53, #96AC53 and #7EAC53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAA52 shade: #747438, #908F45, #ACAB53, #BAB96F and #C7C68B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAA52 shade: #ABAA52, #53AC63 and #8753AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAA52 shade: #ABAA52, #53ACAB and #AB53AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAA52 shade: #ABAA52, #53AC63, #5354AC and #AC539C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAA52 shade: #ABAA52, #53AC7E, #5354AC and #AC5381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

Complementary color

CMYK 51 / 51 / 0 / 32

HEX #5455AD

RGB 84 85 173

HSL 239.33, 0.35%, 0.5%

LAB 40.24, 24.41, -47.42

 

CMYK 0 / 3 / 56 / 31

HEX #B0AA4D

RGB 176 170 77

HSL 56.36, 0.39%, 0.5%

LAB 68.4, -10.18, 47.84

 

CMYK 0 / 3 / 50 / 24

HEX #C1BC60

RGB 193 188 96

HSL 56.91, 0.44%, 0.57%

LAB 74.92, -10.79, 46.7

 

CMYK 0 / 2 / 45 / 18

HEX #D2CE73

RGB 210 206 115

HSL 57.47, 0.51%, 0.64%

LAB 81.34, -11.29, 45.52

 

CMYK 0 / 1 / 41 / 11

HEX #E3E086

RGB 227 224 134

HSL 58.06, 0.62%, 0.71%

LAB 87.66, -11.7, 44.35

 

CMYK 0 / 1 / 37 / 4

HEX #F4F299

RGB 244 242 153

HSL 58.68, 0.81%, 0.78%

LAB 93.9, -12.06, 43.19

 

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

CMYK 0 / 1 / 59 / 40

HEX #9A983F

RGB 154 152 63

HSL 58.68, 0.42%, 0.43%

LAB 61.38, -11.26, 46

 

CMYK 0 / 2 / 68 / 46

HEX #89862C

RGB 137 134 44

HSL 58.06, 0.51%, 0.35%

LAB 54.61, -10.47, 46.84

 

CMYK 0 / 3 / 79 / 53

HEX #787419

RGB 120 116 25

HSL 57.47, 0.66%, 0.28%

LAB 47.69, -9.44, 47.03

 

CMYK 0 / 5 / 94 / 60

HEX #676206

RGB 103 98 6

HSL 56.91, 0.89%, 0.21%

LAB 40.63, -8.08, 45.84

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 0 / 15 / 52 / 33

HEX #AC9353

RGB 172 147 83

HSL 43.15, 0.35%, 0.5%

LAB 61.88, 0.95, 37.08

 

CMYK 0 / 28 / 52 / 33

HEX #AC7B53

RGB 172 123 83

HSL 26.97, 0.35%, 0.5%

LAB 55.65, 14.33, 29.32

 

CMYK 0 / 42 / 52 / 33

HEX #AC6353

RGB 172 99 83

HSL 10.79, 0.35%, 0.5%

LAB 49.88, 27.77, 21.86

 

CMYK 0 / 52 / 52 / 33

HEX #AC5353

RGB 172 83 83

HSL 0, 0.35%, 0.5%

LAB 46.42, 36.39, 17.24

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 13 / 0 / 52 / 33

HEX #95AC53

RGB 149 172 83

HSL 75.51, 0.35%, 0.5%

LAB 66.91, -21.92, 42.69

 

CMYK 27 / 0 / 52 / 33

HEX #7DAC53

RGB 125 172 83

HSL 91.69, 0.35%, 0.5%

LAB 65.35, -31.26, 40.44

 

CMYK 41 / 0 / 52 / 33

HEX #65AC53

RGB 101 172 83

HSL 107.87, 0.35%, 0.5%

LAB 64.08, -39.66, 38.6

 

CMYK 52 / 0 / 48 / 33

HEX #53AC59

RGB 83 172 89

HSL 124.04, 0.35%, 0.5%

LAB 63.4, -44.22, 34.57

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 0 / 1 / 68 / 24

HEX #C1BF3E

RGB 193 191 62

HSL 59.08, 0.51%, 0.5%

LAB 75.42, -14.75, 62.21

 

CMYK 0 / 1 / 80 / 16

HEX #D5D32A

RGB 213 211 42

HSL 59.3, 0.67%, 0.5%

LAB 82.33, -17.11, 75.68

 

CMYK 0 / 1 / 91 / 8

HEX #EAE815

RGB 234 232 21

HSL 59.44, 0.84%, 0.5%

LAB 89.51, -19.03, 86.25

 

CMYK 0 / 1 / 100 / 0

HEX #FFFC00

RGB 255 252 0

HSL 59.29, 1%, 0.5%

LAB 96.36, -20.13, 93.91

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 0 / 0 / 31 / 41

HEX #979768

RGB 151 151 104

HSL 60, 0.18%, 0.5%

LAB 61.4, -7.71, 24.83

 

CMYK 0 / 0 / 5 / 49

HEX #83837C

RGB 131 131 124

HSL 60, 0.03%, 0.5%

LAB 54.57, -1.35, 3.77

 

CMYK 24 / 23 / 0 / 43

HEX #6E6F91

RGB 110 111 145

HSL 238.29, 0.14%, 0.5%

LAB 47.92, 7.46, -18.64

 

CMYK 45 / 45 / 0 / 35

HEX #5A5AA5

RGB 90 90 165

HSL 240, 0.29%, 0.5%

LAB 41.54, 20.17, -40.59

 

CMYK 0 / 28 / 52 / 33

HEX #AC7B53

RGB 172 123 83

HSL 26.97, 0.35%, 0.5%

LAB 55.65, 14.33, 29.32

 

CMYK 0 / 15 / 52 / 33

HEX #AC9353

RGB 172 147 83

HSL 43.15, 0.35%, 0.5%

LAB 61.88, 0.95, 37.08

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 13 / 0 / 52 / 33

HEX #96AC53

RGB 150 172 83

HSL 74.83, 0.35%, 0.5%

LAB 66.99, -21.51, 42.79

 

CMYK 27 / 0 / 52 / 33

HEX #7EAC53

RGB 126 172 83

HSL 91.01, 0.35%, 0.5%

LAB 65.41, -30.89, 40.53

 

CMYK 0 / 0 / 52 / 55

HEX #747438

RGB 116 116 56

HSL 60, 0.35%, 0.34%

LAB 47.61, -9.11, 32.82

 

CMYK 0 / 1 / 52 / 44

HEX #908F45

RGB 144 143 69

HSL 59.2, 0.35%, 0.42%

LAB 58.04, -10.3, 39.05

 

CMYK 0 / 1 / 52 / 33

HEX #ACAB53

RGB 172 171 83

HSL 59.33, 0.35%, 0.5%

LAB 68.4, -11.9, 44.88

 

CMYK 0 / 1 / 40 / 27

HEX #BAB96F

RGB 186 185 111

HSL 59.2, 0.35%, 0.58%

LAB 73.73, -10.62, 37.63

 

CMYK 0 / 1 / 30 / 22

HEX #C7C68B

RGB 199 198 139

HSL 59, 0.35%, 0.66%

LAB 78.69, -8.86, 29.77

 

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

CMYK 52 / 0 / 42 / 33

HEX #53AC63

RGB 83 172 99

HSL 130.79, 0.35%, 0.5%

LAB 63.54, -42.66, 29.57

 

CMYK 22 / 52 / 0 / 33

HEX #8753AC

RGB 135 83 172

HSL 275.06, 0.35%, 0.5%

LAB 44.68, 38.44, -39.46

 

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

CMYK 52 / 0 / 1 / 33

HEX #53ACAB

RGB 83 172 171

HSL 179.33, 0.35%, 0.5%

LAB 65.19, -26.75, -7.65

 

CMYK 1 / 52 / 0 / 33

HEX #AB53AC

RGB 171 83 172

HSL 299.33, 0.35%, 0.5%

LAB 49.28, 48.65, -31.9

 

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

CMYK 52 / 0 / 42 / 33

HEX #53AC63

RGB 83 172 99

HSL 130.79, 0.35%, 0.5%

LAB 63.54, -42.66, 29.57

 

CMYK 52 / 51 / 0 / 33

HEX #5354AC

RGB 83 84 172

HSL 239.33, 0.35%, 0.5%

LAB 39.85, 24.5, -47.47

 

CMYK 0 / 52 / 9 / 33

HEX #AC539C

RGB 172 83 156

HSL 310.79, 0.35%, 0.5%

LAB 48.71, 46.11, -23.36

 

CMYK 0 / 1 / 52 / 33

HEX #ABAA52

RGB 171 170 82

HSL 59.33, 0.35%, 0.5%

LAB 68.03, -11.88, 44.92

 

CMYK 52 / 0 / 27 / 33

HEX #53AC7E

RGB 83 172 126

HSL 148.99, 0.35%, 0.5%

LAB 64.04, -37.61, 15.67

 

CMYK 52 / 51 / 0 / 33

HEX #5354AC

RGB 83 84 172

HSL 239.33, 0.35%, 0.5%

LAB 39.85, 24.5, -47.47

 

CMYK 0 / 52 / 25 / 33

HEX #AC5381

RGB 172 83 129

HSL 328.99, 0.35%, 0.5%

LAB 47.68, 41.86, -8.79

 

Description

Color code: HEX #ABAA52 | qconv.com Color code: HEX #ABAA52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 170 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 170 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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