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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA5EBBF it is the complementary color #545A14BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA5EBBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA5EBBF shade: #B0A5E6BF, #C1B7F9BF, #D2C9FFBF, #E3DBFFBF and #F4EDFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA5EBBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA5EBBF shade: #ABA5EBBF, #9A93D8BF, #8981C5BF, #786FB2BF and #675D9FBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA5EBBF shade: #A9A3EB, #BDA3EB, #D0A3EB, #E3A3EB and #EBA3DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA5EBBF shade: #A9A3EB and #A3A3EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA5EBBF shade matches the following richer shades: #A9A3EB, #A29AF4 and #9A91FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA5EBBF shade: #A9A3EB, #B1ACE2, #B8B5D9, #C0BED0 and #C7C7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA5EBBF shade: #A3C3EB, #A3B0EB, #A9A3EB, #BCA3EB and #CFA3EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA5EBBF shade: #6A5FDC, #8A81E3, #A9A3EB, #C9C5F2 and #E8E7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA5EBBF shade: #ABA5EB, #EBA3D6 and #BAEBA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA5EBBF shade: #ABA5EB, #EBA9A3 and #A3EBA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA5EBBF shade: #ABA5EB, #EBA3D6, #E5EBA3 and #A3EBB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA5EBBF shade: #ABA5EB, #EBA3C1, #E5EBA3 and #A3EBCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 22 / 0 / 6

HEX #ABA5EBBF

RGBA 171 165 235 0.75

HSLA 245.14, 0.64%, 0.78%, 0.75

LABA 70.57, 17.25, -34.34, 0.75

 

Complementary color

CMYK 5 / 0 / 58 / 49

HEX #545A14BF

RGBA 84 90 20 0.75

HSLA 65.14, 0.64%, 0.22%, 0.75

LABA 36.46, -12.23, 37.2, 0.75

 

CMYK 18 / 21 / 0 / 7

HEX #B0A5E6BF

RGBA 176 165 230 0.75

HSLA 250.15, 0.57%, 0.77%, 0.75

LABA 70.77, 17.54, -31.27, 0.75

 

CMYK 17 / 20 / 0 / 2

HEX #C1B7F9BF

RGBA 193 183 249 0.75

HSLA 249.09, 0.85%, 0.85%, 0.75

LABA 77.31, 17.04, -31.38, 0.75

 

CMYK 13 / 16 / 0 / 0

HEX #D2C9FFBF

RGBA 210 201 255 0.75

HSLA 250, 1%, 0.89%, 0.75

LABA 83.28, 13.74, -25.32, 0.75

 

CMYK 8 / 11 / 0 / 0

HEX #E3DBFFBF

RGBA 227 219 255 0.75

HSLA 253.33, 1%, 0.93%, 0.75

LABA 89.02, 9.47, -16.5, 0.75

 

CMYK 3 / 5 / 0 / 0

HEX #F4EDFFBF

RGBA 244 237 255 0.75

HSLA 263.33, 1%, 0.96%, 0.75

LABA 94.75, 5.57, -7.83, 0.75

 

CMYK 20 / 22 / 0 / 6

HEX #ABA5EBBF

RGBA 171 165 235 0.75

HSLA 245.14, 0.64%, 0.78%, 0.75

LABA 70.57, 17.25, -34.34, 0.75

 

CMYK 22 / 24 / 0 / 11

HEX #9A93D8BF

RGBA 154 147 216 0.75

HSLA 246.09, 0.47%, 0.71%, 0.75

LABA 63.91, 17.83, -34.31, 0.75

 

CMYK 23 / 26 / 0 / 17

HEX #8981C5BF

RGBA 137 129 197 0.75

HSLA 247.06, 0.37%, 0.64%, 0.75

LABA 57.12, 18.47, -34.33, 0.75

 

CMYK 24 / 28 / 0 / 23

HEX #786FB2BF

RGBA 120 111 178 0.75

HSLA 248.06, 0.3%, 0.57%, 0.75

LABA 50.19, 19.2, -34.39, 0.75

 

CMYK 26 / 31 / 0 / 28

HEX #675D9FBF

RGBA 103 93 159 0.75

HSLA 249.09, 0.26%, 0.49%, 0.75

LABA 43.09, 20.04, -34.5, 0.75

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 20 / 31 / 0 / 8

HEX #BDA3EB

RGB 189 163 235

HSL 261.67, 0.64%, 0.78%

LAB 71.56, 23.71, -32.69

 

CMYK 11 / 31 / 0 / 8

HEX #D0A3EB

RGB 208 163 235

HSL 277.5, 0.64%, 0.78%

LAB 73.29, 29.53, -29.88

 

CMYK 3 / 31 / 0 / 8

HEX #E3A3EB

RGB 227 163 235

HSL 293.33, 0.64%, 0.78%

LAB 75.15, 35.47, -26.86

 

CMYK 0 / 31 / 5 / 8

HEX #EBA3DF

RGB 235 163 223

HSL 310, 0.64%, 0.78%

LAB 75.57, 35.85, -19.62

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 31 / 31 / 0 / 8

HEX #A3A3EB

RGB 163 163 235

HSL 240, 0.64%, 0.78%

LAB 69.45, 16.08, -36.12

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 34 / 37 / 0 / 4

HEX #A29AF4

RGB 162 154 244

HSL 245.33, 0.8%, 0.78%

LAB 67.52, 23.2, -44.07

 

CMYK 39 / 43 / 0 / 1

HEX #9A91FD

RGB 154 145 253

HSL 245, 0.96%, 0.78%

LAB 65.13, 28.64, -52.8

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 22 / 24 / 0 / 11

HEX #B1ACE2

RGB 177 172 226

HSL 245.56, 0.48%, 0.78%

LAB 72.46, 13.01, -26.48

 

CMYK 15 / 17 / 0 / 15

HEX #B8B5D9

RGB 184 181 217

HSL 245, 0.32%, 0.78%

LAB 74.98, 8.25, -17.69

 

CMYK 8 / 9 / 0 / 18

HEX #C0BED0

RGB 192 190 208

HSL 246.67, 0.16%, 0.78%

LAB 77.63, 4.14, -8.77

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 31 / 17 / 0 / 8

HEX #A3C3EB

RGB 163 195 235

HSL 213.33, 0.64%, 0.78%

LAB 77.77, -1.57, -23.34

 

CMYK 31 / 25 / 0 / 8

HEX #A3B0EB

RGB 163 176 235

HSL 229.17, 0.64%, 0.78%

LAB 72.78, 8.81, -30.97

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 20 / 31 / 0 / 8

HEX #BCA3EB

RGB 188 163 235

HSL 260.83, 0.64%, 0.78%

LAB 71.48, 23.41, -32.83

 

CMYK 12 / 31 / 0 / 8

HEX #CFA3EB

RGB 207 163 235

HSL 276.67, 0.64%, 0.78%

LAB 73.19, 29.22, -30.04

 

CMYK 52 / 57 / 0 / 14

HEX #6A5FDC

RGB 106 95 220

HSL 245.28, 0.64%, 0.62%

LAB 47.52, 37.6, -62.83

 

CMYK 39 / 43 / 0 / 11

HEX #8A81E3

RGB 138 129 227

HSL 245.51, 0.64%, 0.7%

LAB 58.65, 26.78, -48.8

 

CMYK 28 / 31 / 0 / 8

HEX #A9A3EB

RGB 169 163 235

HSL 245, 0.64%, 0.78%

LAB 69.91, 17.8, -35.37

 

CMYK 17 / 19 / 0 / 5

HEX #C9C5F2

RGB 201 197 242

HSL 245.33, 0.63%, 0.86%

LAB 81.16, 10.32, -21.68

 

CMYK 7 / 8 / 0 / 2

HEX #E8E7FA

RGB 232 231 250

HSL 243.16, 0.66%, 0.94%

LAB 92.22, 3.84, -9.07

 

CMYK 27 / 30 / 0 / 8

HEX #ABA5EB

RGB 171 165 235

HSL 245.14, 0.64%, 0.78%

LAB 70.57, 17.25, -34.34

 

CMYK 0 / 31 / 9 / 8

HEX #EBA3D6

RGB 235 163 214

HSL 317.5, 0.64%, 0.78%

LAB 75.27, 34.3, -15.15

 

CMYK 21 / 0 / 31 / 8

HEX #BAEBA3

RGB 186 235 163

HSL 100.83, 0.64%, 0.78%

LAB 88.21, -28.59, 29.97

 

CMYK 27 / 30 / 0 / 8

HEX #ABA5EB

RGB 171 165 235

HSL 245.14, 0.64%, 0.78%

LAB 70.57, 17.25, -34.34

 

CMYK 0 / 28 / 31 / 8

HEX #EBA9A3

RGB 235 169 163

HSL 5, 0.64%, 0.78%

LAB 75.25, 23.47, 12.74

 

CMYK 31 / 0 / 28 / 8

HEX #A3EBA9

RGB 163 235 169

HSL 125, 0.64%, 0.78%

LAB 87.03, -35.22, 25.08

 

CMYK 27 / 30 / 0 / 8

HEX #ABA5EB

RGB 171 165 235

HSL 245.14, 0.64%, 0.78%

LAB 70.57, 17.25, -34.34

 

CMYK 0 / 31 / 9 / 8

HEX #EBA3D6

RGB 235 163 214

HSL 317.5, 0.64%, 0.78%

LAB 75.27, 34.3, -15.15

 

CMYK 3 / 0 / 31 / 8

HEX #E5EBA3

RGB 229 235 163

HSL 65, 0.64%, 0.78%

LAB 91.11, -13.09, 34.35

 

CMYK 31 / 0 / 22 / 8

HEX #A3EBB7

RGB 163 235 183

HSL 136.67, 0.64%, 0.78%

LAB 87.3, -32.79, 18.23

 

CMYK 27 / 30 / 0 / 8

HEX #ABA5EB

RGB 171 165 235

HSL 245.14, 0.64%, 0.78%

LAB 70.57, 17.25, -34.34

 

CMYK 0 / 31 / 18 / 8

HEX #EBA3C1

RGB 235 163 193

HSL 335, 0.64%, 0.78%

LAB 74.64, 30.92, -4.59

 

CMYK 3 / 0 / 31 / 8

HEX #E5EBA3

RGB 229 235 163

HSL 65, 0.64%, 0.78%

LAB 91.11, -13.09, 34.35

 

CMYK 31 / 0 / 13 / 8

HEX #A3EBCD

RGB 163 235 205

HSL 155, 0.64%, 0.78%

LAB 87.78, -28.58, 7.45

 

Description

Color code: HEX #ABA5EBBF | qconv.com Color code: HEX #ABA5EBBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 165 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 165 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 22 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 22% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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