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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9C82 it is the complementary color #54637D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9C82 shade: #B09C7D, #C1AE90, #D2C0A3, #E3D2B6 and #F4E4C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9C82 shade: #AB9C82, #9A8A6F, #89785C, #786649 and #675436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9C82 shade: #AB9C82, #AB9182, #AB8682 and #AB8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9C82 shade: #AB9C82, #ABA782, #A4AB82, #99AB82 and #8EAB82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9C82 shade matches the following richer shades: #AB9C82, #BCA171, #CDA560, #DEAA4F and #EFAE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9C82 shade: #AB9C82, #9A9892, #8A93A3, #798EB4 and #688AC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9C82 shade: #AB8682, #AB9182, #AB9C82, #ABA782 and #A4AB82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9C82 shade: #837357, #9B8969, #AB9C82, #BCB09A and #CCC3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9C82 shade: #AB9C82, #89AB82 and #8B82AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9C82 shade: #AB9C82, #82AB9C and #9C82AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9C82 shade: #AB9C82, #89AB82, #8291AB and #A482AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9C82 shade: #AB9C82, #82AB87, #8291AB and #AB82A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

Complementary color

CMYK 33 / 21 / 0 / 51

HEX #54637D

RGB 84 99 125

HSL 218.05, 0.2%, 0.41%

LAB 41.67, 0.98, -16.4

 

CMYK 0 / 11 / 29 / 31

HEX #B09C7D

RGB 176 156 125

HSL 36.47, 0.24%, 0.59%

LAB 65.35, 2.53, 18.95

 

CMYK 0 / 10 / 25 / 24

HEX #C1AE90

RGB 193 174 144

HSL 36.73, 0.28%, 0.66%

LAB 71.98, 2.12, 17.91

 

CMYK 0 / 9 / 22 / 18

HEX #D2C0A3

RGB 210 192 163

HSL 37.02, 0.34%, 0.73%

LAB 78.49, 1.76, 16.93

 

CMYK 0 / 7 / 20 / 11

HEX #E3D2B6

RGB 227 210 182

HSL 37.33, 0.45%, 0.8%

LAB 84.9, 1.45, 16.01

 

CMYK 0 / 7 / 18 / 4

HEX #F4E4C9

RGB 244 228 201

HSL 37.67, 0.66%, 0.87%

LAB 91.21, 1.16, 15.14

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 10 / 28 / 40

HEX #9A8A6F

RGB 154 138 111

HSL 37.67, 0.18%, 0.52%

LAB 58.22, 1.65, 16.67

 

CMYK 0 / 12 / 33 / 46

HEX #89785C

RGB 137 120 92

HSL 37.33, 0.2%, 0.45%

LAB 51.29, 2.11, 17.81

 

CMYK 0 / 15 / 39 / 53

HEX #786649

RGB 120 102 73

HSL 37.02, 0.24%, 0.38%

LAB 44.2, 2.68, 19.06

 

CMYK 0 / 18 / 48 / 60

HEX #675436

RGB 103 84 54

HSL 36.73, 0.31%, 0.31%

LAB 36.91, 3.4, 20.45

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 15 / 24 / 33

HEX #AB9182

RGB 171 145 130

HSL 21.95, 0.2%, 0.59%

LAB 62.1, 7.34, 11.57

 

CMYK 0 / 22 / 24 / 33

HEX #AB8682

RGB 171 134 130

HSL 5.85, 0.2%, 0.59%

LAB 59.27, 13.52, 7.56

 

CMYK 0 / 24 / 24 / 33

HEX #AB8282

RGB 171 130 130

HSL 0, 0.2%, 0.59%

LAB 58.26, 15.77, 6.12

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 2 / 24 / 33

HEX #ABA782

RGB 171 167 130

HSL 54.15, 0.2%, 0.59%

LAB 67.95, -4.7, 19.7

 

CMYK 4 / 0 / 24 / 33

HEX #A4AB82

RGB 164 171 130

HSL 70.24, 0.2%, 0.59%

LAB 68.48, -9.55, 20.34

 

CMYK 11 / 0 / 24 / 33

HEX #99AB82

RGB 153 171 130

HSL 86.34, 0.2%, 0.59%

LAB 67.66, -13.74, 19.07

 

CMYK 17 / 0 / 24 / 33

HEX #8EAB82

RGB 142 171 130

HSL 102.44, 0.2%, 0.59%

LAB 66.89, -17.82, 17.9

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 14 / 40 / 26

HEX #BCA171

RGB 188 161 113

HSL 38.4, 0.36%, 0.59%

LAB 67.56, 3.16, 28.67

 

CMYK 0 / 20 / 53 / 20

HEX #CDA560

RGB 205 165 96

HSL 37.98, 0.52%, 0.59%

LAB 69.99, 6.36, 41.03

 

CMYK 0 / 23 / 64 / 13

HEX #DEAA4F

RGB 222 170 79

HSL 38.18, 0.68%, 0.59%

LAB 72.79, 9.6, 53.03

 

CMYK 0 / 27 / 74 / 6

HEX #EFAE3E

RGB 239 174 62

HSL 37.97, 0.85%, 0.59%

LAB 75.43, 13.79, 63.68

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 1 / 5 / 40

HEX #9A9892

RGB 154 152 146

HSL 45, 0.04%, 0.59%

LAB 62.85, -0.39, 3.4

 

CMYK 15 / 10 / 0 / 36

HEX #8A93A3

RGB 138 147 163

HSL 218.4, 0.12%, 0.59%

LAB 60.71, 0.17, -9.52

 

CMYK 33 / 21 / 0 / 29

HEX #798EB4

RGB 121 142 180

HSL 218.64, 0.28%, 0.59%

LAB 58.7, 1.74, -22.33

 

CMYK 47 / 30 / 0 / 23

HEX #688AC5

RGB 104 138 197

HSL 218.06, 0.44%, 0.59%

LAB 57.22, 4.21, -34.34

 

CMYK 0 / 22 / 24 / 33

HEX #AB8682

RGB 171 134 130

HSL 5.85, 0.2%, 0.59%

LAB 59.27, 13.52, 7.56

 

CMYK 0 / 15 / 24 / 33

HEX #AB9182

RGB 171 145 130

HSL 21.95, 0.2%, 0.59%

LAB 62.1, 7.34, 11.57

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 2 / 24 / 33

HEX #ABA782

RGB 171 167 130

HSL 54.15, 0.2%, 0.59%

LAB 67.95, -4.7, 19.7

 

CMYK 4 / 0 / 24 / 33

HEX #A4AB82

RGB 164 171 130

HSL 70.24, 0.2%, 0.59%

LAB 68.48, -9.55, 20.34

 

CMYK 0 / 12 / 34 / 49

HEX #837357

RGB 131 115 87

HSL 38.18, 0.2%, 0.43%

LAB 49.22, 1.75, 17.8

 

CMYK 0 / 12 / 32 / 39

HEX #9B8969

RGB 155 137 105

HSL 38.4, 0.2%, 0.51%

LAB 57.92, 1.78, 19.67

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 0 / 6 / 18 / 26

HEX #BCB09A

RGB 188 176 154

HSL 38.82, 0.2%, 0.67%

LAB 72.28, 0.62, 12.82

 

CMYK 0 / 4 / 12 / 20

HEX #CCC3B3

RGB 204 195 179

HSL 38.4, 0.2%, 0.75%

LAB 79.11, 0.42, 9.15

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 20 / 0 / 24 / 33

HEX #89AB82

RGB 137 171 130

HSL 109.76, 0.2%, 0.59%

LAB 66.56, -19.62, 17.39

 

CMYK 19 / 24 / 0 / 33

HEX #8B82AB

RGB 139 130 171

HSL 253.17, 0.2%, 0.59%

LAB 56.48, 12.08, -20.47

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 24 / 0 / 9 / 33

HEX #82AB9C

RGB 130 171 156

HSL 158.05, 0.2%, 0.59%

LAB 66.73, -17.02, 3.21

 

CMYK 9 / 24 / 0 / 33

HEX #9C82AB

RGB 156 130 171

HSL 278.05, 0.2%, 0.59%

LAB 58.01, 17.76, -17.99

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 20 / 0 / 24 / 33

HEX #89AB82

RGB 137 171 130

HSL 109.76, 0.2%, 0.59%

LAB 66.56, -19.62, 17.39

 

CMYK 24 / 15 / 0 / 33

HEX #8291AB

RGB 130 145 171

HSL 218.05, 0.2%, 0.59%

LAB 59.83, 0.53, -15.44

 

CMYK 4 / 24 / 0 / 33

HEX #A482AB

RGB 164 130 171

HSL 289.76, 0.2%, 0.59%

LAB 58.79, 20.49, -16.74

 

CMYK 0 / 9 / 24 / 33

HEX #AB9C82

RGB 171 156 130

HSL 38.05, 0.2%, 0.59%

LAB 65, 1.26, 15.63

 

CMYK 24 / 0 / 21 / 33

HEX #82AB87

RGB 130 171 135

HSL 127.32, 0.2%, 0.59%

LAB 66.23, -21.18, 14.12

 

CMYK 24 / 15 / 0 / 33

HEX #8291AB

RGB 130 145 171

HSL 218.05, 0.2%, 0.59%

LAB 59.83, 0.53, -15.44

 

CMYK 0 / 24 / 3 / 33

HEX #AB82A6

RGB 171 130 166

HSL 307.32, 0.2%, 0.59%

LAB 59.32, 21.94, -13.01

 

Description

Color code: HEX #AB9C82 | qconv.com Color code: HEX #AB9C82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 156 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 156 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 24% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - Web Design, Graphic ...
Link: http://www.madebyhangar.com

24% - Teen Vogue — Fashion...
Link: http://www.teenvogue.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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