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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9BD3 it is the complementary color #54642C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9BD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9BD3 shade: #B09BCE, #C1ADE1, #D2BFF4, #E3D1FF and #F4E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9BD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9BD3 shade: #AB9BD3, #9A89C0, #8977AD, #78659A and #675387

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9BD3 shade: #AB9BD3, #BA9BD3, #C99BD3, #D39BCE and #D39BBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9BD3 shade: #AB9BD3, #9C9BD3 and #9B9BD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9BD3 shade matches the following richer shades: #AB9BD3, #A690DE, #A184EA and #9C79F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9BD3 shade: #AB9BD3, #B0A7C7, #B5B2BC, #BABEB0 and #BFC9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9BD3 shade: #9BA9D3, #9C9BD3, #AB9BD3, #BA9BD3 and #C99BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9BD3 shade: #7B62BA, #937FC6, #AB9BD3, #C3B8E0 and #DBD5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9BD3 shade: #AB9BD3, #D39BB8 and #A2D39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9BD3 shade: #AB9BD3, #D3AB9B and #9BD3AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9BD3 shade: #AB9BD3, #D39BB8, #C3D39B and #9BD3B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9BD3 shade: #AB9BD3, #D39BA7, #C3D39B and #9BD3C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

Complementary color

CMYK 16 / 0 / 56 / 61

HEX #54642C

RGB 84 100 44

HSL 77.14, 0.39%, 0.28%

LAB 39.88, -15.82, 29.4

 

CMYK 15 / 25 / 0 / 19

HEX #B09BCE

RGB 176 155 206

HSL 264.71, 0.34%, 0.71%

LAB 67.37, 17.7, -23.27

 

CMYK 14 / 23 / 0 / 12

HEX #C1ADE1

RGB 193 173 225

HSL 263.08, 0.46%, 0.78%

LAB 73.97, 17.23, -23.51

 

CMYK 14 / 22 / 0 / 4

HEX #D2BFF4

RGB 210 191 244

HSL 261.51, 0.71%, 0.85%

LAB 80.46, 16.79, -23.75

 

CMYK 11 / 18 / 0 / 0

HEX #E3D1FF

RGB 227 209 255

HSL 263.48, 1%, 0.91%

LAB 86.58, 14.76, -20.19

 

CMYK 4 / 11 / 0 / 0

HEX #F4E3FF

RGB 244 227 255

HSL 276.43, 1%, 0.95%

LAB 92.31, 10.75, -11.46

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 20 / 29 / 0 / 25

HEX #9A89C0

RGB 154 137 192

HSL 258.55, 0.3%, 0.65%

LAB 60.4, 17.76, -26.3

 

CMYK 21 / 31 / 0 / 32

HEX #8977AD

RGB 137 119 173

HSL 260, 0.25%, 0.57%

LAB 53.52, 18.35, -26.18

 

CMYK 22 / 34 / 0 / 40

HEX #78659A

RGB 120 101 154

HSL 261.51, 0.21%, 0.5%

LAB 46.49, 19.01, -26.1

 

CMYK 24 / 39 / 0 / 47

HEX #675387

RGB 103 83 135

HSL 263.08, 0.24%, 0.43%

LAB 39.27, 19.76, -26.05

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 12 / 27 / 0 / 17

HEX #BA9BD3

RGB 186 155 211

HSL 273.21, 0.39%, 0.72%

LAB 68.45, 21.99, -24.32

 

CMYK 5 / 27 / 0 / 17

HEX #C99BD3

RGB 201 155 211

HSL 289.29, 0.39%, 0.72%

LAB 69.87, 26.85, -22.02

 

CMYK 0 / 27 / 2 / 17

HEX #D39BCE

RGB 211 155 206

HSL 305.36, 0.39%, 0.72%

LAB 70.7, 29.2, -17.91

 

CMYK 0 / 27 / 9 / 17

HEX #D39BBF

RGB 211 155 191

HSL 321.43, 0.39%, 0.72%

LAB 70.21, 26.53, -10.33

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 26 / 27 / 0 / 17

HEX #9C9BD3

RGB 156 155 211

HSL 241.07, 0.39%, 0.72%

LAB 65.91, 12.62, -28.43

 

CMYK 27 / 27 / 0 / 17

HEX #9B9BD3

RGB 155 155 211

HSL 240, 0.39%, 0.72%

LAB 65.84, 12.32, -28.55

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 25 / 35 / 0 / 13

HEX #A690DE

RGB 166 144 222

HSL 256.92, 0.54%, 0.72%

LAB 64.43, 24.52, -36.77

 

CMYK 31 / 44 / 0 / 8

HEX #A184EA

RGB 161 132 234

HSL 257.06, 0.71%, 0.72%

LAB 61.67, 32.91, -47.78

 

CMYK 37 / 51 / 0 / 4

HEX #9C79F6

RGB 156 121 246

HSL 256.8, 0.87%, 0.72%

LAB 59.34, 40.94, -58.16

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 12 / 16 / 0 / 22

HEX #B0A7C7

RGB 176 167 199

HSL 256.88, 0.22%, 0.72%

LAB 70.17, 9.51, -15.15

 

CMYK 4 / 5 / 0 / 26

HEX #B5B2BC

RGB 181 178 188

HSL 258, 0.07%, 0.72%

LAB 73.09, 2.96, -4.71

 

CMYK 2 / 0 / 7 / 25

HEX #BABEB0

RGB 186 190 176

HSL 77.14, 0.1%, 0.72%

LAB 76.31, -3.93, 6.58

 

CMYK 5 / 0 / 18 / 21

HEX #BFC9A5

RGB 191 201 165

HSL 76.67, 0.25%, 0.72%

LAB 79.37, -9.7, 16.86

 

CMYK 27 / 20 / 0 / 17

HEX #9BA9D3

RGB 155 169 211

HSL 225, 0.39%, 0.72%

LAB 69.5, 4.46, -22.93

 

CMYK 26 / 27 / 0 / 17

HEX #9C9BD3

RGB 156 155 211

HSL 241.07, 0.39%, 0.72%

LAB 65.91, 12.62, -28.43

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 12 / 27 / 0 / 17

HEX #BA9BD3

RGB 186 155 211

HSL 273.21, 0.39%, 0.72%

LAB 68.45, 21.99, -24.32

 

CMYK 5 / 27 / 0 / 17

HEX #C99BD3

RGB 201 155 211

HSL 289.29, 0.39%, 0.72%

LAB 69.87, 26.85, -22.02

 

CMYK 34 / 47 / 0 / 27

HEX #7B62BA

RGB 123 98 186

HSL 257.05, 0.39%, 0.56%

LAB 47.61, 29.98, -43.07

 

CMYK 26 / 36 / 0 / 22

HEX #937FC6

RGB 147 127 198

HSL 256.9, 0.38%, 0.64%

LAB 57.52, 22.84, -34.21

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 13 / 18 / 0 / 12

HEX #C3B8E0

RGB 195 184 224

HSL 256.5, 0.39%, 0.8%

LAB 76.84, 11.64, -18.59

 

CMYK 7 / 10 / 0 / 7

HEX #DBD5EC

RGB 219 213 236

HSL 255.65, 0.38%, 0.88%

LAB 86.36, 6.32, -10.54

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 0 / 27 / 13 / 17

HEX #D39BB8

RGB 211 155 184

HSL 328.93, 0.39%, 0.72%

LAB 70, 25.35, -6.76

 

CMYK 23 / 0 / 27 / 17

HEX #A2D39B

RGB 162 211 155

HSL 112.5, 0.39%, 0.72%

LAB 79.97, -26.57, 22.69

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 0 / 19 / 27 / 17

HEX #D3AB9B

RGB 211 171 155

HSL 17.14, 0.39%, 0.72%

LAB 73.12, 12.23, 13.75

 

CMYK 27 / 0 / 19 / 17

HEX #9BD3AB

RGB 155 211 171

HSL 137.14, 0.39%, 0.72%

LAB 79.9, -26.08, 14.07

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 0 / 27 / 13 / 17

HEX #D39BB8

RGB 211 155 184

HSL 328.93, 0.39%, 0.72%

LAB 70, 25.35, -6.76

 

CMYK 8 / 0 / 27 / 17

HEX #C3D39B

RGB 195 211 155

HSL 77.14, 0.39%, 0.72%

LAB 82.14, -14.82, 26

 

CMYK 27 / 0 / 14 / 17

HEX #9BD3B6

RGB 155 211 182

HSL 148.93, 0.39%, 0.72%

LAB 80.14, -23.97, 8.58

 

CMYK 19 / 27 / 0 / 17

HEX #AB9BD3

RGB 171 155 211

HSL 257.14, 0.39%, 0.72%

LAB 67.13, 17.23, -26.45

 

CMYK 0 / 27 / 21 / 17

HEX #D39BA7

RGB 211 155 167

HSL 347.14, 0.39%, 0.72%

LAB 69.53, 22.66, 2

 

CMYK 8 / 0 / 27 / 17

HEX #C3D39B

RGB 195 211 155

HSL 77.14, 0.39%, 0.72%

LAB 82.14, -14.82, 26

 

CMYK 27 / 0 / 6 / 17

HEX #9BD3C7

RGB 155 211 199

HSL 167.14, 0.39%, 0.72%

LAB 80.56, -20.49, 0.11

 

Description

Color code: HEX #AB9BD3 | qconv.com Color code: HEX #AB9BD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 155 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 155 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 27 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 27% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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