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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9B96 it is the complementary color #546469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9B96 shade: #B09B91, #C1ADA4, #D2BFB7, #E3D1CA and #F4E3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9B96 shade: #AB9B96, #9A8983, #897770, #78655D and #67534A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9B96 shade: #AB9B96 and #AB9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9B96 shade: #AB9B96, #ABA196, #ABA696, #AAAB96 and #A4AB96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9B96 shade matches the following richer shades: #AB9B96, #BA9387, #CA8B78, #D98368 and #E87B59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9B96 shade: #AB9B96, #9CA3A6, #8CABB5, #7DB3C4 and #6EBBD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9B96 shade: #AB969C, #AB9697, #AB9B96, #ABA196 and #ABA696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9B96 shade: #85716A, #99857F, #AB9B96, #BDB1AD and #D0C7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9B96 shade: #AB9B96, #A2AB96 and #969AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9B96 shade: #AB9B96, #96AB9B and #9B96AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9B96 shade: #AB9B96, #A2AB96, #96A6AB and #9F96AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9B96 shade: #AB9B96, #9CAB96, #96A6AB and #A596AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

Complementary color

CMYK 20 / 5 / 0 / 59

HEX #546469

RGB 84 100 105

HSL 194.29, 0.11%, 0.37%

LAB 41.25, -4.85, -4.86

 

CMYK 0 / 12 / 18 / 31

HEX #B09B91

RGB 176 155 145

HSL 19.35, 0.16%, 0.63%

LAB 65.53, 6.07, 8.07

 

CMYK 0 / 10 / 15 / 24

HEX #C1ADA4

RGB 193 173 164

HSL 18.62, 0.19%, 0.7%

LAB 72.16, 5.7, 7.24

 

CMYK 0 / 9 / 13 / 18

HEX #D2BFB7

RGB 210 191 183

HSL 17.78, 0.23%, 0.77%

LAB 78.68, 5.37, 6.45

 

CMYK 0 / 8 / 11 / 11

HEX #E3D1CA

RGB 227 209 202

HSL 16.8, 0.31%, 0.84%

LAB 85.1, 5.07, 5.71

 

CMYK 0 / 7 / 9 / 4

HEX #F4E3DD

RGB 244 227 221

HSL 15.65, 0.51%, 0.91%

LAB 91.41, 4.8, 5

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 11 / 15 / 40

HEX #9A8983

RGB 154 137 131

HSL 15.65, 0.1%, 0.56%

LAB 58.41, 5.35, 5.54

 

CMYK 0 / 13 / 18 / 46

HEX #897770

RGB 137 119 112

HSL 16.8, 0.1%, 0.49%

LAB 51.48, 5.75, 6.4

 

CMYK 0 / 16 / 23 / 53

HEX #78655D

RGB 120 101 93

HSL 17.78, 0.13%, 0.42%

LAB 44.36, 6.21, 7.34

 

CMYK 0 / 19 / 28 / 60

HEX #67534A

RGB 103 83 74

HSL 18.62, 0.16%, 0.35%

LAB 37.05, 6.77, 8.39

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 12 / 12 / 33

HEX #AB9696

RGB 171 150 150

HSL 0, 0.11%, 0.63%

LAB 63.89, 7.78, 2.85

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 6 / 12 / 33

HEX #ABA196

RGB 171 161 150

HSL 31.43, 0.11%, 0.63%

LAB 66.79, 1.7, 7.02

 

CMYK 0 / 3 / 12 / 33

HEX #ABA696

RGB 171 166 150

HSL 45.71, 0.11%, 0.63%

LAB 68.12, -1.03, 8.92

 

CMYK 1 / 0 / 12 / 33

HEX #AAAB96

RGB 170 171 150

HSL 62.86, 0.11%, 0.63%

LAB 69.38, -4.1, 10.7

 

CMYK 4 / 0 / 12 / 33

HEX #A4AB96

RGB 164 171 150

HSL 80, 0.11%, 0.63%

LAB 68.91, -6.33, 9.97

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 21 / 27 / 27

HEX #BA9387

RGB 186 147 135

HSL 14.12, 0.27%, 0.63%

LAB 64.21, 12.86, 11.93

 

CMYK 0 / 31 / 41 / 21

HEX #CA8B78

RGB 202 139 120

HSL 13.9, 0.44%, 0.63%

LAB 63.65, 21.68, 19.85

 

CMYK 0 / 40 / 52 / 15

HEX #D98368

RGB 217 131 104

HSL 14.34, 0.6%, 0.63%

LAB 63.33, 30.34, 28.65

 

CMYK 0 / 47 / 62 / 9

HEX #E87B59

RGB 232 123 89

HSL 14.27, 0.76%, 0.63%

LAB 63.38, 39.19, 37.34

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 6 / 2 / 0 / 35

HEX #9CA3A6

RGB 156 163 166

HSL 198, 0.05%, 0.63%

LAB 66.53, -1.88, -2.42

 

CMYK 23 / 6 / 0 / 29

HEX #8CABB5

RGB 140 171 181

HSL 194.63, 0.22%, 0.63%

LAB 68.05, -8.32, -8.65

 

CMYK 36 / 9 / 0 / 23

HEX #7DB3C4

RGB 125 179 196

HSL 194.37, 0.38%, 0.63%

LAB 69.88, -13.38, -14.27

 

CMYK 48 / 11 / 0 / 17

HEX #6EBBD3

RGB 110 187 211

HSL 194.26, 0.53%, 0.63%

LAB 71.93, -17.4, -19.46

 

CMYK 0 / 12 / 9 / 33

HEX #AB969C

RGB 171 150 156

HSL 342.86, 0.11%, 0.63%

LAB 64.06, 8.82, -0.3

 

CMYK 0 / 12 / 12 / 33

HEX #AB9697

RGB 171 150 151

HSL 357.14, 0.11%, 0.63%

LAB 63.92, 7.95, 2.33

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 6 / 12 / 33

HEX #ABA196

RGB 171 161 150

HSL 31.43, 0.11%, 0.63%

LAB 66.79, 1.7, 7.02

 

CMYK 0 / 3 / 12 / 33

HEX #ABA696

RGB 171 166 150

HSL 45.71, 0.11%, 0.63%

LAB 68.12, -1.03, 8.92

 

CMYK 0 / 15 / 20 / 48

HEX #85716A

RGB 133 113 106

HSL 15.56, 0.11%, 0.47%

LAB 49.3, 6.62, 6.78

 

CMYK 0 / 13 / 17 / 40

HEX #99857F

RGB 153 133 127

HSL 13.85, 0.11%, 0.55%

LAB 57.15, 6.55, 6.02

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 0 / 6 / 8 / 26

HEX #BDB1AD

RGB 189 177 173

HSL 15, 0.11%, 0.71%

LAB 73.08, 3.58, 3.57

 

CMYK 0 / 4 / 6 / 18

HEX #D0C7C4

RGB 208 199 196

HSL 15, 0.11%, 0.79%

LAB 80.87, 2.6, 2.61

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 5 / 0 / 12 / 33

HEX #A2AB96

RGB 162 171 150

HSL 85.71, 0.11%, 0.63%

LAB 68.76, -7.06, 9.73

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 12 / 0 / 9 / 33

HEX #96AB9B

RGB 150 171 155

HSL 134.29, 0.11%, 0.63%

LAB 68, -10.46, 5.77

 

CMYK 9 / 12 / 0 / 33

HEX #9B96AB

RGB 155 150 171

HSL 254.29, 0.11%, 0.63%

LAB 63.11, 6.02, -10.31

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 5 / 0 / 12 / 33

HEX #A2AB96

RGB 162 171 150

HSL 85.71, 0.11%, 0.63%

LAB 68.76, -7.06, 9.73

 

CMYK 12 / 3 / 0 / 33

HEX #96A6AB

RGB 150 166 171

HSL 194.29, 0.11%, 0.63%

LAB 67.05, -4.55, -4.5

 

CMYK 7 / 12 / 0 / 33

HEX #9F96AB

RGB 159 150 171

HSL 265.71, 0.11%, 0.63%

LAB 63.45, 7.4, -9.77

 

CMYK 0 / 9 / 12 / 33

HEX #AB9B96

RGB 171 155 150

HSL 14.29, 0.11%, 0.63%

LAB 65.2, 5, 4.74

 

CMYK 9 / 0 / 12 / 33

HEX #9CAB96

RGB 156 171 150

HSL 102.86, 0.11%, 0.63%

LAB 68.31, -9.25, 9.04

 

CMYK 12 / 3 / 0 / 33

HEX #96A6AB

RGB 150 166 171

HSL 194.29, 0.11%, 0.63%

LAB 67.05, -4.55, -4.5

 

CMYK 4 / 12 / 0 / 33

HEX #A596AB

RGB 165 150 171

HSL 282.86, 0.11%, 0.63%

LAB 63.96, 9.49, -8.95

 

Description

Color code: HEX #AB9B96 | qconv.com Color code: HEX #AB9B96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 155 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 155 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 12 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 12% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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