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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB940FCE it is the complementary color #546BF0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB940FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB940FCE shade: #B0940ACE, #C1A61DCE, #D2B830CE, #E3CA43CE and #F4DC56CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB940FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB940FCE shade: #AB940FCE, #9A8200CE, #897000CE, #785E00CE and #674C00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB940FCE shade: #A9920F, #A9690F, #A93F0F, #A9150F and #A90F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB940FCE shade: #A9920F, #96A90F, #6CA90F, #43A90F and #19A90F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB940FCE shade matches the following richer shades: #A9920F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB940FCE shade: #A9920F, #9A881E, #8B7D2C, #7C733B and #6D684A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB940FCE shade: #A9400F, #A9690F, #A9920F, #97A90F and #6EA90F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB940FCE shade: #5D5008, #83710B, #A9920F, #CFB312 and #EBCD1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB940FCE shade: #AB940F, #0FA916 and #540FA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB940FCE shade: #AB940F, #0FA992 and #920FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB940FCE shade: #AB940F, #0FA916, #0F26A9 and #A90FA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB940FCE shade: #AB940F, #0FA945, #0F26A9 and #A90F73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 74 / 27

HEX #AB940FCE

RGBA 171 148 15 0.81

HSLA 51.15, 0.84%, 0.36%, 0.81

LABA 61.54, -3.66, 63.19, 0.81

 

Complementary color

CMYK 53 / 45 / 0 / 5

HEX #546BF0CE

RGBA 84 107 240 0.81

HSLA 231.15, 0.84%, 0.64%, 0.81

LABA 50.32, 32.94, -69.62, 0.81

 

CMYK 0 / 13 / 76 / 25

HEX #B0940ACE

RGBA 176 148 10 0.81

HSLA 49.88, 0.89%, 0.36%, 0.81

LABA 62.03, -1.46, 64.59, 0.81

 

CMYK 0 / 11 / 69 / 20

HEX #C1A61DCE

RGBA 193 166 29 0.81

HSLA 50.12, 0.74%, 0.44%, 0.81

LABA 68.53, -3.1, 66.62, 0.81

 

CMYK 0 / 10 / 62 / 14

HEX #D2B830CE

RGBA 210 184 48 0.81

HSLA 50.37, 0.64%, 0.51%, 0.81

LABA 74.95, -4.49, 67.28, 0.81

 

CMYK 0 / 9 / 57 / 9

HEX #E3CA43CE

RGBA 227 202 67 0.81

HSLA 50.63, 0.74%, 0.58%, 0.81

LABA 81.28, -5.67, 67.12, 0.81

 

CMYK 0 / 8 / 52 / 3

HEX #F4DC56CE

RGBA 244 220 86 0.81

HSLA 50.89, 0.88%, 0.65%, 0.81

LABA 87.53, -6.68, 66.5, 0.81

 

CMYK 0 / 11 / 74 / 27

HEX #AB940FCE

RGBA 171 148 15 0.81

HSLA 51.15, 0.84%, 0.36%, 0.81

LABA 61.54, -3.66, 63.19, 0.81

 

CMYK 0 / 13 / 81 / 32

HEX #9A8200CE

RGBA 154 130 0 0.81

HSLA 50.65, 1%, 0.3%, 0.81

LABA 54.9, -1.87, 59.99, 0.81

 

CMYK 0 / 15 / 81 / 37

HEX #897000CE

RGBA 137 112 0 0.81

HSLA 49.05, 1%, 0.27%, 0.81

LABA 48.14, 0.24, 54.4, 0.81

 

CMYK 0 / 18 / 81 / 43

HEX #785E00CE

RGBA 120 94 0 0.81

HSLA 47, 1%, 0.24%, 0.81

LABA 41.21, 2.46, 48.69, 0.81

 

CMYK 0 / 21 / 81 / 48

HEX #674C00CE

RGBA 103 76 0 0.81

HSLA 44.27, 1%, 0.2%, 0.81

LABA 34.09, 4.82, 42.83, 0.81

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 0 / 38 / 91 / 34

HEX #A9690F

RGB 169 105 15

HSL 35.06, 0.84%, 0.36%

LAB 50.18, 19.38, 54.36

 

CMYK 0 / 63 / 91 / 34

HEX #A93F0F

RGB 169 63 15

HSL 18.7, 0.84%, 0.36%

LAB 41.26, 41.54, 47.65

 

CMYK 0 / 88 / 91 / 34

HEX #A9150F

RGB 169 21 15

HSL 2.34, 0.84%, 0.36%

LAB 36, 56.02, 43.83

 

CMYK 0 / 91 / 91 / 34

HEX #A90F0F

RGB 169 15 15

HSL 0, 0.84%, 0.36%

LAB 35.62, 57.1, 43.56

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 11 / 0 / 91 / 34

HEX #96A90F

RGB 150 169 15

HSL 67.4, 0.84%, 0.36%

LAB 65.67, -23.93, 65.67

 

CMYK 36 / 0 / 91 / 34

HEX #6CA90F

RGB 108 169 15

HSL 83.77, 0.84%, 0.36%

LAB 63.01, -40.91, 62.41

 

CMYK 60 / 0 / 91 / 34

HEX #43A90F

RGB 67 169 15

HSL 99.74, 0.84%, 0.36%

LAB 61.31, -53.81, 60.31

 

CMYK 85 / 0 / 91 / 34

HEX #19A90F

RGB 25 169 15

HSL 116.1, 0.84%, 0.36%

LAB 60.44, -61.26, 59.22

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 0 / 12 / 81 / 40

HEX #9A881E

RGB 154 136 30

HSL 51.29, 0.67%, 0.36%

LAB 56.66, -4.49, 54.65

 

CMYK 0 / 10 / 68 / 45

HEX #8B7D2C

RGB 139 125 44

HSL 51.16, 0.52%, 0.36%

LAB 52.22, -4.61, 44.42

 

CMYK 0 / 7 / 52 / 51

HEX #7C733B

RGB 124 115 59

HSL 51.69, 0.36%, 0.36%

LAB 48.09, -4.64, 31.97

 

CMYK 0 / 5 / 32 / 57

HEX #6D684A

RGB 109 104 74

HSL 51.43, 0.19%, 0.36%

LAB 43.72, -3.2, 17.64

 

CMYK 0 / 62 / 91 / 34

HEX #A9400F

RGB 169 64 15

HSL 19.09, 0.84%, 0.36%

LAB 41.43, 41.07, 47.78

 

CMYK 0 / 38 / 91 / 34

HEX #A9690F

RGB 169 105 15

HSL 35.06, 0.84%, 0.36%

LAB 50.18, 19.38, 54.36

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 11 / 0 / 91 / 34

HEX #97A90F

RGB 151 169 15

HSL 67.01, 0.84%, 0.36%

LAB 65.74, -23.5, 65.76

 

CMYK 35 / 0 / 91 / 34

HEX #6EA90F

RGB 110 169 15

HSL 82.99, 0.84%, 0.36%

LAB 63.12, -40.17, 62.54

 

CMYK 0 / 14 / 91 / 64

HEX #5D5008

RGB 93 80 8

HSL 50.82, 0.84%, 0.2%

LAB 34.15, -2.42, 39.64

 

CMYK 0 / 14 / 92 / 49

HEX #83710B

RGB 131 113 11

HSL 51, 0.85%, 0.28%

LAB 47.83, -2.98, 51.55

 

CMYK 0 / 14 / 91 / 34

HEX #A9920F

RGB 169 146 15

HSL 51.04, 0.84%, 0.36%

LAB 60.81, -3.49, 62.54

 

CMYK 0 / 14 / 91 / 19

HEX #CFB312

RGB 207 179 18

HSL 51.11, 0.84%, 0.44%

LAB 73.25, -3.99, 73.18

 

CMYK 0 / 13 / 87 / 8

HEX #EBCD1F

RGB 235 205 31

HSL 51.18, 0.84%, 0.52%

LAB 82.61, -5.01, 79.23

 

CMYK 0 / 13 / 91 / 33

HEX #AB940F

RGB 171 148 15

HSL 51.15, 0.84%, 0.36%

LAB 61.54, -3.66, 63.19

 

CMYK 91 / 0 / 87 / 34

HEX #0FA916

RGB 15 169 22

HSL 122.73, 0.84%, 0.36%

LAB 60.37, -61.83, 57.73

 

CMYK 50 / 91 / 0 / 34

HEX #540FA9

RGB 84 15 169

HSL 266.88, 0.84%, 0.36%

LAB 26.99, 58.26, -66.61

 

CMYK 0 / 13 / 91 / 33

HEX #AB940F

RGB 171 148 15

HSL 51.15, 0.84%, 0.36%

LAB 61.54, -3.66, 63.19

 

CMYK 91 / 0 / 14 / 34

HEX #0FA992

RGB 15 169 146

HSL 171.04, 0.84%, 0.36%

LAB 62.13, -41.5, 1.65

 

CMYK 14 / 91 / 0 / 34

HEX #920FA9

RGB 146 15 169

HSL 291.04, 0.84%, 0.36%

LAB 36.59, 66.63, -50.54

 

CMYK 0 / 13 / 91 / 33

HEX #AB940F

RGB 171 148 15

HSL 51.15, 0.84%, 0.36%

LAB 61.54, -3.66, 63.19

 

CMYK 91 / 0 / 87 / 34

HEX #0FA916

RGB 15 169 22

HSL 122.73, 0.84%, 0.36%

LAB 60.37, -61.83, 57.73

 

CMYK 91 / 78 / 0 / 34

HEX #0F26A9

RGB 15 38 169

HSL 231.04, 0.84%, 0.36%

LAB 24.8, 43.71, -70.4

 

CMYK 0 / 91 / 5 / 34

HEX #A90FA1

RGB 169 15 161

HSL 303.12, 0.84%, 0.36%

LAB 40.16, 69.34, -39.78

 

CMYK 0 / 13 / 91 / 33

HEX #AB940F

RGB 171 148 15

HSL 51.15, 0.84%, 0.36%

LAB 61.54, -3.66, 63.19

 

CMYK 91 / 0 / 59 / 34

HEX #0FA945

RGB 15 169 69

HSL 141.04, 0.84%, 0.36%

LAB 60.7, -57.67, 40.83

 

CMYK 91 / 78 / 0 / 34

HEX #0F26A9

RGB 15 38 169

HSL 231.04, 0.84%, 0.36%

LAB 24.8, 43.71, -70.4

 

CMYK 0 / 91 / 32 / 34

HEX #A90F73

RGB 169 15 115

HSL 321.04, 0.84%, 0.36%

LAB 37.87, 63.35, -15.07

 

Description

Color code: HEX #AB940FCE | qconv.com Color code: HEX #AB940FCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 148 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 148 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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