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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8ECE it is the complementary color #547131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8ECE shade: #B08EC9, #C1A0DC, #D2B2EF, #E3C4FF and #F4D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8ECE shade: #AB8ECE, #9A7CBB, #896AA8, #785895 and #674682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8ECE shade: #AA8CCE, #BB8CCE, #CD8CCE, #CE8CBC and #CE8CAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8ECE shade: #AA8CCE, #988CCE and #8C8CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8ECE shade matches the following richer shades: #AA8CCE, #A97FDB, #A772E8 and #A665F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8ECE shade: #AA8CCE, #AB99C0, #ACA7B3, #AEB4A6 and #AFC199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8ECE shade: #8C92CE, #988CCE, #AA8CCE, #BB8CCE and #CC8CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8ECE shade: #7F52B5, #946FC1, #AA8CCE, #BFA9DA and #D5C6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8ECE shade: #AB8ECE, #CE8CA3 and #8CCE90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8ECE shade: #AB8ECE, #CEAA8C and #8CCEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8ECE shade: #AB8ECE, #CE8CA3, #B0CE8C and #8CCEB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8ECE shade: #AB8ECE, #CE8C90, #B0CE8C and #8CCECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

Complementary color

CMYK 26 / 0 / 57 / 56

HEX #547131

RGB 84 113 49

HSL 87.19, 0.4%, 0.32%

LAB 44.11, -22.16, 31.74

 

CMYK 12 / 29 / 0 / 21

HEX #B08EC9

RGB 176 142 201

HSL 274.58, 0.35%, 0.67%

LAB 63.99, 23.93, -25.66

 

CMYK 12 / 27 / 0 / 14

HEX #C1A0DC

RGB 193 160 220

HSL 273, 0.46%, 0.75%

LAB 70.63, 23.34, -25.89

 

CMYK 12 / 26 / 0 / 6

HEX #D2B2EF

RGB 210 178 239

HSL 271.48, 0.66%, 0.82%

LAB 77.15, 22.8, -26.12

 

CMYK 11 / 23 / 0 / 0

HEX #E3C4FF

RGB 227 196 255

HSL 271.53, 1%, 0.88%

LAB 83.46, 21.69, -24.92

 

CMYK 4 / 16 / 0 / 0

HEX #F4D6FF

RGB 244 214 255

HSL 283.9, 1%, 0.92%

LAB 89.18, 17.55, -16.13

 

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

CMYK 18 / 34 / 0 / 27

HEX #9A7CBB

RGB 154 124 187

HSL 268.57, 0.32%, 0.61%

LAB 56.95, 24.1, -28.79

 

CMYK 18 / 37 / 0 / 34

HEX #896AA8

RGB 137 106 168

HSL 270, 0.26%, 0.54%

LAB 50.04, 24.82, -28.68

 

CMYK 19 / 41 / 0 / 42

HEX #785895

RGB 120 88 149

HSL 271.48, 0.26%, 0.46%

LAB 42.98, 25.61, -28.59

 

CMYK 21 / 46 / 0 / 49

HEX #674682

RGB 103 70 130

HSL 273, 0.3%, 0.39%

LAB 35.74, 26.49, -28.52

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 9 / 32 / 0 / 19

HEX #BB8CCE

RGB 187 140 206

HSL 282.73, 0.4%, 0.68%

LAB 64.79, 29.62, -27.15

 

CMYK 0 / 32 / 0 / 19

HEX #CD8CCE

RGB 205 140 206

HSL 299.09, 0.4%, 0.68%

LAB 66.67, 35.38, -24.1

 

CMYK 0 / 32 / 9 / 19

HEX #CE8CBC

RGB 206 140 188

HSL 316.36, 0.4%, 0.68%

LAB 66.14, 32.46, -14.82

 

CMYK 0 / 32 / 17 / 19

HEX #CE8CAB

RGB 206 140 171

HSL 331.82, 0.4%, 0.68%

LAB 65.61, 29.63, -6.06

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 26 / 32 / 0 / 19

HEX #988CCE

RGB 152 140 206

HSL 250.91, 0.4%, 0.68%

LAB 61.56, 18.77, -32.4

 

CMYK 32 / 32 / 0 / 19

HEX #8C8CCE

RGB 140 140 206

HSL 240, 0.4%, 0.68%

LAB 60.59, 15.26, -33.98

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 23 / 42 / 0 / 14

HEX #A97FDB

RGB 169 127 219

HSL 267.39, 0.56%, 0.68%

LAB 60.54, 34.3, -41.16

 

CMYK 28 / 51 / 0 / 9

HEX #A772E8

RGB 167 114 232

HSL 266.95, 0.72%, 0.68%

LAB 58.11, 44.06, -52.28

 

CMYK 32 / 59 / 0 / 4

HEX #A665F5

RGB 166 101 245

HSL 267.08, 0.88%, 0.68%

LAB 56.09, 53.87, -62.75

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 11 / 20 / 0 / 25

HEX #AB99C0

RGB 171 153 192

HSL 267.69, 0.24%, 0.68%

LAB 65.94, 14.18, -17.7

 

CMYK 4 / 7 / 0 / 30

HEX #ACA7B3

RGB 172 167 179

HSL 265, 0.07%, 0.68%

LAB 69.23, 4.08, -5.53

 

CMYK 3 / 0 / 8 / 29

HEX #AEB4A6

RGB 174 180 166

HSL 85.71, 0.09%, 0.68%

LAB 72.49, -4.68, 6.4

 

CMYK 9 / 0 / 21 / 24

HEX #AFC199

RGB 175 193 153

HSL 87, 0.24%, 0.68%

LAB 75.79, -13.33, 18.12

 

CMYK 32 / 29 / 0 / 19

HEX #8C92CE

RGB 140 146 206

HSL 234.55, 0.4%, 0.68%

LAB 62.16, 11.79, -31.54

 

CMYK 26 / 32 / 0 / 19

HEX #988CCE

RGB 152 140 206

HSL 250.91, 0.4%, 0.68%

LAB 61.56, 18.77, -32.4

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 9 / 32 / 0 / 19

HEX #BB8CCE

RGB 187 140 206

HSL 282.73, 0.4%, 0.68%

LAB 64.79, 29.62, -27.15

 

CMYK 1 / 32 / 0 / 19

HEX #CC8CCE

RGB 204 140 206

HSL 298.18, 0.4%, 0.68%

LAB 66.56, 35.05, -24.28

 

CMYK 30 / 55 / 0 / 29

HEX #7F52B5

RGB 127 82 181

HSL 267.27, 0.4%, 0.52%

LAB 44.06, 39.04, -45.79

 

CMYK 23 / 42 / 0 / 24

HEX #946FC1

RGB 148 111 193

HSL 267.07, 0.4%, 0.6%

LAB 53.51, 31.19, -37.64

 

CMYK 17 / 32 / 0 / 19

HEX #AA8CCE

RGB 170 140 206

HSL 267.27, 0.4%, 0.68%

LAB 63.14, 24.27, -29.82

 

CMYK 12 / 22 / 0 / 15

HEX #BFA9DA

RGB 191 169 218

HSL 266.94, 0.4%, 0.76%

LAB 72.57, 17.31, -21.84

 

CMYK 7 / 14 / 0 / 10

HEX #D5C6E6

RGB 213 198 230

HSL 268.13, 0.39%, 0.84%

LAB 81.97, 11.14, -13.95

 

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

CMYK 0 / 32 / 21 / 19

HEX #CE8CA3

RGB 206 140 163

HSL 339.09, 0.4%, 0.68%

LAB 65.38, 28.39, -1.89

 

CMYK 32 / 0 / 30 / 19

HEX #8CCE90

RGB 140 206 144

HSL 123.64, 0.4%, 0.68%

LAB 77.12, -33.29, 24.37

 

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

CMYK 0 / 17 / 32 / 19

HEX #CEAA8C

RGB 206 170 140

HSL 27.27, 0.4%, 0.68%

LAB 72.07, 8.81, 20.4

 

CMYK 32 / 0 / 17 / 19

HEX #8CCEAA

RGB 140 206 170

HSL 147.27, 0.4%, 0.68%

LAB 77.65, -28.53, 11.32

 

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

CMYK 0 / 32 / 21 / 19

HEX #CE8CA3

RGB 206 140 163

HSL 339.09, 0.4%, 0.68%

LAB 65.38, 28.39, -1.89

 

CMYK 15 / 0 / 32 / 19

HEX #B0CE8C

RGB 176 206 140

HSL 87.27, 0.4%, 0.68%

LAB 79.19, -21.46, 29.62

 

CMYK 32 / 0 / 11 / 19

HEX #8CCEB7

RGB 140 206 183

HSL 159.09, 0.4%, 0.68%

LAB 77.96, -25.86, 4.79

 

CMYK 17 / 31 / 0 / 19

HEX #AB8ECE

RGB 171 142 206

HSL 267.19, 0.4%, 0.68%

LAB 63.72, 23.45, -28.92

 

CMYK 0 / 32 / 30 / 19

HEX #CE8C90

RGB 206 140 144

HSL 356.36, 0.4%, 0.68%

LAB 64.88, 25.67, 8.12

 

CMYK 15 / 0 / 32 / 19

HEX #B0CE8C

RGB 176 206 140

HSL 87.27, 0.4%, 0.68%

LAB 79.19, -21.46, 29.62

 

CMYK 32 / 0 / 2 / 19

HEX #8CCECA

RGB 140 206 202

HSL 176.36, 0.4%, 0.68%

LAB 78.45, -21.66, -4.69

 

Description

Color code: HEX #AB8ECE | qconv.com Color code: HEX #AB8ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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