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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8835 it is the complementary color #5477CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8835 shade: #B08830, #C19A43, #D2AC56, #E3BE69 and #F4D07C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8835 shade: #AB8835, #9A7622, #89640F, #785200 and #674000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8835 shade: #AC8835, #AC6835, #AC4835 and #AC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8835 shade: #AC8835, #ACA835, #8FAC35, #6FAC35 and #4FAC35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8835 shade matches the following richer shades: #AC8835, #BE9023 and #D09710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8835 shade: #AC8835, #9A8147, #877A59, #75726B and #636B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8835 shade: #AC4935, #AC6835, #AC8835, #ACA835 and #90AC35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8835 shade: #6D5621, #8C6F2B, #AC8835, #C69F44 and #CFAF64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8835 shade: #AB8835, #41AC35 and #5835AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8835 shade: #AB8835, #35AC88 and #8835AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8835 shade: #AB8835, #41AC35, #3558AC and #A035AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8835 shade: #AB8835, #35AC4D, #3558AC and #AC3594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

Complementary color

CMYK 58 / 41 / 0 / 21

HEX #5477CA

RGB 84 119 202

HSL 222.2, 0.53%, 0.56%

LAB 51.09, 12.69, -46.93

 

CMYK 0 / 23 / 73 / 31

HEX #B08830

RGB 176 136 48

HSL 41.25, 0.57%, 0.44%

LAB 59.02, 6.29, 50.86

 

CMYK 0 / 20 / 65 / 24

HEX #C19A43

RGB 193 154 67

HSL 41.43, 0.5%, 0.51%

LAB 65.63, 5, 49.87

 

CMYK 0 / 18 / 59 / 18

HEX #D2AC56

RGB 210 172 86

HSL 41.61, 0.58%, 0.58%

LAB 72.15, 3.92, 48.67

 

CMYK 0 / 16 / 54 / 11

HEX #E3BE69

RGB 227 190 105

HSL 41.8, 0.69%, 0.65%

LAB 78.57, 3.01, 47.4

 

CMYK 0 / 15 / 49 / 4

HEX #F4D07C

RGB 244 208 124

HSL 42, 0.85%, 0.72%

LAB 84.89, 2.22, 46.14

 

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

CMYK 0 / 23 / 78 / 40

HEX #9A7622

RGB 154 118 34

HSL 42, 0.64%, 0.37%

LAB 51.77, 5.74, 48.72

 

CMYK 0 / 27 / 89 / 46

HEX #89640F

RGB 137 100 15

HSL 41.8, 0.8%, 0.3%

LAB 44.9, 7.48, 48.48

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 38 / 100 / 60

HEX #674000

RGB 103 64 0

HSL 37.28, 1%, 0.2%

LAB 30.76, 12.21, 40.55

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 40 / 69 / 33

HEX #AC6835

RGB 172 104 53

HSL 25.71, 0.53%, 0.44%

LAB 50.6, 22.71, 39.45

 

CMYK 0 / 58 / 69 / 33

HEX #AC4835

RGB 172 72 53

HSL 9.58, 0.53%, 0.44%

LAB 43.74, 39.74, 31.62

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 2 / 69 / 33

HEX #ACA835

RGB 172 168 53

HSL 57.98, 0.53%, 0.44%

LAB 67.3, -12.47, 57

 

CMYK 17 / 0 / 69 / 33

HEX #8FAC35

RGB 143 172 53

HSL 74.62, 0.53%, 0.44%

LAB 66.21, -26.82, 55.17

 

CMYK 35 / 0 / 69 / 33

HEX #6FAC35

RGB 111 172 53

HSL 90.76, 0.53%, 0.44%

LAB 64.28, -39.25, 52.57

 

CMYK 54 / 0 / 69 / 33

HEX #4FAC35

RGB 79 172 53

HSL 106.89, 0.53%, 0.44%

LAB 62.86, -49.54, 50.66

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 24 / 82 / 25

HEX #BE9023

RGB 190 144 35

HSL 42.19, 0.69%, 0.44%

LAB 62.52, 7.61, 59.63

 

CMYK 0 / 27 / 92 / 18

HEX #D09710

RGB 208 151 16

HSL 42.19, 0.86%, 0.44%

LAB 66.2, 11.35, 68.25

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 16 / 54 / 40

HEX #9A8147

RGB 154 129 71

HSL 41.93, 0.37%, 0.44%

LAB 55.1, 1.99, 34.73

 

CMYK 0 / 10 / 34 / 47

HEX #877A59

RGB 135 122 89

HSL 43.04, 0.21%, 0.44%

LAB 51.6, -0.29, 19.92

 

CMYK 0 / 3 / 9 / 54

HEX #75726B

RGB 117 114 107

HSL 42, 0.04%, 0.44%

LAB 48.11, -0.2, 4.28

 

CMYK 21 / 14 / 0 / 51

HEX #636B7D

RGB 99 107 125

HSL 221.54, 0.12%, 0.44%

LAB 45.15, 1.14, -11.01

 

CMYK 0 / 58 / 69 / 33

HEX #AC4935

RGB 172 73 53

HSL 10.08, 0.53%, 0.44%

LAB 43.93, 39.25, 31.84

 

CMYK 0 / 40 / 69 / 33

HEX #AC6835

RGB 172 104 53

HSL 25.71, 0.53%, 0.44%

LAB 50.6, 22.71, 39.45

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 2 / 69 / 33

HEX #ACA835

RGB 172 168 53

HSL 57.98, 0.53%, 0.44%

LAB 67.3, -12.47, 57

 

CMYK 16 / 0 / 69 / 33

HEX #90AC35

RGB 144 172 53

HSL 74.12, 0.53%, 0.44%

LAB 66.28, -26.41, 55.27

 

CMYK 0 / 21 / 70 / 57

HEX #6D5621

RGB 109 86 33

HSL 41.84, 0.54%, 0.28%

LAB 37.87, 3.12, 33.5

 

CMYK 0 / 21 / 69 / 45

HEX #8C6F2B

RGB 140 111 43

HSL 42.06, 0.53%, 0.36%

LAB 48.41, 3.73, 40.91

 

CMYK 0 / 21 / 69 / 33

HEX #AC8835

RGB 172 136 53

HSL 41.85, 0.53%, 0.44%

LAB 58.64, 4.77, 48.13

 

CMYK 0 / 20 / 66 / 22

HEX #C69F44

RGB 198 159 68

HSL 42, 0.53%, 0.52%

LAB 67.44, 4.53, 51.52

 

CMYK 0 / 15 / 52 / 19

HEX #CFAF64

RGB 207 175 100

HSL 42.06, 0.53%, 0.6%

LAB 72.79, 2.2, 42.46

 

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

CMYK 62 / 0 / 69 / 33

HEX #41AC35

RGB 65 172 53

HSL 113.95, 0.53%, 0.44%

LAB 62.41, -53.12, 50.04

 

CMYK 49 / 69 / 0 / 33

HEX #5835AC

RGB 88 53 172

HSL 257.65, 0.53%, 0.44%

LAB 33.13, 44.13, -58.32

 

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

CMYK 69 / 0 / 21 / 33

HEX #35AC88

RGB 53 172 136

HSL 161.85, 0.53%, 0.44%

LAB 63.38, -41.48, 9.09

 

CMYK 21 / 69 / 0 / 33

HEX #8835AC

RGB 136 53 172

HSL 281.85, 0.53%, 0.44%

LAB 39.17, 53.89, -48.25

 

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

CMYK 62 / 0 / 69 / 33

HEX #41AC35

RGB 65 172 53

HSL 113.95, 0.53%, 0.44%

LAB 62.41, -53.12, 50.04

 

CMYK 69 / 49 / 0 / 33

HEX #3558AC

RGB 53 88 172

HSL 222.35, 0.53%, 0.44%

LAB 39.1, 16.14, -48.77

 

CMYK 7 / 69 / 0 / 33

HEX #A035AC

RGB 160 53 172

HSL 293.95, 0.53%, 0.44%

LAB 42.76, 59.27, -42.3

 

CMYK 0 / 20 / 69 / 33

HEX #AB8835

RGB 171 136 53

HSL 42.2, 0.53%, 0.44%

LAB 58.53, 4.32, 47.98

 

CMYK 69 / 0 / 55 / 33

HEX #35AC4D

RGB 53 172 77

HSL 132.1, 0.53%, 0.44%

LAB 62.34, -52.88, 39.07

 

CMYK 69 / 49 / 0 / 33

HEX #3558AC

RGB 53 88 172

HSL 222.35, 0.53%, 0.44%

LAB 39.1, 16.14, -48.77

 

CMYK 0 / 69 / 14 / 33

HEX #AC3594

RGB 172 53 148

HSL 312.1, 0.53%, 0.44%

LAB 43.44, 58.19, -26.74

 

Description

Color code: HEX #AB8835 | qconv.com Color code: HEX #AB8835 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 136 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 136 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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