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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8798 it is the complementary color #547867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8798 shade: #B08793, #C199A6, #D2ABB9, #E3BDCC and #F4CFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8798 shade: #AB8798, #9A7585, #896372, #78515F and #673F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8798 shade: #AB8798, #AB878E and #AB8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8798 shade: #AB8798, #AB87A2, #AB87AB, #A187AB and #9787AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8798 shade matches the following richer shades: #AB8798, #BC7697, #CC6696, #DD5595 and #ED4594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8798 shade: #AB8798, #9B9799, #8AA89A, #7AB89B and #69C99C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8798 shade: #AB87AB, #AB87A2, #AB8798, #AB878F and #AB8887

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8798 shade: #845C6F, #9A6E83, #AB8798, #BC9FAD and #CDB7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8798 shade: #AB8798, #ABA187 and #87A7AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8798 shade: #AB8798, #98AB87 and #8798AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8798 shade: #AB8798, #ABA187, #87AB9A and #8791AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8798 shade: #AB8798, #ABAB87, #87AB9A and #8787AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

Complementary color

CMYK 30 / 0 / 14 / 53

HEX #547867

RGB 84 120 103

HSL 151.67, 0.18%, 0.4%

LAB 47.36, -16.69, 5.26

SW® 6467

CMYK 0 / 23 / 16 / 31

HEX #B08793

RGB 176 135 147

HSL 342.44, 0.21%, 0.61%

LAB 60.48, 17.56, -0.35

 

CMYK 0 / 21 / 14 / 24

HEX #C199A6

RGB 193 153 166

HSL 340.5, 0.24%, 0.68%

LAB 67.18, 16.98, -1.09

 

CMYK 0 / 19 / 12 / 18

HEX #D2ABB9

RGB 210 171 185

HSL 338.46, 0.3%, 0.75%

LAB 73.76, 16.46, -1.79

 

CMYK 0 / 17 / 10 / 11

HEX #E3BDCC

RGB 227 189 204

HSL 336.32, 0.4%, 0.82%

LAB 80.23, 15.98, -2.44

 

CMYK 0 / 15 / 9 / 4

HEX #F4CFDF

RGB 244 207 223

HSL 334.05, 0.63%, 0.88%

LAB 86.6, 15.54, -3.07

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 24 / 14 / 40

HEX #9A7585

RGB 154 117 133

HSL 334.05, 0.15%, 0.53%

LAB 53.26, 17.14, -3.11

 

CMYK 0 / 28 / 17 / 46

HEX #896372

RGB 137 99 114

HSL 336.32, 0.16%, 0.46%

LAB 46.25, 17.81, -2.36

 

CMYK 0 / 33 / 21 / 53

HEX #78515F

RGB 120 81 95

HSL 338.46, 0.19%, 0.39%

LAB 39.08, 18.57, -1.51

 

CMYK 0 / 39 / 26 / 60

HEX #673F4C

RGB 103 63 76

HSL 340.5, 0.24%, 0.33%

LAB 31.72, 19.45, -0.52

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 21 / 17 / 33

HEX #AB878E

RGB 171 135 142

HSL 348.33, 0.18%, 0.6%

LAB 59.83, 14.85, 1.5

 

CMYK 0 / 21 / 21 / 33

HEX #AB8787

RGB 171 135 135

HSL 0, 0.18%, 0.6%

LAB 59.65, 13.72, 5.24

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 21 / 5 / 33

HEX #AB87A2

RGB 171 135 162

HSL 315, 0.18%, 0.6%

LAB 60.42, 18.36, -9.07

 

CMYK 0 / 21 / 0 / 33

HEX #AB87AB

RGB 171 135 171

HSL 300, 0.18%, 0.6%

LAB 60.72, 20.07, -13.76

 

CMYK 6 / 21 / 0 / 33

HEX #A187AB

RGB 161 135 171

HSL 283.33, 0.18%, 0.6%

LAB 59.75, 16.6, -15.31

 

CMYK 12 / 21 / 0 / 33

HEX #9787AB

RGB 151 135 171

HSL 266.67, 0.18%, 0.6%

LAB 58.83, 13.19, -16.79

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 37 / 20 / 26

HEX #BC7697

RGB 188 118 151

HSL 331.71, 0.34%, 0.6%

LAB 57.93, 32.08, -6.27

 

CMYK 0 / 50 / 26 / 20

HEX #CC6696

RGB 204 102 150

HSL 331.76, 0.5%, 0.6%

LAB 56.63, 45.88, -7.39

 

CMYK 0 / 62 / 33 / 13

HEX #DD5595

RGB 221 85 149

HSL 331.76, 0.67%, 0.6%

LAB 56.13, 59.03, -7.28

 

CMYK 0 / 71 / 38 / 7

HEX #ED4594

RGB 237 69 148

HSL 331.79, 0.82%, 0.6%

LAB 56.48, 69.6, -5.88

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 3 / 1 / 39

HEX #9B9799

RGB 155 151 153

HSL 330, 0.02%, 0.6%

LAB 62.85, 1.84, -0.54

 

CMYK 18 / 0 / 8 / 34

HEX #8AA89A

RGB 138 168 154

HSL 152, 0.15%, 0.6%

LAB 66.32, -13.21, 3.8

 

CMYK 34 / 0 / 16 / 28

HEX #7AB89B

RGB 122 184 155

HSL 151.94, 0.3%, 0.6%

LAB 70.03, -26.32, 8.45

 

CMYK 48 / 0 / 22 / 21

HEX #69C99C

RGB 105 201 156

HSL 151.88, 0.47%, 0.6%

LAB 74.3, -38.84, 13.86

 

CMYK 0 / 21 / 0 / 33

HEX #AB87AB

RGB 171 135 171

HSL 300, 0.18%, 0.6%

LAB 60.72, 20.07, -13.76

 

CMYK 0 / 21 / 5 / 33

HEX #AB87A2

RGB 171 135 162

HSL 315, 0.18%, 0.6%

LAB 60.42, 18.36, -9.07

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 21 / 16 / 33

HEX #AB878F

RGB 171 135 143

HSL 346.67, 0.18%, 0.6%

LAB 59.86, 15.01, 0.97

 

CMYK 0 / 20 / 21 / 33

HEX #AB8887

RGB 171 136 135

HSL 1.67, 0.18%, 0.6%

LAB 59.9, 13.16, 5.61

 

CMYK 0 / 30 / 16 / 48

HEX #845C6F

RGB 132 92 111

HSL 331.5, 0.18%, 0.44%

LAB 43.81, 19.49, -4.21

 

CMYK 0 / 29 / 15 / 40

HEX #9A6E83

RGB 154 110 131

HSL 331.36, 0.18%, 0.52%

LAB 51.45, 20.84, -4.61

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 15 / 8 / 26

HEX #BC9FAD

RGB 188 159 173

HSL 331.03, 0.18%, 0.68%

LAB 68.39, 13.05, -3.28

 

CMYK 0 / 11 / 5 / 20

HEX #CDB7C2

RGB 205 183 194

HSL 330, 0.18%, 0.76%

LAB 76.52, 9.74, -2.7

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 6 / 21 / 33

HEX #ABA187

RGB 171 161 135

HSL 43.33, 0.18%, 0.6%

LAB 66.44, -0.72, 14.86

 

CMYK 21 / 2 / 0 / 33

HEX #87A7AB

RGB 135 167 171

HSL 186.67, 0.18%, 0.6%

LAB 66.31, -10.02, -5.7

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 11 / 0 / 21 / 33

HEX #98AB87

RGB 152 171 135

HSL 91.67, 0.18%, 0.6%

LAB 67.69, -13.31, 16.37

 

CMYK 21 / 11 / 0 / 33

HEX #8798AB

RGB 135 152 171

HSL 211.67, 0.18%, 0.6%

LAB 62.12, -1.8, -11.95

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 6 / 21 / 33

HEX #ABA187

RGB 171 161 135

HSL 43.33, 0.18%, 0.6%

LAB 66.44, -0.72, 14.86

 

CMYK 21 / 0 / 10 / 33

HEX #87AB9A

RGB 135 171 154

HSL 151.67, 0.18%, 0.6%

LAB 66.98, -15.8, 4.73

 

CMYK 21 / 15 / 0 / 33

HEX #8791AB

RGB 135 145 171

HSL 223.33, 0.18%, 0.6%

LAB 60.2, 2.14, -14.85

 

CMYK 0 / 21 / 11 / 33

HEX #AB8798

RGB 171 135 152

HSL 331.67, 0.18%, 0.6%

LAB 60.12, 16.55, -3.81

 

CMYK 0 / 0 / 21 / 33

HEX #ABAB87

RGB 171 171 135

HSL 60, 0.18%, 0.6%

LAB 69.14, -6.1, 18.6

 

CMYK 21 / 0 / 10 / 33

HEX #87AB9A

RGB 135 171 154

HSL 151.67, 0.18%, 0.6%

LAB 66.98, -15.8, 4.73

 

CMYK 21 / 21 / 0 / 33

HEX #8787AB

RGB 135 135 171

HSL 240, 0.18%, 0.6%

LAB 57.48, 7.87, -18.97

 

Description

Color code: HEX #AB8798 | qconv.com Color code: HEX #AB8798 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 135 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 135 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 11% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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