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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8366 it is the complementary color #547C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8366 shade: #B08361, #C19574, #D2A787, #E3B99A and #F4CBAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8366 shade: #AB8366, #9A7153, #895F40, #784D2D and #673B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8366 shade: #AC8468, #AC7268 and #AC6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8366 shade: #AC8468, #AC9768, #ACA968, #9CAC68 and #8AAC68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8366 shade matches the following richer shades: #AC8468, #BF8155, #D27E42, #E57B2F and #F8781C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8366 shade: #AC8468, #99877B, #868A8E, #738DA1 and #6090B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8366 shade: #AC6870, #AC7268, #AC8468, #AC9668 and #ACA868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8366 shade: #7C5C44, #977053, #AC8468, #BA9A82 and #C9AF9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8366 shade: #AB8366, #82AC68 and #6968AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8366 shade: #AB8366, #68AC84 and #8468AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8366 shade: #AB8366, #82AC68, #688FAC and #9268AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8366 shade: #AB8366, #6DAC68, #688FAC and #A668AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

Complementary color

CMYK 45 / 19 / 0 / 40

HEX #547C99

RGB 84 124 153

HSL 205.22, 0.29%, 0.46%

LAB 50.22, -5.85, -19.98

 

CMYK 0 / 26 / 45 / 31

HEX #B08361

RGB 176 131 97

HSL 25.82, 0.33%, 0.54%

LAB 58.34, 12.95, 25.1

 

CMYK 0 / 23 / 40 / 24

HEX #C19574

RGB 193 149 116

HSL 25.71, 0.38%, 0.61%

LAB 65.04, 12.11, 23.78

 

CMYK 0 / 20 / 36 / 18

HEX #D2A787

RGB 210 167 135

HSL 25.6, 0.45%, 0.68%

LAB 71.61, 11.38, 22.56

 

CMYK 0 / 19 / 32 / 11

HEX #E3B99A

RGB 227 185 154

HSL 25.48, 0.57%, 0.75%

LAB 78.09, 10.75, 21.43

 

CMYK 0 / 17 / 29 / 4

HEX #F4CBAD

RGB 244 203 173

HSL 25.35, 0.76%, 0.82%

LAB 84.46, 10.19, 20.38

 

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

CMYK 0 / 27 / 46 / 40

HEX #9A7153

RGB 154 113 83

HSL 25.35, 0.3%, 0.46%

LAB 51.04, 12.3, 22.97

 

CMYK 0 / 31 / 53 / 46

HEX #895F40

RGB 137 95 64

HSL 25.48, 0.36%, 0.39%

LAB 44.05, 13.36, 24.5

 

CMYK 0 / 36 / 63 / 53

HEX #784D2D

RGB 120 77 45

HSL 25.6, 0.45%, 0.32%

LAB 36.91, 14.66, 26.21

 

CMYK 0 / 43 / 75 / 60

HEX #673B1A

RGB 103 59 26

HSL 25.71, 0.6%, 0.25%

LAB 29.63, 16.29, 28.05

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 34 / 40 / 33

HEX #AC7268

RGB 172 114 104

HSL 8.82, 0.29%, 0.54%

LAB 53.82, 21.66, 14.93

 

CMYK 0 / 40 / 40 / 33

HEX #AC6868

RGB 172 104 104

HSL 0, 0.29%, 0.54%

LAB 51.46, 27.26, 11.65

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 12 / 40 / 33

HEX #AC9768

RGB 172 151 104

HSL 41.47, 0.29%, 0.54%

LAB 63.26, 0.96, 27.62

 

CMYK 0 / 2 / 40 / 33

HEX #ACA968

RGB 172 169 104

HSL 57.35, 0.29%, 0.54%

LAB 68.13, -8.73, 33.91

 

CMYK 9 / 0 / 40 / 33

HEX #9CAC68

RGB 156 172 104

HSL 74.12, 0.29%, 0.54%

LAB 67.7, -16.76, 33.11

 

CMYK 20 / 0 / 40 / 33

HEX #8AAC68

RGB 138 172 104

HSL 90, 0.29%, 0.54%

LAB 66.45, -23.76, 31.25

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 32 / 55 / 25

HEX #BF8155

RGB 191 129 85

HSL 24.91, 0.45%, 0.54%

LAB 59.37, 19.2, 33.38

 

CMYK 0 / 40 / 69 / 18

HEX #D27E42

RGB 210 126 66

HSL 25, 0.62%, 0.54%

LAB 60.8, 27.44, 45.58

 

CMYK 0 / 46 / 79 / 10

HEX #E57B2F

RGB 229 123 47

HSL 25.05, 0.78%, 0.54%

LAB 62.53, 35.91, 56.94

 

CMYK 0 / 52 / 89 / 3

HEX #F8781C

RGB 248 120 28

HSL 25.09, 0.94%, 0.54%

LAB 64.54, 44.36, 66.52

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 12 / 20 / 40

HEX #99877B

RGB 153 135 123

HSL 24, 0.13%, 0.54%

LAB 57.59, 4.77, 8.93

 

CMYK 6 / 3 / 0 / 44

HEX #868A8E

RGB 134 138 142

HSL 210, 0.03%, 0.54%

LAB 57.27, -0.65, -2.65

 

CMYK 29 / 12 / 0 / 37

HEX #738DA1

RGB 115 141 161

HSL 206.09, 0.2%, 0.54%

LAB 57.34, -4.4, -13.6

 

CMYK 47 / 20 / 0 / 29

HEX #6090B4

RGB 96 144 180

HSL 205.71, 0.36%, 0.54%

LAB 57.78, -6.27, -23.87

 

CMYK 0 / 40 / 35 / 33

HEX #AC6870

RGB 172 104 112

HSL 352.94, 0.29%, 0.54%

LAB 51.66, 28.26, 7.2

 

CMYK 0 / 34 / 40 / 33

HEX #AC7268

RGB 172 114 104

HSL 8.82, 0.29%, 0.54%

LAB 53.82, 21.66, 14.93

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 13 / 40 / 33

HEX #AC9668

RGB 172 150 104

HSL 40.59, 0.29%, 0.54%

LAB 63, 1.5, 27.28

 

CMYK 0 / 2 / 40 / 33

HEX #ACA868

RGB 172 168 104

HSL 56.47, 0.29%, 0.54%

LAB 67.85, -8.2, 33.56

 

CMYK 0 / 26 / 45 / 51

HEX #7C5C44

RGB 124 92 68

HSL 25.71, 0.29%, 0.38%

LAB 41.78, 9.78, 18.89

 

CMYK 0 / 26 / 45 / 41

HEX #977053

RGB 151 112 83

HSL 25.59, 0.29%, 0.46%

LAB 50.44, 11.59, 22.12

 

CMYK 0 / 23 / 40 / 33

HEX #AC8468

RGB 172 132 104

HSL 24.71, 0.29%, 0.54%

LAB 58.29, 11.52, 21.03

 

CMYK 0 / 17 / 30 / 27

HEX #BA9A82

RGB 186 154 130

HSL 25.71, 0.29%, 0.62%

LAB 65.87, 8.3, 17.06

 

CMYK 0 / 13 / 22 / 21

HEX #C9AF9D

RGB 201 175 157

HSL 24.55, 0.29%, 0.7%

LAB 73.23, 6.54, 12.68

 

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

CMYK 24 / 0 / 40 / 33

HEX #82AC68

RGB 130 172 104

HSL 97.06, 0.29%, 0.54%

LAB 65.94, -26.74, 30.5

 

CMYK 39 / 40 / 0 / 33

HEX #6968AC

RGB 105 104 172

HSL 240.88, 0.29%, 0.54%

LAB 46.82, 17.53, -36.27

 

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

CMYK 40 / 0 / 23 / 33

HEX #68AC84

RGB 104 172 132

HSL 144.71, 0.29%, 0.54%

LAB 65.05, -30.61, 13.92

 

CMYK 23 / 40 / 0 / 33

HEX #8468AC

RGB 132 104 172

HSL 264.71, 0.29%, 0.54%

LAB 49.23, 25.41, -32.31

 

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

CMYK 24 / 0 / 40 / 33

HEX #82AC68

RGB 130 172 104

HSL 97.06, 0.29%, 0.54%

LAB 65.94, -26.74, 30.5

 

CMYK 40 / 17 / 0 / 33

HEX #688FAC

RGB 104 143 172

HSL 205.59, 0.29%, 0.54%

LAB 57.62, -5.86, -19.52

 

CMYK 15 / 40 / 0 / 33

HEX #9268AC

RGB 146 104 172

HSL 277.06, 0.29%, 0.54%

LAB 50.68, 29.73, -29.95

 

CMYK 0 / 23 / 40 / 33

HEX #AB8366

RGB 171 131 102

HSL 25.22, 0.29%, 0.54%

LAB 57.89, 11.42, 21.6

 

CMYK 37 / 0 / 40 / 33

HEX #6DAC68

RGB 109 172 104

HSL 115.59, 0.29%, 0.54%

LAB 64.77, -34.06, 28.74

 

CMYK 40 / 17 / 0 / 33

HEX #688FAC

RGB 104 143 172

HSL 205.59, 0.29%, 0.54%

LAB 57.62, -5.86, -19.52

 

CMYK 3 / 40 / 0 / 33

HEX #A668AC

RGB 166 104 172

HSL 294.71, 0.29%, 0.54%

LAB 52.93, 36.05, -26.27

 

Description

Color code: HEX #AB8366 | qconv.com Color code: HEX #AB8366 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 131 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 131 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 40 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 40% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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