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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8265 it is the complementary color #547D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8265 shade: #B08260, #C19473, #D2A686, #E3B899 and #F4CAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8265 shade: #AB8265, #9A7052, #895E3F, #784C2C and #673A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8265 shade: #AA8164, #AA6E64 and #AA6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8265 shade: #AA8164, #AA9464, #AAA764, #9AAA64 and #88AA64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8265 shade matches the following richer shades: #AA8164, #BD7E51, #D17B3E, #E4772A and #F77417

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8265 shade: #AA8164, #978578, #83888B, #708B9F and #5C8EB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8265 shade: #AA646E, #AA6E64, #AA8064, #AA9364 and #AAA564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8265 shade: #795943, #946D51, #AA8164, #B9977F and #C7AD9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8265 shade: #AB8265, #80AA64 and #6464AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8265 shade: #AB8265, #64AA80 and #8064AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8265 shade: #AB8265, #80AA64, #648EAA and #8E64AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8265 shade: #AB8265, #6BAA64, #648EAA and #A364AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

Complementary color

CMYK 45 / 19 / 0 / 40

HEX #547D9A

RGB 84 125 154

HSL 204.86, 0.29%, 0.47%

LAB 50.55, -6.14, -20.04

 

CMYK 0 / 26 / 45 / 31

HEX #B08260

RGB 176 130 96

HSL 25.5, 0.34%, 0.53%

LAB 58.07, 13.4, 25.31

 

CMYK 0 / 23 / 40 / 24

HEX #C19473

RGB 193 148 115

HSL 25.38, 0.39%, 0.6%

LAB 64.77, 12.54, 23.97

 

CMYK 0 / 21 / 36 / 18

HEX #D2A686

RGB 210 166 134

HSL 25.26, 0.46%, 0.67%

LAB 71.35, 11.8, 22.74

 

CMYK 0 / 19 / 33 / 11

HEX #E3B899

RGB 227 184 153

HSL 25.14, 0.57%, 0.75%

LAB 77.82, 11.16, 21.61

 

CMYK 0 / 17 / 30 / 4

HEX #F4CAAC

RGB 244 202 172

HSL 25, 0.77%, 0.82%

LAB 84.2, 10.58, 20.55

 

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

CMYK 0 / 27 / 47 / 40

HEX #9A7052

RGB 154 112 82

HSL 25, 0.31%, 0.46%

LAB 50.77, 12.77, 23.18

 

CMYK 0 / 31 / 54 / 46

HEX #895E3F

RGB 137 94 63

HSL 25.14, 0.37%, 0.39%

LAB 43.77, 13.85, 24.73

 

CMYK 0 / 37 / 63 / 53

HEX #784C2C

RGB 120 76 44

HSL 25.26, 0.46%, 0.32%

LAB 36.64, 15.17, 26.46

 

CMYK 0 / 44 / 76 / 60

HEX #673A19

RGB 103 58 25

HSL 25.38, 0.61%, 0.25%

LAB 29.36, 16.84, 28.32

 

CMYK 0 / 24 / 41 / 33

HEX #AA8164

RGB 170 129 100

HSL 24.86, 0.29%, 0.53%

LAB 57.24, 11.9, 21.83

 

CMYK 0 / 35 / 41 / 33

HEX #AA6E64

RGB 170 110 100

HSL 8.57, 0.29%, 0.53%

LAB 52.53, 22.63, 15.44

 

CMYK 0 / 41 / 41 / 33

HEX #AA6464

RGB 170 100 100

HSL 0, 0.29%, 0.53%

LAB 50.19, 28.22, 12.21

 

CMYK 0 / 24 / 41 / 33

HEX #AA8164

RGB 170 129 100

HSL 24.86, 0.29%, 0.53%

LAB 57.24, 11.9, 21.83

 

CMYK 0 / 13 / 41 / 33

HEX #AA9464

RGB 170 148 100

HSL 41.14, 0.29%, 0.53%

LAB 62.21, 1.31, 28.39

 

CMYK 0 / 2 / 41 / 33

HEX #AAA764

RGB 170 167 100

HSL 57.43, 0.29%, 0.53%

LAB 67.35, -8.95, 34.99

 

CMYK 9 / 0 / 41 / 33

HEX #9AAA64

RGB 154 170 100

HSL 73.71, 0.29%, 0.53%

LAB 66.93, -17.02, 34.18

 

CMYK 20 / 0 / 41 / 33

HEX #88AA64

RGB 136 170 100

HSL 89.14, 0.29%, 0.53%

LAB 65.67, -24.06, 32.33

 

CMYK 0 / 24 / 41 / 33

HEX #AA8164

RGB 170 129 100

HSL 24.86, 0.29%, 0.53%

LAB 57.24, 11.9, 21.83

 

CMYK 0 / 33 / 57 / 26

HEX #BD7E51

RGB 189 126 81

HSL 25, 0.45%, 0.53%

LAB 58.35, 19.69, 34.24

 

CMYK 0 / 41 / 70 / 18

HEX #D17B3E

RGB 209 123 62

HSL 24.9, 0.62%, 0.53%

LAB 59.95, 28.42, 46.59

 

CMYK 0 / 48 / 82 / 11

HEX #E4772A

RGB 228 119 42

HSL 24.84, 0.78%, 0.53%

LAB 61.53, 37.4, 58

 

CMYK 0 / 53 / 91 / 3

HEX #F77417

RGB 247 116 23

HSL 24.91, 0.93%, 0.53%

LAB 63.61, 45.84, 67.15

 

CMYK 0 / 24 / 41 / 33

HEX #AA8164

RGB 170 129 100

HSL 24.86, 0.29%, 0.53%

LAB 57.24, 11.9, 21.83

 

CMYK 0 / 12 / 21 / 41

HEX #978578

RGB 151 133 120

HSL 25.16, 0.13%, 0.53%

LAB 56.79, 4.62, 9.5

 

CMYK 6 / 2 / 0 / 45

HEX #83888B

RGB 131 136 139

HSL 202.5, 0.03%, 0.53%

LAB 56.38, -1.22, -2.25

 

CMYK 30 / 13 / 0 / 38

HEX #708B9F

RGB 112 139 159

HSL 205.53, 0.2%, 0.53%

LAB 56.5, -4.7, -13.74

 

CMYK 48 / 20 / 0 / 30

HEX #5C8EB2

RGB 92 142 178

HSL 205.12, 0.36%, 0.53%

LAB 56.91, -6.72, -24.08

 

CMYK 0 / 41 / 35 / 33

HEX #AA646E

RGB 170 100 110

HSL 351.43, 0.29%, 0.53%

LAB 50.44, 29.44, 6.61

 

CMYK 0 / 35 / 41 / 33

HEX #AA6E64

RGB 170 110 100

HSL 8.57, 0.29%, 0.53%

LAB 52.53, 22.63, 15.44

 

CMYK 0 / 25 / 41 / 33

HEX #AA8064

RGB 170 128 100

HSL 24, 0.29%, 0.53%

LAB 56.98, 12.46, 21.49

 

CMYK 0 / 14 / 41 / 33

HEX #AA9364

RGB 170 147 100

HSL 40.29, 0.29%, 0.53%

LAB 61.94, 1.86, 28.04

 

CMYK 0 / 3 / 41 / 33

HEX #AAA564

RGB 170 165 100

HSL 55.71, 0.29%, 0.53%

LAB 66.81, -7.89, 34.29

 

CMYK 0 / 26 / 45 / 53

HEX #795943

RGB 121 89 67

HSL 24.44, 0.29%, 0.37%

LAB 40.6, 10.12, 17.86

 

CMYK 0 / 26 / 45 / 42

HEX #946D51

RGB 148 109 81

HSL 25.07, 0.29%, 0.45%

LAB 49.29, 11.8, 21.68

 

CMYK 0 / 24 / 41 / 33

HEX #AA8164

RGB 170 129 100

HSL 24.86, 0.29%, 0.53%

LAB 57.24, 11.9, 21.83

 

CMYK 0 / 18 / 31 / 27

HEX #B9977F

RGB 185 151 127

HSL 24.83, 0.29%, 0.61%

LAB 64.95, 9.15, 17.43

 

CMYK 0 / 13 / 23 / 22

HEX #C7AD9A

RGB 199 173 154

HSL 25.33, 0.29%, 0.69%

LAB 72.47, 6.42, 13.22

 

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

CMYK 25 / 0 / 41 / 33

HEX #80AA64

RGB 128 170 100

HSL 96, 0.29%, 0.53%

LAB 65.17, -27.05, 31.58

 

CMYK 41 / 41 / 0 / 33

HEX #6464AA

RGB 100 100 170

HSL 240, 0.29%, 0.53%

LAB 45.26, 18.05, -37.59

 

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

CMYK 41 / 0 / 25 / 33

HEX #64AA80

RGB 100 170 128

HSL 144, 0.29%, 0.53%

LAB 64.17, -31.64, 14.86

 

CMYK 25 / 41 / 0 / 33

HEX #8064AA

RGB 128 100 170

HSL 264, 0.29%, 0.53%

LAB 47.76, 26.07, -33.48

 

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

CMYK 25 / 0 / 41 / 33

HEX #80AA64

RGB 128 170 100

HSL 96, 0.29%, 0.53%

LAB 65.17, -27.05, 31.58

 

CMYK 41 / 16 / 0 / 33

HEX #648EAA

RGB 100 142 170

HSL 204, 0.29%, 0.53%

LAB 57.03, -6.95, -19.29

 

CMYK 16 / 41 / 0 / 33

HEX #8E64AA

RGB 142 100 170

HSL 276, 0.29%, 0.53%

LAB 49.21, 30.34, -31.1

 

CMYK 0 / 24 / 41 / 33

HEX #AB8265

RGB 171 130 101

HSL 24.86, 0.29%, 0.53%

LAB 57.62, 11.87, 21.8

 

CMYK 37 / 0 / 41 / 33

HEX #6BAA64

RGB 107 170 100

HSL 114, 0.29%, 0.53%

LAB 63.99, -34.41, 29.83

 

CMYK 41 / 16 / 0 / 33

HEX #648EAA

RGB 100 142 170

HSL 204, 0.29%, 0.53%

LAB 57.03, -6.95, -19.29

 

CMYK 4 / 41 / 0 / 33

HEX #A364AA

RGB 163 100 170

HSL 294, 0.29%, 0.53%

LAB 51.61, 36.91, -27.18

 

Description

Color code: HEX #AB8265 | qconv.com Color code: HEX #AB8265 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 130 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 130 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 41% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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