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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8232 it is the complementary color #547DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8232 shade: #B0822D, #C19440, #D2A653, #E3B866 and #F4CA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8232 shade: #AB8232, #9A701F, #895E0C, #784C00 and #673A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8232 shade: #AA8131, #AA6131, #AA4031 and #AA3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8232 shade: #AA8131, #AAA231, #92AA31, #71AA31 and #51AA31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8232 shade matches the following richer shades: #AA8131, #BC8720 and #CD8D0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8232 shade: #AA8131, #987B43, #867655, #757067 and #636A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8232 shade: #AA3F31, #AA6031, #AA8031, #AAA031 and #94AA31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8232 shade: #6A511F, #8A6928, #AA8131, #C7983E and #D0A95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8232 shade: #AB8232, #43AA31 and #4F31AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8232 shade: #AB8232, #31AA80 and #8031AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8232 shade: #AB8232, #43AA31, #315CAA and #9831AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8232 shade: #AB8232, #31AA43, #315CAA and #AA3198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

Complementary color

CMYK 59 / 39 / 0 / 20

HEX #547DCD

RGB 84 125 205

HSL 219.67, 0.55%, 0.57%

LAB 52.91, 10.03, -45.75

 

CMYK 0 / 26 / 74 / 31

HEX #B0822D

RGB 176 130 45

HSL 38.93, 0.59%, 0.43%

LAB 57.45, 9.48, 50.56

 

CMYK 0 / 23 / 67 / 24

HEX #C19440

RGB 193 148 64

HSL 39.07, 0.51%, 0.5%

LAB 64.07, 8.09, 49.56

 

CMYK 0 / 21 / 60 / 18

HEX #D2A653

RGB 210 166 83

HSL 39.21, 0.59%, 0.57%

LAB 70.59, 6.91, 48.33

 

CMYK 0 / 19 / 55 / 11

HEX #E3B866

RGB 227 184 102

HSL 39.36, 0.69%, 0.65%

LAB 77.02, 5.91, 47.03

 

CMYK 0 / 17 / 50 / 4

HEX #F4CA79

RGB 244 202 121

HSL 39.51, 0.85%, 0.72%

LAB 83.37, 5.05, 45.73

 

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

CMYK 0 / 27 / 80 / 40

HEX #9A701F

RGB 154 112 31

HSL 39.51, 0.66%, 0.36%

LAB 50.17, 9.03, 48.39

 

CMYK 0 / 31 / 91 / 46

HEX #895E0C

RGB 137 94 12

HSL 39.36, 0.84%, 0.29%

LAB 43.29, 10.92, 48.02

 

CMYK 0 / 37 / 100 / 53

HEX #784C00

RGB 120 76 0

HSL 38, 1%, 0.24%

LAB 36.29, 13.21, 45.36

 

CMYK 0 / 44 / 100 / 60

HEX #673A00

RGB 103 58 0

HSL 33.79, 1%, 0.2%

LAB 29.18, 15.89, 39.36

 

CMYK 0 / 24 / 71 / 33

HEX #AA8131

RGB 170 129 49

HSL 39.67, 0.55%, 0.43%

LAB 56.55, 7.55, 47.69

 

CMYK 0 / 43 / 71 / 33

HEX #AA6131

RGB 170 97 49

HSL 23.8, 0.55%, 0.43%

LAB 48.66, 25.51, 39.29

 

CMYK 0 / 62 / 71 / 33

HEX #AA4031

RGB 170 64 49

HSL 7.44, 0.55%, 0.43%

LAB 41.9, 42.61, 31.68

 

CMYK 0 / 71 / 71 / 33

HEX #AA3131

RGB 170 49 49

HSL 0, 0.55%, 0.43%

LAB 39.52, 49.04, 28.9

 

CMYK 0 / 24 / 71 / 33

HEX #AA8131

RGB 170 129 49

HSL 39.67, 0.55%, 0.43%

LAB 56.55, 7.55, 47.69

 

CMYK 0 / 5 / 71 / 33

HEX #AAA231

RGB 170 162 49

HSL 56.03, 0.55%, 0.43%

LAB 65.44, -10.42, 56.64

 

CMYK 14 / 0 / 71 / 33

HEX #92AA31

RGB 146 170 49

HSL 71.9, 0.55%, 0.43%

LAB 65.81, -24.84, 56.37

 

CMYK 34 / 0 / 71 / 33

HEX #71AA31

RGB 113 170 49

HSL 88.26, 0.55%, 0.43%

LAB 63.74, -37.93, 53.61

 

CMYK 52 / 0 / 71 / 33

HEX #51AA31

RGB 81 170 49

HSL 104.13, 0.55%, 0.43%

LAB 62.27, -48.54, 51.64

 

CMYK 0 / 24 / 71 / 33

HEX #AA8131

RGB 170 129 49

HSL 39.67, 0.55%, 0.43%

LAB 56.55, 7.55, 47.69

 

CMYK 0 / 28 / 83 / 26

HEX #BC8720

RGB 188 135 32

HSL 39.62, 0.71%, 0.43%

LAB 60, 11.57, 58.33

 

CMYK 0 / 31 / 93 / 20

HEX #CD8D0E

RGB 205 141 14

HSL 39.9, 0.87%, 0.43%

LAB 63.39, 15.42, 66.38

 

CMYK 0 / 24 / 71 / 33

HEX #AA8131

RGB 170 129 49

HSL 39.67, 0.55%, 0.43%

LAB 56.55, 7.55, 47.69

 

CMYK 0 / 19 / 56 / 40

HEX #987B43

RGB 152 123 67

HSL 39.53, 0.39%, 0.43%

LAB 53.22, 4.13, 34.53

 

CMYK 0 / 12 / 37 / 47

HEX #867655

RGB 134 118 85

HSL 40.41, 0.22%, 0.43%

LAB 50.31, 1.04, 20.47

 

CMYK 0 / 4 / 12 / 54

HEX #757067

RGB 117 112 103

HSL 38.57, 0.06%, 0.43%

LAB 47.43, 0.23, 5.69

 

CMYK 18 / 12 / 0 / 53

HEX #636A78

RGB 99 106 120

HSL 220, 0.1%, 0.43%

LAB 44.68, 0.53, -8.7

 

CMYK 0 / 63 / 71 / 33

HEX #AA3F31

RGB 170 63 49

HSL 6.94, 0.55%, 0.43%

LAB 41.72, 43.08, 31.48

 

CMYK 0 / 44 / 71 / 33

HEX #AA6031

RGB 170 96 49

HSL 23.31, 0.55%, 0.43%

LAB 48.43, 26.07, 39.04

 

CMYK 0 / 25 / 71 / 33

HEX #AA8031

RGB 170 128 49

HSL 39.17, 0.55%, 0.43%

LAB 56.29, 8.11, 47.42

 

CMYK 0 / 6 / 71 / 33

HEX #AAA031

RGB 170 160 49

HSL 55.04, 0.55%, 0.43%

LAB 64.89, -9.36, 56.1

 

CMYK 13 / 0 / 71 / 33

HEX #94AA31

RGB 148 170 49

HSL 70.91, 0.55%, 0.43%

LAB 65.96, -24, 56.56

 

CMYK 0 / 24 / 71 / 58

HEX #6A511F

RGB 106 81 31

HSL 40, 0.55%, 0.27%

LAB 36.08, 4.55, 32.48

 

CMYK 0 / 24 / 71 / 46

HEX #8A6928

RGB 138 105 40

HSL 39.8, 0.55%, 0.35%

LAB 46.52, 6.09, 40.27

 

CMYK 0 / 24 / 71 / 33

HEX #AA8131

RGB 170 129 49

HSL 39.67, 0.55%, 0.43%

LAB 56.55, 7.55, 47.69

 

CMYK 0 / 24 / 69 / 22

HEX #C7983E

RGB 199 152 62

HSL 39.42, 0.55%, 0.51%

LAB 65.71, 8.41, 52.41

 

CMYK 0 / 19 / 55 / 18

HEX #D0A95E

RGB 208 169 94

HSL 39.47, 0.55%, 0.59%

LAB 71.28, 5.3, 43.67

 

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

CMYK 61 / 0 / 71 / 33

HEX #43AA31

RGB 67 170 49

HSL 111.07, 0.55%, 0.43%

LAB 61.8, -52.27, 51

 

CMYK 54 / 71 / 0 / 33

HEX #4F31AA

RGB 79 49 170

HSL 254.88, 0.55%, 0.43%

LAB 31.26, 44.17, -60.22

 

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

CMYK 71 / 0 / 25 / 33

HEX #31AA80

RGB 49 170 128

HSL 159.17, 0.55%, 0.43%

LAB 62.47, -43.17, 12.23

 

CMYK 25 / 71 / 0 / 33

HEX #8031AA

RGB 128 49 170

HSL 279.17, 0.55%, 0.43%

LAB 37.28, 53.48, -50.17

 

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

CMYK 61 / 0 / 71 / 33

HEX #43AA31

RGB 67 170 49

HSL 111.07, 0.55%, 0.43%

LAB 61.8, -52.27, 51

 

CMYK 71 / 46 / 0 / 33

HEX #315CAA

RGB 49 92 170

HSL 218.68, 0.55%, 0.43%

LAB 39.93, 12.16, -46.26

 

CMYK 11 / 71 / 0 / 33

HEX #9831AA

RGB 152 49 170

HSL 291.07, 0.55%, 0.43%

LAB 40.86, 58.65, -44.23

 

CMYK 0 / 24 / 71 / 33

HEX #AB8232

RGB 171 130 50

HSL 39.67, 0.55%, 0.43%

LAB 56.93, 7.5, 47.67

 

CMYK 71 / 0 / 61 / 33

HEX #31AA43

RGB 49 170 67

HSL 128.93, 0.55%, 0.43%

LAB 61.49, -54.21, 42.81

 

CMYK 71 / 46 / 0 / 33

HEX #315CAA

RGB 49 92 170

HSL 218.68, 0.55%, 0.43%

LAB 39.93, 12.16, -46.26

 

CMYK 0 / 71 / 11 / 33

HEX #AA3198

RGB 170 49 152

HSL 308.93, 0.55%, 0.43%

LAB 42.78, 59.77, -30.21

 

Description

Color code: HEX #AB8232 | qconv.com Color code: HEX #AB8232 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 130 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 130 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 71 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 71% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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