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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8221 it is the complementary color #547DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8221 shade: #B0821C, #C1942F, #D2A642, #E3B855 and #F4CA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8221 shade: #AB8221, #9A700E, #895E00, #784C00 and #673A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8221 shade: #AB8221, #AB5D21, #AB3721 and #AB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8221 shade: #AB8221, #ABA821, #8AAB21, #64AB21 and #3FAB21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8221 shade matches the following richer shades: #AB8221 and #BC8910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8221 shade: #AB8221, #9B7B31, #8A7542, #7A6E52 and #696763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8221 shade: #AB3821, #AB5D21, #AB8221, #ABA721 and #8BAB21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8221 shade: #664D13, #89681A, #AB8221, #CE9C27 and #DBAE43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8221 shade: #AB8221, #2FAB21 and #4A21AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8221 shade: #AB8221, #21AB82 and #8221AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8221 shade: #AB8221, #2FAB21, #214AAB and #9D21AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8221 shade: #AB8221, #21AB3C, #214AAB and #AB2190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

Complementary color

CMYK 62 / 44 / 0 / 13

HEX #547DDE

RGB 84 125 222

HSL 222.17, 0.68%, 0.6%

LAB 53.84, 15.75, -53.86

 

CMYK 0 / 26 / 84 / 31

HEX #B0821C

RGB 176 130 28

HSL 41.35, 0.73%, 0.4%

LAB 57.35, 8.83, 56.79

 

CMYK 0 / 23 / 76 / 24

HEX #C1942F

RGB 193 148 47

HSL 41.51, 0.61%, 0.47%

LAB 63.94, 7.21, 56.72

 

CMYK 0 / 21 / 69 / 18

HEX #D2A642

RGB 210 166 66

HSL 41.67, 0.62%, 0.54%

LAB 70.43, 5.84, 55.97

 

CMYK 0 / 19 / 63 / 11

HEX #E3B855

RGB 227 184 85

HSL 41.83, 0.72%, 0.61%

LAB 76.84, 4.68, 54.9

 

CMYK 0 / 17 / 57 / 4

HEX #F4CA68

RGB 244 202 104

HSL 42, 0.86%, 0.68%

LAB 83.16, 3.68, 53.71

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 27 / 91 / 40

HEX #9A700E

RGB 154 112 14

HSL 42, 0.83%, 0.33%

LAB 50.09, 8.53, 53.72

 

CMYK 0 / 31 / 100 / 46

HEX #895E00

RGB 137 94 0

HSL 41.17, 1%, 0.27%

LAB 43.25, 10.67, 51.04

 

CMYK 0 / 37 / 100 / 53

HEX #784C00

RGB 120 76 0

HSL 38, 1%, 0.24%

LAB 36.29, 13.21, 45.36

 

CMYK 0 / 44 / 100 / 60

HEX #673A00

RGB 103 58 0

HSL 33.79, 1%, 0.2%

LAB 29.18, 15.89, 39.36

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 46 / 81 / 33

HEX #AB5D21

RGB 171 93 33

HSL 26.09, 0.68%, 0.4%

LAB 47.75, 27.42, 46.1

 

CMYK 0 / 68 / 81 / 33

HEX #AB3721

RGB 171 55 33

HSL 9.57, 0.68%, 0.4%

LAB 40.41, 46.28, 39.03

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 2 / 81 / 33

HEX #ABA821

RGB 171 168 33

HSL 58.7, 0.68%, 0.4%

LAB 67.11, -13.78, 63.55

 

CMYK 19 / 0 / 81 / 33

HEX #8AAB21

RGB 138 171 33

HSL 74.35, 0.68%, 0.4%

LAB 65.47, -29.43, 61.15

 

CMYK 42 / 0 / 81 / 33

HEX #64AB21

RGB 100 171 33

HSL 90.87, 0.68%, 0.4%

LAB 63.3, -43.94, 58.37

 

CMYK 63 / 0 / 81 / 33

HEX #3FAB21

RGB 63 171 33

HSL 106.96, 0.68%, 0.4%

LAB 61.91, -54.71, 56.57

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 27 / 91 / 26

HEX #BC8910

RGB 188 137 16

HSL 42.21, 0.84%, 0.4%

LAB 60.44, 10.09, 62.94

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 21 / 68 / 39

HEX #9B7B31

RGB 155 123 49

HSL 41.89, 0.52%, 0.4%

LAB 53.34, 4.15, 43.81

 

CMYK 0 / 15 / 52 / 46

HEX #8A7542

RGB 138 117 66

HSL 42.5, 0.35%, 0.4%

LAB 50.12, 1.2, 30.97

 

CMYK 0 / 10 / 33 / 52

HEX #7A6E52

RGB 122 110 82

HSL 42, 0.2%, 0.4%

LAB 46.84, 0.08, 17.35

 

CMYK 0 / 2 / 6 / 59

HEX #696763

RGB 105 103 99

HSL 40, 0.03%, 0.4%

LAB 43.66, -0.02, 2.52

 

CMYK 0 / 67 / 81 / 33

HEX #AB3821

RGB 171 56 33

HSL 10, 0.68%, 0.4%

LAB 40.57, 45.86, 39.19

 

CMYK 0 / 46 / 81 / 33

HEX #AB5D21

RGB 171 93 33

HSL 26.09, 0.68%, 0.4%

LAB 47.75, 27.42, 46.1

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 2 / 81 / 33

HEX #ABA721

RGB 171 167 33

HSL 58.26, 0.68%, 0.4%

LAB 66.83, -13.26, 63.31

 

CMYK 19 / 0 / 81 / 33

HEX #8BAB21

RGB 139 171 33

HSL 73.91, 0.68%, 0.4%

LAB 65.53, -29.02, 61.23

 

CMYK 0 / 25 / 81 / 60

HEX #664D13

RGB 102 77 19

HSL 41.93, 0.69%, 0.24%

LAB 34.35, 4.35, 36.25

 

CMYK 0 / 24 / 81 / 46

HEX #89681A

RGB 137 104 26

HSL 42.16, 0.68%, 0.32%

LAB 46.03, 5.51, 45.79

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 0 / 24 / 81 / 19

HEX #CE9C27

RGB 206 156 39

HSL 42.04, 0.68%, 0.48%

LAB 67.31, 8.3, 63.21

 

CMYK 0 / 21 / 69 / 14

HEX #DBAE43

RGB 219 174 67

HSL 42.24, 0.68%, 0.56%

LAB 73.37, 5.51, 58.88

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 73 / 0 / 81 / 33

HEX #2FAB21

RGB 47 171 33

HSL 113.91, 0.68%, 0.4%

LAB 61.52, -57.99, 56.07

 

CMYK 57 / 81 / 0 / 33

HEX #4A21AB

RGB 74 33 171

HSL 257.83, 0.68%, 0.4%

LAB 28.07, 51.61, -66.08

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 81 / 0 / 24 / 33

HEX #21AB82

RGB 33 171 130

HSL 162.17, 0.68%, 0.4%

LAB 62.56, -45.14, 11.21

 

CMYK 24 / 81 / 0 / 33

HEX #8221AB

RGB 130 33 171

HSL 282.17, 0.68%, 0.4%

LAB 35.55, 60.09, -53.55

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 73 / 0 / 81 / 33

HEX #2FAB21

RGB 47 171 33

HSL 113.91, 0.68%, 0.4%

LAB 61.52, -57.99, 56.07

 

CMYK 81 / 57 / 0 / 33

HEX #214AAB

RGB 33 74 171

HSL 222.17, 0.68%, 0.4%

LAB 34.32, 22.47, -55.95

 

CMYK 8 / 81 / 0 / 33

HEX #9D21AB

RGB 157 33 171

HSL 293.91, 0.68%, 0.4%

LAB 39.91, 65.07, -46.29

 

CMYK 0 / 24 / 81 / 33

HEX #AB8221

RGB 171 130 33

HSL 42.17, 0.68%, 0.4%

LAB 56.81, 6.73, 54.44

 

CMYK 81 / 0 / 65 / 33

HEX #21AB3C

RGB 33 171 60

HSL 131.74, 0.68%, 0.4%

LAB 61.46, -57.77, 45.86

 

CMYK 81 / 57 / 0 / 33

HEX #214AAB

RGB 33 74 171

HSL 222.17, 0.68%, 0.4%

LAB 34.32, 22.47, -55.95

 

CMYK 0 / 81 / 16 / 33

HEX #AB2190

RGB 171 33 144

HSL 311.74, 0.68%, 0.4%

LAB 40.83, 63.76, -28.4

 

Description

Color code: HEX #AB8221 | qconv.com Color code: HEX #AB8221 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 130 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 130 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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