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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7E2B it is the complementary color #5481D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7E2B shade: #B07E26, #C19039, #D2A24C, #E3B45F and #F4C672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7E2B shade: #AB7E2B, #9A6C18, #895A05, #784800 and #673600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7E2B shade: #AB7E2B, #AB5C2B, #AB392B and #AB2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7E2B shade: #AB7E2B, #ABA12B, #93AB2B, #71AB2B and #4EAB2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7E2B shade matches the following richer shades: #AB7E2B, #BD831A and #CE8808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7E2B shade: #AB7E2B, #9A793C, #89744D, #776F5F and #666A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7E2B shade: #AB382B, #AB5A2B, #AB7C2B, #AB9F2B and #96AB2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7E2B shade: #694E1A, #8A6623, #AB7E2B, #CC9633 and #D4A754

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7E2B shade: #AB7E2B, #40AB2B and #492BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7E2B shade: #AB7E2B, #2BAB7C and #7C2BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7E2B shade: #AB7E2B, #40AB2B, #2B5AAB and #962BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7E2B shade: #AB7E2B, #2BAB3C, #2B5AAB and #AB2B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

Complementary color

CMYK 60 / 39 / 0 / 17

HEX #5481D4

RGB 84 129 212

HSL 218.91, 0.6%, 0.58%

LAB 54.38, 9.95, -47.37

 

CMYK 0 / 28 / 78 / 31

HEX #B07E26

RGB 176 126 38

HSL 38.26, 0.64%, 0.42%

LAB 56.38, 11.41, 52.38

 

CMYK 0 / 25 / 70 / 24

HEX #C19039

RGB 193 144 57

HSL 38.38, 0.54%, 0.49%

LAB 62.99, 9.88, 51.59

 

CMYK 0 / 23 / 64 / 18

HEX #D2A24C

RGB 210 162 76

HSL 38.51, 0.6%, 0.56%

LAB 69.52, 8.59, 50.44

 

CMYK 0 / 21 / 58 / 11

HEX #E3B45F

RGB 227 180 95

HSL 38.64, 0.7%, 0.63%

LAB 75.95, 7.48, 49.17

 

CMYK 0 / 19 / 53 / 4

HEX #F4C672

RGB 244 198 114

HSL 38.77, 0.86%, 0.7%

LAB 82.29, 6.53, 47.87

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 30 / 84 / 40

HEX #9A6C18

RGB 154 108 24

HSL 38.77, 0.73%, 0.35%

LAB 49.08, 11.07, 49.98

 

CMYK 0 / 34 / 96 / 46

HEX #895A05

RGB 137 90 5

HSL 38.64, 0.93%, 0.28%

LAB 42.22, 13.12, 49

 

CMYK 0 / 40 / 100 / 53

HEX #784800

RGB 120 72 0

HSL 36, 1%, 0.24%

LAB 35.26, 15.6, 44.69

 

CMYK 0 / 48 / 100 / 60

HEX #673600

RGB 103 54 0

HSL 31.46, 1%, 0.2%

LAB 28.17, 18.31, 38.54

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 46 / 75 / 33

HEX #AB5C2B

RGB 171 92 43

HSL 22.97, 0.6%, 0.42%

LAB 47.61, 28.38, 41.25

 

CMYK 0 / 67 / 75 / 33

HEX #AB392B

RGB 171 57 43

HSL 6.56, 0.6%, 0.42%

LAB 40.83, 45.82, 33.97

 

CMYK 0 / 75 / 75 / 33

HEX #AB2B2B

RGB 171 43 43

HSL 0, 0.6%, 0.42%

LAB 38.83, 51.3, 31.74

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 6 / 75 / 33

HEX #ABA12B

RGB 171 161 43

HSL 55.31, 0.6%, 0.42%

LAB 65.22, -9.74, 58.67

 

CMYK 14 / 0 / 75 / 33

HEX #93AB2B

RGB 147 171 43

HSL 71.25, 0.6%, 0.42%

LAB 66.14, -25.23, 58.86

 

CMYK 34 / 0 / 75 / 33

HEX #71AB2B

RGB 113 171 43

HSL 87.19, 0.6%, 0.42%

LAB 64.01, -38.76, 56.07

 

CMYK 54 / 0 / 75 / 33

HEX #4EAB2B

RGB 78 171 43

HSL 103.59, 0.6%, 0.42%

LAB 62.44, -50.22, 54

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 31 / 86 / 26

HEX #BD831A

RGB 189 131 26

HSL 38.65, 0.76%, 0.42%

LAB 59.09, 14.05, 59.46

 

CMYK 0 / 34 / 96 / 19

HEX #CE8808

RGB 206 136 8

HSL 38.79, 0.93%, 0.42%

LAB 62.29, 18.51, 66.58

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 21 / 61 / 40

HEX #9A793C

RGB 154 121 60

HSL 38.94, 0.44%, 0.42%

LAB 52.81, 5.59, 37.77

 

CMYK 0 / 15 / 44 / 46

HEX #89744D

RGB 137 116 77

HSL 39, 0.28%, 0.42%

LAB 49.91, 2.5, 24.57

 

CMYK 0 / 7 / 20 / 53

HEX #776F5F

RGB 119 111 95

HSL 40, 0.11%, 0.42%

LAB 47.13, 0.23, 10.04

 

CMYK 9 / 5 / 0 / 56

HEX #666A70

RGB 102 106 112

HSL 216, 0.05%, 0.42%

LAB 44.66, -0.23, -3.89

 

CMYK 0 / 67 / 75 / 33

HEX #AB382B

RGB 171 56 43

HSL 6.09, 0.6%, 0.42%

LAB 40.67, 46.25, 33.8

 

CMYK 0 / 47 / 75 / 33

HEX #AB5A2B

RGB 171 90 43

HSL 22.03, 0.6%, 0.42%

LAB 47.16, 29.47, 40.79

 

CMYK 0 / 27 / 75 / 33

HEX #AB7C2B

RGB 171 124 43

HSL 37.97, 0.6%, 0.42%

LAB 55.33, 10.5, 49.11

 

CMYK 0 / 7 / 75 / 33

HEX #AB9F2B

RGB 171 159 43

HSL 54.38, 0.6%, 0.42%

LAB 64.67, -8.68, 58.15

 

CMYK 12 / 0 / 75 / 33

HEX #96AB2B

RGB 150 171 43

HSL 69.84, 0.6%, 0.42%

LAB 66.35, -23.97, 59.14

 

CMYK 0 / 26 / 75 / 59

HEX #694E1A

RGB 105 78 26

HSL 39.49, 0.6%, 0.26%

LAB 35.06, 5.58, 33.87

 

CMYK 0 / 26 / 75 / 46

HEX #8A6623

RGB 138 102 35

HSL 39.03, 0.6%, 0.34%

LAB 45.67, 7.56, 41.71

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 0 / 26 / 75 / 20

HEX #CC9633

RGB 204 150 51

HSL 38.82, 0.6%, 0.5%

LAB 65.66, 11.13, 57.21

 

CMYK 0 / 21 / 60 / 17

HEX #D4A754

RGB 212 167 84

HSL 38.91, 0.6%, 0.58%

LAB 71.06, 7.3, 48.43

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 63 / 0 / 75 / 33

HEX #40AB2B

RGB 64 171 43

HSL 110.16, 0.6%, 0.42%

LAB 61.99, -53.82, 53.4

 

CMYK 57 / 75 / 0 / 33

HEX #492BAB

RGB 73 43 171

HSL 254.06, 0.6%, 0.42%

LAB 29.62, 46.72, -63.52

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 75 / 0 / 27 / 33

HEX #2BAB7C

RGB 43 171 124

HSL 157.97, 0.6%, 0.42%

LAB 62.59, -45.38, 14.58

 

CMYK 27 / 75 / 0 / 33

HEX #7C2BAB

RGB 124 43 171

HSL 277.97, 0.6%, 0.42%

LAB 35.89, 55.39, -53.03

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 63 / 0 / 75 / 33

HEX #40AB2B

RGB 64 171 43

HSL 110.16, 0.6%, 0.42%

LAB 61.99, -53.82, 53.4

 

CMYK 75 / 47 / 0 / 33

HEX #2B5AAB

RGB 43 90 171

HSL 217.97, 0.6%, 0.42%

LAB 39.18, 12.99, -48.06

 

CMYK 12 / 75 / 0 / 33

HEX #962BAB

RGB 150 43 171

HSL 290.16, 0.6%, 0.42%

LAB 39.84, 60.6, -46.47

 

CMYK 0 / 26 / 75 / 33

HEX #AB7E2B

RGB 171 126 43

HSL 38.91, 0.6%, 0.42%

LAB 55.84, 9.38, 49.62

 

CMYK 75 / 0 / 65 / 33

HEX #2BAB3C

RGB 43 171 60

HSL 127.97, 0.6%, 0.42%

LAB 61.62, -56.37, 46.09

 

CMYK 75 / 47 / 0 / 33

HEX #2B5AAB

RGB 43 90 171

HSL 217.97, 0.6%, 0.42%

LAB 39.18, 12.99, -48.06

 

CMYK 0 / 75 / 10 / 33

HEX #AB2B9A

RGB 171 43 154

HSL 307.97, 0.6%, 0.42%

LAB 42.34, 62.33, -32.1

 

Description

Color code: HEX #AB7E2B | qconv.com Color code: HEX #AB7E2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 126 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 126 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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