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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7E14 it is the complementary color #5481EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7E14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7E14 shade: #B07E0F, #C19022, #D2A235, #E3B448 and #F4C65B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7E14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7E14 shade: #AB7E14, #9A6C01, #895A00, #784800 and #673600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7E14 shade: #A97C14, #A95414, #A92C14 and #A91414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7E14 shade: #A97C14, #A9A514, #85A914, #5DA914 and #35A914

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7E14 shade matches the following richer shades: #A97C14 and #B88305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7E14 shade: #A97C14, #9A7623, #8A7032, #7B6A42 and #6C6451

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7E14 shade: #A92D14, #A95414, #A97C14, #A9A414 and #86A914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7E14 shade: #5F460B, #84610F, #A97C14, #CE9818 and #E6AE29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7E14 shade: #AB7E14, #23A914 and #4114A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7E14 shade: #AB7E14, #14A97C and #7C14A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7E14 shade: #AB7E14, #23A914, #1441A9 and #9A14A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7E14 shade: #AB7E14, #14A932, #1441A9 and #A9148B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

Complementary color

CMYK 64 / 45 / 0 / 8

HEX #5481EB

RGB 84 129 235

HSL 222.12, 0.79%, 0.63%

LAB 55.67, 17.73, -58.21

 

CMYK 0 / 28 / 91 / 31

HEX #B07E0F

RGB 176 126 15

HSL 41.37, 0.84%, 0.37%

LAB 56.27, 10.75, 59.37

 

CMYK 0 / 25 / 82 / 24

HEX #C19022

RGB 193 144 34

HSL 41.51, 0.7%, 0.45%

LAB 62.84, 8.91, 60.37

 

CMYK 0 / 23 / 75 / 18

HEX #D2A235

RGB 210 162 53

HSL 41.66, 0.64%, 0.52%

LAB 69.33, 7.35, 60.2

 

CMYK 0 / 21 / 68 / 11

HEX #E3B448

RGB 227 180 72

HSL 41.81, 0.73%, 0.59%

LAB 75.73, 6.01, 59.46

 

CMYK 0 / 19 / 63 / 4

HEX #F4C65B

RGB 244 198 91

HSL 41.96, 0.87%, 0.66%

LAB 82.04, 4.86, 58.42

 

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

CMYK 0 / 30 / 99 / 40

HEX #9A6C01

RGB 154 108 1

HSL 41.96, 0.99%, 0.3%

LAB 49, 10.59, 55.69

 

CMYK 0 / 34 / 100 / 46

HEX #895A00

RGB 137 90 0

HSL 39.42, 1%, 0.27%

LAB 42.2, 13.02, 50.35

 

CMYK 0 / 40 / 100 / 53

HEX #784800

RGB 120 72 0

HSL 36, 1%, 0.24%

LAB 35.26, 15.6, 44.69

 

CMYK 0 / 48 / 100 / 60

HEX #673600

RGB 103 54 0

HSL 31.46, 1%, 0.2%

LAB 28.17, 18.31, 38.54

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 50 / 88 / 34

HEX #A95414

RGB 169 84 20

HSL 25.77, 0.79%, 0.37%

LAB 45.4, 31.06, 49.1

 

CMYK 0 / 74 / 88 / 34

HEX #A92C14

RGB 169 44 20

HSL 9.66, 0.79%, 0.37%

LAB 38.35, 49.57, 43.42

 

CMYK 0 / 88 / 88 / 34

HEX #A91414

RGB 169 20 20

HSL 0, 0.79%, 0.37%

LAB 35.96, 56.31, 41.49

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 2 / 88 / 34

HEX #A9A514

RGB 169 165 20

HSL 58.39, 0.79%, 0.37%

LAB 66.06, -13.47, 65.73

 

CMYK 21 / 0 / 88 / 34

HEX #85A914

RGB 133 169 20

HSL 74.5, 0.79%, 0.37%

LAB 64.49, -30.98, 63.33

 

CMYK 45 / 0 / 88 / 34

HEX #5DA914

RGB 93 169 20

HSL 90.6, 0.79%, 0.37%

LAB 62.3, -46.03, 60.6

 

CMYK 69 / 0 / 88 / 34

HEX #35A914

RGB 53 169 20

HSL 106.71, 0.79%, 0.37%

LAB 60.94, -56.83, 58.9

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 29 / 97 / 28

HEX #B88305

RGB 184 131 5

HSL 42.23, 0.95%, 0.37%

LAB 58.45, 11.45, 63.14

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 23 / 77 / 40

HEX #9A7623

RGB 154 118 35

HSL 41.85, 0.63%, 0.37%

LAB 51.78, 5.78, 48.33

 

CMYK 0 / 19 / 64 / 46

HEX #8A7032

RGB 138 112 50

HSL 42.27, 0.47%, 0.37%

LAB 48.54, 2.71, 37.55

 

CMYK 0 / 14 / 46 / 52

HEX #7B6A42

RGB 123 106 66

HSL 42.11, 0.3%, 0.37%

LAB 45.51, 0.82, 24.89

 

CMYK 0 / 7 / 25 / 58

HEX #6C6451

RGB 108 100 81

HSL 42.22, 0.14%, 0.37%

LAB 42.61, -0.21, 11.94

 

CMYK 0 / 73 / 88 / 34

HEX #A92D14

RGB 169 45 20

HSL 10.07, 0.79%, 0.37%

LAB 38.48, 49.2, 43.53

 

CMYK 0 / 50 / 88 / 34

HEX #A95414

RGB 169 84 20

HSL 25.77, 0.79%, 0.37%

LAB 45.4, 31.06, 49.1

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 3 / 88 / 34

HEX #A9A414

RGB 169 164 20

HSL 57.99, 0.79%, 0.37%

LAB 65.78, -12.95, 65.5

 

CMYK 21 / 0 / 88 / 34

HEX #86A914

RGB 134 169 20

HSL 74.09, 0.79%, 0.37%

LAB 64.56, -30.57, 63.41

 

CMYK 0 / 26 / 88 / 63

HEX #5F460B

RGB 95 70 11

HSL 42.14, 0.79%, 0.21%

LAB 31.43, 4.83, 36.44

 

CMYK 0 / 27 / 89 / 48

HEX #84610F

RGB 132 97 15

HSL 42.05, 0.8%, 0.29%

LAB 43.49, 6.85, 47.09

 

CMYK 0 / 27 / 88 / 34

HEX #A97C14

RGB 169 124 20

HSL 41.88, 0.79%, 0.37%

LAB 54.97, 8.78, 56.81

 

CMYK 0 / 26 / 88 / 19

HEX #CE9818

RGB 206 152 24

HSL 42.2, 0.79%, 0.45%

LAB 66.25, 10.06, 66.54

 

CMYK 0 / 24 / 82 / 10

HEX #E6AE29

RGB 230 174 41

HSL 42.22, 0.79%, 0.53%

LAB 74.35, 9.19, 69.7

 

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

CMYK 79 / 0 / 88 / 34

HEX #23A914

RGB 35 169 20

HSL 113.96, 0.79%, 0.37%

LAB 60.59, -59.89, 58.45

 

CMYK 62 / 88 / 0 / 34

HEX #4114A9

RGB 65 20 169

HSL 258.12, 0.79%, 0.37%

LAB 25.23, 55.09, -69.61

 

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

CMYK 88 / 0 / 27 / 34

HEX #14A97C

RGB 20 169 124

HSL 161.88, 0.79%, 0.37%

LAB 61.64, -46.9, 13.21

 

CMYK 27 / 88 / 0 / 34

HEX #7C14A9

RGB 124 20 169

HSL 281.88, 0.79%, 0.37%

LAB 33.24, 62.22, -56.14

 

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

CMYK 79 / 0 / 88 / 34

HEX #23A914

RGB 35 169 20

HSL 113.96, 0.79%, 0.37%

LAB 60.59, -59.89, 58.45

 

CMYK 88 / 62 / 0 / 34

HEX #1441A9

RGB 20 65 169

HSL 221.88, 0.79%, 0.37%

LAB 31.33, 26.71, -59.64

 

CMYK 9 / 88 / 0 / 34

HEX #9A14A9

RGB 154 20 169

HSL 293.96, 0.79%, 0.37%

LAB 38.26, 67.13, -47.77

 

CMYK 0 / 26 / 88 / 33

HEX #AB7E14

RGB 171 126 20

HSL 42.12, 0.79%, 0.37%

LAB 55.72, 8.58, 57.51

 

CMYK 88 / 0 / 70 / 34

HEX #14A932

RGB 20 169 50

HSL 132.08, 0.79%, 0.37%

LAB 60.56, -59.51, 49.04

 

CMYK 88 / 62 / 0 / 34

HEX #1441A9

RGB 20 65 169

HSL 221.88, 0.79%, 0.37%

LAB 31.33, 26.71, -59.64

 

CMYK 0 / 88 / 18 / 34

HEX #A9148B

RGB 169 20 139

HSL 312.08, 0.79%, 0.37%

LAB 39.24, 65.47, -27.86

 

Description

Color code: HEX #AB7E14 | qconv.com Color code: HEX #AB7E14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 126 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 126 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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