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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7E11 it is the complementary color #5481EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7E11 shade: #B07E0C, #C1901F, #D2A232, #E3B445 and #F4C658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7E11 shade: #AB7E11, #9A6C00, #895A00, #784800 and #673600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7E11 shade: #AC7F11, #AC5511, #AC2B11 and #AC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7E11 shade: #AC7F11, #ACA811, #85AC11, #5CAC11 and #32AC11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7E11 shade matches the following richer shades: #AC7F11 and #BB8502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7E11 shade: #AC7F11, #9C7820, #8D7230, #7E6B3F and #6F654E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7E11 shade: #AC2B11, #AC5411, #AC7D11, #ACA711 and #88AC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7E11 shade: #61470A, #86630D, #AC7F11, #D19A15 and #EAB026

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7E11 shade: #AB7E11, #20AC11 and #3F11AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7E11 shade: #AB7E11, #11AC7D and #7D11AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7E11 shade: #AB7E11, #20AC11, #113FAC and #9C11AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7E11 shade: #AB7E11, #11AC30, #113FAC and #AC118D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

Complementary color

CMYK 65 / 46 / 0 / 7

HEX #5481EE

RGB 84 129 238

HSL 222.47, 0.82%, 0.63%

LAB 55.85, 18.76, -59.6

 

CMYK 0 / 28 / 93 / 31

HEX #B07E0C

RGB 176 126 12

HSL 41.71, 0.87%, 0.37%

LAB 56.27, 10.7, 59.97

 

CMYK 0 / 25 / 84 / 24

HEX #C1901F

RGB 193 144 31

HSL 41.85, 0.72%, 0.44%

LAB 62.83, 8.82, 61.29

 

CMYK 0 / 23 / 76 / 18

HEX #D2A232

RGB 210 162 50

HSL 42, 0.64%, 0.51%

LAB 69.31, 7.22, 61.33

 

CMYK 0 / 21 / 70 / 11

HEX #E3B445

RGB 227 180 69

HSL 42.15, 0.74%, 0.58%

LAB 75.7, 5.86, 60.7

 

CMYK 0 / 19 / 64 / 4

HEX #F4C658

RGB 244 198 88

HSL 42.31, 0.88%, 0.65%

LAB 82.01, 4.68, 59.73

 

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

CMYK 0 / 30 / 100 / 40

HEX #9A6C00

RGB 154 108 0

HSL 42.08, 1%, 0.3%

LAB 49, 10.57, 55.91

 

CMYK 0 / 34 / 100 / 46

HEX #895A00

RGB 137 90 0

HSL 39.42, 1%, 0.27%

LAB 42.2, 13.02, 50.35

 

CMYK 0 / 40 / 100 / 53

HEX #784800

RGB 120 72 0

HSL 36, 1%, 0.24%

LAB 35.26, 15.6, 44.69

 

CMYK 0 / 48 / 100 / 60

HEX #673600

RGB 103 54 0

HSL 31.46, 1%, 0.2%

LAB 28.17, 18.31, 38.54

 

CMYK 0 / 26 / 90 / 33

HEX #AC7F11

RGB 172 127 17

HSL 42.58, 0.82%, 0.37%

LAB 56.08, 8.41, 58.58

 

CMYK 0 / 51 / 90 / 33

HEX #AC5511

RGB 172 85 17

HSL 26.32, 0.82%, 0.37%

LAB 46.05, 31.71, 50.82

 

CMYK 0 / 75 / 90 / 33

HEX #AC2B11

RGB 172 43 17

HSL 10.06, 0.82%, 0.37%

LAB 38.79, 50.84, 45.31

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 26 / 90 / 33

HEX #AC7F11

RGB 172 127 17

HSL 42.58, 0.82%, 0.37%

LAB 56.08, 8.41, 58.58

 

CMYK 0 / 2 / 90 / 33

HEX #ACA811

RGB 172 168 17

HSL 58.45, 0.82%, 0.37%

LAB 67.14, -13.75, 67.25

 

CMYK 23 / 0 / 90 / 33

HEX #85AC11

RGB 133 172 17

HSL 75.1, 0.82%, 0.37%

LAB 65.38, -32.46, 64.62

 

CMYK 47 / 0 / 90 / 33

HEX #5CAC11

RGB 92 172 17

HSL 90.97, 0.82%, 0.37%

LAB 63.19, -47.64, 61.91

 

CMYK 71 / 0 / 90 / 33

HEX #32AC11

RGB 50 172 17

HSL 107.23, 0.82%, 0.37%

LAB 61.85, -58.5, 60.23

 

CMYK 0 / 26 / 90 / 33

HEX #AC7F11

RGB 172 127 17

HSL 42.58, 0.82%, 0.37%

LAB 56.08, 8.41, 58.58

 

CMYK 0 / 29 / 99 / 27

HEX #BB8502

RGB 187 133 2

HSL 42.49, 0.98%, 0.37%

LAB 59.29, 11.66, 64.38

 

CMYK 0 / 26 / 90 / 33

HEX #AC7F11

RGB 172 127 17

HSL 42.58, 0.82%, 0.37%

LAB 56.08, 8.41, 58.58

 

CMYK 0 / 23 / 79 / 39

HEX #9C7820

RGB 156 120 32

HSL 42.58, 0.66%, 0.37%

LAB 52.51, 5.44, 50.27

 

CMYK 0 / 19 / 66 / 45

HEX #8D7230

RGB 141 114 48

HSL 42.58, 0.49%, 0.37%

LAB 49.39, 2.8, 39.58

 

CMYK 0 / 15 / 50 / 51

HEX #7E6B3F

RGB 126 107 63

HSL 41.9, 0.33%, 0.37%

LAB 46.06, 1.27, 27.33

 

CMYK 0 / 9 / 30 / 56

HEX #6F654E

RGB 111 101 78

HSL 41.82, 0.17%, 0.37%

LAB 43.12, 0.02, 14.49

 

CMYK 0 / 75 / 90 / 33

HEX #AC2B11

RGB 172 43 17

HSL 10.06, 0.82%, 0.37%

LAB 38.79, 50.84, 45.31

 

CMYK 0 / 51 / 90 / 33

HEX #AC5411

RGB 172 84 17

HSL 25.94, 0.82%, 0.37%

LAB 45.84, 32.24, 50.66

 

CMYK 0 / 27 / 90 / 33

HEX #AC7D11

RGB 172 125 17

HSL 41.81, 0.82%, 0.37%

LAB 55.56, 9.53, 58.18

 

CMYK 0 / 3 / 90 / 33

HEX #ACA711

RGB 172 167 17

HSL 58.06, 0.82%, 0.37%

LAB 66.86, -13.23, 67.03

 

CMYK 21 / 0 / 90 / 33

HEX #88AC11

RGB 136 172 17

HSL 73.94, 0.82%, 0.37%

LAB 65.58, -31.23, 64.86

 

CMYK 0 / 27 / 90 / 62

HEX #61470A

RGB 97 71 10

HSL 42.07, 0.81%, 0.21%

LAB 31.97, 5.18, 37.34

 

CMYK 0 / 26 / 90 / 47

HEX #86630D

RGB 134 99 13

HSL 42.64, 0.82%, 0.29%

LAB 44.26, 6.58, 48.38

 

CMYK 0 / 26 / 90 / 33

HEX #AC7F11

RGB 172 127 17

HSL 42.58, 0.82%, 0.37%

LAB 56.08, 8.41, 58.58

 

CMYK 0 / 26 / 90 / 18

HEX #D19A15

RGB 209 154 21

HSL 42.45, 0.82%, 0.45%

LAB 67.07, 10.25, 67.99

 

CMYK 0 / 25 / 84 / 8

HEX #EAB026

RGB 234 176 38

HSL 42.24, 0.82%, 0.53%

LAB 75.25, 9.77, 71.51

 

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

CMYK 81 / 0 / 90 / 33

HEX #20AC11

RGB 32 172 17

HSL 114.19, 0.82%, 0.37%

LAB 61.53, -61.29, 59.83

 

CMYK 63 / 90 / 0 / 33

HEX #3F11AC

RGB 63 17 172

HSL 257.81, 0.82%, 0.37%

LAB 25.06, 56.63, -71.69

 

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

CMYK 90 / 0 / 27 / 33

HEX #11AC7D

RGB 17 172 125

HSL 161.81, 0.82%, 0.37%

LAB 62.6, -48.05, 14

 

CMYK 27 / 90 / 0 / 33

HEX #7D11AC

RGB 125 17 172

HSL 281.81, 0.82%, 0.37%

LAB 33.43, 63.6, -57.62

 

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

CMYK 81 / 0 / 90 / 33

HEX #20AC11

RGB 32 172 17

HSL 114.19, 0.82%, 0.37%

LAB 61.53, -61.29, 59.83

 

CMYK 90 / 63 / 0 / 33

HEX #113FAC

RGB 17 63 172

HSL 222.19, 0.82%, 0.37%

LAB 31, 29.08, -61.98

 

CMYK 9 / 90 / 0 / 33

HEX #9C11AC

RGB 156 17 172

HSL 293.81, 0.82%, 0.37%

LAB 38.63, 68.49, -48.95

 

CMYK 0 / 26 / 90 / 33

HEX #AB7E11

RGB 171 126 17

HSL 42.47, 0.82%, 0.37%

LAB 55.71, 8.51, 58.24

 

CMYK 90 / 0 / 72 / 33

HEX #11AC30

RGB 17 172 48

HSL 132, 0.82%, 0.37%

LAB 61.51, -60.84, 50.8

 

CMYK 90 / 63 / 0 / 33

HEX #113FAC

RGB 17 63 172

HSL 222.19, 0.82%, 0.37%

LAB 31, 29.08, -61.98

 

CMYK 0 / 90 / 18 / 33

HEX #AC118D

RGB 172 17 141

HSL 312, 0.82%, 0.37%

LAB 39.74, 66.84, -28.26

 

Description

Color code: HEX #AB7E11 | qconv.com Color code: HEX #AB7E11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 126 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 126 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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