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Color name
HEX #AB7D0ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7D0ACE it is the complementary color #5482F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7D0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7D0ACE shade: #B07D05CE, #C18F18CE, #D2A12BCE, #E3B33ECE and #F4C551CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7D0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7D0ACE shade: #AB7D0ACE, #9A6B00CE, #895900CE, #784700CE and #673500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7D0ACE shade: #A97B0A, #A9500A, #A9260A and #A90A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7D0ACE shade: #A97B0A, #A9A60A, #80A90A, #56A90A and #2BA90A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7D0ACE shade matches the following richer shades: #A97B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7D0ACE shade: #A97B0A, #9A7518, #8C6F27, #7D6935 and #6F6344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7D0ACE shade: #A9240A, #A94F0A, #A9790A, #A9A30A and #84A90A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7D0ACE shade: #5B4205, #825F08, #A97B0A, #D0980C and #F1B214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7D0ACE shade: #AB7D0A, #1AA90A and #390AA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7D0ACE shade: #AB7D0A, #0AA979 and #790AA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7D0ACE shade: #AB7D0A, #1AA90A, #0A39A9 and #990AA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7D0ACE shade: #AB7D0A, #0AA92A, #0A39A9 and #A90A89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 76 / 27

HEX #AB7D0ACE

RGBA 171 125 10 0.81

HSLA 42.86, 0.89%, 0.35%, 0.81

LABA 55.43, 8.95, 59.45, 0.81

 

Complementary color

CMYK 53 / 38 / 0 / 3

HEX #5482F5CE

RGBA 84 130 245 0.81

HSLA 222.86, 0.89%, 0.65%, 0.81

LABA 56.53, 20.55, -62.39, 0.81

 

CMYK 0 / 23 / 79 / 25

HEX #B07D05CE

RGBA 176 125 5 0.81

HSLA 42.11, 0.94%, 0.35%, 0.81

LABA 56, 11.16, 60.99, 0.81

 

CMYK 0 / 21 / 71 / 20

HEX #C18F18CE

RGBA 193 143 24 0.81

HSLA 42.25, 0.78%, 0.43%, 0.81

LABA 62.55, 9.19, 63, 0.81

 

CMYK 0 / 19 / 64 / 14

HEX #D2A12BCE

RGBA 210 161 43 0.81

HSLA 42.4, 0.66%, 0.5%, 0.81

LABA 69.02, 7.5, 63.56, 0.81

 

CMYK 0 / 17 / 59 / 9

HEX #E3B33ECE

RGBA 227 179 62 0.81

HSLA 42.55, 0.75%, 0.57%, 0.81

LABA 75.4, 6.04, 63.23, 0.81

 

CMYK 0 / 16 / 54 / 3

HEX #F4C551CE

RGBA 244 197 81 0.81

HSLA 42.7, 0.88%, 0.64%, 0.81

LABA 81.71, 4.79, 62.43, 0.81

 

CMYK 0 / 22 / 76 / 27

HEX #AB7D0ACE

RGBA 171 125 10 0.81

HSLA 42.86, 0.89%, 0.35%, 0.81

LABA 55.43, 8.95, 59.45, 0.81

 

CMYK 0 / 25 / 81 / 32

HEX #9A6B00CE

RGBA 154 107 0 0.81

HSLA 41.69, 1%, 0.3%, 0.81

LABA 48.74, 11.14, 55.73, 0.81

 

CMYK 0 / 28 / 81 / 37

HEX #895900CE

RGBA 137 89 0 0.81

HSLA 38.98, 1%, 0.27%, 0.81

LABA 41.94, 13.6, 50.17, 0.81

 

CMYK 0 / 33 / 81 / 43

HEX #784700CE

RGBA 120 71 0 0.81

HSLA 35.5, 1%, 0.24%, 0.81

LABA 35, 16.2, 44.52, 0.81

 

CMYK 0 / 39 / 81 / 48

HEX #673500CE

RGBA 103 53 0 0.81

HSLA 30.87, 1%, 0.2%, 0.81

LABA 27.93, 18.91, 38.33, 0.81

 

CMYK 0 / 27 / 94 / 34

HEX #A97B0A

RGB 169 123 10

HSL 42.64, 0.89%, 0.35%

LAB 54.68, 9.16, 58.79

 

CMYK 0 / 53 / 94 / 34

HEX #A9500A

RGB 169 80 10

HSL 26.42, 0.89%, 0.35%

LAB 44.51, 32.99, 51.47

 

CMYK 0 / 78 / 94 / 34

HEX #A9260A

RGB 169 38 10

HSL 10.57, 0.89%, 0.35%

LAB 37.56, 51.46, 46.81

 

CMYK 0 / 94 / 94 / 34

HEX #A90A0A

RGB 169 10 10

HSL 0, 0.89%, 0.35%

LAB 35.35, 57.74, 45.42

 

CMYK 0 / 27 / 94 / 34

HEX #A97B0A

RGB 169 123 10

HSL 42.64, 0.89%, 0.35%

LAB 54.68, 9.16, 58.79

 

CMYK 0 / 2 / 94 / 34

HEX #A9A60A

RGB 169 166 10

HSL 58.87, 0.89%, 0.35%

LAB 66.31, -14.16, 67.54

 

CMYK 24 / 0 / 94 / 34

HEX #80A90A

RGB 128 169 10

HSL 75.47, 0.89%, 0.35%

LAB 64.15, -33.25, 64.55

 

CMYK 49 / 0 / 94 / 34

HEX #56A90A

RGB 86 169 10

HSL 91.32, 0.89%, 0.35%

LAB 61.98, -48.55, 61.89

 

CMYK 75 / 0 / 94 / 34

HEX #2BA90A

RGB 43 169 10

HSL 107.55, 0.89%, 0.35%

LAB 60.7, -58.99, 60.32

 

CMYK 0 / 27 / 94 / 34

HEX #A97B0A

RGB 169 123 10

HSL 42.64, 0.89%, 0.35%

LAB 54.68, 9.16, 58.79

 

CMYK 0 / 27 / 94 / 34

HEX #A97B0A

RGB 169 123 10

HSL 42.64, 0.89%, 0.35%

LAB 54.68, 9.16, 58.79

 

CMYK 0 / 24 / 84 / 40

HEX #9A7518

RGB 154 117 24

HSL 42.92, 0.73%, 0.35%

LAB 51.45, 5.93, 52.03

 

CMYK 0 / 21 / 72 / 45

HEX #8C6F27

RGB 140 111 39

HSL 42.77, 0.56%, 0.35%

LAB 48.37, 3.49, 42.73

 

CMYK 0 / 16 / 58 / 51

HEX #7D6935

RGB 125 105 53

HSL 43.33, 0.4%, 0.35%

LAB 45.25, 1.01, 31.83

 

CMYK 0 / 11 / 39 / 56

HEX #6F6344

RGB 111 99 68

HSL 43.26, 0.24%, 0.35%

LAB 42.34, -0.21, 19.38

 

CMYK 0 / 79 / 94 / 34

HEX #A9240A

RGB 169 36 10

HSL 9.81, 0.89%, 0.35%

LAB 37.33, 52.09, 46.66

 

CMYK 0 / 53 / 94 / 34

HEX #A94F0A

RGB 169 79 10

HSL 26.04, 0.89%, 0.35%

LAB 44.3, 33.52, 51.32

 

CMYK 0 / 28 / 94 / 34

HEX #A9790A

RGB 169 121 10

HSL 41.89, 0.89%, 0.35%

LAB 54.17, 10.28, 58.41

 

CMYK 0 / 4 / 94 / 34

HEX #A9A30A

RGB 169 163 10

HSL 57.74, 0.89%, 0.35%

LAB 65.48, -12.61, 66.9

 

CMYK 22 / 0 / 94 / 34

HEX #84A90A

RGB 132 169 10

HSL 73.96, 0.89%, 0.35%

LAB 64.41, -31.61, 64.86

 

CMYK 0 / 27 / 95 / 64

HEX #5B4205

RGB 91 66 5

HSL 42.56, 0.9%, 0.19%

LAB 29.74, 5.08, 37.04

 

CMYK 0 / 27 / 94 / 49

HEX #825F08

RGB 130 95 8

HSL 42.79, 0.88%, 0.27%

LAB 42.68, 6.9, 48.19

 

CMYK 0 / 27 / 94 / 34

HEX #A97B0A

RGB 169 123 10

HSL 42.64, 0.89%, 0.35%

LAB 54.68, 9.16, 58.79

 

CMYK 0 / 27 / 94 / 18

HEX #D0980C

RGB 208 152 12

HSL 42.86, 0.89%, 0.43%

LAB 66.44, 10.75, 69.07

 

CMYK 0 / 26 / 92 / 5

HEX #F1B214

RGB 241 178 20

HSL 42.9, 0.89%, 0.51%

LAB 76.43, 11.37, 76.77

 

CMYK 0 / 27 / 94 / 33

HEX #AB7D0A

RGB 171 125 10

HSL 42.86, 0.89%, 0.35%

LAB 55.43, 8.95, 59.45

 

CMYK 85 / 0 / 94 / 34

HEX #1AA90A

RGB 26 169 10

HSL 113.96, 0.89%, 0.35%

LAB 60.44, -61.3, 60

 

CMYK 66 / 94 / 0 / 34

HEX #390AA9

RGB 57 10 169

HSL 257.74, 0.89%, 0.35%

LAB 23.51, 57.23, -72.48

 

CMYK 0 / 27 / 94 / 33

HEX #AB7D0A

RGB 171 125 10

HSL 42.86, 0.89%, 0.35%

LAB 55.43, 8.95, 59.45

 

CMYK 94 / 0 / 28 / 34

HEX #0AA979

RGB 10 169 121

HSL 161.89, 0.89%, 0.35%

LAB 61.5, -48.18, 14.67

 

CMYK 28 / 94 / 0 / 34

HEX #790AA9

RGB 121 10 169

HSL 281.89, 0.89%, 0.35%

LAB 32.14, 63.64, -57.96

 

CMYK 0 / 27 / 94 / 33

HEX #AB7D0A

RGB 171 125 10

HSL 42.86, 0.89%, 0.35%

LAB 55.43, 8.95, 59.45

 

CMYK 85 / 0 / 94 / 34

HEX #1AA90A

RGB 26 169 10

HSL 113.96, 0.89%, 0.35%

LAB 60.44, -61.3, 60

 

CMYK 94 / 66 / 0 / 34

HEX #0A39A9

RGB 10 57 169

HSL 222.26, 0.89%, 0.35%

LAB 29.04, 31.61, -63.4

 

CMYK 9 / 94 / 0 / 34

HEX #990AA9

RGB 153 10 169

HSL 293.96, 0.89%, 0.35%

LAB 37.58, 68.45, -48.88

 

CMYK 0 / 27 / 94 / 33

HEX #AB7D0A

RGB 171 125 10

HSL 42.86, 0.89%, 0.35%

LAB 55.43, 8.95, 59.45

 

CMYK 94 / 0 / 75 / 34

HEX #0AA92A

RGB 10 169 42

HSL 132.08, 0.89%, 0.35%

LAB 60.43, -60.88, 51.91

 

CMYK 94 / 66 / 0 / 34

HEX #0A39A9

RGB 10 57 169

HSL 222.26, 0.89%, 0.35%

LAB 29.04, 31.61, -63.4

 

CMYK 0 / 94 / 19 / 34

HEX #A90A89

RGB 169 10 137

HSL 312.08, 0.89%, 0.35%

LAB 38.65, 66.63, -27.55

 

Description

Color code: HEX #AB7D0ACE | qconv.com Color code: HEX #AB7D0ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 125 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 125 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 76 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 76% 27% C M Y K

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