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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7A8B it is the complementary color #548574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7A8B shade: #B07A86, #C18C99, #D29EAC, #E3B0BF and #F4C2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7A8B shade: #AB7A8B, #9A6878, #895665, #784452 and #67323F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7A8B shade: #AB788A, #AB787C and #AB7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7A8B shade: #AB788A, #AB7897, #AB78A5, #A378AB and #9578AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7A8B shade matches the following richer shades: #AB788A, #BC6684, #CE557F, #E04379 and #F23174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7A8B shade: #AB788A, #998A8F, #879C94, #75AD9A and #64BF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7A8B shade: #AB78A5, #AB7897, #AB788A, #AB787C and #AB8178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7A8B shade: #805061, #996074, #AB788A, #BA92A0 and #CAABB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7A8B shade: #AB7A8B, #ABA378 and #789EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7A8B shade: #AB7A8B, #8AAB78 and #788AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7A8B shade: #AB7A8B, #ABA378, #78AB99 and #7880AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7A8B shade: #AB7A8B, #A3AB78, #78AB99 and #8078AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

Complementary color

CMYK 37 / 0 / 13 / 48

HEX #548574

RGB 84 133 116

HSL 159.18, 0.23%, 0.43%

LAB 51.75, -20.64, 3.94

 

CMYK 0 / 31 / 24 / 31

HEX #B07A86

RGB 176 122 134

HSL 346.67, 0.25%, 0.58%

LAB 56.95, 22.82, 1.99

 

CMYK 0 / 27 / 21 / 24

HEX #C18C99

RGB 193 140 153

HSL 345.28, 0.3%, 0.65%

LAB 63.67, 22.09, 1.1

 

CMYK 0 / 25 / 18 / 18

HEX #D29EAC

RGB 210 158 172

HSL 343.85, 0.37%, 0.72%

LAB 70.27, 21.43, 0.28

 

CMYK 0 / 22 / 16 / 11

HEX #E3B0BF

RGB 227 176 191

HSL 342.35, 0.48%, 0.79%

LAB 76.77, 20.83, -0.47

 

CMYK 0 / 20 / 14 / 4

HEX #F4C2D2

RGB 244 194 210

HSL 340.8, 0.69%, 0.86%

LAB 83.16, 20.28, -1.18

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

CMYK 0 / 32 / 22 / 40

HEX #9A6878

RGB 154 104 120

HSL 340.8, 0.2%, 0.51%

LAB 49.65, 22.47, -0.74

 

CMYK 0 / 37 / 26 / 46

HEX #895665

RGB 137 86 101

HSL 342.35, 0.23%, 0.44%

LAB 42.63, 23.31, 0.24

 

CMYK 0 / 43 / 32 / 53

HEX #784452

RGB 120 68 82

HSL 343.85, 0.28%, 0.37%

LAB 35.47, 24.26, 1.39

 

CMYK 0 / 51 / 39 / 60

HEX #67323F

RGB 103 50 63

HSL 345.28, 0.35%, 0.3%

LAB 28.18, 25.28, 2.84

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 30 / 27 / 33

HEX #AB787C

RGB 171 120 124

HSL 355.29, 0.23%, 0.57%

LAB 55.63, 20.54, 5.82

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 30 / 12 / 33

HEX #AB7897

RGB 171 120 151

HSL 323.53, 0.23%, 0.57%

LAB 56.41, 24.86, -8.73

 

CMYK 0 / 30 / 4 / 33

HEX #AB78A5

RGB 171 120 165

HSL 307.06, 0.23%, 0.57%

LAB 56.89, 27.4, -16.11

 

CMYK 5 / 30 / 0 / 33

HEX #A378AB

RGB 163 120 171

HSL 290.59, 0.23%, 0.57%

LAB 56.25, 25.86, -20.62

 

CMYK 13 / 30 / 0 / 33

HEX #9578AB

RGB 149 120 171

HSL 274.12, 0.23%, 0.57%

LAB 54.83, 21.2, -22.92

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 46 / 30 / 26

HEX #BC6684

RGB 188 102 132

HSL 339.07, 0.39%, 0.57%

LAB 53.88, 37.92, -1.14

 

CMYK 0 / 59 / 38 / 19

HEX #CE557F

RGB 206 85 127

HSL 339.17, 0.55%, 0.57%

LAB 53.11, 51.85, 1.01

 

CMYK 0 / 70 / 46 / 12

HEX #E04379

RGB 224 67 121

HSL 339.36, 0.72%, 0.57%

LAB 53.21, 64.09, 5.11

 

CMYK 0 / 80 / 52 / 5

HEX #F23174

RGB 242 49 116

HSL 339.17, 0.88%, 0.57%

LAB 54.38, 74.02, 10.21

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 10 / 7 / 40

HEX #998A8F

RGB 153 138 143

HSL 340, 0.07%, 0.57%

LAB 58.91, 6.53, -0.62

 

CMYK 13 / 0 / 5 / 39

HEX #879C94

RGB 135 156 148

HSL 157.14, 0.1%, 0.57%

LAB 62.56, -9.04, 1.69

 

CMYK 32 / 0 / 11 / 32

HEX #75AD9A

RGB 117 173 154

HSL 159.64, 0.25%, 0.57%

LAB 66.52, -22.56, 3.93

 

CMYK 48 / 0 / 17 / 25

HEX #64BF9F

RGB 100 191 159

HSL 158.9, 0.42%, 0.57%

LAB 71.2, -34.87, 7.81

 

CMYK 0 / 30 / 4 / 33

HEX #AB78A5

RGB 171 120 165

HSL 307.06, 0.23%, 0.57%

LAB 56.89, 27.4, -16.11

 

CMYK 0 / 30 / 12 / 33

HEX #AB7897

RGB 171 120 151

HSL 323.53, 0.23%, 0.57%

LAB 56.41, 24.86, -8.73

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 30 / 27 / 33

HEX #AB787C

RGB 171 120 124

HSL 355.29, 0.23%, 0.57%

LAB 55.63, 20.54, 5.82

 

CMYK 0 / 25 / 30 / 33

HEX #AB8178

RGB 171 129 120

HSL 10.59, 0.23%, 0.57%

LAB 57.77, 14.88, 11.16

 

CMYK 0 / 38 / 24 / 50

HEX #805061

RGB 128 80 97

HSL 338.75, 0.23%, 0.41%

LAB 39.9, 22.67, -1.43

 

CMYK 0 / 37 / 24 / 40

HEX #996074

RGB 153 96 116

HSL 338.95, 0.23%, 0.49%

LAB 47.49, 26.04, -1.52

 

CMYK 0 / 30 / 19 / 33

HEX #AB788A

RGB 171 120 138

HSL 338.82, 0.23%, 0.57%

LAB 56.01, 22.68, -1.77

 

CMYK 0 / 22 / 14 / 27

HEX #BA92A0

RGB 186 146 160

HSL 339, 0.22%, 0.65%

LAB 64.59, 17.29, -1.6

 

CMYK 0 / 15 / 10 / 21

HEX #CAABB6

RGB 202 171 182

HSL 338.71, 0.23%, 0.73%

LAB 72.93, 13.08, -1.44

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

CMYK 0 / 5 / 30 / 33

HEX #ABA378

RGB 171 163 120

HSL 50.59, 0.23%, 0.57%

LAB 66.68, -3.95, 23.43

 

CMYK 30 / 8 / 0 / 33

HEX #789EAB

RGB 120 158 171

HSL 195.29, 0.23%, 0.57%

LAB 62.83, -9.81, -10.98

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

CMYK 19 / 0 / 30 / 33

HEX #8AAB78

RGB 138 171 120

HSL 98.82, 0.23%, 0.57%

LAB 66.43, -20.91, 22.67

 

CMYK 30 / 19 / 0 / 33

HEX #788AAB

RGB 120 138 171

HSL 218.82, 0.23%, 0.57%

LAB 57.18, 1.4, -19.53

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

CMYK 0 / 5 / 30 / 33

HEX #ABA378

RGB 171 163 120

HSL 50.59, 0.23%, 0.57%

LAB 66.68, -3.95, 23.43

 

CMYK 30 / 0 / 11 / 33

HEX #78AB99

RGB 120 171 153

HSL 158.82, 0.23%, 0.57%

LAB 66.07, -20.84, 3.86

 

CMYK 30 / 25 / 0 / 33

HEX #7880AB

RGB 120 128 171

HSL 230.59, 0.23%, 0.57%

LAB 54.42, 7.21, -23.76

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8B

RGB 171 122 139

HSL 339.18, 0.23%, 0.57%

LAB 56.53, 21.71, -1.6

 

CMYK 5 / 0 / 30 / 33

HEX #A3AB78

RGB 163 171 120

HSL 69.41, 0.23%, 0.57%

LAB 68.22, -11.38, 25.38

 

CMYK 30 / 0 / 11 / 33

HEX #78AB99

RGB 120 171 153

HSL 158.82, 0.23%, 0.57%

LAB 66.07, -20.84, 3.86

 

CMYK 25 / 30 / 0 / 33

HEX #8078AB

RGB 128 120 171

HSL 249.41, 0.23%, 0.57%

LAB 52.91, 14.42, -26.04

 

Description

Color code: HEX #AB7A8B | qconv.com Color code: HEX #AB7A8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 122 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 122 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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