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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7A8A it is the complementary color #548575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7A8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7A8A shade: #B07A85, #C18C98, #D29EAB, #E3B0BE and #F4C2D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7A8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7A8A shade: #AB7A8A, #9A6877, #895664, #784451 and #67323E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7A8A shade: #AB7889, #AB787B and #AB7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7A8A shade: #AB7889, #AB7896, #AB78A4, #A478AB and #9678AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7A8A shade matches the following richer shades: #AB7889, #BC6682, #CE557C, #E04376 and #F23170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7A8A shade: #AB7889, #998A8F, #879C95, #75AD9B and #64BFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7A8A shade: #AB78A4, #AB7896, #AB7889, #AB787B and #AB8278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7A8A shade: #805060, #996073, #AB7889, #BA929F and #CAABB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7A8A shade: #AB7A8A, #ABA478 and #789DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7A8A shade: #AB7A8A, #89AB78 and #7889AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7A8A shade: #AB7A8A, #ABA478, #78AB9A and #787FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7A8A shade: #AB7A8A, #A2AB78, #78AB9A and #8178AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

Complementary color

CMYK 37 / 0 / 12 / 48

HEX #548575

RGB 84 133 117

HSL 160.41, 0.23%, 0.43%

LAB 51.77, -20.41, 3.4

 

CMYK 0 / 31 / 24 / 31

HEX #B07A85

RGB 176 122 133

HSL 347.78, 0.25%, 0.58%

LAB 56.92, 22.67, 2.53

 

CMYK 0 / 27 / 21 / 24

HEX #C18C98

RGB 193 140 152

HSL 346.42, 0.3%, 0.65%

LAB 63.64, 21.93, 1.62

 

CMYK 0 / 25 / 19 / 18

HEX #D29EAB

RGB 210 158 171

HSL 345, 0.37%, 0.72%

LAB 70.24, 21.27, 0.8

 

CMYK 0 / 22 / 16 / 11

HEX #E3B0BE

RGB 227 176 190

HSL 343.53, 0.48%, 0.79%

LAB 76.74, 20.67, 0.04

 

CMYK 0 / 20 / 14 / 4

HEX #F4C2D1

RGB 244 194 209

HSL 342, 0.69%, 0.86%

LAB 83.14, 20.12, -0.68

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

CMYK 0 / 32 / 23 / 40

HEX #9A6877

RGB 154 104 119

HSL 342, 0.2%, 0.51%

LAB 49.62, 22.31, -0.19

 

CMYK 0 / 37 / 27 / 46

HEX #895664

RGB 137 86 100

HSL 343.53, 0.23%, 0.44%

LAB 42.6, 23.16, 0.81

 

CMYK 0 / 43 / 33 / 53

HEX #784451

RGB 120 68 81

HSL 345, 0.28%, 0.37%

LAB 35.44, 24.11, 1.99

 

CMYK 0 / 51 / 40 / 60

HEX #67323E

RGB 103 50 62

HSL 346.42, 0.35%, 0.3%

LAB 28.15, 25.15, 3.46

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 30 / 28 / 33

HEX #AB787B

RGB 171 120 123

HSL 356.47, 0.23%, 0.57%

LAB 55.6, 20.39, 6.36

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 30 / 12 / 33

HEX #AB7896

RGB 171 120 150

HSL 324.71, 0.23%, 0.57%

LAB 56.38, 24.69, -8.2

 

CMYK 0 / 30 / 4 / 33

HEX #AB78A4

RGB 171 120 164

HSL 308.24, 0.23%, 0.57%

LAB 56.85, 27.22, -15.59

 

CMYK 4 / 30 / 0 / 33

HEX #A478AB

RGB 164 120 171

HSL 291.76, 0.23%, 0.57%

LAB 56.35, 26.19, -20.45

 

CMYK 12 / 30 / 0 / 33

HEX #9678AB

RGB 150 120 171

HSL 275.29, 0.23%, 0.57%

LAB 54.92, 21.53, -22.77

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 46 / 31 / 26

HEX #BC6682

RGB 188 102 130

HSL 340.47, 0.39%, 0.57%

LAB 53.82, 37.66, -0.05

 

CMYK 0 / 59 / 40 / 19

HEX #CE557C

RGB 206 85 124

HSL 340.66, 0.55%, 0.57%

LAB 53.03, 51.52, 2.68

 

CMYK 0 / 70 / 47 / 12

HEX #E04376

RGB 224 67 118

HSL 340.51, 0.72%, 0.57%

LAB 53.13, 63.83, 6.8

 

CMYK 0 / 80 / 54 / 5

HEX #F23170

RGB 242 49 112

HSL 340.41, 0.88%, 0.57%

LAB 54.28, 73.73, 12.48

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 10 / 7 / 40

HEX #998A8F

RGB 153 138 143

HSL 340, 0.07%, 0.57%

LAB 58.91, 6.53, -0.62

 

CMYK 13 / 0 / 4 / 39

HEX #879C95

RGB 135 156 149

HSL 160, 0.1%, 0.57%

LAB 62.59, -8.83, 1.16

 

CMYK 32 / 0 / 10 / 32

HEX #75AD9B

RGB 117 173 155

HSL 160.71, 0.25%, 0.57%

LAB 66.55, -22.34, 3.41

 

CMYK 48 / 0 / 16 / 25

HEX #64BFA1

RGB 100 191 161

HSL 160.22, 0.42%, 0.57%

LAB 71.24, -34.42, 6.79

 

CMYK 0 / 30 / 4 / 33

HEX #AB78A4

RGB 171 120 164

HSL 308.24, 0.23%, 0.57%

LAB 56.85, 27.22, -15.59

 

CMYK 0 / 30 / 12 / 33

HEX #AB7896

RGB 171 120 150

HSL 324.71, 0.23%, 0.57%

LAB 56.38, 24.69, -8.2

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 30 / 28 / 33

HEX #AB787B

RGB 171 120 123

HSL 356.47, 0.23%, 0.57%

LAB 55.6, 20.39, 6.36

 

CMYK 0 / 24 / 30 / 33

HEX #AB8278

RGB 171 130 120

HSL 11.76, 0.23%, 0.57%

LAB 58.02, 14.31, 11.52

 

CMYK 0 / 38 / 25 / 50

HEX #805060

RGB 128 80 96

HSL 340, 0.23%, 0.41%

LAB 39.87, 22.51, -0.86

 

CMYK 0 / 37 / 25 / 40

HEX #996073

RGB 153 96 115

HSL 340, 0.23%, 0.49%

LAB 47.46, 25.88, -0.96

 

CMYK 0 / 30 / 20 / 33

HEX #AB7889

RGB 171 120 137

HSL 340, 0.23%, 0.57%

LAB 55.98, 22.52, -1.23

 

CMYK 0 / 22 / 15 / 27

HEX #BA929F

RGB 186 146 159

HSL 340.5, 0.22%, 0.65%

LAB 64.56, 17.12, -1.07

 

CMYK 0 / 15 / 10 / 21

HEX #CAABB5

RGB 202 171 181

HSL 340.65, 0.23%, 0.73%

LAB 72.9, 12.91, -0.93

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

CMYK 0 / 4 / 30 / 33

HEX #ABA478

RGB 171 164 120

HSL 51.76, 0.23%, 0.57%

LAB 66.95, -4.49, 23.8

 

CMYK 30 / 8 / 0 / 33

HEX #789DAB

RGB 120 157 171

HSL 196.47, 0.23%, 0.57%

LAB 62.55, -9.26, -11.41

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

CMYK 20 / 0 / 30 / 33

HEX #89AB78

RGB 137 171 120

HSL 100, 0.23%, 0.57%

LAB 66.37, -21.27, 22.57

 

CMYK 30 / 20 / 0 / 33

HEX #7889AB

RGB 120 137 171

HSL 220, 0.23%, 0.57%

LAB 56.9, 1.97, -19.95

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

CMYK 0 / 4 / 30 / 33

HEX #ABA478

RGB 171 164 120

HSL 51.76, 0.23%, 0.57%

LAB 66.95, -4.49, 23.8

 

CMYK 30 / 0 / 10 / 33

HEX #78AB9A

RGB 120 171 154

HSL 160, 0.23%, 0.57%

LAB 66.1, -20.62, 3.34

 

CMYK 30 / 26 / 0 / 33

HEX #787FAB

RGB 120 127 171

HSL 231.76, 0.23%, 0.57%

LAB 54.15, 7.8, -24.18

 

CMYK 0 / 29 / 19 / 33

HEX #AB7A8A

RGB 171 122 138

HSL 340.41, 0.23%, 0.57%

LAB 56.5, 21.55, -1.06

 

CMYK 5 / 0 / 30 / 33

HEX #A2AB78

RGB 162 171 120

HSL 70.59, 0.23%, 0.57%

LAB 68.14, -11.78, 25.27

 

CMYK 30 / 0 / 10 / 33

HEX #78AB9A

RGB 120 171 154

HSL 160, 0.23%, 0.57%

LAB 66.1, -20.62, 3.34

 

CMYK 25 / 30 / 0 / 33

HEX #8178AB

RGB 129 120 171

HSL 250.59, 0.23%, 0.57%

LAB 52.99, 14.73, -25.9

 

Description

Color code: HEX #AB7A8A | qconv.com Color code: HEX #AB7A8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 122 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 122 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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