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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB751D3F it is the complementary color #548AE23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB751D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB751D3F shade: #B075183F, #C1872B3F, #D2993E3F, #E3AB513F and #F4BD643F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB751D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB751D3F shade: #AB751D3F, #9A630A3F, #8951003F, #783F003F and #672D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB751D3F shade: #AA741D, #AA4E1D, #AA281D and #AA1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB751D3F shade: #AA741D, #AA9A1D, #94AA1D, #6EAA1D and #47AA1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB751D3F shade matches the following richer shades: #AA741D and #BA780D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB751D3F shade: #AA741D, #9A702D, #8A6D3D, #7A694D and #6A655D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB751D3F shade: #AA291D, #AA4E1D, #AA741D, #AA9A1D and #95AA1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB751D3F shade: #644411, #875C17, #AA741D, #CD8C23 and #DEA03C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB751D3F shade: #AB751D, #37AA1D and #3B1DAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB751D3F shade: #AB751D, #1DAA74 and #741DAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB751D3F shade: #AB751D, #37AA1D, #1D53AA and #901DAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB751D3F shade: #AB751D, #1DAA2D, #1D53AA and #AA1D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 8

HEX #AB751D3F

RGBA 171 117 29 0.25

HSLA 37.18, 0.71%, 0.39%, 0.25

LABA 53.46, 13.88, 52.86, 0.25

 

Complementary color

CMYK 16 / 10 / 0 / 3

HEX #548AE23F

RGBA 84 138 226 0.25

HSLA 217.18, 0.71%, 0.61%, 0.25

LABA 57.61, 9.24, -50.1, 0.25

 

CMYK 0 / 8 / 22 / 8

HEX #B075183F

RGBA 176 117 24 0.25

HSLA 36.71, 0.76%, 0.39%, 0.25

LABA 54.05, 15.98, 55.26, 0.25

 

CMYK 0 / 8 / 19 / 6

HEX #C1872B3F

RGBA 193 135 43 0.25

HSLA 36.8, 0.64%, 0.46%, 0.25

LABA 60.64, 14.17, 55.14, 0.25

 

CMYK 0 / 7 / 18 / 4

HEX #D2993E3F

RGBA 210 153 62 0.25

HSLA 36.89, 0.62%, 0.53%, 0.25

LABA 67.15, 12.63, 54.29, 0.25

 

CMYK 0 / 6 / 16 / 3

HEX #E3AB513F

RGBA 227 171 81 0.25

HSLA 36.99, 0.72%, 0.6%, 0.25

LABA 73.58, 11.3, 53.12, 0.25

 

CMYK 0 / 6 / 15 / 1

HEX #F4BD643F

RGBA 244 189 100 0.25

HSLA 37.08, 0.87%, 0.67%, 0.25

LABA 79.92, 10.16, 51.84, 0.25

 

CMYK 0 / 8 / 21 / 8

HEX #AB751D3F

RGBA 171 117 29 0.25

HSLA 37.18, 0.71%, 0.39%, 0.25

LABA 53.46, 13.88, 52.86, 0.25

 

CMYK 0 / 9 / 23 / 10

HEX #9A630A3F

RGBA 154 99 10 0.25

HSLA 37.08, 0.88%, 0.32%, 0.25

LABA 46.73, 15.9, 52.09, 0.25

 

CMYK 0 / 10 / 25 / 12

HEX #8951003F

RGBA 137 81 0 0.25

HSLA 35.47, 1%, 0.27%, 0.25

LABA 39.92, 18.28, 48.86, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #783F003F

RGBA 120 63 0 0.25

HSLA 31.5, 1%, 0.24%, 0.25

LABA 33.02, 20.92, 43.28, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #672D003F

RGBA 103 45 0 0.25

HSLA 26.21, 1%, 0.2%, 0.25

LABA 26.04, 23.59, 36.68, 0.25

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 54 / 83 / 33

HEX #AA4E1D

RGB 170 78 29

HSL 20.85, 0.71%, 0.39%

LAB 44.35, 34.88, 44.66

 

CMYK 0 / 76 / 83 / 33

HEX #AA281D

RGB 170 40 29

HSL 4.68, 0.71%, 0.39%

LAB 38.11, 51.51, 38.86

 

CMYK 0 / 83 / 83 / 33

HEX #AA1D1D

RGB 170 29 29

HSL 0, 0.71%, 0.39%

LAB 36.95, 54.77, 37.75

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 9 / 83 / 33

HEX #AA9A1D

RGB 170 154 29

HSL 53.19, 0.71%, 0.39%

LAB 63.13, -7, 61.2

 

CMYK 13 / 0 / 83 / 33

HEX #94AA1D

RGB 148 170 29

HSL 69.36, 0.71%, 0.39%

LAB 65.85, -24.91, 62.84

 

CMYK 35 / 0 / 83 / 33

HEX #6EAA1D

RGB 110 170 29

HSL 85.53, 0.71%, 0.39%

LAB 63.47, -40.14, 59.82

 

CMYK 58 / 0 / 83 / 33

HEX #47AA1D

RGB 71 170 29

HSL 102.13, 0.71%, 0.39%

LAB 61.81, -52.59, 57.7

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 35 / 93 / 27

HEX #BA780D

RGB 186 120 13

HSL 37.11, 0.87%, 0.39%

LAB 55.99, 18.55, 60.11

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 27 / 71 / 40

HEX #9A702D

RGB 154 112 45

HSL 36.88, 0.55%, 0.39%

LAB 50.27, 9.71, 42.41

 

CMYK 0 / 21 / 56 / 46

HEX #8A6D3D

RGB 138 109 61

HSL 37.4, 0.39%, 0.39%

LAB 47.85, 5.34, 30.94

 

CMYK 0 / 14 / 37 / 52

HEX #7A694D

RGB 122 105 77

HSL 37.33, 0.23%, 0.39%

LAB 45.33, 2.32, 18.25

 

CMYK 0 / 5 / 12 / 58

HEX #6A655D

RGB 106 101 93

HSL 36.92, 0.07%, 0.39%

LAB 43.01, 0.43, 5.23

 

CMYK 0 / 76 / 83 / 33

HEX #AA291D

RGB 170 41 29

HSL 5.11, 0.71%, 0.39%

LAB 38.24, 51.17, 38.97

 

CMYK 0 / 54 / 83 / 33

HEX #AA4E1D

RGB 170 78 29

HSL 20.85, 0.71%, 0.39%

LAB 44.35, 34.88, 44.66

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 9 / 83 / 33

HEX #AA9A1D

RGB 170 154 29

HSL 53.19, 0.71%, 0.39%

LAB 63.13, -7, 61.2

 

CMYK 12 / 0 / 83 / 33

HEX #95AA1D

RGB 149 170 29

HSL 68.94, 0.71%, 0.39%

LAB 65.93, -24.48, 62.93

 

CMYK 0 / 32 / 83 / 61

HEX #644411

RGB 100 68 17

HSL 36.87, 0.71%, 0.23%

LAB 31.54, 8.81, 34.37

 

CMYK 0 / 32 / 83 / 47

HEX #875C17

RGB 135 92 23

HSL 36.96, 0.71%, 0.31%

LAB 42.56, 11.47, 43.69

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 32 / 83 / 20

HEX #CD8C23

RGB 205 140 35

HSL 37.06, 0.71%, 0.47%

LAB 63.22, 16.41, 60.9

 

CMYK 0 / 28 / 73 / 13

HEX #DEA03C

RGB 222 160 60

HSL 37.04, 0.71%, 0.55%

LAB 70.17, 13.91, 58.66

 

CMYK 0 / 32 / 83 / 33

HEX #AB751D

RGB 171 117 29

HSL 37.18, 0.71%, 0.39%

LAB 53.46, 13.88, 52.86

 

CMYK 68 / 0 / 83 / 33

HEX #37AA1D

RGB 55 170 29

HSL 108.94, 0.71%, 0.39%

LAB 61.35, -56.35, 57.12

 

CMYK 65 / 83 / 0 / 33

HEX #3B1DAA

RGB 59 29 170

HSL 252.77, 0.71%, 0.39%

LAB 25.89, 51.45, -69.12

 

CMYK 0 / 32 / 83 / 33

HEX #AB751D

RGB 171 117 29

HSL 37.18, 0.71%, 0.39%

LAB 53.46, 13.88, 52.86

 

CMYK 83 / 0 / 32 / 33

HEX #1DAA74

RGB 29 170 116

HSL 157.02, 0.71%, 0.39%

LAB 61.89, -48.41, 17.98

 

CMYK 32 / 83 / 0 / 33

HEX #741DAA

RGB 116 29 170

HSL 277.02, 0.71%, 0.39%

LAB 32.91, 58.78, -57.34

 

CMYK 0 / 32 / 83 / 33

HEX #AB751D

RGB 171 117 29

HSL 37.18, 0.71%, 0.39%

LAB 53.46, 13.88, 52.86

 

CMYK 68 / 0 / 83 / 33

HEX #37AA1D

RGB 55 170 29

HSL 108.94, 0.71%, 0.39%

LAB 61.35, -56.35, 57.12

 

CMYK 83 / 51 / 0 / 33

HEX #1D53AA

RGB 29 83 170

HSL 217.02, 0.71%, 0.39%

LAB 36.65, 15.65, -51.58

 

CMYK 15 / 83 / 0 / 33

HEX #901DAA

RGB 144 29 170

HSL 288.94, 0.71%, 0.39%

LAB 37.32, 63.54, -49.98

 

CMYK 0 / 32 / 83 / 33

HEX #AB751D

RGB 171 117 29

HSL 37.18, 0.71%, 0.39%

LAB 53.46, 13.88, 52.86

 

CMYK 83 / 0 / 74 / 33

HEX #1DAA2D

RGB 29 170 45

HSL 126.81, 0.71%, 0.39%

LAB 60.96, -59.4, 51.4

 

CMYK 83 / 51 / 0 / 33

HEX #1D53AA

RGB 29 83 170

HSL 217.02, 0.71%, 0.39%

LAB 36.65, 15.65, -51.58

 

CMYK 0 / 83 / 9 / 33

HEX #AA1D9A

RGB 170 29 154

HSL 306.81, 0.71%, 0.39%

LAB 40.83, 65.95, -34.49

 

Description

Color code: HEX #AB751D3F | qconv.com Color code: HEX #AB751D3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 117 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 117 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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