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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7254 it is the complementary color #548DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7254 shade: #B0724F, #C18462, #D29675, #E3A888 and #F4BA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7254 shade: #AB7254, #9A6041, #894E2E, #783C1B and #672A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7254 shade: #AB7254, #AB5B54 and #AB5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7254 shade: #AB7254, #AB8954, #ABA154, #9EAB54 and #86AB54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7254 shade matches the following richer shades: #AB7254, #BF6C40, #D4652B, #E95F16 and #FD5802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7254 shade: #AB7254, #967869, #827F7D, #6D8592 and #588CA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7254 shade: #AB5465, #AB5A54, #AB7154, #AB8854 and #AB9F54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7254 shade: #744D39, #8F6047, #AB7254, #B88970 and #C6A08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7254 shade: #AB7254, #7DAB54 and #545AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7254 shade: #AB7254, #54AB71 and #7154AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7254 shade: #AB7254, #7DAB54, #548EAB and #8254AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7254 shade: #AB7254, #63AB54, #548EAB and #9C54AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

Complementary color

CMYK 51 / 18 / 0 / 33

HEX #548DAB

RGB 84 141 171

HSL 200.69, 0.34%, 0.5%

LAB 55.96, -10.17, -21.58

 

CMYK 0 / 35 / 55 / 31

HEX #B0724F

RGB 176 114 79

HSL 21.65, 0.38%, 0.5%

LAB 53.85, 20.72, 29.37

 

CMYK 0 / 32 / 49 / 24

HEX #C18462

RGB 193 132 98

HSL 21.47, 0.43%, 0.57%

LAB 60.54, 19.56, 27.78

 

CMYK 0 / 29 / 44 / 18

HEX #D29675

RGB 210 150 117

HSL 21.29, 0.51%, 0.64%

LAB 67.13, 18.55, 26.34

 

CMYK 0 / 26 / 40 / 11

HEX #E3A888

RGB 227 168 136

HSL 21.1, 0.62%, 0.71%

LAB 73.62, 17.67, 25.03

 

CMYK 0 / 24 / 36 / 4

HEX #F4BA9B

RGB 244 186 155

HSL 20.9, 0.8%, 0.78%

LAB 80.02, 16.9, 23.82

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 38 / 58 / 40

HEX #9A6041

RGB 154 96 65

HSL 20.9, 0.41%, 0.43%

LAB 46.47, 20.31, 27.42

 

CMYK 0 / 43 / 66 / 46

HEX #894E2E

RGB 137 78 46

HSL 21.1, 0.5%, 0.36%

LAB 39.52, 21.78, 29.31

 

CMYK 0 / 50 / 78 / 53

HEX #783C1B

RGB 120 60 27

HSL 21.29, 0.63%, 0.29%

LAB 32.49, 23.52, 31.34

 

CMYK 0 / 59 / 92 / 60

HEX #672A08

RGB 103 42 8

HSL 21.47, 0.86%, 0.22%

LAB 25.43, 25.51, 32.86

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 47 / 51 / 33

HEX #AB5B54

RGB 171 91 84

HSL 4.83, 0.34%, 0.5%

LAB 47.98, 31.84, 18.72

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 20 / 51 / 33

HEX #AB8954

RGB 171 137 84

HSL 36.55, 0.34%, 0.5%

LAB 59.15, 6.14, 33.16

 

CMYK 0 / 6 / 51 / 33

HEX #ABA154

RGB 171 161 84

HSL 53.1, 0.34%, 0.5%

LAB 65.58, -6.96, 41.03

 

CMYK 8 / 0 / 51 / 33

HEX #9EAB54

RGB 158 171 84

HSL 68.97, 0.34%, 0.5%

LAB 67.3, -17.64, 42.82

 

CMYK 22 / 0 / 51 / 33

HEX #86AB54

RGB 134 171 84

HSL 85.52, 0.34%, 0.5%

LAB 65.62, -27.26, 40.4

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 43 / 66 / 25

HEX #BF6C40

RGB 191 108 64

HSL 20.79, 0.5%, 0.5%

LAB 54.21, 29.17, 38.46

 

CMYK 0 / 52 / 80 / 17

HEX #D4652B

RGB 212 101 43

HSL 20.59, 0.66%, 0.5%

LAB 55.56, 40.25, 51.2

 

CMYK 0 / 59 / 91 / 9

HEX #E95F16

RGB 233 95 22

HSL 20.76, 0.83%, 0.5%

LAB 57.62, 50.49, 62.16

 

CMYK 0 / 65 / 99 / 1

HEX #FD5802

RGB 253 88 2

HSL 20.56, 0.98%, 0.5%

LAB 59.77, 60.23, 69.45

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 20 / 30 / 41

HEX #967869

RGB 150 120 105

HSL 20, 0.18%, 0.5%

LAB 52.88, 9.37, 12.66

 

CMYK 0 / 2 / 4 / 49

HEX #827F7D

RGB 130 127 125

HSL 24, 0.02%, 0.5%

LAB 53.39, 0.74, 1.48

 

CMYK 25 / 9 / 0 / 43

HEX #6D8592

RGB 109 133 146

HSL 201.08, 0.15%, 0.5%

LAB 54.13, -5.49, -9.81

 

CMYK 47 / 16 / 0 / 35

HEX #588CA7

RGB 88 140 167

HSL 200.51, 0.31%, 0.5%

LAB 55.71, -9.82, -19.66

 

CMYK 0 / 51 / 41 / 33

HEX #AB5465

RGB 171 84 101

HSL 348.28, 0.34%, 0.5%

LAB 46.89, 37.36, 6.98

 

CMYK 0 / 47 / 51 / 33

HEX #AB5A54

RGB 171 90 84

HSL 4.14, 0.34%, 0.5%

LAB 47.77, 32.38, 18.43

 

CMYK 0 / 34 / 51 / 33

HEX #AB7154

RGB 171 113 84

HSL 20, 0.34%, 0.5%

LAB 53.07, 19.63, 25.43

 

CMYK 0 / 20 / 51 / 33

HEX #AB8854

RGB 171 136 84

HSL 35.86, 0.34%, 0.5%

LAB 58.89, 6.7, 32.84

 

CMYK 0 / 7 / 51 / 33

HEX #AB9F54

RGB 171 159 84

HSL 51.72, 0.34%, 0.5%

LAB 65.04, -5.89, 40.37

 

CMYK 0 / 34 / 51 / 55

HEX #744D39

RGB 116 77 57

HSL 20.34, 0.34%, 0.34%

LAB 36.59, 13.97, 18.52

 

CMYK 0 / 33 / 50 / 44

HEX #8F6047

RGB 143 96 71

HSL 20.83, 0.34%, 0.42%

LAB 45.17, 16.11, 21.99

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 0 / 26 / 39 / 28

HEX #B88970

RGB 184 137 112

HSL 20.83, 0.34%, 0.58%

LAB 61, 14.61, 20.4

 

CMYK 0 / 19 / 30 / 22

HEX #C6A08B

RGB 198 160 139

HSL 21.36, 0.34%, 0.66%

LAB 68.76, 10.97, 16.26

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 27 / 0 / 51 / 33

HEX #7DAB54

RGB 125 171 84

HSL 91.72, 0.34%, 0.5%

LAB 65.06, -30.68, 39.6

 

CMYK 51 / 47 / 0 / 33

HEX #545AAB

RGB 84 90 171

HSL 235.86, 0.34%, 0.5%

LAB 41.43, 20.6, -44.33

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 51 / 0 / 34 / 33

HEX #54AB71

RGB 84 171 113

HSL 140, 0.34%, 0.5%

LAB 63.51, -39.49, 22.05

 

CMYK 34 / 51 / 0 / 33

HEX #7154AB

RGB 113 84 171

HSL 260, 0.34%, 0.5%

LAB 42.45, 31.6, -42.57

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 27 / 0 / 51 / 33

HEX #7DAB54

RGB 125 171 84

HSL 91.72, 0.34%, 0.5%

LAB 65.06, -30.68, 39.6

 

CMYK 51 / 17 / 0 / 33

HEX #548EAB

RGB 84 142 171

HSL 200, 0.34%, 0.5%

LAB 56.26, -10.73, -21.12

 

CMYK 24 / 51 / 0 / 33

HEX #8254AB

RGB 130 84 171

HSL 271.72, 0.34%, 0.5%

LAB 44.27, 36.25, -39.56

 

CMYK 0 / 33 / 51 / 33

HEX #AB7254

RGB 171 114 84

HSL 20.69, 0.34%, 0.5%

LAB 53.31, 19.07, 25.74

 

CMYK 42 / 0 / 51 / 33

HEX #63AB54

RGB 99 171 84

HSL 109.66, 0.34%, 0.5%

LAB 63.69, -39.73, 37.61

 

CMYK 51 / 17 / 0 / 33

HEX #548EAB

RGB 84 142 171

HSL 200, 0.34%, 0.5%

LAB 56.26, -10.73, -21.12

 

CMYK 9 / 51 / 0 / 33

HEX #9C54AB

RGB 156 84 171

HSL 289.66, 0.34%, 0.5%

LAB 47.43, 43.64, -34.36

 

Description

Color code: HEX #AB7254 | qconv.com Color code: HEX #AB7254 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 114 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 114 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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