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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB703C it is the complementary color #548FC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB703C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB703C shade: #B07037, #C1824A, #D2945D, #E3A670 and #F4B883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB703C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB703C shade: #AB703C, #9A5E29, #894C16, #783A03 and #672800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB703C shade: #AA6F3C, #AA523C and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB703C shade: #AA6F3C, #AA8D3C, #A9AA3C, #8BAA3C and #6EAA3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB703C shade matches the following richer shades: #AA6F3C, #BC6E29, #CF6D17 and #E26C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB703C shade: #AA6F3C, #97704E, #857261, #727373 and #607486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB703C shade: #AA3C43, #AA523C, #AA6F3C, #AA8C3C and #AAAA3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB703C shade: #6D4726, #8B5B31, #AA6F3C, #C1844E and #CC996C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB703C shade: #AB703C, #60AA3C and #433CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB703C shade: #AB703C, #3CAA6F and #6F3CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB703C shade: #AB703C, #60AA3C, #3C76AA and #853CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB703C shade: #AB703C, #3FAA3C, #3C76AA and #A63CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

Complementary color

CMYK 57 / 27 / 0 / 24

HEX #548FC3

RGB 84 143 195

HSL 208.11, 0.48%, 0.55%

LAB 57.53, -3.89, -32.81

 

CMYK 0 / 36 / 69 / 31

HEX #B07037

RGB 176 112 55

HSL 28.26, 0.52%, 0.45%

LAB 53.05, 20.08, 41.29

 

CMYK 0 / 33 / 62 / 24

HEX #C1824A

RGB 193 130 74

HSL 28.24, 0.49%, 0.52%

LAB 59.71, 18.64, 39.7

 

CMYK 0 / 30 / 56 / 18

HEX #D2945D

RGB 210 148 93

HSL 28.21, 0.57%, 0.59%

LAB 66.27, 17.4, 38.14

 

CMYK 0 / 27 / 51 / 11

HEX #E3A670

RGB 227 166 112

HSL 28.17, 0.67%, 0.66%

LAB 72.74, 16.32, 36.67

 

CMYK 0 / 25 / 46 / 4

HEX #F4B883

RGB 244 184 131

HSL 28.14, 0.84%, 0.74%

LAB 79.13, 15.38, 35.29

 

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

CMYK 0 / 39 / 73 / 40

HEX #9A5E29

RGB 154 94 41

HSL 28.14, 0.58%, 0.38%

LAB 45.68, 19.81, 39.5

 

CMYK 0 / 45 / 84 / 46

HEX #894C16

RGB 137 76 22

HSL 28.17, 0.72%, 0.31%

LAB 38.8, 21.69, 40.8

 

CMYK 0 / 52 / 98 / 53

HEX #783A03

RGB 120 58 3

HSL 28.21, 0.95%, 0.24%

LAB 31.87, 23.88, 41.3

 

CMYK 0 / 61 / 100 / 60

HEX #672800

RGB 103 40 0

HSL 23.3, 1%, 0.2%

LAB 24.96, 26.38, 35.66

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 52 / 65 / 33

HEX #AA523C

RGB 170 82 60

HSL 12, 0.48%, 0.45%

LAB 45.51, 34.3, 29.62

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 17 / 65 / 33

HEX #AA8D3C

RGB 170 141 60

HSL 44.18, 0.48%, 0.45%

LAB 59.82, 1.55, 46.11

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 18 / 0 / 65 / 33

HEX #8BAA3C

RGB 139 170 60

HSL 76.91, 0.48%, 0.45%

LAB 65.41, -27, 51.39

 

CMYK 35 / 0 / 65 / 33

HEX #6EAA3C

RGB 110 170 60

HSL 92.73, 0.48%, 0.45%

LAB 63.66, -38.16, 49

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 41 / 78 / 26

HEX #BC6E29

RGB 188 110 41

HSL 28.16, 0.64%, 0.45%

LAB 54.03, 25.67, 49.43

 

CMYK 0 / 47 / 89 / 19

HEX #CF6D17

RGB 207 109 23

HSL 28.04, 0.8%, 0.45%

LAB 56.35, 33.62, 59.15

 

CMYK 0 / 52 / 98 / 11

HEX #E26C04

RGB 226 108 4

HSL 28.11, 0.97%, 0.45%

LAB 58.88, 41.48, 66.31

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 26 / 48 / 41

HEX #97704E

RGB 151 112 78

HSL 27.95, 0.32%, 0.45%

LAB 50.36, 11.04, 24.87

 

CMYK 0 / 14 / 27 / 48

HEX #857261

RGB 133 114 97

HSL 28.33, 0.16%, 0.45%

LAB 49.36, 4.62, 12.17

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 28 / 13 / 0 / 47

HEX #607486

RGB 96 116 134

HSL 208.42, 0.17%, 0.45%

LAB 47.88, -2.92, -12.28

 

CMYK 0 / 65 / 61 / 33

HEX #AA3C43

RGB 170 60 67

HSL 356.18, 0.48%, 0.45%

LAB 41.51, 45.54, 20.39

 

CMYK 0 / 52 / 65 / 33

HEX #AA523C

RGB 170 82 60

HSL 12, 0.48%, 0.45%

LAB 45.51, 34.3, 29.62

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 18 / 65 / 33

HEX #AA8C3C

RGB 170 140 60

HSL 43.64, 0.48%, 0.45%

LAB 59.55, 2.1, 45.81

 

CMYK 0 / 0 / 65 / 33

HEX #AAAA3C

RGB 170 170 60

HSL 60, 0.48%, 0.45%

LAB 67.74, -13.96, 54.56

 

CMYK 0 / 35 / 65 / 57

HEX #6D4726

RGB 109 71 38

HSL 27.89, 0.48%, 0.29%

LAB 33.77, 12.61, 26.16

 

CMYK 0 / 35 / 65 / 45

HEX #8B5B31

RGB 139 91 49

HSL 28, 0.48%, 0.37%

LAB 43.05, 15.32, 31.83

 

CMYK 0 / 35 / 65 / 33

HEX #AA6F3C

RGB 170 111 60

HSL 27.82, 0.48%, 0.45%

LAB 52.11, 18.36, 37.44

 

CMYK 0 / 32 / 60 / 24

HEX #C1844E

RGB 193 132 78

HSL 28.17, 0.48%, 0.53%

LAB 60.24, 17.83, 38.24

 

CMYK 0 / 25 / 47 / 20

HEX #CC996C

RGB 204 153 108

HSL 28.13, 0.48%, 0.61%

LAB 67.05, 13.56, 31.01

 

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

CMYK 44 / 0 / 65 / 33

HEX #60AA3C

RGB 96 170 60

HSL 100.36, 0.48%, 0.45%

LAB 62.98, -42.96, 48.05

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

CMYK 65 / 0 / 35 / 33

HEX #3CAA6F

RGB 60 170 111

HSL 147.82, 0.48%, 0.45%

LAB 62.39, -44.97, 21.48

 

CMYK 35 / 65 / 0 / 33

HEX #6F3CAA

RGB 111 60 170

HSL 267.82, 0.48%, 0.45%

LAB 36.95, 44.49, -50.8

 

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

CMYK 44 / 0 / 65 / 33

HEX #60AA3C

RGB 96 170 60

HSL 100.36, 0.48%, 0.45%

LAB 62.98, -42.96, 48.05

 

CMYK 65 / 31 / 0 / 33

HEX #3C76AA

RGB 60 118 170

HSL 208.36, 0.48%, 0.45%

LAB 48.03, -2.26, -33.38

 

CMYK 22 / 65 / 0 / 33

HEX #853CAA

RGB 133 60 170

HSL 279.82, 0.48%, 0.45%

LAB 39.78, 49.56, -46.1

 

CMYK 0 / 35 / 65 / 33

HEX #AB703C

RGB 171 112 60

HSL 28.11, 0.48%, 0.45%

LAB 52.48, 18.23, 37.9

 

CMYK 63 / 0 / 65 / 33

HEX #3FAA3C

RGB 63 170 60

HSL 118.36, 0.48%, 0.45%

LAB 61.77, -52.17, 46.38

 

CMYK 65 / 31 / 0 / 33

HEX #3C76AA

RGB 60 118 170

HSL 208.36, 0.48%, 0.45%

LAB 48.03, -2.26, -33.38

 

CMYK 2 / 65 / 0 / 33

HEX #A63CAA

RGB 166 60 170

HSL 297.82, 0.48%, 0.45%

LAB 44.58, 57.52, -38.18

 

Description

Color code: HEX #AB703C | qconv.com Color code: HEX #AB703C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 112 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 112 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 65 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 65% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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