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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6CD100 it is the complementary color #54932E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6CD100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6CD100 shade: #B06CCC00, #C17EDF00, #D290F200, #E3A2FF00 and #F4B4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6CD100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6CD100 shade: #AB6CD100, #9A5ABE00, #8948AB00, #78369800 and #67248500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6CD100 shade: #AB6CD0, #C66CD0, #D06CC0, #D06CA5 and #D06C8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6CD100 shade: #AB6CD0, #8F6CD0, #746CD0 and #6C6CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6CD100 shade matches the following richer shades: #AB6CD0, #AE5CE0 and #B24CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6CD100 shade: #AB6CD0, #A77BC1, #A38BB1, #9F9BA1 and #9BAA92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6CD100 shade: #746CD0, #8F6CD0, #AA6CD0, #C56CD0 and #D06CC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6CD100 shade: #8438B2, #994CC7, #AB6CD0, #BD8BDA and #CFAAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6CD100 shade: #AB6CD1, #D06C7E and #6CD082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6CD100 shade: #AB6CD1, #D0AA6C and #6CD0AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6CD100 shade: #AB6CD1, #D06C7E, #92D06C and #6CD0BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6CD100 shade: #AB6CD1, #D0776C, #92D06C and #6CC5D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AB6CD100

RGBA 171 108 209 0

HSLA 277.43, 0.52%, 0.62%, 0

LABA 56.07, 43.1, -42.55, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #54932E00

RGBA 84 147 46 0

HSLA 97.43, 0.52%, 0.38%, 0

LABA 55.02, -38.45, 45.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B06CCC00

RGBA 176 108 204 0

HSLA 282.5, 0.48%, 0.61%, 0

LABA 56.4, 43.44, -39.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C17EDF00

RGBA 193 126 223 0

HSLA 281.44, 0.6%, 0.68%, 0

LABA 63, 42.64, -39.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D290F200

RGBA 210 144 242 0

HSLA 280.41, 0.79%, 0.76%, 0

LABA 69.51, 41.87, -39.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3A2FF00

RGBA 227 162 255 0

HSLA 281.94, 1%, 0.82%, 0

LABA 75.69, 39.91, -36.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4B4FF00

RGBA 244 180 255 0

HSLA 291.2, 1%, 0.85%, 0

LABA 81.34, 35.53, -28.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB6CD100

RGBA 171 108 209 0

HSLA 277.43, 0.52%, 0.62%, 0

LABA 56.07, 43.1, -42.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A5ABE00

RGBA 154 90 190 0

HSLA 278.4, 0.43%, 0.55%, 0

LABA 49.37, 43.94, -42.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8948AB00

RGBA 137 72 171 0

HSLA 279.39, 0.41%, 0.48%, 0

LABA 42.6, 44.72, -42.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78369800

RGBA 120 54 152 0

HSLA 280.41, 0.48%, 0.4%, 0

LABA 35.79, 45.36, -41.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67248500

RGBA 103 36 133 0

HSLA 281.44, 0.57%, 0.33%, 0

LABA 29, 45.62, -41.12, 0

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD0

RGB 171 108 208

HSL 277.8, 0.52%, 0.62%

LAB 56.02, 42.88, -42.06

 

CMYK 5 / 48 / 0 / 18

HEX #C66CD0

RGB 198 108 208

HSL 294, 0.52%, 0.62%

LAB 59.24, 50.51, -36.79

 

CMYK 0 / 48 / 8 / 18

HEX #D06CC0

RGB 208 108 192

HSL 309.6, 0.52%, 0.62%

LAB 59.84, 50.58, -26.68

 

CMYK 0 / 48 / 21 / 18

HEX #D06CA5

RGB 208 108 165

HSL 325.8, 0.52%, 0.62%

LAB 58.84, 46.31, -12.73

 

CMYK 0 / 48 / 34 / 18

HEX #D06C8A

RGB 208 108 138

HSL 342, 0.52%, 0.62%

LAB 58.01, 42.64, 1.7

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD0

RGB 171 108 208

HSL 277.8, 0.52%, 0.62%

LAB 56.02, 42.88, -42.06

 

CMYK 31 / 48 / 0 / 18

HEX #8F6CD0

RGB 143 108 208

HSL 261, 0.52%, 0.62%

LAB 53.08, 35.24, -46.91

 

CMYK 44 / 48 / 0 / 18

HEX #746CD0

RGB 116 108 208

HSL 244.8, 0.52%, 0.62%

LAB 50.68, 28.41, -50.88

 

CMYK 48 / 48 / 0 / 18

HEX #6C6CD0

RGB 108 108 208

HSL 240, 0.52%, 0.62%

LAB 50.06, 26.54, -51.9

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD0

RGB 171 108 208

HSL 277.8, 0.52%, 0.62%

LAB 56.02, 42.88, -42.06

 

CMYK 22 / 59 / 0 / 12

HEX #AE5CE0

RGB 174 92 224

HSL 277.27, 0.68%, 0.62%

LAB 54.06, 55.48, -54.2

 

CMYK 26 / 68 / 0 / 6

HEX #B24CF0

RGB 178 76 240

HSL 277.32, 0.85%, 0.62%

LAB 52.87, 67.16, -65.09

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD0

RGB 171 108 208

HSL 277.8, 0.52%, 0.62%

LAB 56.02, 42.88, -42.06

 

CMYK 13 / 36 / 0 / 24

HEX #A77BC1

RGB 167 123 193

HSL 277.71, 0.36%, 0.62%

LAB 58.26, 30.09, -30.08

 

CMYK 8 / 21 / 0 / 31

HEX #A38BB1

RGB 163 139 177

HSL 277.89, 0.2%, 0.62%

LAB 61.16, 16.25, -16.58

 

CMYK 1 / 4 / 0 / 37

HEX #9F9BA1

RGB 159 155 161

HSL 280, 0.03%, 0.62%

LAB 64.47, 2.6, -2.62

 

CMYK 9 / 0 / 14 / 33

HEX #9BAA92

RGB 155 170 146

HSL 97.5, 0.12%, 0.62%

LAB 67.87, -9.79, 10.6

 

CMYK 44 / 48 / 0 / 18

HEX #746CD0

RGB 116 108 208

HSL 244.8, 0.52%, 0.62%

LAB 50.68, 28.41, -50.88

 

CMYK 31 / 48 / 0 / 18

HEX #8F6CD0

RGB 143 108 208

HSL 261, 0.52%, 0.62%

LAB 53.08, 35.24, -46.91

 

CMYK 18 / 48 / 0 / 18

HEX #AA6CD0

RGB 170 108 208

HSL 277.2, 0.52%, 0.62%

LAB 55.91, 42.61, -42.24

 

CMYK 5 / 48 / 0 / 18

HEX #C56CD0

RGB 197 108 208

HSL 293.4, 0.52%, 0.62%

LAB 59.11, 50.23, -36.99

 

CMYK 0 / 48 / 7 / 18

HEX #D06CC1

RGB 208 108 193

HSL 309, 0.52%, 0.62%

LAB 59.88, 50.74, -27.19

 

CMYK 26 / 69 / 0 / 30

HEX #8438B2

RGB 132 56 178

HSL 277.38, 0.52%, 0.46%

LAB 39.49, 52.98, -51.32

 

CMYK 23 / 62 / 0 / 22

HEX #994CC7

RGB 153 76 199

HSL 277.56, 0.52%, 0.54%

LAB 47.06, 52.89, -51.29

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD0

RGB 171 108 208

HSL 277.8, 0.52%, 0.62%

LAB 56.02, 42.88, -42.06

 

CMYK 13 / 36 / 0 / 15

HEX #BD8BDA

RGB 189 139 218

HSL 277.97, 0.52%, 0.7%

LAB 65.24, 33.3, -33.12

 

CMYK 9 / 25 / 0 / 11

HEX #CFAAE4

RGB 207 170 228

HSL 278.28, 0.52%, 0.78%

LAB 74.58, 23.96, -24.1

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD1

RGB 171 108 209

HSL 277.43, 0.52%, 0.62%

LAB 56.07, 43.1, -42.55

 

CMYK 0 / 48 / 39 / 18

HEX #D06C7E

RGB 208 108 126

HSL 349.2, 0.52%, 0.62%

LAB 57.7, 41.21, 8.23

 

CMYK 48 / 0 / 38 / 18

HEX #6CD082

RGB 108 208 130

HSL 133.2, 0.52%, 0.62%

LAB 76.01, -46.01, 29.93

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD1

RGB 171 108 209

HSL 277.43, 0.52%, 0.62%

LAB 56.07, 43.1, -42.55

 

CMYK 0 / 18 / 48 / 18

HEX #D0AA6C

RGB 208 170 108

HSL 37.2, 0.52%, 0.62%

LAB 71.72, 6.02, 37.05

 

CMYK 48 / 0 / 18 / 18

HEX #6CD0AA

RGB 108 208 170

HSL 157.2, 0.52%, 0.62%

LAB 76.8, -38.26, 9.91

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD1

RGB 171 108 209

HSL 277.43, 0.52%, 0.62%

LAB 56.07, 43.1, -42.55

 

CMYK 0 / 48 / 39 / 18

HEX #D06C7E

RGB 208 108 126

HSL 349.2, 0.52%, 0.62%

LAB 57.7, 41.21, 8.23

 

CMYK 30 / 0 / 48 / 18

HEX #92D06C

RGB 146 208 108

HSL 97.2, 0.52%, 0.62%

LAB 77.46, -37.39, 43.21

 

CMYK 48 / 0 / 9 / 18

HEX #6CD0BE

RGB 108 208 190

HSL 169.2, 0.52%, 0.62%

LAB 77.29, -33.66, -0.11

 

CMYK 18 / 48 / 0 / 18

HEX #AB6CD1

RGB 171 108 209

HSL 277.43, 0.52%, 0.62%

LAB 56.07, 43.1, -42.55

 

CMYK 0 / 43 / 48 / 18

HEX #D0776C

RGB 208 119 108

HSL 6.6, 0.52%, 0.62%

LAB 59.6, 33.58, 21.26

 

CMYK 30 / 0 / 48 / 18

HEX #92D06C

RGB 146 208 108

HSL 97.2, 0.52%, 0.62%

LAB 77.46, -37.39, 43.21

 

CMYK 48 / 5 / 0 / 18

HEX #6CC5D0

RGB 108 197 208

HSL 186.6, 0.52%, 0.62%

LAB 74.62, -23.76, -13.79

 

Description

Color code: HEX #AB6CD100 | qconv.com Color code: HEX #AB6CD100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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