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Color name
HEX #AB6C2ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6C2ACE it is the complementary color #5493D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6C2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6C2ACE shade: #B06C25CE, #C17E38CE, #D2904BCE, #E3A25ECE and #F4B471CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6C2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6C2ACE shade: #AB6C2ACE, #9A5A17CE, #894804CE, #783600CE and #672400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6C2ACE shade: #AC6D2A, #AC492A and #AC2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6C2ACE shade: #AC6D2A, #AC902A, #A6AC2A, #83AC2A and #5FAC2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6C2ACE shade matches the following richer shades: #AC6D2A, #BE6D18 and #CF6D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6C2ACE shade: #AC6D2A, #9B6C3B, #8A6C4C, #786B5E and #676B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6C2ACE shade: #AC2A2E, #AC482A, #AC6B2A, #AC8E2A and #A8AC2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6C2ACE shade: #6A431A, #8B5822, #AC6D2A, #CD8232 and #D59653

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6C2ACE shade: #AB6C2A, #51AC2A and #372AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6C2ACE shade: #AB6C2A, #2AAC6B and #6B2AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6C2ACE shade: #AB6C2A, #51AC2A, #2A6BAC and #852AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6C2ACE shade: #AB6C2A, #2AAC2A, #2A6BAC and #AC2AAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 61 / 27

HEX #AB6C2ACE

RGBA 171 108 42 0.81

HSLA 30.7, 0.61%, 0.42%, 0.81

LABA 51.32, 19.45, 45.55, 0.81

 

Complementary color

CMYK 49 / 25 / 0 / 13

HEX #5493D5CE

RGBA 84 147 213 0.81

HSLA 210.7, 0.61%, 0.58%, 0.81

LABA 59.49, -0.38, -39.87, 0.81

 

CMYK 0 / 31 / 64 / 25

HEX #B06C25CE

RGBA 176 108 37 0.81

HSLA 30.65, 0.65%, 0.42%, 0.81

LABA 51.94, 21.43, 48.59, 0.81

 

CMYK 0 / 28 / 57 / 20

HEX #C17E38CE

RGBA 193 126 56 0.81

HSLA 30.66, 0.55%, 0.49%, 0.81

LABA 58.55, 19.72, 47.38, 0.81

 

CMYK 0 / 25 / 52 / 14

HEX #D2904BCE

RGBA 210 144 75 0.81

HSLA 30.67, 0.6%, 0.56%, 0.81

LABA 65.09, 18.26, 45.94, 0.81

 

CMYK 0 / 23 / 47 / 9

HEX #E3A25ECE

RGBA 227 162 94 0.81

HSLA 30.68, 0.7%, 0.63%, 0.81

LABA 71.54, 16.98, 44.46, 0.81

 

CMYK 0 / 21 / 43 / 3

HEX #F4B471CE

RGBA 244 180 113 0.81

HSLA 30.69, 0.86%, 0.7%, 0.81

LABA 77.92, 15.88, 43.01, 0.81

 

CMYK 0 / 30 / 61 / 27

HEX #AB6C2ACE

RGBA 171 108 42 0.81

HSLA 30.7, 0.61%, 0.42%, 0.81

LABA 51.32, 19.45, 45.55, 0.81

 

CMYK 0 / 34 / 69 / 32

HEX #9A5A17CE

RGBA 154 90 23 0.81

HSLA 30.69, 0.74%, 0.35%, 0.81

LABA 44.58, 21.34, 46.44, 0.81

 

CMYK 0 / 38 / 79 / 37

HEX #894804CE

RGBA 137 72 4 0.81

HSLA 30.68, 0.94%, 0.28%, 0.81

LABA 37.77, 23.54, 46.19, 0.81

 

CMYK 0 / 45 / 81 / 43

HEX #783600CE

RGBA 120 54 0 0.81

HSLA 27, 1%, 0.24%, 0.81

LABA 30.95, 26.06, 41.89, 0.81

 

CMYK 0 / 53 / 81 / 48

HEX #672400CE

RGBA 103 36 0 0.81

HSLA 20.97, 1%, 0.2%, 0.81

LABA 24.15, 28.49, 34.88, 0.81

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 58 / 76 / 33

HEX #AC492A

RGB 172 73 42

HSL 14.31, 0.61%, 0.42%

LAB 43.8, 38.69, 37.8

 

CMYK 0 / 76 / 76 / 33

HEX #AC2A2A

RGB 172 42 42

HSL 0, 0.61%, 0.42%

LAB 38.89, 51.92, 32.45

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 16 / 76 / 33

HEX #AC902A

RGB 172 144 42

HSL 47.08, 0.61%, 0.42%

LAB 60.68, -0.2, 54.76

 

CMYK 3 / 0 / 76 / 33

HEX #A6AC2A

RGB 166 172 42

HSL 62.77, 0.61%, 0.42%

LAB 67.86, -17.67, 61.33

 

CMYK 24 / 0 / 76 / 33

HEX #83AC2A

RGB 131 172 42

HSL 78.92, 0.61%, 0.42%

LAB 65.36, -32.33, 58.08

 

CMYK 45 / 0 / 76 / 33

HEX #5FAC2A

RGB 95 172 42

HSL 95.54, 0.61%, 0.42%

LAB 63.43, -45.52, 55.55

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 43 / 87 / 25

HEX #BE6D18

RGB 190 109 24

HSL 30.72, 0.78%, 0.42%

LAB 53.97, 26.54, 55.95

 

CMYK 0 / 47 / 97 / 19

HEX #CF6D07

RGB 207 109 7

HSL 30.6, 0.93%, 0.42%

LAB 56.31, 33.4, 62.76

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 30 / 62 / 39

HEX #9B6C3B

RGB 155 108 59

HSL 30.63, 0.45%, 0.42%

LAB 49.51, 13.39, 34.47

 

CMYK 0 / 22 / 45 / 46

HEX #8A6C4C

RGB 138 108 76

HSL 30.97, 0.29%, 0.42%

LAB 47.82, 7.46, 22.43

 

CMYK 0 / 11 / 22 / 53

HEX #786B5E

RGB 120 107 94

HSL 30, 0.12%, 0.42%

LAB 46.06, 2.82, 9.15

 

CMYK 7 / 4 / 0 / 56

HEX #676B6F

RGB 103 107 111

HSL 210, 0.04%, 0.42%

LAB 45.01, -0.67, -2.77

 

CMYK 0 / 76 / 73 / 33

HEX #AC2A2E

RGB 172 42 46

HSL 358.15, 0.61%, 0.42%

LAB 38.94, 52.09, 30.12

 

CMYK 0 / 58 / 76 / 33

HEX #AC482A

RGB 172 72 42

HSL 13.85, 0.61%, 0.42%

LAB 43.61, 39.19, 37.6

 

CMYK 0 / 38 / 76 / 33

HEX #AC6B2A

RGB 172 107 42

HSL 30, 0.61%, 0.42%

LAB 51.21, 20.45, 45.48

 

CMYK 0 / 17 / 76 / 33

HEX #AC8E2A

RGB 172 142 42

HSL 46.15, 0.61%, 0.42%

LAB 60.14, 0.9, 54.25

 

CMYK 2 / 0 / 76 / 33

HEX #A8AC2A

RGB 168 172 42

HSL 61.85, 0.61%, 0.42%

LAB 68.02, -16.8, 61.53

 

CMYK 0 / 37 / 75 / 58

HEX #6A431A

RGB 106 67 26

HSL 30.75, 0.61%, 0.26%

LAB 32.15, 12.82, 30.88

 

CMYK 0 / 37 / 76 / 45

HEX #8B5822

RGB 139 88 34

HSL 30.86, 0.61%, 0.34%

LAB 42.13, 16.15, 38.62

 

CMYK 0 / 37 / 76 / 33

HEX #AC6D2A

RGB 172 109 42

HSL 30.92, 0.61%, 0.42%

LAB 51.7, 19.33, 45.97

 

CMYK 0 / 37 / 76 / 20

HEX #CD8232

RGB 205 130 50

HSL 30.97, 0.61%, 0.5%

LAB 60.94, 22.39, 53.02

 

CMYK 0 / 30 / 61 / 16

HEX #D59653

RGB 213 150 83

HSL 30.92, 0.61%, 0.58%

LAB 66.96, 16.81, 44.2

 

CMYK 0 / 37 / 75 / 33

HEX #AB6C2A

RGB 171 108 42

HSL 30.7, 0.61%, 0.42%

LAB 51.32, 19.45, 45.55

 

CMYK 53 / 0 / 76 / 33

HEX #51AC2A

RGB 81 172 42

HSL 102, 0.61%, 0.42%

LAB 62.86, -49.82, 54.81

 

CMYK 68 / 76 / 0 / 33

HEX #372AAC

RGB 55 42 172

HSL 246, 0.61%, 0.42%

LAB 27.97, 45.32, -66.9

 

CMYK 0 / 37 / 75 / 33

HEX #AB6C2A

RGB 171 108 42

HSL 30.7, 0.61%, 0.42%

LAB 51.32, 19.45, 45.55

 

CMYK 76 / 0 / 38 / 33

HEX #2AAC6B

RGB 42 172 107

HSL 150, 0.61%, 0.42%

LAB 62.56, -49.57, 23.8

 

CMYK 38 / 76 / 0 / 33

HEX #6B2AAC

RGB 107 42 172

HSL 270, 0.61%, 0.42%

LAB 33.48, 52.9, -57.66

 

CMYK 0 / 37 / 75 / 33

HEX #AB6C2A

RGB 171 108 42

HSL 30.7, 0.61%, 0.42%

LAB 51.32, 19.45, 45.55

 

CMYK 53 / 0 / 76 / 33

HEX #51AC2A

RGB 81 172 42

HSL 102, 0.61%, 0.42%

LAB 62.86, -49.82, 54.81

 

CMYK 76 / 38 / 0 / 33

HEX #2A6BAC

RGB 42 107 172

HSL 210, 0.61%, 0.42%

LAB 44.21, 2.36, -40.62

 

CMYK 23 / 76 / 0 / 33

HEX #852AAC

RGB 133 42 172

HSL 282, 0.61%, 0.42%

LAB 37.15, 57.74, -51.53

 

CMYK 0 / 37 / 75 / 33

HEX #AB6C2A

RGB 171 108 42

HSL 30.7, 0.61%, 0.42%

LAB 51.32, 19.45, 45.55

 

CMYK 76 / 0 / 76 / 33

HEX #2AAC2A

RGB 42 172 42

HSL 120, 0.61%, 0.42%

LAB 61.8, -58.53, 53.39

 

CMYK 76 / 38 / 0 / 33

HEX #2A6BAC

RGB 42 107 172

HSL 210, 0.61%, 0.42%

LAB 44.21, 2.36, -40.62

 

CMYK 0 / 76 / 0 / 33

HEX #AC2AAC

RGB 172 42 172

HSL 300, 0.61%, 0.42%

LAB 43.37, 65.69, -41.22

 

Description

Color code: HEX #AB6C2ACE | qconv.com Color code: HEX #AB6C2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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