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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6C2000 it is the complementary color #5493DF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6C2000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6C2000 shade: #B06C1B00, #C17E2E00, #D2904100, #E3A25400 and #F4B46700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6C2000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6C2000 shade: #AB6C2000, #9A5A0D00, #89480000, #78360000 and #67240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6C2000 shade: #AB6C21, #AB4721, #AB2221 and #AB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6C2000 shade: #AB6C21, #AB9221, #9FAB21, #7AAB21 and #55AB21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6C2000 shade matches the following richer shades: #AB6C21 and #BC6E10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6C2000 shade: #AB6C21, #9B6B31, #8A6942, #7A6852 and #696663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6C2000 shade: #AB2121, #AB4621, #AB6B21, #AB9021 and #A2AB21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6C2000 shade: #664113, #89571A, #AB6C21, #CE8227 and #DB9643

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6C2000 shade: #AB6C20, #46AB21 and #3321AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6C2000 shade: #AB6C20, #21AB6B and #6B21AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6C2000 shade: #AB6C20, #46AB21, #2161AB and #8621AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6C2000 shade: #AB6C20, #21AB25, #2161AB and #AB21A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AB6C2000

RGBA 171 108 32 0

HSLA 32.81, 0.68%, 0.4%, 0

LABA 51.25, 19.04, 49.77, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #5493DF00

RGBA 84 147 223 0

HSLA 212.81, 0.68%, 0.6%, 0

LABA 59.96, 2.92, -44.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B06C1B00

RGBA 176 108 27 0

HSLA 32.62, 0.73%, 0.4%, 0

LABA 51.88, 21.09, 52.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C17E2E00

RGBA 193 126 46 0

HSLA 32.65, 0.62%, 0.47%, 0

LABA 58.47, 19.25, 51.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2904100

RGBA 210 144 65 0

HSLA 32.69, 0.62%, 0.54%, 0

LABA 64.99, 17.66, 50.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3A25400

RGBA 227 162 84 0

HSLA 32.73, 0.72%, 0.61%, 0

LABA 71.43, 16.29, 49.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4B46700

RGBA 244 180 103 0

HSLA 32.77, 0.87%, 0.68%, 0

LABA 77.79, 15.1, 47.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB6C2000

RGBA 171 108 32 0

HSLA 32.81, 0.68%, 0.4%, 0

LABA 51.25, 19.04, 49.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A5A0D00

RGBA 154 90 13 0

HSLA 32.77, 0.84%, 0.33%, 0

LABA 44.53, 21.09, 49.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89480000

RGBA 137 72 0 0

HSLA 31.53, 1%, 0.27%, 0

LABA 37.76, 23.46, 47.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78360000

RGBA 120 54 0 0

HSLA 27, 1%, 0.24%, 0

LABA 30.95, 26.06, 41.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67240000

RGBA 103 36 0 0

HSLA 20.97, 1%, 0.2%, 0

LABA 24.15, 28.49, 34.88, 0

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C21

RGB 171 108 33

HSL 32.61, 0.68%, 0.4%

LAB 51.26, 19.08, 49.37

 

CMYK 0 / 58 / 81 / 33

HEX #AB4721

RGB 171 71 33

HSL 16.52, 0.68%, 0.4%

LAB 43.17, 38.94, 41.73

 

CMYK 0 / 80 / 81 / 33

HEX #AB2221

RGB 171 34 33

HSL 0.43, 0.68%, 0.4%

LAB 37.68, 53.82, 36.31

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C21

RGB 171 108 33

HSL 32.61, 0.68%, 0.4%

LAB 51.26, 19.08, 49.37

 

CMYK 0 / 15 / 81 / 33

HEX #AB9221

RGB 171 146 33

HSL 49.13, 0.68%, 0.4%

LAB 61.07, -2.1, 58.24

 

CMYK 7 / 0 / 81 / 33

HEX #9FAB21

RGB 159 171 33

HSL 65.22, 0.68%, 0.4%

LAB 66.98, -20.55, 63.07

 

CMYK 29 / 0 / 81 / 33

HEX #7AAB21

RGB 122 171 33

HSL 81.3, 0.68%, 0.4%

LAB 64.46, -35.86, 59.86

 

CMYK 50 / 0 / 81 / 33

HEX #55AB21

RGB 85 171 33

HSL 97.39, 0.68%, 0.4%

LAB 62.65, -48.8, 57.53

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C21

RGB 171 108 33

HSL 32.61, 0.68%, 0.4%

LAB 51.26, 19.08, 49.37

 

CMYK 0 / 41 / 91 / 26

HEX #BC6E10

RGB 188 110 16

HSL 32.79, 0.84%, 0.4%

LAB 53.9, 24.97, 58.02

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C21

RGB 171 108 33

HSL 32.61, 0.68%, 0.4%

LAB 51.26, 19.08, 49.37

 

CMYK 0 / 31 / 68 / 39

HEX #9B6B31

RGB 155 107 49

HSL 32.83, 0.52%, 0.4%

LAB 49.14, 13.27, 39.26

 

CMYK 0 / 24 / 52 / 46

HEX #8A6942

RGB 138 105 66

HSL 32.5, 0.35%, 0.4%

LAB 46.84, 8.14, 26.91

 

CMYK 0 / 15 / 33 / 52

HEX #7A6852

RGB 122 104 82

HSL 33, 0.2%, 0.4%

LAB 45.15, 3.59, 15.05

 

CMYK 0 / 3 / 6 / 59

HEX #696663

RGB 105 102 99

HSL 30, 0.03%, 0.4%

LAB 43.37, 0.58, 2.1

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 59 / 81 / 33

HEX #AB4621

RGB 171 70 33

HSL 16.09, 0.68%, 0.4%

LAB 42.99, 39.43, 41.55

 

CMYK 0 / 37 / 81 / 33

HEX #AB6B21

RGB 171 107 33

HSL 32.17, 0.68%, 0.4%

LAB 51.02, 19.64, 49.15

 

CMYK 0 / 16 / 81 / 33

HEX #AB9021

RGB 171 144 33

HSL 48.26, 0.68%, 0.4%

LAB 60.53, -1.01, 57.76

 

CMYK 5 / 0 / 81 / 33

HEX #A2AB21

RGB 162 171 33

HSL 63.91, 0.68%, 0.4%

LAB 67.21, -19.25, 63.36

 

CMYK 0 / 36 / 81 / 60

HEX #664113

RGB 102 65 19

HSL 33.25, 0.69%, 0.24%

LAB 31, 11.74, 33.03

 

CMYK 0 / 36 / 81 / 46

HEX #89571A

RGB 137 87 26

HSL 32.97, 0.68%, 0.32%

LAB 41.55, 15.45, 41.62

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C21

RGB 171 108 33

HSL 32.61, 0.68%, 0.4%

LAB 51.26, 19.08, 49.37

 

CMYK 0 / 37 / 81 / 19

HEX #CE8227

RGB 206 130 39

HSL 32.69, 0.68%, 0.48%

LAB 60.99, 22.41, 57.57

 

CMYK 0 / 32 / 69 / 14

HEX #DB9643

RGB 219 150 67

HSL 32.76, 0.68%, 0.56%

LAB 67.49, 18.35, 52.7

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 59 / 0 / 81 / 33

HEX #46AB21

RGB 70 171 33

HSL 103.91, 0.68%, 0.4%

LAB 62.12, -53, 56.85

 

CMYK 70 / 81 / 0 / 33

HEX #3321AB

RGB 51 33 171

HSL 247.83, 0.68%, 0.4%

LAB 25.96, 49.22, -69.64

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 81 / 0 / 37 / 33

HEX #21AB6B

RGB 33 171 107

HSL 152.17, 0.68%, 0.4%

LAB 62.09, -50.31, 23.16

 

CMYK 37 / 81 / 0 / 33

HEX #6B21AB

RGB 107 33 171

HSL 272.17, 0.68%, 0.4%

LAB 32.15, 56.23, -59.22

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 59 / 0 / 81 / 33

HEX #46AB21

RGB 70 171 33

HSL 103.91, 0.68%, 0.4%

LAB 62.12, -53, 56.85

 

CMYK 81 / 43 / 0 / 33

HEX #2161AB

RGB 33 97 171

HSL 212.17, 0.68%, 0.4%

LAB 40.92, 7.25, -45.3

 

CMYK 22 / 81 / 0 / 33

HEX #8621AB

RGB 134 33 171

HSL 283.91, 0.68%, 0.4%

LAB 36.17, 60.8, -52.51

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 81 / 0 / 78 / 33

HEX #21AB25

RGB 33 171 37

HSL 121.74, 0.68%, 0.4%

LAB 61.29, -59.85, 54.53

 

CMYK 81 / 43 / 0 / 33

HEX #2161AB

RGB 33 97 171

HSL 212.17, 0.68%, 0.4%

LAB 40.92, 7.25, -45.3

 

CMYK 0 / 81 / 2 / 33

HEX #AB21A7

RGB 171 33 167

HSL 301.74, 0.68%, 0.4%

LAB 42.06, 67.16, -40.34

 

Description

Color code: HEX #AB6C2000 | qconv.com Color code: HEX #AB6C2000 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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